Ransom!


1h 49m 1956
Ransom!

Brief Synopsis

A wealthy couple tries to cope with the press and the police when their son is kidnapped.

Photos & Videos

Film Details

Also Known As
Fearful Decision
Genre
Drama
Crime
Release Date
Jan 20, 1956
Premiere Information
not available
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Loew's Inc.
Country
United States
Screenplay Information
Based on the teleplay "Fearful Decision" by Cyril Hume and Richard Maibaum on The U.S. Steel Hour (ABC, 22 Jun 1954).

Technical Specs

Duration
1h 49m
Film Length
9,163ft

Synopsis

Wealthy businessman David G. Stannard enjoys a content home life in the quiet town of Freeport with his wife Edith and their only son Andy. One morning, David is so touched by Andy's mischievousness when the boy steals the household bed slats to make a fort that he agrees to come home early from his work at Stannard Vacuum Cleaner Manufacturing to help his son finish the project. Later, after David returns home to find Andy missing, he and Edith learn from schoolteacher Mrs. Partridge that Dr. Paul Y. Gorman's nurse picked up Andy at school at 11:00 that morning. When Dr. Gorman tells David and Edith neither he nor his nurse has seen the boy, David calls police chief Jim Backett to report what he now believes is a kidnapping. Upon hearing her husband's suspicions, Edith sobs uncontrollably in her David's arms. Attempting to conceal any police involvement from the kidnappers, Backett orders his men to use special police phone boxes located through out the town to contact him instead of police radio as they search for the boy. Later, at the Stannard home, Backett explains to the couple that they will be kept uninformed of police strategy to ensure that when the criminals contact them for ransom, the desperate parents will not reveal any information. Soon after, telephone workmen install a second outgoing line and set up monitoring system on the first line to enable the police to trace the kidnapper's call. Meanwhile, Dr. Gorman gives Edith sedatives to calm the nervous mother. After Backett catches reporter Charlie Telfer lurking in the kitchen, Charlie promises not to publish the story until after the first contact with the kidnappers. Within hours, Backett has checked on twenty kidnapping suspects, but all have alibis for the time of the abduction. Soon after, the self-centered Mrs. Partridge barges into the Stannard home and, after disingenuously consoling the family, warns Charlie against running a story which insinuates that she or the school are responsible for the kidnapping. After a hysterical Edith threatens the insolent woman with fire poker, David subdues his wife and orders Mrs. Partridge out. He then receives a call from the kidnapper and negotiates monetary demands while the police trace the call. Rushing to the phone booth from which the call was placed, the police find it empty. Meanwhile, David's brother and partner in the business, Al Stannard, is working with bank personnel to liquidate David's assets to raise the ransom. Later, while Al and David go over the financial paperwork, Charlie tries to bribe the Stannards' butler Jessie Chapman into letting him take a picture of the child's bedroom, but the dutiful servant refuses. Having agreed to an exclusive interview on the afternoon of the second day, David tells Charlie that Stannard television program host George Portalis will be wearing a white dinner jacket on the evening show to indicate to the kidnappers that the $500,000 ransom sum has been raised. Relying on their extensive experience with kidnapping, Charlie and Backett warn David that he has only a two-to-one chance of getting the boy back regardless whether he pays the ransom. Backett continues that although the police realize that people refusing to pay ransoms would destroy the kidnapping racket, they cannot insist that parents withhold payment when the whole community would hold them in contempt for such an action. After the evening news reports the kidnapping, spectators gather outside the Stannard home. That night when the money arrives, David decides he will not pay the ransom. He believes that once the criminals have the funds they will have no reason to keep Andy alive, but Al is outraged at his brother's seemingly immoral behavior and Stannard employee Langly reminds him that negative publicity will hurt the company. Unswayed by his detractors, David goes to the television station and, with the $500,000 on a desk in front of him, addresses the kidnappers on live television. He states that he will not pay the ransom money and that every bit of the funds will be devoted to a reward for hunting down the kidnapper. David then insinuates that even the kidnapper's cohorts will turn on him for the reward and suggests that if the kidnappers free the boy immediately, he and Edith will show them mercy if they should come to trial. Fourteen hours after the broadcast, Al shows his brother the newspapers, which condemn David for his controversial decision, and asks David to change his mind. Meanwhile, Backett asks David for a letter to the mayor exonerating him of influencing David's decision while Sheriff Jake Kessing insists that real leads will result only after the ransom money is delivered. Irate that they have turned against the grieving father and moved by David's resolve, Charlie orders the policemen out of the house. When a heavily sedated Edith learns of David's decision, she accuses him of putting their son's life in jeopardy because of his selfish need for control. As David breaks down, Edith begs on her knees for him to pay the kidnappers the ransom, but he refuses. Desperate, Edith flees the house, screaming to the crowds to help her, but Charlie brings her back inside. An exhausted David finally collapses in a chair, while Chapman tries to comfort his boss with words of prayer. Soon after, Backett brings David Andy's blood stained t-shirt, which was found in a stolen vehicle, and informs him that they are searching the area for Andy's body. Upon Edith's request, Al and his wife Elizabeth arrive shortly thereafter to take Edith to live with them. Driven to stop the kidnapping racket, a determined David arranges a trust containing the reward money with the condition that if his son's kidnappers are not brought to justice, the funds will go the next case of similar nature. Later, as David weeps at Andy's fort, he suddenly hears his son's voice and sees Andy running to him. After embracing the boy, David walks him into the street, where Edith takes the boy and father in her arms.

