B. F.'s Daughter


1h 48m 1948
B. F.'s Daughter

Brief Synopsis

A professor doesn't know his wife is an heiress.

Film Details

Genre
Romance
Drama
Release Date
Apr 2, 1948
Premiere Information
not available
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Loew's Inc.
Country
United States
Screenplay Information
Based on the novel B. F.'s Daughter by John P. Marquand (Boston, 1946).

Technical Specs

Duration
1h 48m
Sound
Mono (Western Electric Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1

Synopsis

On an October day in 1932, at the height of the Depression, industrialist B. F. Fulton and his wife Gladys, seated in their elegant Park Avenue apartment, listen with interest to a radio commentary by Martin Delwyn Ainsley about the speech B. F. gave the night before. Ainsley blames B. F. and men like him for the Depression and for offering simple, empty solutions to reverse the country's economic misfortunes. When B. F. tells his daughter Polly that he will be announcing the distribution of dividends from his company, Polly gives the tip to her boyfriend, stuffy attorney Robert S. Tasmin, hoping that the information will result in Bob's promotion, and, consequently, his readiness to marry her. Bob, however, refuses to act on Polly's tip, insisting that it would be unethical to do so. A short time later, while having a drink at a speakeasy with her friend Apples Sandler, Polly meets Thomas W. Brett, a well-spoken university economics professor, who has written books espousing his radical theories of economics. Polly invites Tom to her home, and their friendship quickly builds until Polly reveals who her father is. After telling Polly that he wrote three unflattering chapters about B. F. in his book, Tom leaves her home in a hurry. However, the following day, Tom professes his love for Polly and they plan to marry. B. F. opposes the marriage, but because he loves Polly, he continues to provide a comfortable life for her. After quitting his job, Tom takes Polly to a small island in Minnesota, where they build a modest home. In time, however, Polly becomes restless and leaves the island for New York City, where she secretly secures a lecture tour through the Northeast for Tom by promising to pay the lecture bureau if it loses money on him. The lecture tour brings Tom success and notoriety, and results in his appointment to an important White House position. Tom, however, turns his back on his ill-won success and his marriage, too, when he learns that Polly arranged his tour. Time passes, and following the death of B. F. and the outbreak of World War II, Polly goes to Washington in the hope of saving her marriage. Soon after arriving in Washington, Polly unjustly accuses Tom of taking a Dutch mistress. She is embarrassed by the accusation, though, when she discovers that the Dutch woman is a blind war refugee for whom Bob has been caring. Tom and Polly eventually reconcile and seal their love with a kiss.

