Tonino Delli Colli


Director Of Photography

About

Also Known As
Antonio Delli Colli
Birth Place
Italy
Born
November 20, 1923
Died
August 16, 2005
Cause of Death
Heart Attack

Biography

Versatile cinematographer, equally distinguished for his gritty, urban, black-and-white images ("Accatone" 1961) as for his brilliantly hued color landscapes ("Lacombe, Lucien," 1973). Delli Colli shot Italy's first color film, "Toto a Colori" (1952), and collaborated frequently with directors Pier Paolo Pasolini and Sergio Leone....

Biography

Versatile cinematographer, equally distinguished for his gritty, urban, black-and-white images ("Accatone" 1961) as for his brilliantly hued color landscapes ("Lacombe, Lucien," 1973). Delli Colli shot Italy's first color film, "Toto a Colori" (1952), and collaborated frequently with directors Pier Paolo Pasolini and Sergio Leone.

Filmography

 

Cinematography (Feature Film)

Life Is Beautiful (1998)
Director Of Photography
Marianna Ucria (1997)
Director Of Photography
Facciamo Paradiso (1995)
Director Of Photography
Death and the Maiden (1994)
Director Of Photography
La Soif d'or (1993)
Director Of Photography
Bitter Moon (1992)
Director Of Photography
FX2 - The Deadly Art of Illusion (1991)
Director Of Photography
Una Storia Semplice (1991)
Director Of Photography
Especially on Sunday (1991)
Director Of Photography ("The Blue Dog")
The Voice of the Moon (1990)
Director Of Photography
L' Africana (1990)
Director Of Photography
Stradivari (1989)
Director Of Photography
Federico Fellini's Intervista (1987)
Director Of Photography
The Name of the Rose (1986)
Director Of Photography
Ginger and Fred (1986)
Director Of Photography
Il Futuro e Donna (1984)
Director Of Photography
Once Upon A Time In America (1984)
Director Of Photography
Once Upon a Time in America - Extended Cut (1984)
Director Of Photography
Tales of Ordinary Madness (1983)
Director Of Photography
Trenchcoat (1983)
Director Of Photography
Till Marriage Do Us Part (1982)
Director Of Photography
Sunday Lovers (1981)
Director Of Photography (Italian Segment)
Fantasma d'Amore (1981)
Director Of Photography
Sono Fotogenico (1980)
Director Of Photography
Caro Papa (1979)
Director Of Photography
Travels With Anita (1978)
Director Of Photography
Blood Feud (1978)
Director Of Photography
Lovers and Other Relatives (1978)
Director Of Photography
Primo Amore (1978)
Director Of Photography
I Nuovi Mostri (1977)
Director Of Photography
Salo or the 120 Days of Sodom (1977)
Director Of Photography
Un Taxi mauve (1977)
Director Of Photography
Caro Michele (1976)
Director Of Photography
Anima Persa (1976)
Director Of Photography
Seven Beauties (1975)
Director Of Photography
Lacombe, Lucien (1974)
Director Of Photography
Mio Dio, come sono Caduta in Basso (1974)
Director Of Photography
Bawdy Tales (1973)
Director Of Photography
Deaf Smith And Johnny Ears (1973)
Director Of Photography
Peccato Veniale (1973)
Director Of Photography
Paolo Il Caldo (1973)
Director Of Photography
Pilgrimage (1972)
Photography
Un Uomo da Rispettare (1972)
Director Of Photography
The Canterbury Tales (1972)
Director Of Photography
Cometogether (1971)
Photography
The Decameron (1971)
Director Of Photography
Homo Eroticus (1971)
Director Of Photography
Pussycat, Pussycat, I Love You (1970)
Director of Photography
Spirits of the Dead (1969)
Photographer for "William Wilson"
Once Upon a Time in the West (1969)
Director of Photography
Mafia (1969)
Director of Photography
Ghosts--Italian Style (1969)
Director of Photography
Pigsty (1969)
Director Of Photography
Accattone! (1968)
Director of Photography
China Is Near (1968)
Director of Photography
The Beautiful Swindlers (1967)
Photographer for "Naples"
The Hawks and the Sparrows (1967)
Director of Photography
A Very Handy Man (1966)
Director of Photography
The Good, the Bad, and the Ugly (1966)
Director of Photography
Mandragola (1966)
Director of Photography
The Gospel According to St. Matthew (1966)
Director of Photography
Love in 4 Dimensions (1965)
Photographer for "Love and Life" and "Love and Death"
The New Angels (1965)
Director of Photography
Not on Your Life (1965)
Director of Photography
Ro.Go.Pa.G. (1963)
Director Of Photography ("La Ricotta")
Swordsman of Siena (1962)
Director of Photography
Mamma Roma (1962)
Director Of Photography
The Wonders of Aladdin (1961)
Director of Photography
Morgan the Pirate (1961)
Director of Photography
World by Night (1961)
Director of Photography
The Thief of Baghdad (1961)
Director of Photography
Primo Amore (1958)
Cinematographer
Femmine tre volte (1957)
Director Of Photography
Donatella (1955)
Director Of Photography
The White Angel (1955)
Cinematographer
Where is Freedom? (1954)
Cinematographer
Sacco di Roma, Il (1953)
Director Of Photography
Black Magic (1949)
Camera Operator

Misc. Crew (Feature Film)

