Hugh Grant
About
Biography
Filmography
Family & Companions
Notes
"I'm going to efface my self-effacing quality, I've decided. It's not a good idea in Hollywood. Too often I've said, 'Oh no, no, please it's a terrible film , I'm awful in it,' and people have taken me at my word, which is not what they're supposed to do. They're supposed to shout me down and say 'On the contrary, it's excellent and you're wonderful!'" --Grant to the Los Angeles Times, March 6, 1994.
"This is my dream of a nice marriage: to be in a big schloss, with enough space so that you and your wife can avoid each other, with a lot of servants to bring the children down, in sailor suits, preferably in step, at 6 o'clock in the evening, have a quick look at them and then send them off to bed again." --Hugh Grant, somewhat tongue-in-cheek to Los Angeles Times, March 6, 1994.
Biography
Though he made his name playing the easygoing and somewhat befuddled Brit in several winning romantic comedies, actor Hugh Grant was a meticulous and often exacting performer, wary of celebrity while making sure to exercise full control over the roles he chose. After breaking through with the Merchant-Ivory adaptation of "The Remains of the Day" (1993), Grant became a star with his turn as a charming, but stammering Brit unlucky in love in "Four Weddings and a Funeral" (1994). But he became a household name not for any role he played, but because of one particularly embarrassing moment with a Hollywood prostitute that eradicated his somewhat wholesome image. A quickly forgiving public helped keep Grant in the spotlight, however, thanks to his performances in "Nine Months" (1995), "Sense and Sensibility" (1995) and "Notting Hill" (1999). Grant's career hit new highs with "Bridget Jones's Diary" (2001) and "About a Boy" (2002) - the latter of which widely regarded as the best performance of his career - and the cult favorite "Love Actually" (2003). Though he became even more selective about his roles as his career went forward, Grant managed to cement himself as the go-to leading man for interesting and amusing romantic comedies.
Born on Sept. 9, 1960 in London, England, Grant was raised by his father, James, a British Army officer who became a carpet salesman and successful artist, and his mother, Fynvola, a teacher of French, Latin and music. As a descendant of British royalty that included the 4th Viscount of Strathallan and the 1st Earl of Nottingham, Grant was afforded a rather comfortable upbringing, though he later admitted it was far from affluent. After beginning his education at the Hogarth Primary School, he attended the Latymer Upper School on scholarship, where he excelled in his studies and played rugby, soccer and cricket. Continuing his education, Grant earned a scholarship to attend the New College, Oxford, where he studied English literature while seeking a creative outlet in acting by joining the Oxford University Dramatic Society. Grant made his feature debut in "Privileged" (1982), a drama about a group of young undergraduates that was financed by the Oxford Film Foundation. After graduating Oxford with honors, he bounced around from odd job to odd job, working as a groundsman, tutor, sketch comedy writer and advertising copywriter.
Turning his creative outlet into a potential career, Grant joined the Nottingham Playhouse in order to obtain his Equity card, though he soon became bored playing small parts. To alleviate his ennui, Grant formed a comedy revue called The Jockeys of Norfolk and toured the local pub circuit. The troupe eventually became something of a hit after performing at the annual Edinburgh Festival. Meanwhile, he made his American television debut with a small role in "Jenny's War" (syndicated, 1985), a two-part miniseries set during World War II. He returned to features with a starring role in the Merchant-Ivory drama "Maurice" (1987), playing the aristocratic and sexually ambiguous Clive Durham, who shocks his closer friend (James Wilby) by declaring his love for him. The part earned Grant considerable recognition, leading to roles in "Bengali Nights" (1988) and Ken Russell's vampire thriller "The Lair of the White Worm" (1988). That same year, he was featured in "The Dawning" with Anthony Hopkins and portrayed Lord Byron in "Rowing with the Wind," which marked the only film Grant made opposite longtime companion, actress and model Elizabeth Hurley.
