Bertrand Tavernier
About
Biography
Filmography
Family & Companions
Bibliography
Biography
Tavernier quit law school to write film criticism for CAHIERS DU CINEMA and other major journals, worked as an assistant director and publicist (e.g., for Jean-Pierre Melville) and authored a couple of books on American cinema before making his first feature, "The Clockmaker" (1973). Adapted from a Georges Simenon novel (and transposed from the USA to Tavernier's home town), it is an intelligent, studied debut with finely-tuned performances, which won a Special Jury Prize at the 1974 Berlin Film Festival, the Prix Louis Delluc in France, and established Tavernier's reputation. His subsequent works have been equally well-crafted, displaying an affecting confluence of French and American cinematic styles. Tavernier's other noted films include "Clean Slate" (1981), a bold adaptation of Jim Thompson's "Pop. 1280," set not in the US South, but in French North Africa, and "'Round Midnight" (1986), a smooth, pseudo-biopic of a black-American jazz musician in 1950s Paris. Tavernier is separated from screenwriter Colo Tavernier Hagan, who has worked on several of his films, and the father of actor Nils Tavernier, who appeared in, among others, "Beatrice" (1987).
Filmography
Director (Feature Film)
Cast (Feature Film)
Writer (Feature Film)
Producer (Feature Film)
Music (Feature Film)
Art Department (Feature Film)
Film Production - Main (Feature Film)
Misc. Crew (Feature Film)
Cast (Special)
Life Events
1960
Hired by Jean-Pierre Melville as assistant director on "Leon Morin, prete"
1961
Became press officer to producer Georges de Beauregard
1963
Directorial debut with sketch for film "Les Baisers"
1965
Worked with Pierre Rissient as freelance publicist
1967
Co-scripted first film, "Coplan ouvre le feu a Mexico"
1974
Directed first feature film, "L'Horloger de Saint-Paul"/The Clockmaker