Life Is Beautiful (1998)
Dp/Cinematographer
FX2 - The Deadly Art of Illusion (1991)
Dp/Cinematographer
The Name of the Rose (1986)
Dp/Cinematographer
Donatella (1955)
Other

Life Events

1943

First feature as director of photography, "Finalmente si"

1952

Shot Italy's first color film, "Toto a Colori"

Videos

Movie Clip

Seven Beauties (1975) -- (Movie Clip) What Exactly Is Your Game? In 1930s Italy, Pasqualino, a low-level Sicilian thug, kills a man who disgraced his sister. Pasqualino pleads insanity and manages to escape imprisonment by joining the military, but he decides to go AWOL when things get too heavy. Unfortunately, he finds himself stuck in a concentration camp. Pasqualino vows to do anything in order to survive even if that means seducing an obese, female German camp commandant or ratting out his own pals.
Seven Beauties (1975) -- (Movie Clip) The Word Of Pasqualino! Joining a flashback from Italian WWII POW Pasqualino (Giancarlo Giannini) to earlier days in Naples, where he castigates one of his seven sisters (Elena Fiore) over her cabaret act and her manager, early in the feature that made Fellini-trained writer-director Lina Wertmüller the first woman ever nominated for the Best Director Academy Award, Seven Beauties, 1975.
Seven Beauties (1975) -- (Movie Clip) That's Okay, German Lady! Still wandering Alpine southern Germany avoiding Nazi patrols, escaped Italian POW Pasqualino (Giancarlo Giannini, in his Academy Award-nominated role) discovers a household presumably effected by wartime circumstances, no other actors credited, Lina Wertmüller directing from her original screenplay, in Seven Beauties, 1975.
Lacombe, Lucien (1974) -- (Movie Clip) A Rich And Stingy Jew Having casually ingratiated himself with the local Nazi collaborators, farm-boy Pierre Blaise (title character) is introduced by Vichy youth Jean (Stephane Bouy) to the Jewish tailor (Holger Lowenadler) who gets relative safety in exchange for his services, in Louis Malle’s Lacombe, Lucien, 1974.
Lacombe, Lucien (1974) -- (Movie Clip) I Should Have Been An Actor In southwestern France, 1944, conducting regular business with the local Nazi sympathizers, Pierre Blaise (the politically indifferent title character) with Jean-Bernard (Stephane Bouy) faking an injury, tricking a vacationing doctor and his family, in Louis Malle’s Lacombe, Lucien, 1974.
Morgan The Pirate (1960) -- (Movie Clip) Long Live Morgan! More brisk action from Hollywood director Andre De Toth, his hero (Steve Reeves, title character) demonstrating how slaves can take a Spanish galleon, somewhere off Panama, ca. 1670, in the Italian-financed Morgan The Pirate, 1960.
Morgan The Pirate (1960) -- (Movie Clip) The Beast Is English Opening from Hollywood renegades, producer Joseph E. Levine and director Andre De Toth, working in Italy, cinematography by Tonino Delli Colli, brings French Valérie Lagrange (about 18 at the time!) and her attendant Lydia Alfonsi to the slave market in Panama where the main attraction, Steve Reeves, the title character, looks buff, in Morgan The Pirate, 1960.
Morgan The Pirate (1960) -- (Movie Clip) By Order Of His Excellency Broad set-piece by Hollywood veteran director Andre De Toth, working in Rome with Italian financing, as the governor (Ivo Garrani) oversees an execution in Panama, ca. 1670, his daughter (Valérie Lagrange) clearly hoping her former slave (Steve Reeves, title character) will luck out, in producer Joseph E. Levine’s Morgan The Pirate, 1960.
Morgan The Pirate (1960) -- (Movie Clip) I Want These Women We meet Chelo Alonso, highly promoted in the credits, appearing in her second Italian-made feature with leading man Steve Reeves, as barmaid Consuela, beholden apparently to pirate L’Olannais (Armand Mestral), who receives the hero, with his new pirate crew, in time to rescue hostages Valérie Lagrange and Lydia Alfonso, in Morgan The Pirate, 1960.
Ginger And Fred (1986) -- (Movie Clip) Are We In Such Bad Shape? Escaping the inescapably Federico Fellini-esque backstage scene of the low-rent Roman TV nostalgia special, the principals (the director’s wife Giullietta Masina as Amelia, a.k.a. Ginger and Marcello Mastroianni as Pippo, a.k.a. “Fred”) with their old friend Toto (Mignoli), assume their costumes and continue their reacquaintance, in Ginger And Fred, 1986.
Ginger And Fred (1986) -- (Movie Clip) Keep Rome Clean Opening in routine circumstances at a train station in Rome, Giulietta Masina in her last performance directed by her husband, arriving to a modest reception, as Federico Fellini’s authorship emerges, especially in pork-oriented advertising, in the well-received Ginger And Fred, 1986, also starring Marcello Mastroianni, Barbara Scoppa the reporter in the van.
Ginger And Fred (1986) -- (Movie Clip) I Don't See The Resemblance On the first evening in the modest Rome hotel, Amelia (Giulietta Masina, the director’s wife, stage name “Ginger,”) remains in good spirits, awaiting the corny TV special and her still-absent partner “Fred,” Martin Maria Blau the disinterested assistant director, in Federico Fellini’s Ginger And Fred, 1986.

Trailer

Bibliography