Cast

Barbara Stanwyck

"Polly" Fulton

Van Heflin

Thomas W. Brett

Charles Coburn

B. F. Fulton

Richard Hart

Robert S. Tasmin, III

Keenan Wynn

Martin Delwyn Ainsley

Margaret Lindsay

"Apples" Sandler

Spring Byington

Gladys Fulton

Marshall Thompson

The sailor

Barbara Laage

Eugenia Taris

Thomas E. Breen

Major Isaac Riley

Fred Nurney

Jan

Edwin Cooper

General Waldron

Tom Fadden

Mr. Holmquist

Davison Clark

Doorman

Anne O'neal

Receptionist

Tito Vuolo

Waiter

Thaddeus Jones

Waiter

Wyndham Standing

F. W. White

Sir Sidney Lawford

Old man

Thomas Louden

Old man

Elspeth Dudgeon

Mr. Marbey

Clarence Hennecke

Conductor

Robert E. O'connor

Conductor

Dorothy Neumann

Girl with glasses

Edna Holland

Maurine

Hal K. Dawson

Frederick X. Gibson

Geraldine Wall

Secretary

George Spaulding

Fred Lovelace

Helen Spring

Mrs. Barstow

Laura Treadwell

Emily Lovelace

Jean Fenwick

Lady Dover

Boyd Davis

Mr. Barstow

Matt Moore

Butler

Robert Jefferson

Butler

Helen Brown

Nurse

John Albright

Attendant

Alan Ray

Attendant

David Mckim

Attendant

William Tannen

Warrant officer

Alexander Cameron

Driver

Regina Wallace

Mrs. Sedley

Vera Marshe

Miss Dudley

Frank Mayo

Colonel

Bill Harbach

Co-pilot

David Newell

Captain

William Neff

Captain

Ernesto Morelli

Bartender

Harry Denny

Chauffeur

Sig Frohlich

Page boy

Ann Lawrence

Party guest

Lola Detolly

Party guest

Elmon Vanderveer

Party guest

Vincent Neptune

Party guest

Marcel De La Brosse

Party guest

Rhea Mitchell

Assistant secretary

Ruth Cherrington

Sedley guest

Almeda Fowler

Sedley guest

Ezelle Poule

Sedley guest

Estelle Ettere

Sedley guest

Nita Pike

Sedley guest

Ralph Montgomery

G.I.

James Drum

G.I.

Robert Spencer

G.I.

Mary Jo Ellis

Young girl

Lisa Kirby

Young girl

Josette Deegan

Young girl

Mickey Martin

Soldier

Gene Coogan

Soldier

Jack Stenlino

Soldier

Joe Recht

Soldier

Billy Engle

Bellhop

Florence Wix

Wedding guest

Major Sam Harris

Wedding guest

Pierre Watkin

Joe Stewart

Film Details

Genre
Romance
Drama
Release Date
Apr 2, 1948
Premiere Information
not available
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Loew's Inc.
Country
United States
Screenplay Information
Based on the novel B. F.'s Daughter by John P. Marquand (Boston, 1946).

Technical Specs

Duration
1h 48m
Sound
Mono (Western Electric Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1

Award Nominations

Best Costume Design

1948

Articles

B. F.'s Daughter


MGM's B.F.'s Daughter (1948) introduced Barbara Stanwyck in the "New Look" that swept the fashion world in the late 1940s. Gone were Stanwyck's shoulder-length tresses, shoulder pads and boxy suits that had been her signature in the early part of the decade. For the first time onscreen, her hair was bobbed short, her waist cinched and her skirts flared with the abundance of material that prevailed once wartime restrictions were a thing of the past. Stanwyck's "look" created a minor sensation, and costume designer Irene was nominated for an Oscar ® for her up-to-date fashions.

B.F.'s Daughter, based on the novel by John P. Marquand, casts Stanwyck as Polly Fulton, the rebellious daughter of a rich industrialist (Charles Coburn). B.F., happy with his daughter's engagement to a smooth, conservative lawyer (Richard Hart), is stunned when she instead marries a rumpled, liberal college professor (Van Heflin).

Much of the political satire of Marquand's novel is missing from the film, which becomes instead a straightforward romantic drama as Polly clashes with both her irate father and resentful husband. Given the restrictions of the period, Polly the character is never allowed to be quite as independent as Stanwyck the actress probably would have liked to make her. But the production values have that MGM gloss, and Stanwyck's straight-ahead star performance is nicely supported by some compatible pros who had worked with her previously (and, in Heflin's case, would again).

Coburn also played Stanwyck's father in the screwball romp The Lady Eve, and Spring Byington repeats her role as Stanwyck's mother here after having enjoyed the same relationship in the Frank Capra drama Meet John Doe (1941). Heflin and Stanwyck first shared their potent chemistry in The Strange Love of Martha Ivers and would revive it in East Side, West Side (1949). Stanwyck considered Heflin a pal who was a worthy target for practical jokes; before filming a scene from B.F.'s Daughter in which he was to carry her across a threshhold, she hid weights in her mink coat, causing the poor guy to strain and stagger after sweeping her into his arms.

In the United Kingdom the film's title was changed to Polly Fulton, since "B.F." is a euphemism in England for "bloody fool."

