Gunnar Fischer
About
Biography
Biography
Distinguished cinematographer, best known for his work on Ingmar Bergman's early films. Fischer's sometimes subdued, sometimes stark, black-and-white photography produced some of the most impressive images of the 1950s, in films such as "Smiles of a Summer Night" (1955), "The Seventh Seal" and "Wild Strawberries" (both 1957). Son Peter Fischer is also a cinematographer.
Filmography
Cinematography (Feature Film)
Visual Effects (Feature Film)
Film Production - Main (Feature Film)
Misc. Crew (Feature Film)
Life Events
1935
Joined Svensk Filmindustri as a second cameraman for Julius Jaenzon, Ake Dahlqvist and Martin Bodin
1935
First film as assistant cameraman, "Smalanninger/People of Smaland"
1942
First film as cinematographer, "Det ar min musik/It Is My Music"
1948
First teamed with Ingmar Bergman on "Port of Call"
1951
Once again teamed with Bergman for "Summer Interlude"
1953
Teamed with Bergman for a third time on "Summer With Monika"
1957
Re-teamed with Bergman for "Wild Strawberries"
1957
Worked with director Ingmar Bergman on "The Seventh Seal"
1958
Once again was the cinematographer for Bergman's "The Magician"
1960
Final film as Ingmar Bergman's cinematographer, "The Devil's Eye"