With his career on the rise, Grant became choosier with his roles; eventually becoming downright notorious for his reluctance to embrace celebrity. After playing legendary composer Frederic Chopin opposite Judy Davis' George Sand in James Lapine's feature debut, "Impromptu" (1991), he was a prim and proper Brit married to a classically English woman (Kristen Scott-Thomas) in Roman Polanski's erotic thriller "Bitter Moon" (1992). Grant had his breakthrough role in "The Remains of the Day" (1993) opposite Anthony Hopkins and Emma Thompson, playing the son of the dead Lord Darlington (James Fox). He next delivered an impressive turn as a somewhat repressed British minister at once disapproving of and besotted by the lifestyle of freethinking Australian artist Norman Lindsay (Sam Neill) and his beautiful nude models in the droll period comedy "Sirens" (1994). But it was the surprise comedy hit "Four Weddings and a Funeral" (1994) that would turn Grant into a star. With an acclaimed performance as the most unlikely of romantic heroes, Grant exuded charm as the stammering, unlucky in love Brit who finally finds his match in Carrie (Andie MacDowell), an aloof but passionate American woman. Grant's performance in the Mike Newell film enchanted audiences and critics, many of whom likened him to past witty and dashing cinematic leads like David Niven and Cary Grant.
"Four Weddings and a Funeral" flung open the doors to Hollywood, cementing Grant's image as an occasionally caddish, but imminently likeable screen personality. But as soon as he was enjoying his newfound success, the notoriously guarded actor faced scandalous public embarrassment just months before the release of his next film, "Nine Months" (1995). In June of that year, Grant was arrested along with Hollywood prostitute Divine Brown after a police officer became suspicious of him repeatedly applying the brakes of his BMW while parked on a side street off Sunset Boulevard. The officer discovered Brown performing oral sex on Grant and promptly arrested both, charging the actor with a misdemeanor for lewd conduct in a public place. After pleading no contest, he was fined a small amount, placed on two years' probation and required to complete an AIDS education program. He even escaped serious damage from the public, though his mug shot was displayed on virtually every media outlet for several months. Grant emerged virtually unscathed, reportedly getting even more movie offers following the scandal. Meanwhile, the actor continued to win over many stateside with the heartfelt public apology given to Hurley and his family in a particularly uncomfortable, but courageous "Tonight Show" appearance.
Despite being a moderately crude and uneven romantic comedy about a single man dealing with sudden fatherhood, "Nine Months" benefited at the box office from Grant's sudden notoriety. More well received was his turn in the endearing Ealing Studios-style comedy released just prior to his arrest, "The Englishman Who Went Up a Hill but Came Down a Mountain" (1995). After reuniting with Mike Newell for "An Awfully Big Adventure" (1995), Grant closed out a busy year with a featured role in Ang Lee's take on Jane Austen's "Sense and Sensibility" (1995), co-starring as the unwitting heartbreaker Edward opposite Emma Thompson's refined Elinor.
Taking on a rare Hollywood-style role, Grant starred opposite Gene Hackman as doctors on opposite sides of a mortal ethical battle in the psychological thriller "Extreme Measures" (1996), the maiden outing of Simian Films, Grant and Hurley's joint production company. The film proved to be an unsuccessful venture, with audiences responding poorly to his dramatic role in the dark and disturbing film. Meanwhile, Grant disappeared from the screen for a time, but reemerged with the charming romantic comedy "Notting Hill" (1999), in which he played a failed bookshop owner who enters a relationship with world famous film star Anna Scott (Julia Roberts). The film, written and produced by the team behind "Four Weddings and a Funeral," was a well-reviewed early summer hit and proved a victorious comeback for Grant. Next up was Simian Films' sophomore effort, the Mafia-themed comedy "Mickey Blue Eyes" (1999), starring Grant as an art dealer who finds that the father of his fiancée (Jeanne Tripplehorn) wants to use his auction house to launder money for her Mafia father (James Caan). Grant then segued to a leading role in Woody Allen's "Small Time Crooks" (2000), playing a posh art dealer who helps a former stripper (Tracy Ullman) married to a down-and-out con man (Allen) make the switch from low class to high society.
Grant next took on the role of Daniel Cleaver, the sleazy but irresistible boss whose antics fill up many pages in "Bridget Jones's Diary" (2001), a role that may have been his ultimate charming scoundrel performance. The following year, Grant delivered both the comedic and dramatic performance of his career in "About a Boy" (2002). He played a wealthy, child-free, irresponsible Londoner who, in search of available women, invents an imaginary son and starts attending single parent meetings, only to meet Marcus, an odd 12-year-old with problems at school and a depressed mother at home. With the role, Grant perfected all the callow characters he had played in the past, but also invested the part with more warmth, wit and sensitivity than he had previously displayed. Later that same year, he returned to the romantic comedy genre, teaming with Sandra Bullock in "Two Weeks Notice" (2002), in which he further displayed his crackerjack comedic timing playing another self-centered wastrel who is forced to open his heart to romance.
