Robocop
Brief Synopsis
Cast & Crew
Paul Verhoeven
Peter Weller
Nancy Allen
Ronny Cox
Kurtwood Smith
Ray Wise
Film Details
Technical Specs
Synopsis
In the not-to-distant-future, a newly transfered Detroit police officer is remade into an indistructable cybornetic cop after being dismembered by a gang of thungs in an abandoned warehouse. Reborn as Robocop he is programed to serve and protect the citizens of Detroit and eliminate the rampant crime in the city streets so that a massive city-wide reconstruction project can get underway. But once he has completed his task, he sets his sites on the corruption inside Securities Concepts Inc.- the corporation that created him.
Director
Paul Verhoeven
Cast
Peter Weller
Nancy Allen
Ronny Cox
Kurtwood Smith
Ray Wise
Miguel Ferrer
Jesse D Goins
Maarten Goslins
Michael Gregory
Rick Lieberman
Del Zamora
Calvin Jung
Mark Carlton
Tyrees Allen
Laird Stuart
Mike Moroff
Debra Zach
Neil Summers
Angie Bolling
L J King
Gregory Poudevigne
Leeza Gibbons
Freddie Hice
Edward Edwards
William White
John Davies
Jo Livingston
Yolande Williams
Lee De Broux
Marjorie Rynearson
Dan O'herlihy
Joan Pirkle
David Packer
Stephen Berrier
Diane Robin
Charles Carroll
Karen Radcliffe
Donna Keegan
Spencer Prokop
Jerry Haynes
Michael Hunter
Adrianne Sachs
Sage Parker
Paul Mccrane
Mario Machado
Gene Wolande
Darryl Cox
Jason Levine
Randall Mulry
Robert Doqui
John Lamkin
Felton Perry
S D Nemeth
Bill Farmer
Bill Schockley
Ken Page
Crew
Monte Adcock
Lawrence Aeschlimann
Henry Alvarez
Rick Anderson
Rick Anderson
Paula Squires Asaff
Don Baker
Michael J. Benavente
Beverly Bernacki
Rob Bottin
Rob Bottin
Neal Brietbarth
Donald Broughton
Ken Brown
Samai Brown
Jamie Bunch-elliott
James Christopher
Blair Clark
Stephanie Claxton
Allegra Clegg
Bonnie Clevering
Gary Combs
Peter Conn
Brian Cowden
Vickie Creach
Craig Davies
Jon Davison
Carlos Delarios
Wes Dempster
Sally Dennison
Robert A Driskell
Ken Dufva
Sheila Duignan
Stephan Dupuis
Randal M Dutra
Gregg Elam
Cindy Fairchild
David Fein
Gunnar Ferdinandsen
Frank Ferrara
Rick Fichter
Randy Fife
Joe Finnegan
Robin Leigh Fleck
Donald Flick
Stephen Hunter Flick
Fred Gabrielli
Spencer Gill
Rocco Gioffre
Avram D Gold
Mark Goldblatt
Robert Gould
David W Gray
Bill Greenberg
Diane L Greenwalt
Johnny L Gutierrez
Anette Haellmigk
Catherine Hardwicke
Ed Harker
Tim Hart
Jerry Henery
Denis Hoffman
David Householter
Michael Karp
John Knight
Michael J Kohut
Peter Kuran
Kevin Kutchaver
Larry Langley
Janet Lawler
Ute Leonhardt
Stephen Lim
Teressa Longo
Paula Lucchesi
Bill Macsems
Tamia Marg
Dale Martin
Jo Martin
J Michael Mcclary
Marghe Mcmahon
E Miller
Alvin Milliken
Dennis Milliken
Michael Miner
Bart J Mixon
Randy E Moore
Scott Musgrave
Edward Neumeier
Edward Neumeier
Deana Newcomb
Charles J. Newirth
Carla Palmer
Michele Panelli-venetis
Sarah Pasanen
Dennis Pawlik
Philip C Pfeiffer
Erica Edell Phillips
Art Pimetel
Art Pimetel
Craig Pointes
Basil Poledouris
John Pospisil
Vincent Prentice
Tom Prosser
Greg Punchatz
Will Purcell
Jackie Resch
Danny Retz
Keith Richins
Kerry Rike
Susan Spencer Robbins
Aaron Rochin
Jim Rodnunsky
Erica Rogalla
Juan M Romero
Peter Ronzani
William Sandell
Jeff Santlofer
Arne L Schmidt
Meryle Selinger
Julie Selzer
Mike Shanks
Gayle Simon
Steven Scott Smalley
Larry Smoot
Ron South
Bunny Speakman
Carl Stitt
Ivett Stone
Becky Sullivan
Francine Taylor
Joan Skelton Thomas
Jules Roman Tippett
Phil Tippett
Phil Tippett
James E Tocci
Eric Tomlinson
Russell Towery
Todd Trotter
Frank Urioste
Jost Vacano
Jost Vacano
Tom Villano
Ramona Dorene Villarrial
Robert Wald
Harry Walton
Richard White
David A. Whittaker
Gene Winfield
Moni Yakim
Jacqueline Zietlow
Film Details
Technical Specs
Award Nominations
Best Editing
Best Sound
Articles
Robocop (20th Anniversary Edition) - ROBOCOP - The 20th Anniversary Edition on DVD
