Eugene Lourie
About
Biography
Filmography
Family & Companions
Bibliography
Biography
This former extra and scenery painter began designing sets for the Parisian theater in the early 1930s before moving to the USA in 1941. Lourie did notable work for Max Ophuls, Robert Siodmak, Samuel Fuller and Charlie Chaplin ("Limelight" 1951). He is best known, however, for his many collaborations in France and America with Jean Renoir, most notably the art direction for "Grand Illusion" (1937) and "The Rules of the Game" (1939). Lourie's directorial work was confined to a handful of films including "The Beast from 20,000 Fathoms" (1953) and "The Colossus of New York" (1958).
Filmography
Director (Feature Film)
Cast (Feature Film)
Writer (Feature Film)
Producer (Feature Film)
Art Director (Feature Film)
Costume-Wardrobe (Feature Film)
Visual Effects (Feature Film)
Art Department (Feature Film)
Production Designer (Feature Film)
Film Production - Main (Feature Film)
Misc. Crew (Feature Film)
Art Director (Special)
Life Events
1919
Appeared as an extra in some Russian films
1920
Moved to Istanbul where he designed publicity material for the cinema
1921
Settled in Paris; became scenery painter and assistant to art director Lochakoff at Albatros studios
1923
First film as set painter, "Le brasier ardent", directed by Ivan Mosjoukine
1932
First film as art director, "Pan!...Pan!..."
1941
Moved to USA; designed sets for San Francisco Ballet's "Mephisto Waltz" (1947), "Persephone" (1948) and the Los Angeles production of "House of Bernarda Alba" (1948)
1943
Served as production designer on "This Land is Mine", directed by Jean Renoir; first US film