Third Man on the Mountain


1h 45m 1959
Third Man on the Mountain

Brief Synopsis

A boy attempts to realize his father's dream of climbing an alpine peak known as the Citadel.

Film Details

Also Known As
Banner in the Sky
MPAA Rating
Genre
Adventure
Drama
Release Date
Nov 1959
Premiere Information
Los Angles opening: 10 Nov 1959; New York opening: 11 Nov 1959
Production Company
Walt Disney Productions
Distribution Company
Buena Vista Film Distribution Co., Inc.
Country
Great Britain and United States
Location
Switzerland; London, England, Great Britain; Zermatt, Switzerland
Screenplay Information
Based on the novel Banner in the Sky by James Ramsey Ullman (Philadelphia, 1954).

Technical Specs

Duration
1h 45m
Sound
Mono (RCA Sound System)
Color
Color (Technicolor)

Synopsis

In 1865 in Kurtal, Switzerland, which is located at the base of the famous Citadel mountain, eighteen-year-old Rudi Matt yearns to follow in his late father's footsteps and become a mountain guide. Instead, however, his mother and his uncle, mountain guide Franz Lerner, have ordered him to wash dishes at the Monte D'Oro inn, whose owner, Herr Hempel, admires the boy and may eventually leave him the inn. Watching over Rudi in the kitchen is Teo Zurbriggen, his father's ex-partner, and Hempel's daughter Lizbeth. One day, Teo is forced to once again cover for Rudi after the boy sneaks out of the kitchen in order to climb a nearby mountain. Atop a peak, he hears a distress call from a crag below and rushes to the site. Rudi's strength and courage help him rescue the trapped man, whom he immediately recognizes as renowned British mountain climber Capt. John Winter. On their walk back to town, John praises Rudi's father Josef and reveals that he believes in the dream that resulted in Josef's death: to climb the unconquered Citadel. Rudi piques John's interest further when he reveals Teo's assertion that, just before his death, Josef had discovered a path to the summit. In town, Lizbeth waits at the foot of the mountain to inform Rudi that Franz has learned that he went climbing, and her concern rouses the jealousy of her suitor, mountain porter Klaus Wesselhoft. Rudi returns home, where his mother begs him not to pursue his father's dangerous line of work. Soon after, John visits to ask Franz to lead him on a climb the next day, and suggests that Rudi act as their porter. When Franz reluctantly agrees, Rudi celebrates with Teo and Lizbeth, who then learn that John has bought Rudi a new set of climbing gear. The next day, armed with a good luck medal from Lizbeth, Rudi follows Franz and John on the complex climb. At the first camp, they meet another group of climbers, all of whom join John in a toast to Josef. In the morning, John admits to Franz that he has come for a better view of the Citadel, which he plans to scale. After Franz calls the Citadel "evil" and refuses to discuss a possible route up the mountain, Rudi secretly climbs a precarious face on his own to obtain a better view. A slippery slope causes him to fall, however, and John and Franz risk their safety to rescue him. By the time they return to Kurtal, Rudi's failure is public knowledge. The next morning, Rudi sees John leave town and assumes his career as a mountaineer is forever ruined. Soon after, he learns that Franz has sold his expensive new hiking gear, but is cheered to discover that Lizbeth has bought the boots and is storing them for him. Teo, noting the boy's disappointment, vows to teach him to be a great guide, and with Lizbeth, sets out training Rudi to climb with a heavy bag of rocks. After Rudi succeeds in all of the tasks, Teo, who was crippled in the accident that killed Josef, has Rudi guide him up a steep slope, then celebrates the boy's enhanced talents. Teo counsels Rudi never to work for praise but only to assure the safety of his clients. Along their walk home, Lizbeth convinces him to invite her to the upcoming town festival. Their happiness is dashed, however, by the news that John has visited and left town again while they were gone. That night, Teo and Lizbeth urge Rudi to ask Franz if he can be his porter, but Franz refuses Rudi publicly, humiliating him. At the festival soon after, Rudi sulks and refuses to dance, and to spite him, Lizbeth dances with Klaus. When the townspeople discuss two men sighted on the Citadel, Rudi realizes that John has hired Emil Saxo, a guide from a rival town, to lead him up the mountain. The next day, after Teo uses the town telescope to make out three figures on the mountain, Franz deduces that Rudi has sneaked off to join the expedition and gathers four other men to bring the boy down. Meanwhile, at the lowest camp on the mountain, Rudi convinces John that Franz gave him permission to climb with them, and they set out. A rock slide causes a slight head injury to John, after which John tells Rudi to take a message to Franz asking him to join them. Rudi starts down the mountain but then decides to search alone for the passage his father found. When Emil and John return from a supply trip, they find Franz and the other climbers, including Teo, awaiting them. They are about to search for Rudi, but just then the boy returns, battered but jubilant, with the news that he has found a passageway. Franz insists on bringing Rudi home, but Teo argues that the boy deserves a chance. After John agrees, pointing out that by climbing together the glory of the accomplishment will reside with Kurtal, Franz relents. Emil then refuses to climb with Franz, but finally he, too, consents to accompany them. The next day, the group of four reach the passageway, and although Emil declares it too small, Rudi is able to push his way through to the top and pull the others up. A storm in the distance causes Franz to insist that they rest for the night, during which John develops a fever from his head injury. In the morning, Emil urges Franz to continue to the summit with him, but Franz asserts that he must stay with John. Rudi, upon seeing Emil take off alone, determines to join him and sneaks away. Meanwhile, the town uses the telescope to track the group's progress on the mountain. Although Frau Matt warns Lizbeth that being the wife of a guide is difficult, the girl declares that she desires only for Rudi to live out his dream. On the mountain, Emil falls, breaking his arm. Gruffly, he instructs Rudi to go on and reach the summit alone, but Rudi insists on staying to help Emil back to camp. At the same time, John and Franz discover that Emil and Rudi are gone, and John convinces Franz to summit with him. When they pass Rudi's abandoned pack along the way, John carries it with him. While Rudi struggles to lead Emil to safety, barely making it back to the camp before the guide collapses, John and Franz reach the top of the Citadel. In town days later, the foursome receive a hero's welcome, even from Frau Matt, who hugs her son proudly. After John reveals that he planted Rudi's flag at the top, Emil and Klaus lead a cheer for the boy. Teo rouses the band to perform a victory song, during which Lizbeth kisses Rudi, in full view of the approving crowd.