An agitprop spitball aimed squarely at trickle down Reganomics and the abuse of privatization by profiteers, RoboCop looks every inch a product of its times. The self-righteousness of the filmmakers is dialed all the way up to 11, making Oliver Stone's contemporaneous Wall Street (1988) seem relatively restrained in its assignment of blame. On a style front, the hair of the younger actors is gelled high, women's blouses are poufy and high collared and boardroom and bedroom scenes have a flat, made-for-television quality that is almost painful to look at two decades hence. Paradoxically, the scenes that impressed us the most back then look the creakiest now. When venal OCP senior vice president Dick Jones (Ronny Cox) unveils his own automated cop of the future (which he hopes to sell to the military as the ultimate weapon), the raptor-like ED-209 (a creation of stop motion animator Phil Tippett) pads around with the inescapable quaintness of a vintage Ray Harryhausen creation. Happily, the performances are uniformly good, which suits a cautionary tale of the loss of humanity in an increasingly technologically-enhanced world. As stated, Peter Weller delivers a loose and warm performance for the short time his flesh and blood beat cop is alive and he is well matched by villains Cox and Kurtwood Smith, whose ragtag street gang includes Ray Wise and Paul McCrane. Equally fine in peripheral performances are Dan O'Herlihy and Miguel Ferrer, both of whom would (with Ray Wise) turn up as semi-regulars on the cult TV series Twin Peaks.
RoboCop has been issued on DVD several times in the past and has even been included in the esteemed Criterion Collection. While the Criterion disc was framed at non-anamorphic 1.66:1 (Paul Verhoeven's preferred aspect ratio), a subsequent anamorphic 1.85:1 transfer was made available as only as part of a box set that paired RoboCop with follow-ups RoboCop 2 (1989) and RoboCop 3) (1990). The MGM/Fox 20th Anniversary Edition retains the wider anamorphic transfer as part of a deluxe 2-disc package offering both the R-rated theatrical cut and the slightly more violent extended edition. No complaints about picture or sound, which are both as good as can be expected. Language options also include a French track, while subtitles are available in English and Spanish. On a supplemental level, the director/writer/producer audio commentary and featurettes included on disc 1 (the theatrical cut) are holdovers from a previous DVD release while the featurettes on disc 2 (the pre-MPAA cut) were prepared especially for this commemorative release. Highlights include interviews with Ray Wise, Kurtwood Smith and Miguel Ferrer as "Villains of Old Detroit" and with Peter Weller, producer Jon Davison, Paul Verhoeven and writer Paul Sammon (along others) for "RoboCop: Creating a Legend." RoboCop: 20th Anniversary Collector's Edition is attractively packaged in a sepia-toned tin keepcase.
For more information about Robocop, visit MGM Home Entertainment. To order Robocop, go to TCM Shopping.
by Richard Harland Smith
Robocop (20th Anniversary Edition) - ROBOCOP - The 20th Anniversary Edition on DVD
Robocop
In Robocop (1987), his first American feature film, Paul Verhoeven--together with scriptwriter Ed Neumeier--made a genuinely original contribution to the action genre: an ultra-slick combination of social satire, science fiction and brutal violence. Twenty years later it is still arguably the most effective film of its type, excepting perhaps Starship Troopers (1997), which the writer-director team made a decade later. Starship Troopers was accused by some critics of being a fascist film, but for the attentive viewer it's clear that Neumeier and Verhoeven were poking fun at the underlying fascistic worldview of Heinlein's original novel. Surprisingly few critics picked up on this at the time, though Mike Clark of USA Today did give Starship Troopers four stars, characterizing it as "a sendup for the ages."
