Something to Sing About


1h 33m 1937
Something to Sing About

Brief Synopsis

A New York bandleader takes Hollywood by storm.

Film Details

Also Known As
Battling Hoofer, When I'm with You
Genre
Musical
Comedy
Release Date
Sep 30, 1937
Premiere Information
not available
Production Company
Grand National Films, Inc.
Distribution Company
Grand National Films, Inc.
Country
United States

Technical Specs

Duration
1h 33m
Sound
Mono (Western Electric Mirrophonic Recording)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,321ft (10 reels)

Synopsis

New York band leader and hoofer Terry Rooney leaves his band and sweetheart, singer Rita Wyatt, to come to Hollywood to star in a film for Galore Pictures. Although he receives the "put-down" treatment reserved for newcomers, studio head B. O. Regan and publicity man Hank Meyers think that he will be a smash success. When they see the rushes of a fake fight that turns real when a "regular" throws a real punch, their suspicions about his appeal are confirmed, but they don't let him know. After the fight, Terry, who is now depressed about his chances in Hollywood, calls Rita, and they elope on a tramp steamer under their real names, Mr. and Mrs. Thaddeus McGillicuddy. By the time they return, Terry's film has opened, and he has become a star. Regan and Hank try to sign him to a seven-year contract, but it contains a clause that he not marry, because of his appeal as a single man to women. Rita suggests that she come to Hollywood as his secretary, but once work begins, their marriage is strained because they rarely see each other. After Rita returns to New York, while Terry finishes the film, his co-star, the studio's leading star, Stephanie Hajos, tells a columnist that she and Terry are engaged. Terry learns about this and leaves to be with Rita. When Rita calls to find out about the story, Stephanie, who has come to Terry's bungalow to explain, answers the phone, and Rita suspects that the story is true. After Rita agrees to be billed as "Mrs. Terry Rooney" to save the jobs of their band, Terry appears during her number behind her and, while dancing with her, shows her a headline that says his romance with Stephanie was a hoax.

Film Details

Also Known As
Battling Hoofer, When I'm with You
Genre
Musical
Comedy
Release Date
Sep 30, 1937
Premiere Information
not available
Production Company
Grand National Films, Inc.
Distribution Company
Grand National Films, Inc.
Country
United States

Technical Specs

Duration
1h 33m
Sound
Mono (Western Electric Mirrophonic Recording)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,321ft (10 reels)

Award Nominations

Best Score

1937

Articles

Something to Sing About


By 1936, James Cagney was one of the top ten moneymaking stars in Hollywood. He was also one of Warner Bros.' most versatile stars, equally effective in musicals, gangster films, and comedies. But he was unhappy with the studio's recent choice of material, and its demand that he make five films a year instead of the four his contract stipulated. So he took them to court, won, and walked out, shocking Hollywood by signing with Grand National, a newly formed independent company. His first Grand National film, Great Guy (1936) was well received. His second was Something to Sing About (1937), Cagney's first musical since Footlight Parade (1933).

Cagney plays Terry Rooney, a Manhattan band leader who goes to Hollywood, but takes off for the South Seas with his new bride after completing his first film, convinced he's a flop. Instead, he turns out to be the latest sensation, and the demands of stardom put a strain on his marriage. Playing opposite Cagney was Evelyn Daw, a 20-year-old newcomer from South Dakota with a terrific soprano voice. Daw made only one more film before disappearing from the screen, although she continued to work in theater and opera. Standouts in the supporting cast are William Frawley as a publicist, and Gene Lockhart playing the studio boss, a conniving blowhard who cons Cagney's character into an unfair contract. Some Hollywood insiders noted the resemblance to Jack Warner.

In one musical number in Something to Sing About, set aboard a ship, Cagney dances with Johnny Boyle and Harland Dixon, whom he'd known since his vaudeville days. Boyle had worked with the legendary song-and-dance man George M. Cohan, and had taught Cagney Cohan's cocky, stiff-legged dancing style. Cagney used elements of the Cohan style in his dancing roles, and he would later mimic Cohan superbly when he played him in Yankee Doodle Dandy (1942). Cagney admired Boyle and Dixon, and even many years later, he would say, "I am pretty sure that there is almost no greater moment for me personally than in the middle of Something to Sing About when I had the great honor, the very real privilege, of doing that number with Johnny Boyle and Harland Dixon."

Critics were glad to see Cagney back in tap shoes, and playing a romantic lead for a change. Otis Ferguson of the New Republic gave Something to Sing About points for effort, saying "much can be done by good people who break away and bring the industry up short by independent accomplishment." But in spite of all the freshness and energy that Cagney and his colleagues brought to the film, they couldn't overcome the fact that the budget for Something to Sing About was skimpy (it was all the fledgling studio could afford), the music wasn't memorable, and the film didn't receive wide distribution. In an era of studio domination, an independent didn't have a chance.

