Though celebrated for his dramatic roles - in particular, his Academy Award-winning turn in The Private Life of Henry VIII (1933), his Oscar nominated performance as Captain Bligh in Mutiny on the Bounty (1935), and his sympathetic portrayal of The Hunchback of Notre Dame (1939) - Charles Laughton was a born comedian, and an Abbott and Costello fan to boot. When the opportunity presented itself for Laughton to work with the manic ex-vaudevillians, producer Alex Gottlieb told screenwriter Howard Dunsdale "We got Laughton for Captain Kidd - can you come up with something?" Laughton had already played the historical figure in Rowland V. Lee's budget swashbuckler bio Captain Kidd (1945) and merely loosened up his interpretation (and lost the historically inaccurate Cockney accent) for Abbott and Costello Meet Captain Kidd (1952), a SuperCinecolor musical set during the days of high seas piracy. Though the classically trained Laughton initially had difficulty matching the rhythms of long-time improvisers Bud and Lou, he eventually learned to toss out the script and work the funny, enjoying this opportunity to play "the bloodthirstiest rogue in all the world." Laughton would borrow cinematographer, Stanley Cortez, for his directorial debut, The Night of the Hunter (1955), while the film's assistant director, Robert Aldrich, directed his first feature the following year, with the baseball drama Big Leaguer (1953).
By Richard Harland
Abbott and Costello Meet Captain Kidd
Brief Synopsis
Two waiters stumble on a treasure map and land in hot water with pirates.
Cast & Crew
Read More
Charles Lamont
Director
[bud] Abbott
Rocky Stonebridge
[lou] Costello
Oliver "Puddin' Head" Johnson
Charles Laughton
Captain Kidd
Hillary Brooke
Capt. Bonney
Bill Shirley
Bruce Martingale
Film Details
Genre
Comedy
Musical
Release Date
Dec
27,
1952
Premiere Information
not available
Production Company
Woodley Productions, Inc.
Distribution Company
Warner Bros. Pictures, Inc.
Country
United States
Technical Specs
Duration
1h 10m
Sound
Mono (RCA Sound System)
Color
Color (Supercinecolor)
Theatrical Aspect Ratio
1.37 : 1
Film Length
8 reels
Synopsis
In the late seventeenth century, Captain Kidd and his pirates dock on the island of Tortuga for some recreation. Meanwhile, Rocky Stonebridge and Oliver "Puddin' Head" Johnson, who are working as tavern waiters for their passage back to America, are asked to deliver a love letter from Lady Jane to the tavern's singer, Bruce Martingale. Before they can deliver the letter, Puddin' is sent to wait on Kidd, who is dining with his rival, the beautiful Capt. Bonney. Accusing Kidd of pillaging in her "territory," Bonney demands that stolen jewels be turned over to her. When Kidd claims they are buried on Skull Island and shows her a treasure map, she decides to accompany him there on his ship, with her own ship following, in case of trouble. Their discussion is interrupted by Puddin's bungling entrance with the food, and during the resulting disorder, the treasure map and Jane's love letter are inadvertently switched. When Rocky and Puddin' discover the mix-up, Rocky realizes the importance of the map. They try to trick Kidd into taking them to the island by disguising Puddin' as an important naval officer, but the disguise is discovered. To save Puddin' from Kidd's wrath, Rocky tells him they have hidden the map, and then negotiates for Kidd to take them to the island and share the wealth. As Rocky and Puddin' return to the ship with Kidd's first mate Morgan and the other pirates, Puddin' tosses what he thinks is the love letter to Bruce, who, wondering why his friends gave him a map, follows them to ask, and is shanghaied. On the ship, Kidd searches Puddin' and Rocky for the map, planning to feed them to the sharks afterward, but finding only the love letter, he puts them in irons. Enticed by the love letter she thinks Puddin' wrote, Bonney frees them, in return for the map, but discovers later that they gave her the love letter. When an English merchant ship, in which Jane is a passenger, approaches, a sea battle commences, and Jane is captured. In exchange for Jane's life, Oliver gives Kidd the map. Later Puddin' stumbles into Bonney's room and discovers that her ardor for him is getting hotter. However, Rocky pulls Puddin' away to search the captain's room for the map, which Puddin' memorizes, then eats, just before Kidd catches him. At the sight of Skull Island, they all disembark and row out to search. Ordered to lead them to the treasure, Puddin' finds a spot and begins digging, while Jane and Bruce find a spot to continue their courting. After several hours, Puddin' uncovers a chest filled with jewels, but Kidd, who feels obligated to remain true to his reputation, announces his plans to double-cross all of them. Knowing she is to be killed later that evening, Bonney saves Puddin' and Rocky from a live burial and proposes a means of escape. That evening, according to Bonney's plan, Jane and Bruce distract the pirates, while Bonney signals to her ship. Puddin' knocks out Kidd and steals his clothes, then posing as Kidd, rescues Jane from the pirates. Bonney's men then fire their cannon at Kidd's men, while Bonney and the rest of her new cohorts prepare to carry the treasure by boat to the ship. In his disguise, Puddin' is mistaken by Bonney's men for Kidd and fired upon, but he survives. Kidd, Morgan, Rocky and Puddin' lead each other on a merry chase, but eventually Kidd is captured and hung by his feet on the ship's yardarm and Morgan volunteers to become a loyal second mate. After Puddin' and Bonney share a noisy and passionate kiss, Puddin' takes over as skipper and they all sail away.
