The Wolf Hunters


1h 10m 1949

Brief Synopsis

After four fur trappers have been slain and their furs stolen, Corporal Rod Webb (Kirby Grant) of the Royal Northwest Mounted Police sets out for their village. En route he and his dog Chinook come upon another trapper, Henri (Edward Norris), shot and lying unconscious on the trail, and the furs he was delivering to the factor, McTavish (Charles Lang), stolen. Chinook trails the would-be-killer Muskoka (Ted Hecht) and bites a piece of cloth from his coat before he escapes. Webb leaves Henri with Greta (Jan Clayton) while he investigates, aided by Minnetaki (Elizabeth Root), Indian servant fired by McTavish, the real head of the fur thieves, and Marcia Cameron (Helen Parrish), wife of the superintendent (Luther Crockett) of the trading company that employs McTavish.

Film Details

Also Known As
James Oliver Curwood's The Wolf Hunters
Genre
Action
Adventure
Western
Release Date
Oct 30, 1949
Premiere Information
not available
Production Company
Monogram Productions, Inc.
Distribution Company
Monogram Distributing Corp.
Country
United States
Location
Cedar Lake, California, United States
Screenplay Information
Suggested by the novel The Wolf Hunters; A Tale of Adventure in the Wilderness by James Oliver Curwood (Indianapolis, 1908).

Technical Specs

Duration
1h 10m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1

Synopsis

In the Canadian Northwest, Paul Latrec, a French-Canadian fur trapper, finds the murdered bodies of fellow trapper Gaston LaFontaine and his wife in their cabin, their furs missing and their infant baby abandoned. Paul takes the infant to town to be reared by with his sweetheart Renée and there reports the murders to J. L. McTavish, the factor of the trading post. McTavish, who lusts after Renée, is secretly in league with the LaFontaines' murderer, Muskoka, who has stashed the stolen furs in the ice house behind the trading post. Planning to frame Paul for the murders, McTavish offers him $500 to deliver the furs to a trading post on the other side of the mountains. As Paul traverses the treacherous mountain pass, Muskoka follows, dispatched by McTavish to kill Paul. Meanwhile, Mountie Rod Webb and his trusty white dog Chinook arrive to investigate the rash of thefts and murders that have been plaguing the area. When Muskoka shoots Paul, Chinook and Rod hear the gunfire and rush to determine its source. Chinook arrives first and lunges at Muskoka, ripping a patch from his jacket and sending him scurrying into the woods for cover. While Rod nurses the wounded Paul back to health in the woods, Edward Cameron, the superintendent of the trading post, arrives in town to examine McTavish's books and becomes alarmed at the losses incurred because of the robberies. Cameron's shrewish wife Marcia, meanwhile, criticizes the housekeeping of McTavish's Indian servant Minnetaki and demands her immediate dismissal. Learning of Minnetaki's plight, the sympathetic Renée invites her to live in her cabin and help care for the baby. After Muskoka reports back that he has successfully eliminated Paul, McTavish informs Cameron and Renée that Paul sold the furs and absconded with the proceeds. Soon after, Paul and Rod appear at Renée's cabin. When Renée tells Paul that McTavish accused him of stealing the furs, Rod, suspicious, instructs Paul to stay out of sight while he visits McTavish. After Rod leaves, Paul lets Chinook out of the house and Muskoka recognizes the dog as his assailant. When Muskoka goes to McTavish's office to report Chinook's presence, Marcia recognizes him as the furtive figure she saw in the woods and suspects that he and McTavish are involved in some sort of illegal activties. Muskoka follows Rod back to Renée's house and spies Paul from the window. After Rod departs, Muskoka hurls a knife into Paul's back, but only wounds him. The next day, McTavish sees Chinook romping around town and realizes that Paul must still be alive. Deciding to set a trap for the murderer, Rod shows McTavish the scrap of material that Chinook seized from the jacket of Paul's assailant. That night, Muskoka slips into the cabin and steals the patch. The next morning, Rod appears at the trading post with Paul and proclaims Paul's innocence. Afterward, Rod searches Muskoka's cabin and finds the ashes from the coat he tried to burn in the fireplace. Meanwhile, Renée and Minnetaki go to the trading place for supplies. When Minnetaki returns to the cabin alone, she is threatened by Muskoka, causing Chinook to attack him. As man and dog tangle, Minnetaki grabs the baby and flees. After Chinook chases Muskoka into the woods, Renée returns and, finding a puddle of blood on the floor and the baby missing, assumes that Chinook killed the baby. Renée charges Chinook with murder, and sends Paul after the dog. Gravely injured by Chinook's attack, Muskoka, meanwhile, collapses in the woods and is found by Rod. With his dying breath, Muskoka identifies McTavish as the man behind the robberies and murders. Soon after, Minnetaki returns the baby to Renée, who realizing her mistake, hurries to apologize to Chinook. After Rod comes to the trading post in search of McTavish, Marcia warns McTavish that the Mountie knows he is the killer. McTavish flees into the woods and is pursued by Chinook and Rod. After a rousing fight in the river bed, Rod routs McTavish and brings him to justice.

