Arthur E. Arling

Director Of Photography

About

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Also Known As

Arthur Arling

Birth Place

Missouri, USA

Born

September 19, 1906

Died

October 16, 1991

Filmography

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The Making Of A Legend: Gone With The Wind (1988)

Once Before I Die (1966)

Director of Photography

Ski Party (1965)

Director of Photography

The Secret Invasion (1964)

Director of Photography

Strait-Jacket (1964)

Director of Photography

My Six Loves (1963)

Director of Photography

Photos & Videos

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Glass Slipper, The (1955) -- (Movie Clip) Goodbye, Cinder Ella!

Glass Slipper, The (1955) -- (Movie Clip) How Cold Is The Water?

Biography

Filmography

Cast (Feature Film)

The Making Of A Legend: Gone With The Wind (1988)

Cinematography (Feature Film)

Once Before I Die (1966)

Director of Photography

Ski Party (1965)

Director of Photography

The Secret Invasion (1964)

Director of Photography

Strait-Jacket (1964)

Director of Photography

My Six Loves (1963)

Director of Photography

Boys' Night Out (1962)

Director of Photography

Swingin' Along (1962)

Director of Photography

The Notorious Landlady (1962)

Director of Photography

When the Girls Take Over (1962)

Director of Photography

Lover Come Back (1961)

Director of Photography

The Story of Ruth (1960)

Director of Photography

Take a Giant Step (1960)

Director of Photography

Pillow Talk (1959)

Director of Photography

This Happy Feeling (1958)

Director of Photography

Flood Tide (1958)

Director of Photography

Kathy O' (1958)

Director of Photography

Once Upon a Horse... (1958)

Director of Photography

The Kettles on Old MacDonald's Farm (1957)

Director of Photography

Tammy and the Bachelor (1957)

Director of Photography

Man in the Shadow (1957)

Director of Photography

The Great American Pastime (1956)

Director of Photography

Director of Photography

I'll Cry Tomorrow (1955)

Director of Photography

The Glass Slipper (1955)

Director of Photography

Love Me or Leave Me (1955)

Director of Photography

Three for the Show (1955)

Director of Photography

Red Garters (1954)

Director of Photography

The Farmer Takes a Wife (1953)

Director of Photography

The I Don't Care Girl (1953)

Director of Photography

Red Skies of Montana (1952)

New Mexico loc Director of Photographer

Belles on Their Toes (1952)

Director of Photography

Meet Me After the Show (1951)

Director of Photography

Call Me Mister (1951)

Director of Photography

Wabash Avenue (1950)

Director of Photography

My Blue Heaven (1950)

Director of Photography

Mother Is a Freshman (1949)

Director of Photography

You're My Everything (1949)

Director of Photography

Captain from Castile (1948)

Director of Photography

The Homestretch (1947)

Director of Photography

The Yearling (1947)

Director of Photography

Gone With the Wind (1939)

Camera Operator

Sweethearts (1938)

Technicolor Camera crew

Doubting Thomas (1935)

Camera Operator

Baby Take a Bow (1934)

Camera Operator

3 on a Honeymoon (1934)

Camera Operator

Una viuda romántica (1933)

Cavalcade (1933)

Yo, tú y ella (1933)

Camera Operator

It's Great to Be Alive (1933)

Camera Operator

Life in the Raw (1933)

Camera Operator

She Wanted a Millionaire (1932)

6 Hours to Live (1932)

Camera Operator

A Passport to Hell (1932)

Camera Operator

Merely Mary Ann (1931)

Over the Hill (1931)

Cinematography (Short)

Hollywood Wonderland (1947)

Cinematographer

Scenic Grandeur (1941)

Cinematographer

Mendelssohn's Wedding March (1939)

Cinematographer

Life Events

1927

First film as assistant cameraman

Videos

Glass Slipper, The (1955) -- (Movie Clip) Goodbye, Cinder Ella! The narrator sounds like Walter Pidgeon because he is, opening the MGM Leslie Caron vehicle, derived from the first published version of Cinderella (1697, by Charles Perrault, Cendrillon ou la petite pantoufle de verre), directed by Charles Walters, music by Bronislau Kaper, dance by Roland Petit for Ballet de Paris, The Glass Slipper, 1955, also starring Michael Wilding.

