Fancy Pants


1h 32m 1950

Brief Synopsis

A wild West family wins a British valet in a poker game and passes him off as a nobleman.

Film Details

Also Known As
Lariat Loop, Ruggles of Red Gap, Where Men Are Men
Genre
Comedy
Musical
Release Date
Sep 1950
Premiere Information
not available
Production Company
Paramount Pictures Corp.
Distribution Company
Paramount Pictures Corp.
Country
United States
Screenplay Information
Based on the novel Ruggles of Red Gap by Harry Leon Wilson (New York, 1915).

Technical Specs

Duration
1h 32m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,288ft

Synopsis

In 1905, on a cricket field outside London, George Van Basingwell, a British gentleman, meets Mrs. Effie Floud, of the American nouveaux riches , and her daughter Agatha, who is beautiful but has coarse manners. George invites the Flouds to a borrowed country estate, because he has none, and hires a troupe of actors to pose as his aristocratic family. George's butler, "Humphrey," is played by American actor Arthur Tyler, who is broke and stranded in London. After repeatedly spilling trays of beverages on his co-star, who is impersonating George's mother, Lady Brinstead, "Humphrey" is fired. Effie then enthusiastically hires him for her estate in Big Squaw, New Mexico, hoping his cultured British demeanor will reform her down-to-earth husband. Mr. Floud misunderstands Effie's note informing him of Humphrey's arrival and tells the townsfolk that an earl is visiting. Humphrey agrees to pose as the earl, while dodging the efforts of Aggie's tough fiancé, Cart Belknap, to kill him for stealing his bride. President Theodore Roosevelt decides to pay Big Squaw a visit in order to meet the earl, and the town hopes that a good impression will win New Mexico a vote for statehood. Arthur, terrified, leaves town, but Aggie goes after him, and after he confesses his real identity, she convinces him to impersonate the earl for the president. The president and the earl get along famously until Arthur agrees to lead a fox hunt, even though he cannot even ride a horse. Aggie teaches him to ride and confesses her love. The next day, while the fox is being rubbed with gravy to entice the "hounds"--a motley mob of local house pets--Arthur feigns a hurt leg to avoid riding a wild horse. Cart smears Arthur's clothes with gravy, and after a chase with the dogs through the house, Cart finds Arthur's acting scrapbook and threatens to expose him. When Roosevelt comes to say good-bye to his good friend the earl, Cart exposes him. Aggie and Arthur are run out of town while driving a handcar on the railroad tracks. Just after Arthur assures Aggie that nothing could pull them apart, a train collides with them in a tunnel and the handcar is cut in half.

Crew

Claire Behnke

Script Supervisor

Guy Bennett

Camera Operator

Charles Berner

Makeup Artist

Richard Breen

Contract Writer

Monte Brice

Contr to dial

Malcolm Bulloch

Stills

Polly Burson

Double for Lucille Ball

Frank Butler

Contract Writer

Julie Cockerill

Wardrobe

Herbert Coleman

Assistant Director of 2d unit

Sam Comer

Set Decoration

Roger Creed

Double for Bob Hope

Ed Crowder

Grip

Francis Cugat

Technicolor color consultant

Billy Daniels

Specialty number staged by

Barney Dean

Contr to dial

C. Kenneth Deland

Production Manager

Mary Kay Dodson

Women's Costume

Hans Dreier

Art Director

Pat Drew

Gaffer

Phil Eastman

Technicolor Camera Assistant

Farciot Edouart

Process Photography

Irving Elinson

Contr to dial

Richard English

Contract Writer

Ray Evans

Composer

Richard Flournoy

Contr to Screenplay const

Robert Goodstein

Props

Curtis Gourlay

Head grip of 2d unit

Frances Grant

Dance Director Assistant

John Hamilton

Technicolor Camera op

J. Haring

Grip

C. Harper

Technical Advisor

Edmund Hartmann

Screenwriter

Earl Hedrick

Art Director

Len Hendry

Dial coach

Gordon Jennings

Special Photography Effects

Don Johnson

Sound Recording

C. L. Jones

2d unit Props shop

W. W. Jones

Nursery

Wallace Kelley

2d unit Camera

C. Klein

Grip

Emile Kuri

Set Decoration

Charles B. Lang Jr.