In RoboCop the satire is perhaps more accessible than in Starship Troopers, and thanks to the central dilemma of Murphy/RoboCop, the film gains in emotional immediacy compared to the ruthless ironic distance in Starship Troopers. The target in RoboCop is unmistakably the corporate and militaristic culture of the Reagan era. On the one hand, Verhoeven and Neumeier envision an enlightened future of unisex locker rooms, but on the other hand they depict the wholesale privatization of institutions such as the police force and education system ("Lee Iacocca Elementary School"), to say nothing of the reduction of media to a single television channel devoted to nothing but superficial news broadcasts and a mindlessly titillating comedy show. And Ronny Cox is perfectly cast as the snarling embodiment of heartless corporate greed.
One of the film's most clever satiric jabs, easily overlooked amongst all the mayhem, is The Old Man's "I had a dream" speech as he unveils his plans for the future "Delta City" project. The ironic evocation of Reverend Martin Luther King only serves to emphasize the underlying banality and cruelty of corporate culture in Neumeier and Verhoeven's vision. "Delta City" is no doubt a sly reference to John Portman's design for Detroit's Renaissance Center, a skyscraper complex which was part of an ambitious renewal program for the downtown area; its first phase was completed in 1977. (Incidentally, the Renaissance Center's imposing central hotel hosted Reagan himself during the Republican National Convention in 1980.) While Portman's design remains one of the most widely acclaimed architectural projects of the past thirty years, some critics have complained that its fortress-like presence only reinforces the sense of economic disparity within the city.
RoboCop was in fact Verhoeven's second feature for the American firm Orion Pictures; his first, still backed partly with Dutch funds, was Flesh + Blood (1985), a period action film shot in Spain. Verhoeven left definitively for the US in 1985, complaining in one interview that he had grown tired of having to fight the "moralizing prejudices" of the Dutch state committees that decided on whether to fund films. Although Flesh + Blood ultimately failed at the box office, Mike Medavoy, the Executive Vice President of Orion Pictures, continued to back Verhoeven--a gamble that amply paid off thanks to RoboCop's subsequent box office receipts.
Initially, Verhoeven wanted to introduce a more realistic tone to the film, but he decided to stick with the original script's comic-book approach when Neumeier had him sit down and read a number of American comic books to get a better sense of their aesthetics. The special effects artist Rob Bottin, already renowned for his brilliant work on Joe Dante's The Howling (1981) and The Thing (1982), was brought in to design the RoboCop suit, but he and Verhoeven had an extended, often bitter, struggle over its basic conception. Regardless, the final result--with its sleek finish and the helmet's emphasis of Peter Weller's powerful jaw line--evidently appealed to audiences. The film's law enforcement theme also resonated with audiences, in a way that the scriptwriter Ed Neumeier didn't anticipate. He recalls in an interview with Rob van Scheers, author of a 1997 book on Verhoeven: "[...] I thought I was making a satire about Reagan's America. But the audience locked on to it because RoboCop was a guy who was going to shoot down criminals in the street." The film received Academy Award nominations for Best Editing and Best Sound.
Producer: Arne Schmidt
Director: Paul Verhoeven
Script: Ed Neumeier and Michael Miner
Director of Photography: Jost Vacano
Special Effects: Rob Bottin
Score: Basil Poledouris
Editor: Frank J. Urioste
Production Designer: William Sandell
Art Director: Gayle Simon
Cast: Peter Weller (Alex Murphy/RoboCop), Nancy Allen (Anne Lewis), Ronny Cox (Richard "Dick" Jones), Kurtwood Smith (Clarence J. Boddicker), Dan O'Herlihy (The Old Man), Robert Do'Qui (Sgt. Reed), Miguel Ferrer (Robert Morton), David Packer (Emergency Doctor), Neil Summers (Dougy), Sage Parker (Tyler), Kevin Page (Kinney, OCP marketing executive), Diane Robin (Chandra), Felton Perry (Johnson).
C-102m. Letterboxed.
by James Steffen
Robocop
Quotes
Trivia
Miscellaneous Notes
Released in United States Summer July 17, 1987
Re-released in United States June 1, 1990
Released in United States on Video January 28, 1988
Re-released in United States on Video June 16, 1993
Released in United States November 1987
Released in United States June 2001
Shown at London Film Festival November 1987.
Originally released by Orion Pictures (USA-video)
Began shooting August 6, 1986.
Released in United States Summer July 17, 1987
Re-released in United States June 1, 1990
Released in United States on Video January 28, 1988
Re-released in United States on Video June 16, 1993
Released in United States November 1987 (Shown at London Film Festival November 1987.)
Released in United States June 2001 (Shown in New York City (Anthology Film Archives) as part of program "You Asked For It: The Films of Paul Verhoeven" June 21-30, 2001.)