For Cagney's next project, Grand National had purchased a gangster story, Angels with Dirty Faces. But the studio was floundering, and meanwhile, Warner Bros. was wooing Cagney with several properties they'd bought just for him. Finally, they made him an offer he couldn't refuse: $150,000 per film against 10% of the gross. Cagney returned to the fold, richer and more powerful than ever, with Boy Meets Girl (1938). When he left Grand National, the studio dropped its plans to make Angels with Dirty Faces, and the author then sold it to Warner Bros., which made it with Cagney in 1938. Grand National went bankrupt in 1940. Something to Sing About was re-released in 1947 by Screencraft Pictures, under the title Battling Hoofer.

Director: Victor Schertzinger
Producer: Zion Myers, Victor Schertzinger
Screenplay: Austin Parker, based on a story by Victor Schertzinger
Cinematography: John Stumar
Editor: Gene Milford
Art Direction: Robert Lee, Paul Murphy
Music: Songs by Victor Schertzinger, Musical Director C. Bakaleinikoff
Principal Cast: James Cagney (Terry Rooney), Evelyn Daw (Rita Wyatt), William Frawley (Hank Meyers), Mona Barrie (Stephanie Hajos), Gene Lockhart (B.O. Regan), James Newill (Orchestra Soloist).
BW-93m.

by Margarita Landazuri
Something To Sing About

Something to Sing About

By 1936, James Cagney was one of the top ten moneymaking stars in Hollywood. He was also one of Warner Bros.' most versatile stars, equally effective in musicals, gangster films, and comedies. But he was unhappy with the studio's recent choice of material, and its demand that he make five films a year instead of the four his contract stipulated. So he took them to court, won, and walked out, shocking Hollywood by signing with Grand National, a newly formed independent company. His first Grand National film, Great Guy (1936) was well received. His second was Something to Sing About (1937), Cagney's first musical since Footlight Parade (1933). Cagney plays Terry Rooney, a Manhattan band leader who goes to Hollywood, but takes off for the South Seas with his new bride after completing his first film, convinced he's a flop. Instead, he turns out to be the latest sensation, and the demands of stardom put a strain on his marriage. Playing opposite Cagney was Evelyn Daw, a 20-year-old newcomer from South Dakota with a terrific soprano voice. Daw made only one more film before disappearing from the screen, although she continued to work in theater and opera. Standouts in the supporting cast are William Frawley as a publicist, and Gene Lockhart playing the studio boss, a conniving blowhard who cons Cagney's character into an unfair contract. Some Hollywood insiders noted the resemblance to Jack Warner. In one musical number in Something to Sing About, set aboard a ship, Cagney dances with Johnny Boyle and Harland Dixon, whom he'd known since his vaudeville days. Boyle had worked with the legendary song-and-dance man George M. Cohan, and had taught Cagney Cohan's cocky, stiff-legged dancing style. Cagney used elements of the Cohan style in his dancing roles, and he would later mimic Cohan superbly when he played him in Yankee Doodle Dandy (1942). Cagney admired Boyle and Dixon, and even many years later, he would say, "I am pretty sure that there is almost no greater moment for me personally than in the middle of Something to Sing About when I had the great honor, the very real privilege, of doing that number with Johnny Boyle and Harland Dixon." Critics were glad to see Cagney back in tap shoes, and playing a romantic lead for a change. Otis Ferguson of the New Republic gave Something to Sing About points for effort, saying "much can be done by good people who break away and bring the industry up short by independent accomplishment." But in spite of all the freshness and energy that Cagney and his colleagues brought to the film, they couldn't overcome the fact that the budget for Something to Sing About was skimpy (it was all the fledgling studio could afford), the music wasn't memorable, and the film didn't receive wide distribution. In an era of studio domination, an independent didn't have a chance. For Cagney's next project, Grand National had purchased a gangster story, Angels with Dirty Faces. But the studio was floundering, and meanwhile, Warner Bros. was wooing Cagney with several properties they'd bought just for him. Finally, they made him an offer he couldn't refuse: $150,000 per film against 10% of the gross. Cagney returned to the fold, richer and more powerful than ever, with Boy Meets Girl (1938). When he left Grand National, the studio dropped its plans to make Angels with Dirty Faces, and the author then sold it to Warner Bros., which made it with Cagney in 1938. Grand National went bankrupt in 1940. Something to Sing About was re-released in 1947 by Screencraft Pictures, under the title Battling Hoofer. Director: Victor Schertzinger Producer: Zion Myers, Victor Schertzinger Screenplay: Austin Parker, based on a story by Victor Schertzinger Cinematography: John Stumar Editor: Gene Milford Art Direction: Robert Lee, Paul Murphy Music: Songs by Victor Schertzinger, Musical Director C. Bakaleinikoff Principal Cast: James Cagney (Terry Rooney), Evelyn Daw (Rita Wyatt), William Frawley (Hank Meyers), Mona Barrie (Stephanie Hajos), Gene Lockhart (B.O. Regan), James Newill (Orchestra Soloist). BW-93m. by Margarita Landazuri

