Shiloh 2: Shiloh Season (1999) - Turner Classic Movies

Brief Synopsis

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Twelve-year-old Marty Preston adopts Shiloh, a beagle who was mistreated by his previous owner, the drunken Judd Travers. But when Judd is injured after driving while drunk, Marty wants to help him to improve his life. Through a series of events, he discovers just how deep one grown man's hurt can g

Cast & Crew

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Sandy Tung

Rachel Winfree

Rod Steiger

Joe Pichler

Shannon Marie Kies

Rick Chadock

Film Details

Also Known As

Nieuwe Avonturen van Shailo

MPAA Rating

Genre

Adaptation

Drama

Family

Release Date

1999

Production Company

Kent Hamilton

Distribution Company

Legacy Releasing

Technical Specs

Duration

1h 36m

Synopsis

Twelve-year-old Marty Preston adopts Shiloh, a beagle who was mistreated by his previous owner, the drunken Judd Travers. But when Judd is injured after driving while drunk, Marty wants to help him to improve his life. Through a series of events, he discovers just how deep one grown man's hurt can go and how long it takes to cure.

Director

Sandy Tung

Cast

Rachel Winfree

Rod Steiger

Joe Pichler

Shannon Marie Kies

Rick Chadock

Michael Moriarty

Ellen Edson

Rachel David

Colin Macdonald

Dawn Mcmillan

Elizabeth Karr

Eddie Mathers

Ann Dowd

Bonnie Bartlett

John Short

Scott Wilson

Zachary Browne

Nick Schauman

Marissa Leigh

Kathleen Rose

Caitlin Wachs

Mark Vasconcellos

Crew

Preston Adams

Frederique Barrera

Assistant Production Coordinator

Kim Bartlein

Ridge Blackwell

Chris Blackwood

J Adam W Bogle Jr.

Carl Borack

Aubrey Boytos

Katherine Brock

Music Coordinator

Blake Busby

Main Title Design

Joseph Butler

Doug Cameron

Luca A Carena

Alexander Carroll

Post-Production Supervisor

Amanda Carroll

Michael P Catanzarite

Rick Chadock

Rick Chadock

Dave Channel

Nicole Christopher

Mathew Coleman

Lighting Technician

Jalena Cotner

R Vern Crofoot

Paul Cuffee

Lighting Technician

Derrick Cunningham

Jane Dancey

Wardrobe Supervisor

Jason Dauman

Music Coordinator

Chris Dechert

Assistant Property Master

Christian Degeneffe

Craig Delahousaye

Negative Cutter

Stehen Delgago

David Depalo

Music Conductor

David Dickerson

Production Assistant

Donna L Dragich

Art Department Coordinator

Ilko J. Drozdoski

Office Assistant

Loretta M Elliott

Accounting Assistant

Randy Farrar

Cezanne Farris-gilbert

Office Assistant

Richard Favazzo

Paul Feddersen

Joe Fuchs

Michele Gampel

Makeup Assistant

David Edward Garber

Emily Gaydos

Jason Gerber

Production Assistant

Jerry Gilbert

Production Coordinator

Bryan Godwin

Arleen Goldenberg

Negative Cutting

Joel Goldsmith

Joel Goldsmith

Geoffrey Gormley

Assistant Editor

Dean Gunderson

Assistant Camera Operator

Sarah Hale

Office Assistant

Kent Hamilton

Production Insurance

Tina Han

Set Production Assistant

Lisa Hannan

Ted Hayash

Rex Hill

Lynn Hope

Inger Howard

Diane Hubner

Hiro Kakuhari

Lighting Technician

Tracy Kelly

Whitney Kroenke

Casting Associate

Curt Larson

Transportation Captain

Michelle Latham

Location Manager

Greg Lauden

Lee Lazarow

Jodi Leininger

Assistant Location Manager

Ken Leoganda

Bryan Leslie

Zane Levitt

John W. Jr. Lewis

Scott Leyse

Assistant Camera Operator

Michael Locke

Transportation Coordinator

Richard Locke

Wren Maloney

Cyrus Ives Marshall

Production Assistant

Arona Martin

Jackie Martin

Greg Mauer

Foley Recordist

Jim Mccarthy

Production Accountant

Scott Mcgregor

Cole Mckay

Sooner Mckay

Lisa Mcneil

Script Supervisor

Gary Miller

Benjamin N Minot

Camera Assistant

Ronald A Modro

Production Coordinator

Donald D Monohan

Brent Morris

Unit Production Manager

Anthony A Mparmperis

Office Assistant

Esther Murphy

Rowena Murphy

Phyllis Reynolds Naylor

Source Material (From Novel)