Producer: Edwin H. Knopf
Director: Robert Z. Leonard
Screenplay: Luther Davis, from John P. Marquand novel
Cinematography: Joseph Ruttenberg
Art Direction: Daniel B. Cathcart, Cedric Gibbons
Original Music: Bronislau Kaper, Clifford Vaughan (uncredited)
Editing: George White
Costume Design: Irene
Hair Styles: Sydney Guilaroff
Cast: Barbara Stanwyck (Pauline "Polly" Fulton), Van Heflin (Thomas W. "Tom" Brett), Charles Coburn (Burton F. "B.F." Fulton), Richard Hart (Robert S. "Bob" Tasmin III), Keenan Wynn (Martin Delwyn "Marty" Ainsley), Margaret Lindsay ("Apples" Sandler) Spring Byington (Gladys Fulton).
BW-109m.

by Roger Fristoe
B. F.'s Daughter

B. F.'s Daughter

MGM's B.F.'s Daughter (1948) introduced Barbara Stanwyck in the "New Look" that swept the fashion world in the late 1940s. Gone were Stanwyck's shoulder-length tresses, shoulder pads and boxy suits that had been her signature in the early part of the decade. For the first time onscreen, her hair was bobbed short, her waist cinched and her skirts flared with the abundance of material that prevailed once wartime restrictions were a thing of the past. Stanwyck's "look" created a minor sensation, and costume designer Irene was nominated for an Oscar ® for her up-to-date fashions. B.F.'s Daughter, based on the novel by John P. Marquand, casts Stanwyck as Polly Fulton, the rebellious daughter of a rich industrialist (Charles Coburn). B.F., happy with his daughter's engagement to a smooth, conservative lawyer (Richard Hart), is stunned when she instead marries a rumpled, liberal college professor (Van Heflin). Much of the political satire of Marquand's novel is missing from the film, which becomes instead a straightforward romantic drama as Polly clashes with both her irate father and resentful husband. Given the restrictions of the period, Polly the character is never allowed to be quite as independent as Stanwyck the actress probably would have liked to make her. But the production values have that MGM gloss, and Stanwyck's straight-ahead star performance is nicely supported by some compatible pros who had worked with her previously (and, in Heflin's case, would again). Coburn also played Stanwyck's father in the screwball romp The Lady Eve, and Spring Byington repeats her role as Stanwyck's mother here after having enjoyed the same relationship in the Frank Capra drama Meet John Doe (1941). Heflin and Stanwyck first shared their potent chemistry in The Strange Love of Martha Ivers and would revive it in East Side, West Side (1949). Stanwyck considered Heflin a pal who was a worthy target for practical jokes; before filming a scene from B.F.'s Daughter in which he was to carry her across a threshhold, she hid weights in her mink coat, causing the poor guy to strain and stagger after sweeping her into his arms. In the United Kingdom the film's title was changed to Polly Fulton, since "B.F." is a euphemism in England for "bloody fool." Producer: Edwin H. Knopf Director: Robert Z. Leonard Screenplay: Luther Davis, from John P. Marquand novel Cinematography: Joseph Ruttenberg Art Direction: Daniel B. Cathcart, Cedric Gibbons Original Music: Bronislau Kaper, Clifford Vaughan (uncredited) Editing: George White Costume Design: Irene Hair Styles: Sydney Guilaroff Cast: Barbara Stanwyck (Pauline "Polly" Fulton), Van Heflin (Thomas W. "Tom" Brett), Charles Coburn (Burton F. "B.F." Fulton), Richard Hart (Robert S. "Bob" Tasmin III), Keenan Wynn (Martin Delwyn "Marty" Ainsley), Margaret Lindsay ("Apples" Sandler) Spring Byington (Gladys Fulton). BW-109m. by Roger Fristoe

Quotes

Trivia

Notes

According to a March 1947 Hollywood Reporter news item, actress Katharine Hepburn was considered for a leading role in this film. Irene was nominated for an Academy Award in the Costume Design (black-and-white) category. On December 11, 1950, Lux Radio Theatre broadcast a radio version of the story starring Barbara Stanwyck and Stewart Granger.