Producers Herb Jaffe and Gabriel Katzka bought the film rights to Robert Stone's novel Dog Soldiers in 1974, just after its publication and before it earned a National Book Award for fiction. Stone had been classmates with Ken Kesey at Stanford and became acquainted with the Merry Pranksters, the group of artists and characters that hung around with Kesey at his California home in the 1960s and early 1970s. Stone based the character of Ray Hicks on Beat Generation icon Neal Cassady, who was part of Kesey's circle, and the abandoned commune where Ray and Marge take refuge on Kesey's commune-like home.
Stone wrote the first draft of the screenplay but was dissatisfied with his own solo efforts and brought on Judith Rascoe, a fellow Stanford graduate who had settled in Los Angeles to write screenplays, for rewrites. Rascoe had also known Kesey and his crew and was on the same page with Stone on the culture of his novel. "There was so much good stuff in the novel," recalled Rascoe. "The biggest challenge was to get as much of the novel on the screen as possible without cluttering the narrative. We had to make big cuts."
Director Karel Reisz, a Czech-born filmmaker who grew up in England and directed such classics as Saturday Night and Sunday Morning (1960) and The Gambler (1974) with James Caan, was involved from the first draft of the screenplay. Rascoe asked Reisz what interested him in the film. "He replied, 'I am interested in what happens when a nation dishonors its war heroes'." He helped guide Rascoe as she streamlined the novel's storyline around the action of the smuggling drama and the couple's flight from the corrupt cops.
Nick Nolte, who was coming off of the hit thriller The Deep (1977), was cast as Ray and delivers one of his best performances. In fact, the role led directly to getting cast as Neal Cassady in Heart Beat (1980). "[T]that scene at the end of the movie of me walking down the railroad tracks was kind of inspired by Cassady," recalled actor Nolte in a 1979 interview. "Bob [Stone] and I talked about Cassady a lot, and when I began asking about him, seemed that everybody in Topanga Canyon had a story to tell about him."
Tuesday Weld, who was less interested in fame than interesting roles, took on the part of the drug-addicted Marge, "one of her best roles in years," in the words of Chicago Sun-Times film critic Roger Ebert. Michael Moriarty, who had spent the past couple of years on the stage, made his big screen return as Marge's husband, the jaundiced journalist who sets the events in motion.
Shooting began in the San Francisco Bay Area in April 1977, moved to Los Angeles, and then crossed the border for Durango, Mexico, which was to double for the New Mexico commune and the Saigon sequences. Production moved to Torredon, Mexico when unexpected rainfall made shooting impossible and it ran over schedule and over budget.
The film kept the novel's title throughout production and was still titled Dog Soldiers at its world premiere at the 1978 Cannes Film Festival. The producers, however, were worried that audiences would assume it was a war movie and, after test screenings, changed the title before its release. Who'll Stop the Rain was taken from the Credence Clearwater Revival song that plays on the film's soundtrack. Neither Reisz nor Stone were happy with the title change.
Roger Ebert praised the film in his 1979 review: "You have the sharply drawn characters, the purity of a brilliantly orchestrated pursuit, and the obsession all the characters feel about the heroin." Film critic Robert Cumbow was even more effusive in his review in Movietone News: "As a study of the impact of the Vietnam War on the American consciousness, this film is so much more honest in its treatment of character and milieu than Coming Home [1978] that the two films might be about completely different subjects."
Sources:
"At the Movies: Nick Nolte plays a hero of the beats," Tom Buckley. The New York Times, August 3, 1979.
"Who'll Stop the Rain," review by Robert C. Cumbow. Movietone News No. 60-61, February 1979.
"Who'll Stop the Rain," review by Roger Ebert. Chicago Sun-Times, August 2, 1978.
"Who'll Stop the Rain," essay by Julie Kirgo. Twilight Time, 2017.
"John Bloom talks about Who'll Stop the Rain," video interview conducted by James McCabe. Twilight Time, 2017.
"Judith Rascow on writing Who'll Stop the Rain," interview by Paul Rowland. Money Into Light, 2015.
AFI Catalog of Feature Films
IMDb
By Sean Axmaker
