Roar


1h 42m 1981
Roar

Brief Synopsis

An environmentalist's estranged family discovers his African home overrun with wild animals.

Film Details

Genre
Adventure
Release Date
1981
Production Company
Metro-Goldwyn-Mayer Studios Inc.; Overseas Filmgroup
Distribution Company
ALAMO DRAFTHOUSE/AMERICAN FILMWORKS; Alamo Drafthouse; Olive Films

Technical Specs

Duration
1h 42m

Synopsis

Hank is a wildlife preservationist who lives harmoniously alongside a menagerie of over 100 untamed animals, including cheetahs, elephants, lions and tigers on a preservation in the African plains. When his wife and children arrive for a visit, a long-brewing battle for dominance between the lions erupts and threatens their very lives.

Crew

Sandy Berman

Sound Editor

Penny Bishonden

Animal Handler Assistant

Joseph Bocato

Drummer

Shunil Borpujari

Assistant Director

Pat Breshears

Animal Handler Assistant

Sammy Cahn

Lyrics ("It'S Been A Long Long Time")

Ron Carran

Music Rerecording Mixer

Larry Carroll

Additional Editing

Alan Caso

Camera Operator

Ted Cassidy

Screenplay Collaboration

George Chant

Production Assistant

Tim Cooney

Boom Operator

Brad Darrington

Animal Handler Assistant

Jan De Bont

Camera Operator

Jan De Bont

Editor Supervisor

Ken Diaz

Makeup

George Fitzgerald

Sound Editor

Dominic Frontiere

Music ("Togar" Theme)

Rick Glassey

Animal Handler Assistant

Courtney Goodin

Sound Recording Mixer

Robert E Gottschalk

Associate Producer

Robert Hawk

Additional Music

Robert Hawk

Song Performer ("It'S Been A Long Long Time")

Robert Hawk

Song

John Hayward

Sound Rerecording Mixer

Tippi Hedren

Producer

Jay Ignaszewski

Sound Rerecording Mixer

Kenneth J Jones

Assistant Director

Karen Kalberger

Makeup

Doran Kauper

Production Manager

Doron Kauper

Production Manager

Craig Knapp

Production Assistant

Howard Kurhan

Drummer

Becki Landry

Production Assistant

Richard Le Pore

Drummer

Paul Leimback

Sound Editor

Nicolas Lemessurier

Sound Rerecording Mixer

Alexander Lepak

Drum Sequence Conductor

Alexander Lepak

Drum Sequence

Kees Linthorst

Sound Rerecording Mixer

Kees Linthorst

Music Rerecording Mixer

Kees Linthorst

Sound Supervisor (Post-Production)

Jerry Marshall

Editor Supervisor

Joel Marshall

Production Designer

Joel Marshall

Production Manager

John Marshall

Production Manager

John Marshall

Camera Operator

Noel Marshall

Screenwriter

Noel Marshall

Producer

Gordon K. Mccallum

Sound Rerecording Mixer (United Kingdom)

Steve Miller

Animal Handler Assistant

Bob Minkler

Sound Rerecording Mixer

Terence P Minogue

Music

William Mumford

Sound Rerecording Mixer (Usa)

Matthew W. Mungle

Makeup

Alex Newman

Animal Handler Assistant

Ted Nicolaou

Additional Editing

Vincent Prentice

Makeup

Jack Rattner

Co-Producer

John Richards

Music

Rita Riggs

Wardrobe

Claude Roberts

Animal Handler Assistant

Greg Sanders

Sound Editor

Darrell Sides

Animal Handler Assistant

Charles J Sloan

Co-Producer

Peter Smolian

Production Assistant

Jule Styne

Music ("It'S Been A Long Long Time")

Frank Tom

Animal Handler Assistant

Liberato Torres

Animal Handler Assistant

Banjiro Uemura

Executive Producer

Harrison Webster

Camera Operator

Film Details

Genre
Adventure
Release Date
1981
Production Company
Metro-Goldwyn-Mayer Studios Inc.; Overseas Filmgroup
Distribution Company
ALAMO DRAFTHOUSE/AMERICAN FILMWORKS; Alamo Drafthouse; Olive Films

Technical Specs

Duration
1h 42m

Articles

Roar


Touted on its first American theatrical release in 2015 as "the most dangerous movie ever made," Roar can actually stake an honest claim to that title, at least since the safety-impaired Hollywood productions of the silent era. A barrage of real-life jungle cats are the real stars of this astonishing production, which began when Tippi Hedren and husband Noel Marshall were in Africa shooting the film Satan's Harvest (1970). Best known at the time as the star of Alfred Hitchcock's The Birds (1963) and Marnie (1964), animal lover Hedren was alarmed by the plight of the dwindling big cat population on the continent; furthermore, the couple was astonished by the sight of a Mozambique game warden's abandoned house, now filled with wild lions and tigers.

Deciding the idea of visualizing this scene on film was too much to pass up, Hedren and Marshall decided to produce the film with both starring as well. Marshall took on writing and directing duties, Hedren's daughter, Melanie Griffith, was brought on to star as well, though she would make several other films in the interim before it was finally released in Europe, Asia, and Australia in 1981. Making it even more of a family project, Marshall's sons John and Jerry were brought in as actors as well.

