Raoul Coutard
About
Biography
Biography
Largely due to his ability to work fast and with minimal (natural) lighting, and his use of hand-held cameras, Coutard was the most popular cinematographer among New Wave directors. Though he shot 14 films with Godard over a highly experimental eight-year period, he was also known for his ability to adapt himself to numerous directorial styles. Stand-outs of his nouvelle vague period include the richly textured black-and-white of Francois Truffaut's "Jules and Jim" (1962), the bleak grays of Godard's "Alphaville" (1965), the overwrought color of Godard's "Contempt" (1963; in which he appears) and the crisp brilliance of "Pierrot le fou" (1965). Coutard won praise for his feature directing debut, "Hoa-binh" (1969), though his subsequent efforts have been less impressive.
Filmography
Director (Feature Film)
Cinematography (Feature Film)
Writer (Feature Film)
Life Events
1945
Spent 11 years in Vietnam: half with the French expeditionary forces and half as a civilian still photographer for "Indochine sud-est asiatique", "Radar", "Life" and "Paris-Match"
1953
Shot first medium-length film in Laos
1956
First feature as co-cinematographer, "Paradiso terrestre"
1959
Shot first Godard film, "A Bout de souffle/Breathless"
1967
Debut as director of short, "Singal l'antilop sacree"
1970
Feature film directorial debut, "Hoa Binh"
Videos
Movie Clip
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i523/shootthepianoplayer_iranintothisstreetlight_fc_470x264_050720200237.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i523/shootthepianoplayer_isarttatumtalented_fc_470x264_050720200238.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i212/shootthepianoplayer_idratherwalk_vd_223x104_061320131248.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i523/shootthepianoplayer_likediggingawell_fc_470x264_050720200238.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i422/z69_thisideologicaldisease_FC_470x264_100720161119.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i500/contempt63_completelytenderlyandtragically_fc_470x264_060620190757.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i501/contempt63_astoryofthatworld_fc_470x264_060720190307.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i501/contempt63_illtakeataxi_fc_470x264_060720190307.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i501/contempt63_ilikegods_fc_470x264_060720190446.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i373/breathless_doaselephantsdo_FC_SD_2997_470x264_091620150118.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i373/breathless_imanahole_FC_SD_2997_470x264_091520150917.jpg?w=400)
![](https://prod-images.tcm.com/v5cache/TCM/Images/Dynamic/i373/breathless_doyoueverthinkaboutdeath_FC_SD_2997_470x264_091520150635.jpg?w=400)
![](https://prod-images.tcm.com//img/global/logo-AFI.png)