Carlo Di Palma


Director Of Photography

About

Also Known As
Carlo Dipalma
Birth Place
Italy
Born
April 17, 1925
Died
July 09, 2004

Biography

First gained prominence for his striking color photography on Michelangelo Antonioni's "Red Desert" (1964) and "Blow-Up" (1966). Di Palma's other notable collaborations include Elio Petri's debut feature "The Assassin" (1961). More recently, he has worked on several films directed by Woody Allen, including "Hannah and Her Sisters" (1986), "Radio Days" (1987), "Husbands and Wives" (1992) ...

Family & Companions

Monica Vitti
Companion
Actor. No longer together.

Biography

First gained prominence for his striking color photography on Michelangelo Antonioni's "Red Desert" (1964) and "Blow-Up" (1966). Di Palma's other notable collaborations include Elio Petri's debut feature "The Assassin" (1961). More recently, he has worked on several films directed by Woody Allen, including "Hannah and Her Sisters" (1986), "Radio Days" (1987), "Husbands and Wives" (1992) and "Bullets Over Broadway" (1994). Di Palma made his directing debut with "Teresa la ladra" (1973), photographed by his nephew, Dario di Palma ("The Clowns" 1970, "The Seduction of Mimi" 1972, etc.).

Filmography

 

Director (Feature Film)

Teresa la Ladra (1973)
Director

Cinematography (Feature Film)

Deconstructing Harry (1997)
Director Of Photography
Everyone Says I Love You (1996)
Director Of Photography
Mighty Aphrodite (1995)
Director Of Photography
The Monster (1995)
Director Of Photography
Bullets Over Broadway (1994)
Director Of Photography
Don't Drink the Water (1994)
Director Of Photography
Manhattan Murder Mystery (1993)
Director Of Photography
Husbands and Wives (1992)
Director Of Photography
Shadows And Fog (1991)
Director Of Photography
The Secret Of My Success (1987)
Director Of Photography
Radio Days (1987)
Director Of Photography
September (1987)
Director Of Photography
Hannah and Her Sisters (1986)
Director Of Photography
Off Beat (1986)
Director Of Photography
The Black Stallion Returns (1983)
Director Of Photography
Gabriela (1983)
Director Of Photography
Tragedy of A Ridiculous Man (1982)
Director Of Photography
Identification of a Woman (1982)
Director Of Photography
Amo Non Amo (1979)
Director Of Photography
Ossessione (1976)
Camera Assistant
Qui comincia l'avventura (1976)
Director Of Photography
That's How We Women Are (1971)
Cinematographer
La Pacifista (1971)
Director Of Photography
Gli Ordini Sono Ordini (1971)
Director Of Photography
The Pizza Triangle (1970)
Director of Photography
The Appointment (1970)
Director of Photography
On My Way to the Crusades, I Met a Girl Who ... (1969)
Director of Photography
I Married You for Fun (1969)
Director of Photography
The Queens (1968)
Photographer for "Queen Sabina"
Terror-Creatures From the Grave (1967)
Director of Photography
A Very Handy Man (1966)
Director of Photography
Blow-Up (1966)
Director of Photography
Love in 4 Dimensions (1965)
Photographer for "Love and Art"
Red Desert (1965)
Director of Photography
The Lady Killer of Rome (1965)
Director of Photography
I Tre Volti (1965)
Director Of Photography
Three Fables of Love (1963)
Photographer for "The Tortoise and the Hare"
Divorce--Italian Style (1962)
Camera op (see note)
That Long Night In 1943 (1960)
Director Of Photography

Misc. Crew (Feature Film)

Deconstructing Harry (1997)
Dp/Cinematographer
Everyone Says I Love You (1996)
Dp/Cinematographer
Mighty Aphrodite (1995)
Dp/Cinematographer
Bullets Over Broadway (1994)
Dp/Cinematographer
Husbands and Wives (1992)
Dp/Cinematographer
Shadows And Fog (1991)
Dp/Cinematographer
The Secret Of My Success (1987)
Dp/Cinematographer
Hannah and Her Sisters (1986)
Dp/Cinematographer
The Black Stallion Returns (1983)
Dp/Cinematographer

Life Events

1942

First film as assistant camera operator

1950

First short film as director of photography, "Addio"

1954

First feature as director of photography, "Ivan, il figlio del Diavolo Bianco"

1973

Feature directing debut, "Teresa la ladra"