Cast

Glenn Ford

David G. Stannard

Donna Reed

Edith Stannard

Leslie Nielsen

Charlie Telfer

Juano Hernandez

Jesse Chapman

Robert Keith

Chief Jim Backett

Richard Gaines

Langly

Mabel Albertson

Mrs. Partridge

Alexander Scourby

Dr. Paul Y. Gorman

Bobby Clark

Andy Stannard

Ainslie Pryor

Al Stannard

Lori March

Elizabeth Stannard

Robert Burton

Sheriff Jake Kessing

Juanita Moore

Shirley Lorraine

Mary Alan Hokanson

Nurse

Robert Forrest

Fred Benson

Dick Rich

Sgt. Wenzel

Peter Adams

George Portalis

Howard Negley

Loomis

George Dockstader

Motorcycle cop

Edwin Parker

Motorcycle cop

John Zaremba

Technician

Jonathan Hole

Technician

Larry Nash

Chuckie Butterfield

Saul Gorss

Officer

William H. Mclean

Driver

Bob Davis

Driver

May Mcavoy

Miss May

Alan Harris

Telephone employee

Guy Wilderson

Farmer

Skip Torgerson

Boy

Alex Frazer

Bank manager

Kay English

Operator

Charles Anthony Hughes

Chairman

Judi Jordan

Girl

Jo Gilbert

Woman next door

John Hiestand

TV announcer

Duane Thorsen

Cop

Michael Dugan

Cop

Joe Mcguinn

Cop

John Mckee

Cop

Jack Rice

Dresser

Leon Tyler

TV assistant director

William Leicester

TV director

Max Palmer

Reporter

Paul Mcguire

A. P. man

Art Lewis

Newsman

Ben Cameron

Newsman

Mort Mills

Service man

Gregg Martell

Brick thrower

John Bennes

Defender

Billy Nelson

Fighter

Harvey Dunn

Elderly man

Paula Trent

Mother

Walter Flannery

Child in car

Charles Herbert

Butchie

Patsy Novak

Newswoman

Sig Frohlich

Good Humor man

Jack Gargan

Chauffeur

Jack Daly

Bettor

Benny Burt

Bettor

George Dunn

Bank clerk

Paul Brinegar

Bank clerk

Irving Mitchell

Bank clerk

Olan Soule

Bank clerk

Lenore Kingston

Typist

Pitt Herbert

Floor manager

Dale Van Sickel

William Rhinehart

Hal Taggart

Dick Ryan

Beryl Mccutcheon

Photo Collections

Ransom! - Donna Reed Publicity Stills
Here are a few photos of Donna Reed taken to help publicize MGM's Ransom! (1956). First is a series of Donna Reed shopping at a department store, follwed by a few photos of Reed modeling clothes.
Ransom! - Publicity Stills
Here are a few photos taken to help publicize MGM's Ransom! (1956), starring Glenn Ford and Donna Reed. Publicity stills were specially-posed photos, usually taken off the set, for purposes of publicity or reference for promotional artwork.

Film Details

Also Known As
Fearful Decision
Genre
Drama
Crime
Release Date
Jan 20, 1956
Premiere Information
not available
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Loew's Inc.
Country
United States
Screenplay Information
Based on the teleplay "Fearful Decision" by Cyril Hume and Richard Maibaum on The U.S. Steel Hour (ABC, 22 Jun 1954).

Technical Specs

Duration
1h 49m
Film Length
9,163ft

Articles

Ransom!


As a film theme, kidnapping holds a strong enough terror on its own ­ when a child is the victim, the stakes are raised to a level that can be excruciating for viewers, especially any parents in the audience. The terrifying prospect of having your offspring snatched away from your protection and held for payment on the threat of death is played to the hilt in Ransom! (1956). Glenn Ford and Donna Reed play the well-to-do parents of a boy held captive for half a million dollars. The suspense of the piece doesn't hinge around whether they'll be able to raise the money in time. Instead, once he comes up with the needed $500,000, Ford decides he will go on television and warn the kidnappers he will offer the money for their capture if his son is harmed. This decision sends Reed into hysterics and eventually gets almost the entire town involved in the ordeal.