Alex Newman

Animal Wrangler

David Ortiz

Paul N. J. Ottosson

Gary Paul

Stunt Coordinator

Andy Potvin

Sue Pusateri

Jennifer Rae Smith

Aurelia M Ranches

Cynthia Ranches

Paul Ratajczak

Paul Ratajczak

Post-Production Supervisor

Rikke Rosbaeck

Costume Designer

Dale Rosenbloom

Dale Rosenbloom

Richard E Rosenthal

Solene Roy

Office Assistant

Manuel Ruiz

Leesa-ree Sandoval

Julie Schultz

Tony Schwartz

Assistant Director

Tom Seid

Laura Sherman

Laura Shiff

Curtis Smith

Shana Smith

Troy Smith

Director Of Photography

Andre Soto

Donald F Spinney

Diana Stadlen

Casting Associate

Brent Stanton

Assistant Director

Rick Sulier

Accounting Assistant

Dionne Thompson-winters

Office Assistant

Joseph Tintfass

Production Designer

Reno Tondelli

Steve Tushar

Sound Effects Editor

Jan Van Houdt

Lisa Vasconcellos

Associate Producer

Marc Verbyos

Assistant Editor

Nick Vidar

Tom Vozza

Jonathan Wales

Michael Warren

Jennifer Wilkinson

Assistant Director

Seth Willenson

Executive Producer

Donald D Williams

Patsy Williams

Chuck Winston

James Elya Winters

Production Assistant

Lance Wiseman

Nancy Withrow

Jackson Wolfe

Post-Production Supervisor

Larry Wright

Camera Operator

Mark Yellen

Film Details

Also Known As

Nieuwe Avonturen van Shailo

MPAA Rating

Genre

Adaptation

Drama

Family

Release Date

1999

Production Company

Kent Hamilton

Distribution Company

Legacy Releasing

Technical Specs

Duration

1h 36m

Articles

TCM Remembers - Rod Steiger

July 1, 2002

ROD STEIGER, 1925 - 2002

From the docks of New York to the rural back roads of Mississippi to the war torn Russian steppes, Rod Steiger reveled in creating some of the most overpowering and difficult men on the screen. He could be a total scoundrel, embodying Machiavelli's idiom that "it's better to be feared than loved" in the movies. But as an actor he refused to be typecast and his wide range included characters who were secretly tormented (The Pawnbroker, 1965) or loners (Run of the Arrow, 1965) or eccentrics (The Loved One, 1965).

Along with Marlon Brando, Steiger helped bring the 'Method School' from the Group Theater and Actors Studio in New York to the screens of Hollywood. The Method technique, taught by Stella Adler and Lee Strasberg, insisted on complete immersion into the character's psyche and resulted in intense, dramatic performances and performers. Steiger made his first significant screen appearance as Brando's older brother in On the Waterfront (1954). Their climatic scene together in a taxicab is one of the great moments in American cinema.

It was a short leap from playing a crooked lawyer in On the Waterfront to playing the shady boxing promoter in The Harder They Fall (1956). Based on the tragic tale of true-life fighter Primo Carnera, The Harder They Fall details the corruption behind the scenes of professional boxing bouts. Steiger is a fight manager named Nick Benko who enlists newspaperman Eddie Willis (Humphrey Bogart in his final screen appearance) to drum up publicity for a fixed prizefight. While the boxing scenes were often brutally realistic, the most powerful dramatic moments took place between Steiger and Bogart on the sidelines.

As mob boss Al Capone (1959), Steiger got to play another man you loved to hate. He vividly depicted the criminal from his swaggering early days to his pathetic demise from syphilis. In Doctor Zhivago (1965), Steiger was the only American in the international cast, playing the hateful and perverse Komarovsky. During the production of Dr. Zhivago, Steiger often found himself at odds with director David Lean. Schooled in the British tradition, Lean valued the integrity of the script and demanded that actors remain faithful to the script. Steiger, on the other hand, relied on improvisation and spontaneity. When kissing the lovely Lara (played by Julie Christie), Steiger jammed his tongue into Christie's mouth to produce the desired reaction - disgust. It worked! While it might not have been Lean's approach, it brought a grittier edge to the prestige production and made Komarovsky is a detestable but truly memorable figure.

