Charles D. Hall
About
Biography
Filmography
Notes
Not to be confused with the actor, Charles Hall, of the same time period.
Biography
Charles Hall was a key figure in the classical Hollywood studio system, making his most important mark shaping the look of Universal Studios films between 1925 and 1936. He worked in the English theater before bringing his Gothic sensibility to Hollywood for films such as "The Phantom of the Opera" (1925), "The Cat and the Canary" (1927), "Dracula" (1931), "The Bride of Frankenstein" (1935) and other dark, macabre delights; he also showed flair for films as diverse as "All Quiet on the Western Front" (1930) and "Showboat" (1936). Besides his immensely successful and important collaboration with directorial stylists James Whale and Paul Leni, Hall was also noted for his exquisite work on three Chaplin masterpieces: "The Gold Rush" (1925), "City Lights" (1931) and "Modern Times" (1936).
Filmography
Cinematography (Feature Film)
Art Director (Feature Film)
Visual Effects (Feature Film)
Art Department (Feature Film)
Life Events
1922
Feature debut, art director, "The Lying Truth"
1925
First collaboration with Charlie Chaplin, "The Gold Rush"
1927
First collaboration with director Paul Leni, "The Cat and the Canary"
1929
First sound film, "Broadway"
1929
Last collaboration with Leni, "The Last Warning"
1931
First collaboration with director James Whale, "Frankenstein"
1936
Final film work with Chaplin, "Modern Times"
1936
Last collaboration with Whale, "Showboat"; also parted company with Universal Studios soon thereafter
1955
Final feature, "Big House, U.S.A."
Videos
Trailer
Bibliography
Notes
Not to be confused with the actor, Charles Hall, of the same time period.