Film Details

Also Known As
James Oliver Curwood's The Wolf Hunters
Genre
Action
Adventure
Western
Release Date
Oct 30, 1949
Premiere Information
not available
Production Company
Monogram Productions, Inc.
Distribution Company
Monogram Distributing Corp.
Country
United States
Location
Cedar Lake, California, United States
Screenplay Information
Suggested by the novel The Wolf Hunters; A Tale of Adventure in the Wilderness by James Oliver Curwood (Indianapolis, 1908).

Technical Specs

Duration
1h 10m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1

Articles

TCM Remembers - Budd Boetticher


BUDD BOETTICHER 1916-2001

When director Budd Boetticher died on November 29th, American film lost another master. Though not a household name, Boetticher made crisp, tightly wound movies with more substance and emotional depth than was apparent at first glance. Instead of a flashy style, Boetticher preferred one imaginatively simple and almost elegant at times. Because of this approach films like The Tall T (1957), Decision at Sundown (1957), The Bullfighter and the Lady (1951) and Ride Lonesome (1960) have withstood the test of time while more blatantly ambitious films now seem like period pieces.

Budd was born Oscar Boetticher in Chicago on July 29th, 1916. With a father who sold hardware, Boetticher didn't come from a particularly artistic background. In college he boxed and played football before graduating and heading to Mexico to follow what's surely one of the most unusual ways to enter the film industry: as a professional matador. That's what led an old friend to get Boetticher hired as a bullfighting advisor on the 1941 version of Blood and Sand. Boetticher quickly took other small jobs in Hollywood before becoming an assistant director for films like Cover Girl. In 1944, he directed his first film, the Boston Blackie entry One Mysterious Night. Boetticher made a series of other B-movies, like the underrated film noir Behind Locked Doors (1948), through the rest of the decade.

Boetticher really hit his stride in the 50s when he began to get higher profile assignments, including the semi-autobiographical The Bullfighter and the Lady in 1951 which resulted in Boetticher's only Oscar nomination, for Best Writing. Sam Peckinpah later said he saw the film ten times. Other highlights of this period include Seminole (1953) (one of the first Hollywood films sympathetic to American Indians), the stylishly tight thriller The Killer Is Loose (1956) and the minor classic Horizons West (1952). In the late 50s, Boetticher also started directing TV episodes of series like Maverick and 77 Sunset Strip.

In 1956, Boetticher started a string of films that really established his reputation. These six Westerns starring Randolph Scott are known as the Ranown films after the production company named after Randolph Scott and producer Harry Joe Brown. Actually the first, Seven Men from Now (1956), was produced by a different company but all of them fit together, pushing the idea of the lone cowboy seeking revenge into new territory. The sharp Decision at Sundown twists Western cliche into one of the bleakest endings to slip through the Hollywood gates. The Tall T examines the genre's violent tendencies while Ride Lonesome and Buchanan Rides Alone (1958) have titles appropriate to their Beckett-like stories. The final film, Comanche Station, appeared in 1960.

That was the same year Boetticher made one of the best gangster films, The Rise and Fall of Legs Diamond, before watching everything fall apart. He and his wife decided to make a documentary about the famous matador Carlos Arruza and headed to Mexico. There Boetticher saw Arruza and much of the film crew die in an accident, almost died himself from an illness, separated from and divorced his wife (Debra Paget), and then spent time in various jails and even briefly a mental institution. This harrowing experience left him bankrupt but he still managed to complete the film, Arruza (1968), which gathered acclaim from the few who've been able to see it.

Boetticher managed to make just one more film, My Kingdom For... (1985), a self-reflexive documentary about raising Andalusian horses. He also made a cameo appearance in the Mel Gibson-Kurt Russell suspense thriller, Tequila Sunrise (1988). He died from complications from surgery at the age of 85.