Though it takes place over less than two days, the film took a grueling five years to bring to completion (or eleven if you count the original development though its first theatrical appearance). The financing process alone was arduous with its projected $5 million budget ballooning to $17 million by the end, with at least 70 cast and crew members injured in some way during the shoot. The Marshalls' own ranch in Acton, California was the primarily shooting location, with Noel repeatedly running afoul of overly zealous lions and cheetahs. Some of the scratches and bites remain in the final film (including a nasty one on his hand), but the sheer accumulation of his injuries eventually resulted in gangrene. One oft-told tale from the set involved his worst wound, a lion bite to the neck, which resulted in him running out of the house bloody, naked, and screaming in front of a group of potential Japanese investors. Needless to say, they declined to participate.

Misfortunate also befell the film's cinematographer, Jan de Bont, who was partially scalped and had to receive extensive stitches. Nevertheless he soldiered on to finish the production and went on to shoot such films as Die Hard (1988) and The Hunt for Red October (1990) before going on to a career as a director with Speed (1994) and Twister (1996).

The humans involved weren't the only ones damaged by the production, as several of the big cats (including its star, Robbie) were injured or killed when a flood swept through the ranch in 1978 and nearly derailed the entire project. A brushfire also broke out in 1979, decimating more of the shooting area.

When it opened in several countries in 1981, Roar proved difficult to market. Was it an action-adventure film? A family feature? Or even a horror movie? Most English-language territories took the curious route of pushing it as "a furr-ocious comedy," which probably isn't how most viewers would describe it. Though it failed to secure an American release at the time, it was eventually rediscovered, earning that aforementioned theatrical issue on the repertory circuit and earning a wide release on DVD and Blu-ray.

However, its greatest legacy may be Hedren's ongoing activism for big cats, including the descendants of this film's stars who reside on the same ranch now called the Shambala Preserve. (One of the elephants from the film still lives there, too!) She also wrote a 1985 book based on the experience, The Cats of Shambala, and has introduced legislation to protect them.

By Nathaniel Thompson
Roar

Roar

Touted on its first American theatrical release in 2015 as "the most dangerous movie ever made," Roar can actually stake an honest claim to that title, at least since the safety-impaired Hollywood productions of the silent era. A barrage of real-life jungle cats are the real stars of this astonishing production, which began when Tippi Hedren and husband Noel Marshall were in Africa shooting the film Satan's Harvest (1970). Best known at the time as the star of Alfred Hitchcock's The Birds (1963) and Marnie (1964), animal lover Hedren was alarmed by the plight of the dwindling big cat population on the continent; furthermore, the couple was astonished by the sight of a Mozambique game warden's abandoned house, now filled with wild lions and tigers. Deciding the idea of visualizing this scene on film was too much to pass up, Hedren and Marshall decided to produce the film with both starring as well. Marshall took on writing and directing duties, Hedren's daughter, Melanie Griffith, was brought on to star as well, though she would make several other films in the interim before it was finally released in Europe, Asia, and Australia in 1981. Making it even more of a family project, Marshall's sons John and Jerry were brought in as actors as well. Though it takes place over less than two days, the film took a grueling five years to bring to completion (or eleven if you count the original development though its first theatrical appearance). The financing process alone was arduous with its projected $5 million budget ballooning to $17 million by the end, with at least 70 cast and crew members injured in some way during the shoot. The Marshalls' own ranch in Acton, California was the primarily shooting location, with Noel repeatedly running afoul of overly zealous lions and cheetahs. Some of the scratches and bites remain in the final film (including a nasty one on his hand), but the sheer accumulation of his injuries eventually resulted in gangrene. One oft-told tale from the set involved his worst wound, a lion bite to the neck, which resulted in him running out of the house bloody, naked, and screaming in front of a group of potential Japanese investors. Needless to say, they declined to participate. Misfortunate also befell the film's cinematographer, Jan de Bont, who was partially scalped and had to receive extensive stitches. Nevertheless he soldiered on to finish the production and went on to shoot such films as Die Hard (1988) and The Hunt for Red October (1990) before going on to a career as a director with Speed (1994) and Twister (1996). The humans involved weren't the only ones damaged by the production, as several of the big cats (including its star, Robbie) were injured or killed when a flood swept through the ranch in 1978 and nearly derailed the entire project. A brushfire also broke out in 1979, decimating more of the shooting area. When it opened in several countries in 1981, Roar proved difficult to market. Was it an action-adventure film? A family feature? Or even a horror movie? Most English-language territories took the curious route of pushing it as "a furr-ocious comedy," which probably isn't how most viewers would describe it. Though it failed to secure an American release at the time, it was eventually rediscovered, earning that aforementioned theatrical issue on the repertory circuit and earning a wide release on DVD and Blu-ray. However, its greatest legacy may be Hedren's ongoing activism for big cats, including the descendants of this film's stars who reside on the same ranch now called the Shambala Preserve. (One of the elephants from the film still lives there, too!) She also wrote a 1985 book based on the experience, The Cats of Shambala, and has introduced legislation to protect them. By Nathaniel Thompson

Quotes

Trivia

Miscellaneous Notes

Limited Release in United States April 17, 2015

Limited Release in United States April 17, 2015

Released in United States on Video November 3, 2015

Released in United States on Video November 3, 2015

Feature directorial debut of Noel Marshall.