Film Details

Also Known As
Banner in the Sky
MPAA Rating
Genre
Adventure
Drama
Release Date
Nov 1959
Premiere Information
Los Angles opening: 10 Nov 1959; New York opening: 11 Nov 1959
Production Company
Walt Disney Productions
Distribution Company
Buena Vista Film Distribution Co., Inc.
Country
Great Britain and United States
Location
Switzerland; London, England, Great Britain; Zermatt, Switzerland
Screenplay Information
Based on the novel Banner in the Sky by James Ramsey Ullman (Philadelphia, 1954).

Technical Specs

Duration
1h 45m
Sound
Mono (RCA Sound System)
Color
Color (Technicolor)

Articles

Third Man on the Mountain (1959) -


In 1865, British mountaineer Edward Whymper led the first climbing party to successfully scale the Matterhorn, one of the highest peaks in the Alps and one of the last of the Alpine peaks to be conquered. Author and veteran mountaineer James Ramsey Ullman fictionalized the event in his novel Banner in the Sky, changing the name of the peak to the Citadel and making the hero a young man whose father, a famous mountain guide, died saving his client on an expedition up the mountain. That book became the basis for the 1959 Disney adventure Third Man on the Mountain, directed by Ken Annakin and starring Disney's new discovery, James MacArthur.

The son of actress Helen Hayes, MacArthur was spotted by Disney in his debut feature, The Young Stranger (1957) and made his Disney debut a year later in The Light in the Forest (1958). Third Man on the Mountain was his second Disney feature and his first leading role for the family studio. To prepare for the role, MacArthur joined his co-stars for a two-week crash course in mountaineering in the Swiss Alps. Many of them became so proficient that they performed some of their own stunts. "They had some really fine Swiss mountain climbers doing some scaling of the mountains that was beyond my skills," explained MacArthur in an interview years later. "But Ken [Annakin, the director] had me out hanging over 3,000 foot drops."

British actor Michael Rennie (forever famed as the alien visitor Klaatu in The Day the Earth Stood Still, 1951) took top billing as the British climber, named Captain John Winter for this story, and the lovely ingénue Janet Munro (fresh from Disney's Darby O'Gill and the Little People, 1959) was cast as MacArthur's supportive sweetheart. She also did her own fair share of climbing, according to director Annakin. "She was one who would do anything," he remarked. While the young leads escaped unscathed, James Donald, who plays MacArthur's uncle, fell eighteen feet off a crag and injured himself, according to studio press materials.