Glass Slipper, The (1955) -- (Movie Clip) How Cold Is The Water? The prince Charles (Michael Wilding), just returned to “a small European principality,” and pal Kovin (Keenan Wynn) are wandering in the woods at an old favorite site when Leslie Caron, the indignant local tomboy who’s decided she doesn’t mind being called “Cinderella,” shows up with an attitude, their first meeting, in MGM’s The Glass Slipper, 1955.

Glass Slipper, The (1955) -- (Movie Clip) Son Of The Cook More than 40-minutes into the feature, in a sequence dreamed up by servant girl “Ella” (Leslie Caron), who’s been told that Prince Charles (Michael Wilding) is just “the son of the cook of the palace of the duke,” she joins the first dance number, Charles Walters directing, dance by Roland Petit for Ballet de Paris, in MGM’s The Glass Slipper, 1955.

I'll Cry Tomorrow (1955) -- (Movie Clip) We Did What? Newly happy and confident now that she's using alcohol to cope with grief over the death of her first husband, singer Lillian Roth (Susan Hayward) on a wild date with soldier Wallie (Don Taylor), whom she scarcely knows, in I'll Cry Tomorrow, 1955.

I'll Cry Tomorrow (1955) -- (Movie Clip) Sing You Sinners Grand entrance for Susan Hayward, as the now grown-up Lillian Roth, in Hollywood shooting the number "Sing, You Sinners" by W. Franke Harling and Sam Coslow, as made famous by the real Roth in Honey, 1930, Jo Van Fleet her preening mother, in I'll Cry Tomorrow, 1955.

I'll Cry Tomorrow (1955) -- (Movie Clip) Adorable Drunk Losing her grip again, now in the thrall of her money-grubbing third husband Tony (Richard Conte), singer Lillian Roth (Susan Hayward) has an incident in an LA bar, in I'll Cry Tomorrow, 1955.

Lover Come Back (1961) -- (Movie Clip) It Looks Down On Madison Avenue Carol (Doris Day) has forced a hearing before the Madison Avenue ethics-enforcing “Advertising Council,” not knowing that her target, Jerry Webster (Rock Hudson, not seen) has tricked her witness, dishy model Rebel (Edie Adams) into hiding his dubious practices, in Lover Come Back, 1961.

Pillow Talk (1959) -- (Movie Clip) Title Song Cute graphics, the leading lady with the title tune by Buddy Pepper and Inez James, to Doris Day in the blue negligee and leading man Rock Hudson introducing the premise and the graphic gimmick, off to a rollicking start in their first picture together, in Pillow Talk, 1959.

Lover Come Back (1961) -- (Movie Clip) I Wish I Were A Man Right Now! Ad man Jerry (Rock Hudson) is managing his neurotic boss and buddy Peter (Tony Randall), legacy owner of the agency, who's worried that competitor Carol (Doris Day) has filed a complaint, director Delbert Mann using the split-screen phone gimmick from Pillow Talk, 1959, early in Lover Come Back, 1961.

Pillow Talk (1959) -- (Movie Clip) Has He Made Immoral Overtures? Joining infuriated party-line customer Jan (Doris Day), we meet her ever hung-over maid Alma (Thelma Ritter) then the phone company man (Hayden Rorke), following just the first encounter with the leading man (Rock Hudson) she hasn't yet met, in Pillow Talk, 1959.

Lover Come Back (1961) -- (Movie Clip) Until I See Him Sober Nearly 45 minutes into the movie, the stars on screen together for the firs time, Doris Day as ad-gal Carol reasonably presumes that bearded Rock Hudson, playing her rival Jerry, is actually the chemist Tyler, inventor of the so-far non-existent product “VIP,” implications abounding, in Lover Come Back, 1961.

Lover Come Back (1961) -- (Movie Clip) Open, Title Song The leading lady delivers the bouncy title song by Frank De Vol and Alan Spilton, resonant early 1960's graphics, opening director Delbert Mann's much-praised romantic comedy Lover Come Back, 1961, starring Doris Day, Rock Hudson and Tony Randall.

Bibliography

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