Joining the directorial debut of "Four Weddings," "Notting Hill" and "Bridget Jones" screenwriter Richard Curtis, Grant was part of the all-star ensemble cast for "Love Actually" (2003), which comprised a series of intertwining romantic comedy plotlines. Despite mixed reviews, the film went on to do exceptionally well at the box office, taking in almost $250 million worldwide. Grant reprised Daniel Cleaver for the sequel, "Bridget Jones: The Edge of Reason" (2004). In "American Dreamz" (2006), a rather disappointing satire on "American Idol" and the presidency of George W. Bush, he played the smarmy, self-aggrandizing host of a popular singing competition looking for the next wannabe star. He next starred in "Music and Lyrics" (2007), a romantic comedy that focused on the romance between a lyricist (Drew Barrymore) and a washed-up musician (Grant). Grant continued to be the go-to British actor for American romantic comedies with "Did You Hear About the Morgans?" (2009), which paired him with Sarah Jessica Parker as a divorcing couple brought back together after they witness a murder and become targets of a contract killer.
After a decades-long combative, and sometimes litigious, relationship with the British tabloid press, Grant enjoyed a bit of payback with an article he penned for the U.K.'s New Statesman in April 2011. The article, entitled "The Bugger, Bugged" essayed a conversation between Grant and Paul McMullen, a former editor and investigative journalist at the Rupert Murdoch-owned News of the World. Unbeknownst to McMullen, the actor surreptitiously recorded their entire conversation, in which Grant extracted several incriminating admissions by the journalist about long-standing ethical violations committed by the newspaper, one of England's oldest. Although the article and its revelations gained considerable exposure in Grant's home country, after the News of the World wire tapping scandal broke in the summer of 2011, Grant suddenly found himself as the unofficial spokesman for the universal outrage directed at News of the World in particular, and the practices of tabloid journalism in general. In July of that year, Murdoch announced that the newspaper - plagued by phone-hacking and corruption allegations - would be shut down after a more than 160-year run as a Sunday weekly.
Following a cameo in Casey Affleck's mockumentary about Hollywood celebrity, "I'm Still Here" (2010) and a leading role as the Pirate Captain in the animated hit "The Pirates! Band of Misfits" (2012), Grant essayed six roles in "Cloud Atlas" (2012), the time-traveling science fiction saga by Tom Twyker and the Wachowskis, based on the novel by David Mitchell. This epic was followed by the more traditional romantic comedy "The Rewrite" (2014), co-starring Marisa Tomei. Grant next took on a supporting role in Guy Ritchie's espionage reboot "The Man from U.N.C.L.E." (2015).
Filmography
Cast (Feature Film)
Music (Feature Film)
Cast (Special)
Cast (TV Mini-Series)
Life Events
1982
Made feature acting debut in in the Oxford-financed "Privileged" (credited as Hughie Grant)
1985
Made U.S. TV acting debut in the syndicated miniseries "Jenny's War"
1987
Played first leading role, as the aristocrat who engages in a homosexual affair while at university in Merchant-Ivory's "Maurice"
1988
Featured in "The Dawning", starring Anthony Hopkins
1988
Portrayed Lord Byron in "Rowing With the Wind" opposite then-girlfriend Elizabeth Hurley
1991
Starred as Frederic Chopin opposite Judy Davis' George Sand in "Impromptu"
1992
Played half of a straitlaced British couple who meet up with a seductive French woman and her embittered, paraplegic American husband in Roman Polanski's "Bitter Moon"
1993
Featured in Merchant-Ivory's "The Remains of the Day," with Anthony Hopkins and Emma Thompson
1994
Starred as a repressed clergyman in 1920s Australia in "Sirens"
1994
Had first major hit with "Four Weddings and Funeral"; played the bumbling Englishman who falls for an American woman
1995
Landed supporting role in Ang Lee's adaptation of Jane Austen's "Sense and Sensibility"
1995
Formed Simian Films with Elizabeth Hurley
1995
Cast as a surveyor visiting a Welsh village in "The Englishman Who Went Up a Hill but Came Down a Mountain"
1995
Starred as the arrogant and foppish artistic director of a Liverpool repertory company in Mike Newell's "An Awfully Big Adventure"