Steiger dared audiences to dislike him. As the smalltown southern Sheriff Gillespie in In The Heat of the Night (1967), Steiger embodied all the prejudices and suspicions of a racist. When a black northern lawyer, played by Sidney Poitier, arrives on the crime scene, Gillespie is forced to recognize his fellow man as an equal despite skin color. Here, Steiger's character started as a bigot and developed into a better man. He finally claimed a Best Actor Academy Award for his performance as Sheriff Gillespie.

Steiger was an actor's actor. A chameleon who didn't think twice about diving into challenging roles that others would shy away from. In the Private Screenings interview he did with host Robert Osborne he admitted that Paul Muni was one of his idols because of his total immersion into his roles. Steiger said, "I believe actors are supposed to create different human beings." And Steiger showed us a rich and diverse cross section of them.

by Jeremy Geltzer & Jeff Stafford

Tcm Remembers - Rod Steiger

TCM Remembers - Rod Steiger

ROD STEIGER, 1925 - 2002 From the docks of New York to the rural back roads of Mississippi to the war torn Russian steppes, Rod Steiger reveled in creating some of the most overpowering and difficult men on the screen. He could be a total scoundrel, embodying Machiavelli's idiom that "it's better to be feared than loved" in the movies. But as an actor he refused to be typecast and his wide range included characters who were secretly tormented (The Pawnbroker, 1965) or loners (Run of the Arrow, 1965) or eccentrics (The Loved One, 1965). Along with Marlon Brando, Steiger helped bring the 'Method School' from the Group Theater and Actors Studio in New York to the screens of Hollywood. The Method technique, taught by Stella Adler and Lee Strasberg, insisted on complete immersion into the character's psyche and resulted in intense, dramatic performances and performers. Steiger made his first significant screen appearance as Brando's older brother in On the Waterfront (1954). Their climatic scene together in a taxicab is one of the great moments in American cinema. It was a short leap from playing a crooked lawyer in On the Waterfront to playing the shady boxing promoter in The Harder They Fall (1956). Based on the tragic tale of true-life fighter Primo Carnera, The Harder They Fall details the corruption behind the scenes of professional boxing bouts. Steiger is a fight manager named Nick Benko who enlists newspaperman Eddie Willis (Humphrey Bogart in his final screen appearance) to drum up publicity for a fixed prizefight. While the boxing scenes were often brutally realistic, the most powerful dramatic moments took place between Steiger and Bogart on the sidelines. As mob boss Al Capone (1959), Steiger got to play another man you loved to hate. He vividly depicted the criminal from his swaggering early days to his pathetic demise from syphilis. In Doctor Zhivago (1965), Steiger was the only American in the international cast, playing the hateful and perverse Komarovsky. During the production of Dr. Zhivago, Steiger often found himself at odds with director David Lean. Schooled in the British tradition, Lean valued the integrity of the script and demanded that actors remain faithful to the script. Steiger, on the other hand, relied on improvisation and spontaneity. When kissing the lovely Lara (played by Julie Christie), Steiger jammed his tongue into Christie's mouth to produce the desired reaction - disgust. It worked! While it might not have been Lean's approach, it brought a grittier edge to the prestige production and made Komarovsky is a detestable but truly memorable figure. Steiger dared audiences to dislike him. As the smalltown southern Sheriff Gillespie in In The Heat of the Night (1967), Steiger embodied all the prejudices and suspicions of a racist. When a black northern lawyer, played by Sidney Poitier, arrives on the crime scene, Gillespie is forced to recognize his fellow man as an equal despite skin color. Here, Steiger's character started as a bigot and developed into a better man. He finally claimed a Best Actor Academy Award for his performance as Sheriff Gillespie. Steiger was an actor's actor. A chameleon who didn't think twice about diving into challenging roles that others would shy away from. In the Private Screenings interview he did with host Robert Osborne he admitted that Paul Muni was one of his idols because of his total immersion into his roles. Steiger said, "I believe actors are supposed to create different human beings." And Steiger showed us a rich and diverse cross section of them. by Jeremy Geltzer & Jeff Stafford

Quotes

Trivia

Miscellaneous Notes

Expanded Release in United States July 2, 1999

Released in United States April 1999

Released in United States Summer June 25, 1999

Shown at Palm Beach International Film Festival April 9-18, 1999.

Shown at WorldFest/Houston Film Festival April 1999.

Released in United States April 1999 (Shown at Palm Beach International Film Festival April 9-18, 1999.)

Released in United States April 1999 (Shown at WorldFest/Houston Film Festival April 1999.)

Released in United States Summer June 25, 1999

Expanded Release in United States July 2, 1999

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