The story has been filmed four times; twice for TV as Fearful Decision, the 1956 film version, and the 1996 remake starring Mel Gibson and directed by Ron Howard. It was first brought to the big screen by its broadcast director Alex Segal and writers Cyril Hume and Richard Maibaum with the addition of about an hour's worth of material and the marquee value of Ford and Reed. Neither was a major star, but both were longtime movie dependables who could be counted on to deliver believable, affecting performances.

Ford made an incredible 167 films in a 53-year career that began in 1939, often playing low-key, amiable but tough and introspective characters. The year before this film, he turned in two of his best performances in Trial and The Blackboard Jungle. After Ransom! he continued to demonstrate his range, proving himself equally at home in action films (Cimarron, 1960), comedies (Don't Go Near the Water, 1957) and dramas (Dear Heart, 1964). Although he remained a popular performer until his retirement early in the 1990s, he never received an Oscar, or even a nomination. Maybe it was because he made it seem so natural and effortless. Ford himself claimed he never played any character but himself, and once said, "When I'm on camera, I have to do things pretty much the way I do things in everyday life. It gives the audience someone real to identify with."

Reed had much this same quality, but by the time she paired with Ford on this film, she also had an Oscar under her belt ­ a supporting actress award for the most uncharacteristic role of her career, the lovelorn prostitute in From Here to Eternity (1953). She was most often cast as the supportive wife and girl next door ­ most famously in the perennial holiday favorite It's a Wonderful Life (1946). (It's almost a Hollywood rule: if you want an Academy Award, build a career on your wholesome appeal, then play a hooker. It worked for Shirley Jones in 1960's Elmer Gantry.) Despite strong performances in her Oscar-winning role and in Ransom!, Reed became increasingly frustrated with the "goody two-shoes" parts she was offered. Nevertheless, she parlayed that typecasting into great TV success on the Emmy-winning Donna Reed Show (1958 ­ 1966). But under her All-American suburban mom image, Reed was a feisty and outspoken woman, joining an organization opposed to the Vietnam War in the 1960s and frequently railing publicly against the sexism and small-mindedness of Hollywood.

The Ransom! cast also includes a couple of other notable actors. Juano Hernandez was one of the first of a new breed of black actors to emerge after World War II, not as a song-and-dance man or stereotypical comic relief but playing strong, often fiercely independent characters. He won his greatest acclaim in Intruder in the Dust (1949), from a story by William Faulkner about a proud man wrongfully accused of killing a white Southerner. Here he sensitively portrays the beleaguered family's understanding butler, shining in a scene where he must comfort Ford after everyone believes the plan has backfired and the boy has been killed.

This was the first film for Canadian-born Leslie Nielsen, who went on to play rugged leading man roles in such films as Forbidden Planet (1956) and Tammy and the Bachelor (1957) ­ a far cry from the inspired buffoonery he displayed later in his career in Airplane! (1980) and The Naked Gun (1988).

Director: Alex Segal
Producer: Nicholas Nayfack
Screenplay: Cyril Hume, Richard Maibaum
Cinematography: Arthur E. Arling
Art Direction: Cedric Gibbons
Music: Jeff Alexander
Cast: Glenn Ford (David G. Stannard ), Donna Reed (Edith Stannard), Leslie Nielsen (Charlie Telfer), Juano Hernandez (Jesse Chapman), Robert Keith (Chief Jim Backett ) Bobby Clark (Andy Stannard).
BW-103m. Closed captioning.

by Rob Nixon

Ransom!

Ransom!

