Sergio Amidei


Screenwriter

About

Also Known As
Sergei Amidei
Birth Place
Trieste, IT
Born
October 30, 1904
Died
April 14, 1981

Biography

A significant contributor to the Italian neorealist movement, thanks to his work on films by Vittorio De Sica ("Shoeshine" 1946), Renato Castellani ("Under the Sun of Rome" 1949) and, most notably, Roberto Rossellini. Of his seven collaborations with Rossellini, the neorealist classics "Paisan" (1946) and "Open City" (1946), and the later "General Della Rovere" (1959), stand out....

Biography

A significant contributor to the Italian neorealist movement, thanks to his work on films by Vittorio De Sica ("Shoeshine" 1946), Renato Castellani ("Under the Sun of Rome" 1949) and, most notably, Roberto Rossellini. Of his seven collaborations with Rossellini, the neorealist classics "Paisan" (1946) and "Open City" (1946), and the later "General Della Rovere" (1959), stand out.

Life Events

1924

Entered film industry

1939

Screenwriting debut with "La Notte delle Beffe"

Videos

Movie Clip

Fear (1954) -- (Movie Clip) She Must Be Punished At the country home of well-to-do Albert (Mathias Wieman) and guilt-stricken, unfaithful Irene (Ingrid Bergman), their daughter (Elisabeth Wischert) is confronted over the theft of the rifle given to her brother (Gabriele Seitz), Bergman's husband Roberto Rossellini directing, in Fear, 1954.
Fear (1954) -- (Movie Clip) And The Animal Dies? Unfaithful Irene (Ingrid Bergman) arrives at the German pharmaceutical plant where she and her husband Albert (Mathias Wieman) are big shots, conducting a weird experiment when the girlfriend of her lover (Renate Mannhardt) shows up making demands, in Roberto Rossellini's Fear, 1954.
Fear (1954) -- (Movie Clip) Why Should I Be Reasonable? The thoughts of Irene (Ingrid Bergman, wife of the director), wife of a German industrial scientist, making her way through an unnamed city to meet with her lover (Kurt Kreuger) open the last film she made with Roberto Rosselini, the quasi-thriller German-Italian co-production Fear, 1954.
Open City (1946) -- (Movie Clip) He's Doesn't Always Sleep Here Opening scenes from director Roberto Rossellini, shot on location in Rome, Italian resistance leader Manfredi (Marcello Pagliero) hiding from German troops, from Open City, 1946.
Open City (1946) -- (Movie Clip) Well Done, Comrades! Roman resistance leader Manfredi (Marcello Pagliero), joined by Francesco (Francesco Grandfacquet) and his girlfriend Pina (Anna Magnani), when her son (Vito Annicchiraico) and his pals stage a raid, in Roberto Rossellini's Open City, 1946.
Open City (1946) -- (Movie Clip) Wait For Your Pastries In Heaven Citizens of occupied Rome raiding the bakery, the first scene for Anna Magnani (as "Pina"), who then meets resistance leader Manfredi (Marcello Pagliero), early in Roberto Rosssellini's Open City, 1946.
Open City (1946) -- (Movie Clip) There's Not Much To Read Newly recruited to help resistance fighters, priest Don Pietro (Aldo Fabrizi) slightly offended by lewd statues, then picking up illicit funds, in Roberto Rossellini's Open City, 1946.
Open City (1946) -- (Movie Clip) You Have Pretty Eyes Spoiler, but the signature scene from director Roberto Rossellini, Pina (Anna Magnani) resists when the Germans arrest boyfriend Francesco (Francesco Grandfacquet), later rescued by Roman partisans, from Open City, 1946.
Paisan (1946) -- (Movie Clip) Are You Italian Like Us? From the first episode, American soldiers (Robert Von Loon, Benjamin Emanuel, Raymond Campbell) arrive in Sicily, meeting Carmela (Carmela Sazio) et al, in Roberto Rossellini's Paisan 1946.
Paisan (1946) -- (Movie Clip) Death To The Moors! The beginning of the second episode, in Naples, the boy Pasquale (known only as "Alfonsino") meets the inebriated American M-P Joe (Dots M. Johnson), in Roberto Rossellini's Paisan, 1946.
Paisan (1946) -- (Movie Clip) Everything Has Gone Badly Today From the fourth episode “Firenze” (Florence), Roberto Rossellini follows American nurse Harriet (White), hoping to reach her lover, now known as the resistance leader “Lupo,” and local Massimo (Renzo Avanzo), seeking his family, as partisans fight the retreating Germans, in Paisan, 1946.
Machine That Kills Bad People, The -- (Movie Clip) This Is A Godsend! Celestino (Gennaro Pisano), now convinced that his camera kills, rushes to tell the priest (Giacomo Furia) who is more interested in the millions provided to the town council, as a result of the camera's earlier mischief, in Roberto Rossellini's The Machine That Kills Bad People, 1952.

Bibliography