Something to Sing About


Just released from Hal Roach Studios on DVD is a sparkling print of an often poorly-presented James Cagney film, Something To Sing About (1937). Struck from the 35mm original negative, this movie can finally be enjoyed by those of you who had previously strained your eyes watching it from a videotape retrieved from the bargain bin or some late-night broadcast.

Something To Sing About was the second and last of two films Cagney made for Grand National Pictures while he was staging a strike. Dissatisfied with the roles offered him at Warner Brothers, Cagney walked off to be a big man at a little studio while lawsuits over his broken contract flew back and forth. Ultimately Cagney returned to the WB, but only after signing a new contract with more money and more say in his roles. Meanwhile, in this movie, Cagney got to do two things he loved, dance and thumb his nose at Warners.

Cagney is bandleader Terry Rooney who is called away from the New York nightclubs for a part in a Hollywood movie. The slimy studio head, "B.O." Regan (Gene Lockhart), knows he has a new star but forces everyone to tell Terry he's terrible so he won't ask for more money. Terry finally gets fed up and storms off the set, marries his band's singer (Evelyn Daw) and goes on a South Seas honeymoon. By the time he returns his picture is released and fans mob him in the street. B.O. waves a new contract promising lots of dollars in Terry's face but there is one hitch: he has to pretend to be unmarried.

This plot seems such a parody of Cagney's own situation, that it is surprising the story idea actually came from Victor Schertzinger, the movie's producer, director and author of its songs (take that Orson Welles!). Schertzinger was one of the very few people to climb into a director's chair by way of the music department. He started as a concert violinist, and then moved to scoring silent films such as Thomas Ince's Civilization (1916) before turning director. The songs he provided for this film are fine even if they do seem a little old fashioned for what is supposed to be a mid-1930's swing band.

Schertzinger shows up in the trailer for Something to Sing About that is also included on this DVD. There he trumpets his new find, 25-year old Evelyn Daw, who plays the female lead. The South Dakota singer was supposedly chosen by Mr. Schertzinger after one audition. Although she performs decently in the movie, if a little too prone to giggles, she sings with an operatic voice more likely to break glass than hearts. After a minor role or two she returned from whence she came.

A festival of bit actors also populate this movie. Gene Lockhart, probably best known as Sheriff Peter B. Hartwell in His Girl Friday (1940), gives a hilariously creepy performance as the studio head, a performance that was taken by insiders to be an impression of Warner Brothers' own Jack Warner. Cagney's press agent is the future Fred Mertz from I Love Lucy, William Frawley, and Cagney's makeup man is cult actor Dwight Frye, in a rare comic role for the portrayer of Renfield in Dracula (1931) and Igor in Frankenstein (1931). Most surprising is a standout role for Korean character actor Philip Ahn as Cagney's Japanese manservant. He is introduced in full "yes, mister honorable master" stereotype only to later reveal that he is a failed actor with an American accent! Ahn tells of his trouble making it in Hollywood as an Asian actor in a scene that is heartfelt and seems drawn from personal experience.

Something To Sing About is certainly not the best Cagney movie, lacking the production values and polish of his Warner films, but Cagney is never less than his best. Cagney always considered himself more a hoofer and this movie, as with Footlight Parade (1933) and Yankee Doodle Dandy (1942), is a wonderful example of the energy and joy Cagney displayed when he was allowed to break into dance. No Cagney fan can pass this chance to see him in his element.

For more information about Something to Sing About, visit Image Entertainment. To order Something to Sing About, go to TCM Shopping.

