Ben Reynolds

Director Of Photography

Filmography

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McFadden's Flats (1935)
Photography
The Wanderer of the Wasteland (1935)
Photography
It's a Great Life! (1935)
Photography
Men Without Names (1935)
Photography
One Hour Late (1934)
Photography
The Witching Hour (1934)
Photography

Photos & Videos

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Wide Open (1930) -- (Movie Clip) I Don't Like Women In Distresses
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0 Photos
Wide Open (1930) -- (Movie Clip) It Isn't Gentile

Biography

Filmography

 

Cinematography (Feature Film)

McFadden's Flats (1935)
Photography
The Wanderer of the Wasteland (1935)
Photography
It's a Great Life! (1935)
Photography
Men Without Names (1935)
Photography
One Hour Late (1934)
Photography
The Witching Hour (1934)
Photography
Come On Marines! (1934)
Photography
Menace (1934)
Photography
The Old Fashioned Way (1934)
Photography
Thundering Herd (1933)
Photography
Man of the Forest (1933)
Photography
Tillie and Gus (1933)
Photography
To the Last Man (1933)
Photography
Vengeance (1930)
Camera
The Careless Age (1929)
Director of Photography
The Greyhound Limited (1929)
Director of Photography
Stolen Kisses (1929)
Director of Photography
Kid Gloves (1929)
Director of Photography
Honky Tonk (1929)
Director of Photography
Is Everybody Happy? (1929)
Director of Photography
Man, Woman, and Wife (1929)
Director of Photography
Sonny Boy (1929)
Director of Photography
The Wedding March (1928)
Director of Photography
The Fourflusher (1928)
Director of Photography
Freedom of the Press (1928)
Director of Photography
Queen Kelly (1928)
Director of Photography
The Way of the Strong (1928)
Photography
The Little Wildcat (1928)
Director of Photography
Name the Woman (1928)
Director of Photography
Silk Stockings (1927)
Director of Photography
The Thirteenth Juror (1927)
Director of Photography
The Devil's Circus (1926)
Director of Photography
Tin Hats (1926)
Director of Photography
Blarney (1926)
Director of Photography
The Waning Sex (1926)
Director of Photography
The Merry Widow (1925)
Director of Photography
Exchange of Wives (1925)
Camera
His Secretary (1925)
Director of Photography
Greed (1925)
Director of Photography
A Slave of Fashion (1925)
Director of Photography
The Fast Worker (1924)
Director of Photography
The Signal Tower (1924)
Director of Photography
Riders Up (1924)
Director of Photography
Butterfly (1924)
Director of Photography
Stormswept (1923)
Director of Photography
The Ghost Patrol (1923)
Director of Photography
The Prisoner (1923)
Director of Photography
Foolish Wives (1922)
Director of Photography
Another Man's Shoes (1922)
Director of Photography
Shattered Dreams (1922)
Director of Photography
A Wonderful Wife (1922)
Director of Photography
The Golden Gallows (1922)
Director of Photography
The Long Chance (1922)
Director of Photography
False Kisses (1921)
Director of Photography
The Supreme Passion (1921)
Director of Photography
Alias Miss Dodd (1920)
Camera
The Scarlet Drop (1918)
Camera

Music (Feature Film)

Merry-Go-Round (1923)
Music

Life Events

Videos

Movie Clip

Wide Open (1930) -- (Movie Clip) I Don't Like Women In Distresses For reasons not known, Patsy Ruth Miller, not yet identified, using an address stolen from his workplace, has sneaked into the home of neurotic bachelor bookkeeper Simon (Edward Haldane) and removed her wet clothes, shortly after he managed to remove an amorous female colleague, in Wide Open, 1930.
Wide Open (1930) -- (Movie Clip) It Isn't Gentile Timid bachelor bookkeeper Simon (Edward Everett Horton) is already under assault, by happenstance in the phonograph company’s recording studio, from amorous stenographer Agatha (Louis Fazenda), when the boss, a client and the star salesman (E.J. Ratcliffe, Vincent Barnett, T. Roy Barnes) intrude, in Warner Bros. and director Archie Mayo’s Wide Open, 1930.
Wide Open (1930) -- (Movie Clip) Stop Deluding Yourself! Opening with star Edward Everett Horton embarrassed on his front step, and Louise Beavers as his sensible servant Easter, in the pre-code talkie from Warner Bros. and director Archie Mayo, co-starring Patsy Ruth Miller, Wide Open, 1930.
Merry Widow, The (1925) -- (Movie Clip) City In The Sky Director Erich von Stroheim going for scale from the opening, introducing "Monteblanco," the king (George Fawcett), queen (Josephine Crowell), evil baron (Tully Marshall) and unappealing crown prince (Roy D'Arcy), in the 1925 MGM version of The Merry Widow.
Merry Widow, The (1925) -- (Movie Clip) Premiere Danseuse American entertainer Sally O'Hara (Mae Murray) and troupe arrive in the fictional Alpine nation of Monteblanco, greeted by chance by the charming, if forward second son of the king, Prince Danilo (John Gilbert), in Erich von Stroheim's The Merry Widow, 1925.
Merry Widow, The (1925) -- (Movie Clip) Manhattan Follies All the kingdom of Monteblanco seems turned out to see the American troupe starring Sally O'Hara (Mae Murray), lusted after by the Baron (Tully Marshall), Crown Prince Mirko (Roy D'Arcy), and his less-evil younger brother Danilo (John Gilbert), in Erich von Stroheim's The Merry Widow, 1925.
Merry Widow, The (1925) -- (Movie Clip) Next In Line Introductory scenes from director Erich von Stroheim, having established the kingdom of Monteblanco, for Crown Prince Mirko (Roy D'Arcy) and his cousin Prince Danilo (John Gilbert), in The Merry Widow, 1925.

Bibliography

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