Director
Charles Lamont
Director
Cast
[bud] Abbott
Rocky Stonebridge
[lou] Costello
Oliver "Puddin' Head" Johnson
Charles Laughton
Captain Kidd
Hillary Brooke
Capt. Bonney
Bill Shirley
Bruce Martingale
Leif Erickson
Morgan
Fran Warren
Lady Jane
Crew
Robert Aldrich
Assistant Director
Milt Bronson
Dial Director
Stanley Cortez
Director of Photography
Mac Dalgleish
Sound
Albert Deano
Men's Wardrobe
Howard Dimsdale
Writer
Maria Donovan
Ladies' Wardrobe
Alex Gottlieb
Producer
John Grant
Writer
Abe Haberman
Makeup
Daniel Hall
Art Director
Wilton R. Holm
Color Consultant
Raoul Kraushaar
Music Composition and Conducting
Lester Lee
Composer
Norman Luboff
Choral Arrangements
Edward Mann
Film Editor
Don Mcdougall
Script Supervisor
Al Orenbach
Set Decoration
Val Raset
Music numbers staged by
Bob Russell
Composer
Clifford D. Shank
Color Consultant
Maurie M. Suess
Prod Supervisor
Ben Winkler
Sound
Lee Zavitz
Special Effects
Photo Collections
1 Photo
Abbott and Costello Meet Captain Kidd - Movie Poster
Abbott and Costello Meet Captain Kidd - Movie Poster
Videos
Movie Clip
Film Details
Genre
Comedy
Musical
Release Date
Dec
27,
1952
Premiere Information
not available
Production Company
Woodley Productions, Inc.
Distribution Company
Warner Bros. Pictures, Inc.
Country
United States
Technical Specs
Duration
1h 10m
Sound
Mono (RCA Sound System)
Color
Color (Supercinecolor)
Theatrical Aspect Ratio
1.37 : 1
Film Length
8 reels
Articles
Abbott And Costello Meet Captain Kidd
By Richard Harland
Abbott And Costello Meet Captain Kidd
Though celebrated for his dramatic roles - in particular, his Academy Award-winning turn in The Private Life of Henry VIII (1933), his Oscar nominated performance as Captain Bligh in Mutiny on the Bounty (1935), and his sympathetic portrayal of The Hunchback of Notre Dame (1939) - Charles Laughton was a born comedian, and an Abbott and Costello fan to boot. When the opportunity presented itself for Laughton to work with the manic ex-vaudevillians, producer Alex Gottlieb told screenwriter Howard Dunsdale "We got Laughton for Captain Kidd - can you come up with something?" Laughton had already played the historical figure in Rowland V. Lee's budget swashbuckler bio Captain Kidd (1945) and merely loosened up his interpretation (and lost the historically inaccurate Cockney accent) for Abbott and Costello Meet Captain Kidd (1952), a SuperCinecolor musical set during the days of high seas piracy. Though the classically trained Laughton initially had difficulty matching the rhythms of long-time improvisers Bud and Lou, he eventually learned to toss out the script and work the funny, enjoying this opportunity to play "the bloodthirstiest rogue in all the world." Laughton would borrow cinematographer, Stanley Cortez, for his directorial debut, The Night of the Hunter (1955), while the film's assistant director, Robert Aldrich, directed his first feature the following year, with the baseball drama Big Leaguer (1953).