Videos

Movie Clip

Red Desert (1965) -- (Movie Clip) You Work To Support Your Family Director Michelangelo Antonioni’s opening, after artful credits on the same location, in industrial Ravenna finds his wife Monica Vitti, as troubled Giuliana, whom we’ll learn is not poor or starving, with her son Valerio (Bartoleschi), in Red Desert, 1965, also starring Richard Harris.
Red Desert (1965) -- (Movie Clip) The Gears Still Don't Quite Mesh In the plant in Ravenna, we meet engineer Ugo (Carlo Chionetti), Richard Harris his guest Zeller, looking to hire workers, when Ugo's wife Giuliana (Monica Vitti), whom we've seen crossing the industrial landscape, appears, and whom they discuss later, in Michelangelo Antonioni's Red Desert, 1965.
Red Desert (1965) -- (Movie Clip) Maybe Light Blue's Better Businessman Zeller (Richard Harris) visiting Ravenna, for no stated reason stops by the site of the shop being set up by neurotic Giuliana (Monica Vitti), the wife of his business contact, director Michelangelo Antonioni and his art director Piero Poletto at work, in Red Desert, 1965.
Manhattan Murder Mystery (1993) -- (Movie Clip) I Prefer To Atrophy After an opening establishing the outside of Madison Square Garden, writer-director Woody Allen finds himself as Larry and Diane Keaton as wife Carol, heading home where they meet apartment neighbors Paul and Lillian House (Jerry Adler, Lynn Cohen) and are obligated to socialize, in Manhattan Murder Mystery, 1993, also starring Alan Alda.
Manhattan Murder Mystery (1993) -- (Movie Clip) Pastry Myself To Death After the surprising death of their apartment neighbor, Larry and Carol (writer-director Woody Allen, Diane Keaton) at dinner with Sy and Marilyn (Ron Rifkin, Joy Behar) and Alan Alda as Ted, Carlo Di Palma’s lighting and Dick Mingalone’s hand-held camera, in a notable single take, major themes emerging, in Manhattan Murder Mystery, 1993.
Hannah And Her Sisters (1986) -- (Movie Clip) I'm Killing Time Financial consultant Elliott (Michael Caine) contrives to bump into sister-in-law Lee (Barbara Hershey), proceeding to the real Pageant bookshop in Manahattan's East Village, in writer-director Woody Allen's Hannah And Her Sisters, 1986.
Hannah And Her Sisters (1986) -- (Movie Clip) It's The Wrong Question Troubled Lee (Barbara Hershey) comes home to her artist lover Frederick (Max Von Sydow) who has stinging observations, before a blow out, in writer-director Woody Allen's Hannah And Her Sisters, 1986.
Hannah And Her Sisters (1986) -- (Movie Clip) The Abyss Neurotic TV producer Mickey (writer-director Woody Allen) getting a CAT scan, imagining one outcome, the doctor (Stephen Defluiter) delivering another, then reflecting with colleague Gail (Julie Kavner), in Hannah And Her Sisters, 1986.
Hannah And Her Sisters (1986) -- (Movie Clip) Stanislavski Catering Architect David (Sam Waterston), with "sister" Holly (Dianne Wiest) and catering partner April (Carrie Fisher), escapes a party for a Manhattan tour, in writer-director Woody Allen's Hannah And Her Sisters, 1986.
Hannah And Her Sisters (1986) -- (Movie Clip) God, She's Beautiful Opening scene, with the first chapter-heading, at the Thanksgiving party, Elliott (Michael Caine) and the introduction of sisters Lee (Barbara Hershey), Hannah (Mia Farrow) and Holly (Dianne Wiest), in Woody Allen's Hannah And Her Sisters, 1986.
Blow-Up (1966) -- (Movie Clip) Give It To Me! Austin Powers' favorite scene, the entire encounter between London photographer Thomas (David Hemmings) and the internationally celebrated German-born 6'3" model Veruschka, known for her record number of Vogue magazine covers, from Michelangelo Antonioni's fashion-mystery Blow-Up, 1966.
Blow-Up (1966) -- (Movie Clip) Open, Mimes Opening London milieu and Herbie Hancock music, photographer Thomas (David Hemmings) leaves the flophouse where he's doing research, and meets the rowdy mimes, shooting first at Economist Plaza, St. James Street, then at Consort Rd., South Kensington, from Michelangelo Antonioni's Blow-Up, 1966.

Trailer

Family

Dario Di Palma
Nephew
Director of photography.

Companions

Monica Vitti
Companion
Actor. No longer together.

Bibliography