The production shot for two months on location in the town of Zermatt, Switzerland, located at the base of the Alps. In addition to mountain footage, the scenes of village life were shot on location. Dancers and singers from the Valasian villages of Sierre and Sion were brought in to perform authentic folk dances and music for the festival scenes, wearing their own costumes for the film. Along with locals, MacArthur's mother, Helen Hayes, and his then-wife, Joyce Bulifant, both appear in cameos as tourists in the Alpine village, making it the only film in which mother and son both appear. The book's author, James Ramsey Ullman, also makes an unbilled cameo among the extras.

For the more dangerous and spectacular climbing scenes, producer Bill Anderson secured the services of famed alpine climber and mountain guide Gaston Rébuffat, the first man to climb all six of the great north faces of the Alps (including the Matterhorn), to be their mountain unit director. Rébuffat had produced the award-winning climbing documentary Étoiles et Tempêtes (1955) with photographer George Tairrez and the two reunited to shoot the film's location footage with professional climbers. The camera team had to haul the movie equipment up to the summit of the Matterhorn and back on their backs in 60-pound packs, making a challenging climb even more treacherous. For more intimate scenes with the stars, the mountain locations were recreated on a London soundstage with matte paintings by the great Peter Ellenshaw providing a breathtaking backdrop.

Third Man on the Mountain opened to good reviews--"It has the sort of high altitude thrills to send the viewer cowering deep in his seat and the sort of moving drama to put him on the edge of it," read the Variety notice, while The New York Times critic Bosley Crowther noted that " the dramatic development is simple, the sentiments are noble and true, and the mountain-climbing action is daring, convincing and rough on the nerves"--but disappointing box-office. Nonetheless it was reportedly one of Walt Disney's favorite live action films and an inspiration for a Disneyland landmark. Disney loved Switzerland--he took his family there for summer vacations--and was on location for much of the shooting. While hiking around in the shadow of the Alps, he came up with the idea for the Matterhorn Bobsled ride at Disneyland. The attraction was up and running back home months before the film even opened and remains an iconic attraction at the theme park.

Sources:
"New Heights: Walt and Third Man on the Mountain," Jim Fanning. Storyboard, December 30, 2011.
AFI catalog
IMDb

By Sean Axmaker
Third Man On The Mountain (1959) -

Third Man on the Mountain (1959) -

In 1865, British mountaineer Edward Whymper led the first climbing party to successfully scale the Matterhorn, one of the highest peaks in the Alps and one of the last of the Alpine peaks to be conquered. Author and veteran mountaineer James Ramsey Ullman fictionalized the event in his novel Banner in the Sky, changing the name of the peak to the Citadel and making the hero a young man whose father, a famous mountain guide, died saving his client on an expedition up the mountain. That book became the basis for the 1959 Disney adventure Third Man on the Mountain, directed by Ken Annakin and starring Disney's new discovery, James MacArthur. The son of actress Helen Hayes, MacArthur was spotted by Disney in his debut feature, The Young Stranger (1957) and made his Disney debut a year later in The Light in the Forest (1958). Third Man on the Mountain was his second Disney feature and his first leading role for the family studio. To prepare for the role, MacArthur joined his co-stars for a two-week crash course in mountaineering in the Swiss Alps. Many of them became so proficient that they performed some of their own stunts. "They had some really fine Swiss mountain climbers doing some scaling of the mountains that was beyond my skills," explained MacArthur in an interview years later. "But Ken [Annakin, the director] had me out hanging over 3,000 foot drops." British actor Michael Rennie (forever famed as the alien visitor Klaatu in The Day the Earth Stood Still, 1951) took top billing as the British climber, named Captain John Winter for this story, and the lovely ingénue Janet Munro (fresh from Disney's Darby O'Gill and the Little People, 1959) was cast as MacArthur's supportive sweetheart. She also did her own fair share of climbing, according to director Annakin. "She was one who would do anything," he remarked. While the young leads escaped unscathed, James Donald, who plays MacArthur's uncle, fell eighteen feet off a crag and injured himself, according to studio press materials. The production shot for two months on location in the town of Zermatt, Switzerland, located at the base of the Alps. In addition to mountain footage, the scenes of village life were shot on location. Dancers and singers from the Valasian villages of Sierre and Sion were brought in to perform authentic folk dances and music for the festival scenes, wearing their own costumes for the film. Along with locals, MacArthur's mother, Helen Hayes, and his then-wife, Joyce Bulifant, both appear in cameos as tourists in the Alpine village, making it the only film in which mother and son both appear. The book's author, James Ramsey Ullman, also makes an unbilled cameo among the extras. For the more dangerous and spectacular climbing scenes, producer Bill Anderson secured the services of famed alpine climber and mountain guide Gaston Rébuffat, the first man to climb all six of the great north faces of the Alps (including the Matterhorn), to be their mountain unit director. Rébuffat had produced the award-winning climbing documentary Étoiles et Tempêtes (1955) with photographer George Tairrez and the two reunited to shoot the film's location footage with professional climbers. The camera team had to haul the movie equipment up to the summit of the Matterhorn and back on their backs in 60-pound packs, making a challenging climb even more treacherous. For more intimate scenes with the stars, the mountain locations were recreated on a London soundstage with matte paintings by the great Peter Ellenshaw providing a breathtaking backdrop. Third Man on the Mountain opened to good reviews--"It has the sort of high altitude thrills to send the viewer cowering deep in his seat and the sort of moving drama to put him on the edge of it," read the Variety notice, while The New York Times critic Bosley Crowther noted that " the dramatic development is simple, the sentiments are noble and true, and the mountain-climbing action is daring, convincing and rough on the nerves"--but disappointing box-office. Nonetheless it was reportedly one of Walt Disney's favorite live action films and an inspiration for a Disneyland landmark. Disney loved Switzerland--he took his family there for summer vacations--and was on location for much of the shooting. While hiking around in the shadow of the Alps, he came up with the idea for the Matterhorn Bobsled ride at Disneyland. The attraction was up and running back home months before the film even opened and remains an iconic attraction at the theme park. Sources: "New Heights: Walt and Third Man on the Mountain," Jim Fanning. Storyboard, December 30, 2011. AFI catalog IMDb By Sean Axmaker