By Richard Harland
Abbott & Costello Meet Captain Kidd - Abbott and Costello Meet Captain Kidd
The real mystery of Abbott and Costello Meet Captain Kidd is Laughton's decision to appear in a low-budget Warner Bros. comedy second billed to Bud and Lou. Was he in a career rut or just slumming? Neither, actually, according to the film's producer, Alex Gottlieb, who was pressured by the comedy team to hire Laughton after the latter expressed an interest. "So I went to Boston, saw the play he [Laughton] was in, and went backstage," Gottlieb recounted (in Abbott and Costello in Hollywood by Bob Furmanek and Ron Palumbo). "I said, 'Tell me. Why would you, an Oscar®-winner and everything, why would you want to be in a picture with Abbott and Costello?' He said, 'You want to know why, honestly? I don't know how to do a double-take. I think I can learn from Lou.' Can you imagine? He said, 'This is a very funny man. You don't realize how talented Lou Costello is. '"
It was common knowledge among the cast and crew who worked regularly with Abbott and Costello that the duo had a loose, improvisational style of working that could be intimidating to seasoned professionals who faithfully followed the script. In fact, prior to shooting, co-star Hillary Brooke advised Laughton, 'You have to learn to work with Lou; he can't learn to work with you.' Instead of taking offense, Laughton took the suggestion to heart and learned to expect the unexpected. Director Charles Lamont later recalled that Laughton "was absolutely marvelous. You know, he wouldn't let a stuntman do his pratfalls for him. The first day he was on the set, Laughton saw Sailor Vincent dressed in a costume identical to his. 'Oh, no!' he yelled. 'I want to do my own pratfalls! That's why I'm making this picture. I want to be a buffoon!" I said 'Okay, it's your rear end" (from Abbott and Costello in Hollywood).
Despite his reputation for mostly serious roles, Laughton was no stranger to comedic characters, having delighted audiences in such films as Ruggles of Red Gap (1935) and The Canterville Ghost (1944). Stanley Cortez, the cinematographer of Abbott and Costello Meet Captain Kidd, said "the idea of Charles Laughton playing Captain Kidd opposite Abbott and Costello in itself is a very funny concept. I had known Charles Laughton from a picture called The Man on the Eiffel Tower (1950). I know that Charles had a very good sense of humor, and he played right along with them, which doesn't happen very often."
Audiences and critics alike were most receptive to Abbott and Costello Meet Captain Kidd when it opened theatrically. The Los Angeles Time wrote, "Charles Laughton is here, debuting in slapstick, and adds prodigiously to the fun and may be said to almost steal the picture," while Variety noted that "Laughton hams delightfully, thoroughly enjoying himself in abandoning longhair dramatics for low comedy." Nevertheless, admirers of Laughton's work in The Private Life of Henry VIII (1933), Les Miserables (1935) or The Hunchback of Notre Dame (1939) may feel Abbott and Costello Meet Captain Kidd is unworthy of his talent. But if you want to see the Oscar&-winning actor hit in the head with a shovel (twice), get doused with a bucketful of sea water or hung upside down from a ship's mast, this is a dream come true.
Producer: Bud Abbott, Lou Costello, Alex Gottlieb
Director: Charles Lamont
Screenplay: Howard Dimsdale, John Grant
Cinematography: Stanley Cortez
Film Editing: Edward Mann
Art Direction: Daniel Hall
Music: Raoul Kraushaar
Cast: Bud Abbott (Rocky Stonebridge), Lou Costello (Captain Feathergill), Charles Laughton (Capt. William Kidd), Hillary Brooke (Capt. Bonney), Fran Warren (Lady Jane), Bill Shirley (Bruce Martingale).
C-70m. Closed captioning.
by Jeff Stafford
Abbott & Costello Meet Captain Kidd - Abbott and Costello Meet Captain Kidd
Screen villain Boris Karloff, bandleader Jimmy Dorsey, heavyweight boxing champion Max Baer, filmmaker Mack Sennett - these are just a few of the high profile celebrities to appear in the films of comedy team Abbott and Costello over the years. Yet, it was much rarer to find an Oscar® winning actor playing opposite the duo which is why Abbott and Costello Meet Captain Kidd (1952) is such a novelty. As the notorious pirate of the title, Charles Laughton attacks his role with relish, sending up his previous screen image as the cruel and sadistic Captain Bligh in Mutiny on the Bounty. (1935). He gets to raid English ships, double cross his rival Captain Bonney (Hillary Brooke), and constantly terrorize the boys on their way to Skull Island in search of buried treasure. He even gets a brief song solo in one of the film's opening production numbers. That's right, folks, it's a musical comedy.