by Brian Cady

Something to Sing About

Just released from Hal Roach Studios on DVD is a sparkling print of an often poorly-presented James Cagney film, Something To Sing About (1937). Struck from the 35mm original negative, this movie can finally be enjoyed by those of you who had previously strained your eyes watching it from a videotape retrieved from the bargain bin or some late-night broadcast. Something To Sing About was the second and last of two films Cagney made for Grand National Pictures while he was staging a strike. Dissatisfied with the roles offered him at Warner Brothers, Cagney walked off to be a big man at a little studio while lawsuits over his broken contract flew back and forth. Ultimately Cagney returned to the WB, but only after signing a new contract with more money and more say in his roles. Meanwhile, in this movie, Cagney got to do two things he loved, dance and thumb his nose at Warners. Cagney is bandleader Terry Rooney who is called away from the New York nightclubs for a part in a Hollywood movie. The slimy studio head, "B.O." Regan (Gene Lockhart), knows he has a new star but forces everyone to tell Terry he's terrible so he won't ask for more money. Terry finally gets fed up and storms off the set, marries his band's singer (Evelyn Daw) and goes on a South Seas honeymoon. By the time he returns his picture is released and fans mob him in the street. B.O. waves a new contract promising lots of dollars in Terry's face but there is one hitch: he has to pretend to be unmarried. This plot seems such a parody of Cagney's own situation, that it is surprising the story idea actually came from Victor Schertzinger, the movie's producer, director and author of its songs (take that Orson Welles!). Schertzinger was one of the very few people to climb into a director's chair by way of the music department. He started as a concert violinist, and then moved to scoring silent films such as Thomas Ince's Civilization (1916) before turning director. The songs he provided for this film are fine even if they do seem a little old fashioned for what is supposed to be a mid-1930's swing band. Schertzinger shows up in the trailer for Something to Sing About that is also included on this DVD. There he trumpets his new find, 25-year old Evelyn Daw, who plays the female lead. The South Dakota singer was supposedly chosen by Mr. Schertzinger after one audition. Although she performs decently in the movie, if a little too prone to giggles, she sings with an operatic voice more likely to break glass than hearts. After a minor role or two she returned from whence she came. A festival of bit actors also populate this movie. Gene Lockhart, probably best known as Sheriff Peter B. Hartwell in His Girl Friday (1940), gives a hilariously creepy performance as the studio head, a performance that was taken by insiders to be an impression of Warner Brothers' own Jack Warner. Cagney's press agent is the future Fred Mertz from I Love Lucy, William Frawley, and Cagney's makeup man is cult actor Dwight Frye, in a rare comic role for the portrayer of Renfield in Dracula (1931) and Igor in Frankenstein (1931). Most surprising is a standout role for Korean character actor Philip Ahn as Cagney's Japanese manservant. He is introduced in full "yes, mister honorable master" stereotype only to later reveal that he is a failed actor with an American accent! Ahn tells of his trouble making it in Hollywood as an Asian actor in a scene that is heartfelt and seems drawn from personal experience. Something To Sing About is certainly not the best Cagney movie, lacking the production values and polish of his Warner films, but Cagney is never less than his best. Cagney always considered himself more a hoofer and this movie, as with Footlight Parade (1933) and Yankee Doodle Dandy (1942), is a wonderful example of the energy and joy Cagney displayed when he was allowed to break into dance. No Cagney fan can pass this chance to see him in his element. For more information about Something to Sing About, visit Image Entertainment. To order Something to Sing About, go to TCM Shopping. by Brian Cady

Quotes

Trivia

James Cagney reportedly rehearsed his dance numbers occasionally with Fred Astaire.

Notes

The working title of this film was When I'm with You. This was James Cagney's second and last film for Grand National, with whom he signed during a dispute and lawsuit with Warner Bros. According to a New York Times article, Harland Dixon, who staged the dances in the film, had been Cagney's dance instructor in New York before he made it big in a dramatic role in the play Penny Arcade. Dixon stated that at the time Cagney went into dramatic roles, he was developing into a first-rate "hoofer." The article also stated that Cagney ad-libbed some lines in the film, that he practiced going through steps occasionally with Fred Astaire before the film, and that the film's budget was $450,000, which they stated was the equivalent of a $750,000 budget in a major studio. This was Evelyn Daw's first film. According to a Film Daily news item, writer-composer Victor Schertzinger discovered Daw, who came from Geddes, South Dakota, when she was appearing at the Philharmonic in Los Angeles. Schertzinger and music director C. Bakaleinikoff were nominated for an Academy Award in the Music (Scoring) category. According to a Hollywood Reporter news item in February 1937, the studio originally planned to star Helen Jepson in the film. The following additional cast members are listed in modern sources: Chick Collins (Man whom Terry fights), Frank Mills (Cabby), Duke Green (Stuntman), Larry Steers (Studio official), Eddie Hearn (Studio guard), Robert McKenzie (Ship's captain), Alphonse Martel (Headwaiter), The Vagabonds (Specialty), Pinkie and Pal (Arthur Nelson's Fighting Cats), Dottie Messmer, Virginia Lee Irwin, Dolly Waldorf (Three Shades of Blue), Elinore Welz, Eleanor Prentiss. Modern sources also state that the film was re-issued in 1947 under the title Battling Hoofer.

Miscellaneous Notes

Released in United States 1937

Released in United States 1937