As a film theme, kidnapping holds a strong enough terror on its own ­ when a child is the victim, the stakes are raised to a level that can be excruciating for viewers, especially any parents in the audience. The terrifying prospect of having your offspring snatched away from your protection and held for payment on the threat of death is played to the hilt in Ransom! (1956). Glenn Ford and Donna Reed play the well-to-do parents of a boy held captive for half a million dollars. The suspense of the piece doesn't hinge around whether they'll be able to raise the money in time. Instead, once he comes up with the needed $500,000, Ford decides he will go on television and warn the kidnappers he will offer the money for their capture if his son is harmed. This decision sends Reed into hysterics and eventually gets almost the entire town involved in the ordeal. The story has been filmed four times; twice for TV as Fearful Decision, the 1956 film version, and the 1996 remake starring Mel Gibson and directed by Ron Howard. It was first brought to the big screen by its broadcast director Alex Segal and writers Cyril Hume and Richard Maibaum with the addition of about an hour's worth of material and the marquee value of Ford and Reed. Neither was a major star, but both were longtime movie dependables who could be counted on to deliver believable, affecting performances. Ford made an incredible 167 films in a 53-year career that began in 1939, often playing low-key, amiable but tough and introspective characters. The year before this film, he turned in two of his best performances in Trial and The Blackboard Jungle. After Ransom! he continued to demonstrate his range, proving himself equally at home in action films (Cimarron, 1960), comedies (Don't Go Near the Water, 1957) and dramas (Dear Heart, 1964). Although he remained a popular performer until his retirement early in the 1990s, he never received an Oscar, or even a nomination. Maybe it was because he made it seem so natural and effortless. Ford himself claimed he never played any character but himself, and once said, "When I'm on camera, I have to do things pretty much the way I do things in everyday life. It gives the audience someone real to identify with." Reed had much this same quality, but by the time she paired with Ford on this film, she also had an Oscar under her belt ­ a supporting actress award for the most uncharacteristic role of her career, the lovelorn prostitute in From Here to Eternity (1953). She was most often cast as the supportive wife and girl next door ­ most famously in the perennial holiday favorite It's a Wonderful Life (1946). (It's almost a Hollywood rule: if you want an Academy Award, build a career on your wholesome appeal, then play a hooker. It worked for Shirley Jones in 1960's Elmer Gantry.) Despite strong performances in her Oscar-winning role and in Ransom!, Reed became increasingly frustrated with the "goody two-shoes" parts she was offered. Nevertheless, she parlayed that typecasting into great TV success on the Emmy-winning Donna Reed Show (1958 ­ 1966). But under her All-American suburban mom image, Reed was a feisty and outspoken woman, joining an organization opposed to the Vietnam War in the 1960s and frequently railing publicly against the sexism and small-mindedness of Hollywood. The Ransom! cast also includes a couple of other notable actors. Juano Hernandez was one of the first of a new breed of black actors to emerge after World War II, not as a song-and-dance man or stereotypical comic relief but playing strong, often fiercely independent characters. He won his greatest acclaim in Intruder in the Dust (1949), from a story by William Faulkner about a proud man wrongfully accused of killing a white Southerner. Here he sensitively portrays the beleaguered family's understanding butler, shining in a scene where he must comfort Ford after everyone believes the plan has backfired and the boy has been killed. This was the first film for Canadian-born Leslie Nielsen, who went on to play rugged leading man roles in such films as Forbidden Planet (1956) and Tammy and the Bachelor (1957) ­ a far cry from the inspired buffoonery he displayed later in his career in Airplane! (1980) and The Naked Gun (1988). Director: Alex Segal Producer: Nicholas Nayfack Screenplay: Cyril Hume, Richard Maibaum Cinematography: Arthur E. Arling Art Direction: Cedric Gibbons Music: Jeff Alexander Cast: Glenn Ford (David G. Stannard ), Donna Reed (Edith Stannard), Leslie Nielsen (Charlie Telfer), Juano Hernandez (Jesse Chapman), Robert Keith (Chief Jim Backett ) Bobby Clark (Andy Stannard). BW-103m. Closed captioning. by Rob Nixon

Quotes

Trivia

Notes

The working title for the film was Fearful Decision. Actor Leslie Nielsen, as "Charlie Telfer," provides voice-over narration at the beginning of the film, introducing the Stannard family's life. Although Ransom! does not actually depict the child's kidnapping, a July 14, 1954 letter from Joseph I. Breen found in the file on the film in the MPAA/PCA Collection at the AMPAS Library states that the Breen office declined approval for the initial script for Ransom! because the depiction of kidnapping was against the code, especially the kidnapping of a child. Breen was also concerned that no punishment was served to the kidnappers. After producers wrote appeals to the effect that the main theme of the film is not the kidnapping, but the character "David G. Stannard"s dilemma in securing the boy's return, the Breen office finally gave its approval in 1955, with few suggested changes.
       October and November 1955 Hollywood Reporter news items add the following actors to the cast; however, their appearance in the final film has not been confirmed: Carl Saxe, Walt Flannery, Bill McLain, Harry Monti, Lew Smith, Max Cutler, Gene Coogan, Franklin Farnum, Willy Bloom, Ann Grey, Beatrice Grey, Sally Cleaves, Peggy O'Connell, Herb Ellis, Joe Murphy, Dick Dial, Fred Perce, Guy Buccolo, Bill O'Brien, King Mojave, John Pedrini and Benkie Bancroft.
       In 1996, writers Cyril Hume and Richard Maibaum's original teleplay Fearful Decision was used as the basis for another film entitled Ransom, directed by Ron Howard and starring Mel Gibson and Rene Russo. The 1996 Ransom was similar to the 1956 film but included some scenes surrounding the kidnapping and capture of the criminals. The 1996 film also included several subplots not in the teleplay or the 1956 picture.

Miscellaneous Notes

Released in United States Winter January 1956

Broadcast over TNT (colorized version) March 16, 1989.

Released in United States Winter January 1956