The real mystery of Abbott and Costello Meet Captain Kidd is Laughton's decision to appear in a low-budget Warner Bros. comedy second billed to Bud and Lou. Was he in a career rut or just slumming? Neither, actually, according to the film's producer, Alex Gottlieb, who was pressured by the comedy team to hire Laughton after the latter expressed an interest. "So I went to Boston, saw the play he [Laughton] was in, and went backstage," Gottlieb recounted (in Abbott and Costello in Hollywood by Bob Furmanek and Ron Palumbo). "I said, 'Tell me. Why would you, an Oscar®-winner and everything, why would you want to be in a picture with Abbott and Costello?' He said, 'You want to know why, honestly? I don't know how to do a double-take. I think I can learn from Lou.' Can you imagine? He said, 'This is a very funny man. You don't realize how talented Lou Costello is. '"
It was common knowledge among the cast and crew who worked regularly with Abbott and Costello that the duo had a loose, improvisational style of working that could be intimidating to seasoned professionals who faithfully followed the script. In fact, prior to shooting, co-star Hillary Brooke advised Laughton, 'You have to learn to work with Lou; he can't learn to work with you.' Instead of taking offense, Laughton took the suggestion to heart and learned to expect the unexpected. Director Charles Lamont later recalled that Laughton "was absolutely marvelous. You know, he wouldn't let a stuntman do his pratfalls for him. The first day he was on the set, Laughton saw Sailor Vincent dressed in a costume identical to his. 'Oh, no!' he yelled. 'I want to do my own pratfalls! That's why I'm making this picture. I want to be a buffoon!" I said 'Okay, it's your rear end" (from Abbott and Costello in Hollywood).
Despite his reputation for mostly serious roles, Laughton was no stranger to comedic characters, having delighted audiences in such films as Ruggles of Red Gap (1935) and The Canterville Ghost (1944). Stanley Cortez, the cinematographer of Abbott and Costello Meet Captain Kidd, said "the idea of Charles Laughton playing Captain Kidd opposite Abbott and Costello in itself is a very funny concept. I had known Charles Laughton from a picture called The Man on the Eiffel Tower (1950). I know that Charles had a very good sense of humor, and he played right along with them, which doesn't happen very often."
Audiences and critics alike were most receptive to Abbott and Costello Meet Captain Kidd when it opened theatrically. The Los Angeles Time wrote, "Charles Laughton is here, debuting in slapstick, and adds prodigiously to the fun and may be said to almost steal the picture," while Variety noted that "Laughton hams delightfully, thoroughly enjoying himself in abandoning longhair dramatics for low comedy." Nevertheless, admirers of Laughton's work in The Private Life of Henry VIII (1933), Les Miserables (1935) or The Hunchback of Notre Dame (1939) may feel Abbott and Costello Meet Captain Kidd is unworthy of his talent. But if you want to see the Oscar&-winning actor hit in the head with a shovel (twice), get doused with a bucketful of sea water or hung upside down from a ship's mast, this is a dream come true.
Producer: Bud Abbott, Lou Costello, Alex Gottlieb
Director: Charles Lamont
Screenplay: Howard Dimsdale, John Grant
Cinematography: Stanley Cortez
Film Editing: Edward Mann
Art Direction: Daniel Hall
Music: Raoul Kraushaar
Cast: Bud Abbott (Rocky Stonebridge), Lou Costello (Captain Feathergill), Charles Laughton (Capt. William Kidd), Hillary Brooke (Capt. Bonney), Fran Warren (Lady Jane), Bill Shirley (Bruce Martingale).
C-70m. Closed captioning.
by Jeff Stafford
Quotes
Trivia
Notes
Abbott and Costello Meet Captain Kidd was the only feature film produced by Bud Abbott's company, Woodley Productions, Inc. The film, which was shot at the Motion Picture Center studios in Hollywood, was the second and final Abbott and Costello film in color. According to modern sources, Charles Laughton, whose comic character "Captain Kidd" was a departure from his previous roles, claimed he took the part in order to learn the art of double takes from Costello. Abbott and Costello Meet Captain Kidd marked recording artist Fran Warren's film debut. Charles Laughton also portrayed Captain Kidd in the 1945 film Captain Kidd, which was directed by Rowland V. Lee and released by Universal-International(see AFI Catalog of Feature Films, 1941-50). The character "Capt. Bonney" was based on the early eighteenth century pirate, Anne Bonny (1700-?), who is featured as a character in the following films: The Spanish Main, a 1945 RKO picture directed by Frank Borzage and starring Maureen O'Hara (see AFI Catalog of Feature Films, 1941-50), Anne of the Indies, Twentieth Century-Fox's 1951 production directed by Jacques Tourneur and starring Jean Peters (see entry above) and the 1995 Carolco picture Cutthroat Island, directed by Renny Harlin and starring Geena Davis.
Miscellaneous Notes
Released in United States 1952
Released in United States 1952