Quotes

Trivia

The Matterhorn Bobsleds attraction at Disneyland Park at the Disneyland Resort in Anaheim, California is based on this movie.

Notes

The working title of this film was Banner in the Sky. An onscreen acknowlegment reads: "Our sincere appreciation for the generous cooperation of the people of Zermatt, their guides and the guides of Chamonix." Variety announced on July 22, 1957 that Walt Disney had purchased the screen rights to the James Ramsey Ullman novel of the same name. According to modern sources, Disney visited Switzerland each summer and wanted to produce a film that would depict the country's natural beauty.
       The picture fictionalizes the ascent of the Matterhorn performed by Edward Whymper (1840-1911) in 1865. On that expedition, four of the seven climbers were killed in a fall. As noted in the New York Times review, many of the details in Third Man on the Mountain are historically inaccurate. A November 16, 1959 Hollywood Citizen-News article specifically criticized the scene in which guide "Emil Saxo" attempts to scale the mountain alone as being out of character for a highly trained guide. In response, screenwriter Eleanore Griffin wrote a letter, published by Hollywood Citizen-News on November 24, 1959, stating that Ullman himself, an authority on mountaineering, wrote this ending and based each incident on an actual climb of the peak. Ullman also had a small acting role in the film.
       Although a January 28, 1958 Hollywood Reporter news item states that Romy Schneider was "practically signed for [a starring] role," she was not cast in the film. Third Man on the Mountain marked the only film in which James MacArthur appeared with his mother, actress Helen Hayes. The production schedule included about ten weeks of location filming in Zermatt, Switzerland and one month of interiors at Merton Park Studios in London.
       The following information was gathered from studio press materials: Despite the fact that the cast and crew trained in rock climbing for weeks under Swiss Alpine mountaineering guides, the production was strenuous and involved many accidents. Actor James Donald fell eighteen feet off a crag, assistant cameraman Pierre Tairraz broke three ribs, Gaston Rébuffat and Jean Paul Charlet sustained back and leg injuries during mountain filming and director Ken Annakin suffered from sunstroke. In addition, storms often interrupted shooting and required moving the whole unit up to fifty miles away to find a new location. The festival scene featured fifty-seven dancers and singers from the Swiss villages of Sierre and Sion. According to a 21 September New York Times article, the film's final budget was $2 million. As noted in the Variety review, there was an exploitation potential between Third Man on the Mountain and the Matterhorn replica that was built for the Disneyland theme park.

Miscellaneous Notes

Released in United States Fall November 1959

Helen Hayes had a cameo appearance, uncredited.

Released in United States Fall November 1959