1995
Starred in first Hollywood film, Chris Columbus's "Nine Months"
1996
Played a doctor in the midst of an ethical struggle with Gene Hackman in "Extreme Measures"; produced under the Simian Films banner
1999
Played an art dealer who learns his girlfriend's father is a gangster in the romantic comedy "Mickey Blue Eyes"
1999
Starred opposite Julia Roberts in the hit romantic comedy "Notting Hill"
2000
Cast in supporting role in Woody Allen's "Small Time Crooks"
2001
Offered change of pace turn as the title character's smarmy boss Daniel Cleaver in "Bridget Jones's Diary"
2002
Co-starred opposite Sandra Bullock in romantic comedy "Two Weeks Notice"
2002
Starred in the film adaptation of Nick Hornby's best-selling novel "About a Boy"; received a Golden Globe nomination for Best Actor
2003
Cast as the Prime Minister in Richard Curtis' ensemble romantic comedy "Love Actually"
2004
Reprised role as Daniel Cleaver in "Bridget Jones: The Edge of Reason"
2006
Portrayed a Simon Cowell-like host of a vocal talent show in Paul Weitz' "American Dreamz"
2007
Played a washed-up 80's pop singer in "Music & Lyrics," directed by Marc Lawrence
2009
Re-teamed with director Lawrence in the comedy "Did You Hear About the Morgans?"
2012
Voiced the Pirate Captain in the animated adventure "Pirates! Band of Misfits"
2012
Played multiple roles in "Cloud Atlas," based on David Mitchell's 2004 novel; film co-directed by Andy Wachowski, Lana Wachowski, and Tom Tykwer
2014
Starred opposite Marisa Tomei in romantic comedy "The Rewrite"
2015
Played supporting role in Guy Ritchie's "The Man from U.N.C.L.E."
2016
Co-starred with Meryl Streep in biopic "Florence Foster Jenkins"
2017
Reprised "Love Actually" in the charity-themed short film "Red Nose Day Actually"
2017
Starred in the warmly received sequel "Paddington 2"
2018
Was cast on the mini-series "A Very English Scandal"
Videos
Movie Clip
Trailer
Family
Companions
Bibliography
Notes
"I'm going to efface my self-effacing quality, I've decided. It's not a good idea in Hollywood. Too often I've said, 'Oh no, no, please it's a terrible film , I'm awful in it,' and people have taken me at my word, which is not what they're supposed to do. They're supposed to shout me down and say 'On the contrary, it's excellent and you're wonderful!'" --Grant to the Los Angeles Times, March 6, 1994.
"This is my dream of a nice marriage: to be in a big schloss, with enough space so that you and your wife can avoid each other, with a lot of servants to bring the children down, in sailor suits, preferably in step, at 6 o'clock in the evening, have a quick look at them and then send them off to bed again." --Hugh Grant, somewhat tongue-in-cheek to Los Angeles Times, March 6, 1994.
"Am I tired of playing repression? Personally, I enjoy it. A lot of American actors are always saying, Emote! Emote! But people don't emote in real life. They behave, and they're very complex." --Hugh Grant to Entertainment Weekly, March 26, 1994.
"I know Americans think small-budget English films are fascinating, but I'm always yawning my head off. I've always had a soft spot for big-budget American movies." --Grant quoted in Entertainment Weekly, July 21, 1995.
"This extraordinary Hugh Grant creation comes into existence and becomes more and more bizarrely different to me. It's this bungling, floppy-haired, upper-class twit--and I really don't think that bears a resemblance to me, especially not with my new hair grease. In the end all you can do is have a laugh." --Grant quoted in Time, May 31, 1999.
"... if someone came up to me today and said 'I'm sorry Hugh, a law has just been passed, you can't act anymore,' I'd be cracking open the champagne. The older I get, the more traumatic I find it and the more I find myself enjoying the other half of it. I quite like writing, whether for scripts or even bits of prose and stuff, and I've quite enjoyed producing. Just anything not to have to go into makeup and then stand in front of a camera. I find that's wearing a bit thin--mainly the trauma. Particularly doing comedy, that terrible worry: Was that funny, or was that embarrassing?" --Grant quoted in Us, July 1999.
"I've never wanted power in a relationship. Like most men, I like to be completely walked over, really"---Grant to Cojo on Entertainment Tonight, November 2003.