Director of Photography

Jay Livingston

Composer

Ronnie Lubin

Script Supervisor

Archie Marshek

Editor by

Kenneth Meade

Camera Assistant

Gene Merritt

Sound Recording

J. Miller

Technical Advisor

John "skins" Miller

Dance Director

Mickey Moore

2d Assistant Director

Robert O'brien

Screenwriter

G. Palmer

Grip

S. Patrick

Hair

Webster Phillips

Makeup Artist

Joseph Portillo

Painter

Ray Rennahan

Fill-in Camera

James Rosenberger

2d Assistant Director of 2d unit

Oscar Rudolph

Assistant Director

B. Sheets

Technicolor Camera mech

Karl Silvera

Makeup Artist

Gile Steele

Men's Costume

Dwight Thompson

Props Assistant

Van Cleave

Music Score

Jim Van Horn

Double for Bruce Cabot

Lenore Weaver

Hair

Robert L. Welch

Producer

Wally Westmore

Makeup Supervisor

Sid Zipser

Technicolor tech

Film Details

Also Known As
Lariat Loop, Ruggles of Red Gap, Where Men Are Men
Genre
Comedy
Musical
Release Date
Sep 1950
Premiere Information
not available
Production Company
Paramount Pictures Corp.
Distribution Company
Paramount Pictures Corp.
Country
United States
Screenplay Information
Based on the novel Ruggles of Red Gap by Harry Leon Wilson (New York, 1915).

Technical Specs

Duration
1h 32m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,288ft

Quotes

You act if gravy was on it!
- Agatha

Trivia

In a scene involving Lucille Ball and Bob Hope on a mechanical horse, Hope took a tumble off the horse and suffered a mild concussion.

Notes

The working titles for the film were Ruggles of Red Gap and Where Men Are Men. Harry Leon Wilson's novel was adapted for the stage by Harrison Rhodes (New York, 25 December 1915). The opening credits read: "Starring Mr. Robert Hope (Formerly Bob) and Miss Lucille Ball." According to information in the Paramount Collection at the AMPAS Library, Paramount began production on this film in 1947, with Mel Epstein slated as producer, Edmund Hartmann working on the screenplay, and Betty Hutton as the star. The tentative titles were Lady from Lariat Loop and Lariat Loop. News items report that Hutton declined the role, and that the studio attempted to borrow Jane Russell from Howard Hughes to co-star with Hope, but the deal fell through. The production was canceled, and was rekindled in 1949.
       Additional information in the Paramount Collection reveals that the production was delayed by a series of script changes, and by Bob Hope's back injury, which occurred on the set on August 1, 1949. Production was "temporarily" closed on August 13, 1949 due to the injury. Some scenes were shot on location in Santa Fe, NM, and at Busch Gardens and Chatsworth in Los Angeles, CA. Actor John Alexander, who plays "Teddy Roosevelt" in this film, also portrayed a character who believed he was Theodore Roosevelt in Warner Bros.' 1943 film Arsenic and Old Lace, directed by Frank Capra, and the 1941 stage play of the same by Joseph Kesselring.
       Other films based on Ruggles of Red Gap, all of which were released under that title, include a 1918 Essanay film, directed by Lawrence C. Windom and starring Taylor Holmes; a 1923 Famous Players-Lasky film, directed by James Cruze and starring Edward Everett Horton; and a 1935 Paramount production, directed by Leo McCarey and starring Charles Laughton (see AFI Catalog of Feature Films, 1911-20; F1.3804; 1921-30; F2.4730; and 1931-40; F3.3847). As several reviews state, Fancy Pants was very different from the 1935 film, with many additional comic bits geared towards Hope and Lucille Ball.

Miscellaneous Notes

Released in United States Fall September 1950

Released in United States on Video September 10, 1990

Released in United States Fall September 1950

Released in United States on Video September 10, 1990