By Lang Thompson

Tcm Remembers - Budd Boetticher

TCM Remembers - Budd Boetticher

BUDD BOETTICHER 1916-2001 When director Budd Boetticher died on November 29th, American film lost another master. Though not a household name, Boetticher made crisp, tightly wound movies with more substance and emotional depth than was apparent at first glance. Instead of a flashy style, Boetticher preferred one imaginatively simple and almost elegant at times. Because of this approach films like The Tall T (1957), Decision at Sundown (1957), The Bullfighter and the Lady (1951) and Ride Lonesome (1960) have withstood the test of time while more blatantly ambitious films now seem like period pieces. Budd was born Oscar Boetticher in Chicago on July 29th, 1916. With a father who sold hardware, Boetticher didn't come from a particularly artistic background. In college he boxed and played football before graduating and heading to Mexico to follow what's surely one of the most unusual ways to enter the film industry: as a professional matador. That's what led an old friend to get Boetticher hired as a bullfighting advisor on the 1941 version of Blood and Sand. Boetticher quickly took other small jobs in Hollywood before becoming an assistant director for films like Cover Girl. In 1944, he directed his first film, the Boston Blackie entry One Mysterious Night. Boetticher made a series of other B-movies, like the underrated film noir Behind Locked Doors (1948), through the rest of the decade. Boetticher really hit his stride in the 50s when he began to get higher profile assignments, including the semi-autobiographical The Bullfighter and the Lady in 1951 which resulted in Boetticher's only Oscar nomination, for Best Writing. Sam Peckinpah later said he saw the film ten times. Other highlights of this period include Seminole (1953) (one of the first Hollywood films sympathetic to American Indians), the stylishly tight thriller The Killer Is Loose (1956) and the minor classic Horizons West (1952). In the late 50s, Boetticher also started directing TV episodes of series like Maverick and 77 Sunset Strip. In 1956, Boetticher started a string of films that really established his reputation. These six Westerns starring Randolph Scott are known as the Ranown films after the production company named after Randolph Scott and producer Harry Joe Brown. Actually the first, Seven Men from Now (1956), was produced by a different company but all of them fit together, pushing the idea of the lone cowboy seeking revenge into new territory. The sharp Decision at Sundown twists Western cliche into one of the bleakest endings to slip through the Hollywood gates. The Tall T examines the genre's violent tendencies while Ride Lonesome and Buchanan Rides Alone (1958) have titles appropriate to their Beckett-like stories. The final film, Comanche Station, appeared in 1960. That was the same year Boetticher made one of the best gangster films, The Rise and Fall of Legs Diamond, before watching everything fall apart. He and his wife decided to make a documentary about the famous matador Carlos Arruza and headed to Mexico. There Boetticher saw Arruza and much of the film crew die in an accident, almost died himself from an illness, separated from and divorced his wife (Debra Paget), and then spent time in various jails and even briefly a mental institution. This harrowing experience left him bankrupt but he still managed to complete the film, Arruza (1968), which gathered acclaim from the few who've been able to see it. Boetticher managed to make just one more film, My Kingdom For... (1985), a self-reflexive documentary about raising Andalusian horses. He also made a cameo appearance in the Mel Gibson-Kurt Russell suspense thriller, Tequila Sunrise (1988). He died from complications from surgery at the age of 85. By Lang Thompson

Quotes

Trivia

Notes

The onscreen title reads: "James Oliver Curwood's The Wolf Hunters." Although the characters played by January Clayton and Edward Norris are called "Renée" and "Paul Latrec" in the film, the Variety review lists them as "Greta" and "Henri." According to a July 1949 Hollywood Reporter news item, Jimmie Davis was originally to star in this film. A September 1949 Hollywood Reporter news item notes that location shooting took place at Cedar Lake, CA. Curwood's novel was first filmed in 1926 as The Wolf Hunters by Ben Wilson Productions, directed by Stuart Paton and starring Robert McKim and Virginia Browne (see AFI Catalog of Feature Films, 1921-30; F2.6450) and was remade by Monogram in 1934 as The Trail Beyond (see AFI Catalog Feature Films 1931-40; F3.4727). For additional information on the "Chinook" series, please consult the Series Index and see entry above for Trail of the Yukon

Miscellaneous Notes

Released in United States Fall October 30, 1949

Released in United States October 30, 1949

b&w

Released in United States Fall October 30, 1949

Released in United States October 30, 1949