Miracle Mile


1h 27m 1988

Brief Synopsis

A young musician answers a telephone at an outdoor booth and believes he hears a message that the United States is about to begin a nuclear attack.

Film Details

Also Known As
Appel d'urgence
MPAA Rating
Genre
Disaster
Romance
Thriller
Release Date
1988
Production Company
Bob Jellen; Max Penner
Location
Los Angeles, California, USA

Technical Specs

Duration
1h 27m

Synopsis

A young musician answers a telephone at an outdoor booth and believes he hears a message that the United States is about to begin a nuclear attack.

Crew

Steve Adock

On-Set Dresser

Frans J Afman

Other

Peter Allen

Construction

John Altschuler

Production Assistant

Gary Anctil

Stunts

Gary Anctil

Helicopter Pilot

David Anderson

Assistant Director

Denise Anderson

Set Costumer

Gandhi Bob Arrollo

Makeup

Paige Augustine

On-Set Dresser

George Ball

Electrician

Keith Banks

Assistant Camera Operator

Michael John Bateman

Sound Editor

Bill Bates

Stunts

Pamela Bebermeyer

Stunts

Peter Berg

Stand-In

Dean C Black

Driver

Tim Blair

Electrician

Christine Bonnem

On-Set Dresser

Scott Browner

Camera Assistant

Mark Buckalew

Gaffer

Richard Buckler

Special Effects Assistant

Donald Burghardt

Assistant Camera Operator

Jeff Burk

Animator

James Burkhart

Scenic Artist

Johnna Butler

Set Decorator

Michael Carr

Stunts

Jerry Casillas

On-Set Dresser

John Casino

Stunts

Fernando Celis

Stunts

Paul Chadwick

Production

Michael A Clark

Electrician

Eugene Collier

Stunts

Dan Combs

Electrician

John Conte

Transportation Co-Captain

Graham Cottle

Coproducer

Graham Cottle

Production Supervisor

James D Crandell

Grip

Richard Crompton

Grip

Shay Cunliffe

Costume Designer

Shay Cunliffe

Costumes

Janet Cunningham

Casting

John Daly

Producer

Billy Damota

Casting

Humberto De La Torre

Construction

Al Deamayo

Grip

Steve Dejarnatt

Screenplay

Brian Devin

Grip

Gardner Doolittle

Stunt Coordinator

Gardner Doolittle

Stunts

Sharie Doolittle

Stunts

Richard Bryan Douglas

Construction

Roy Downey

Special Effects Assistant

Tangerine Dream

Music

Brian Duffy

Grip

Tanya Edmonds

On-Set Dresser

Ross Ellis

Driver

Sam Emerson

Photography

Michael Endler

Camera Assistant

Daniel Espansia

On-Set Dresser

Eduardo H. Esparza

Construction

David Falicki

Other

Ross Taylor Fanger

Location Manager

Ken Farnum

Construction

Ben Feldhouse

Electrician

Lance Fisher

Camera Assistant

Edward Flotard

Transportation Captain

George A Flynn

Craft Service

Sean Peter Flynn

Construction

Kristi Frankenheimer-davis

Location Manager

Robert S Freidin

Props

Edgar Froese

Music

Ricardo Jacques Gale

Steadicam Operator

Pam Gatell

Wardrobe Assistant

Claire Gaul

Set Decorator

Claire Gaul

On-Set Dresser

Ole Georg

Music

Cathy Mickel Gibson

Production Accountant

Derek Gibson

Producer

John Gillespe

Stunts

John Gillespie

Other

Martha Godfrey

On-Set Dresser

Bob Gray

Key Grip

Shane Greedy

Driver

Todd Griffith

Dolly Grip

John Guitierez

Grip

Scott Guthrie

Gaffer

Gail Hagopian

Makeup Assistant

Gail Hagopian

Hair Assistant

Kenneth Hall

Music Editor

Bruce Hamme

Dolly Grip

Donald R Hansard

Other

John Hansard

Other

William Hansard Jr.

Other

Victoria Hargrave

Accounting Assistant

Jerry Harper

Grip

Jeff Harris

Production Assistant

David Harshbarger

Property Master

Gene Hartline

Stunts

Paul Haslinger

Music

Bruce Hauer

Driver

Kara Hayak

On-Set Dresser

Robert Hefferman

Adr Editor

Rick Herres

Grip

Greg Hicks

Production Assistant

Jena Holman

Visual Effects Supervisor

Debra D Holt

Production Assistant

Ernest Holzman

Photography

Richard Hoover

Art Director

Christopher Horner

Production Designer

Winter Horton

On-Set Dresser

Chris Howell

Stunts

Sim Hubbard

Stunts

Stephen R Hudis

Stunts

John Hudkins

Stunts

Paul Hughen

Assistant Camera Operator

Henry Humphreys

Other

Dale Jacoby

Stunts

Jeff James

Other

Bob Jellen

Production Insurance

Gary Jensen

Stunt Coordinator

Gary Jensen

Stunts

Harold Jones

Stunts

Rob Kaplin

On-Set Dresser

Roger Kelton

Construction Coordinator

Eugene Kerry

Grip

Robin Keyser

Stunts

Gene Klein

Electrician

Rick Kline

Sound

Jeffrey D. Knott

Special Effects Assistant

Robert L Knott

Special Effects Coordinator

Karen Kornbau

Construction

Kim Koscki

Stunts

Jono Kouzouyan

Gaffer

Paul Kowalczyk

Assistant Art Director

Amy Krell

Assistant

Warren Kroeger

Electrician

Ken Larson

Foreman

Paul Lauffer

Photography

Michael Lawler

Camera

Al Lee

Stunts

Ken Lesco

Stunts

Judy Levites

On-Set Dresser

Cole Lewis

Scenic Artist

Steven Lipton

Scenic Artist

Lauren Lloyd

Casting

Dennis Madalone

Stunts

Carrie Lou Mahiga

Makeup Assistant

Pamela Marcotte

Assistant Art Director

Caryn Marcus

Art Department Coordinator

Peter Mark

Property Master Assistant

Jason Markham

Stunts

Jeff Mart

Steadicam Operator

Chris Martin

Swing Gang

Hugh Mcafee

Special Effects Assistant

Kevin M Mccarthy

Special Effects

Paul Mcelwaine

Gaffer

Greg Mcmickle

Props

Donna Mcmullen

Stand-In

Scott Meyer

On-Set Dresser

Patrushka Mierzwa

Boom Operator

Andrew Miller

Production Assistant

David Miller

Art Director

David Miller

Construction

Michael Minkler

Sound

Michael Molnar

Electrician

Paula Moody

Stunts

Karen Altman Morgenstern

Production Coordinator

Mary Nelson-duerrstein

Negative Cutting

Patrick Ngu Yen-you

On-Set Dresser

Fred Nolan

Electrician

Valerie Norman-williams

Script Supervisor

Katherine Orrison

Art Director

Katherine Orrison

On-Set Dresser

John Overacker

Grip

Eddie Paul

Stunts

Max Penner

Cameras And Lenses

Dan Perri

Titles

John Pierce

Electrician

Bill Powell

Construction

Terance Power

Video

William Pratt

Apprentice

Regine Puksar

Scenic Artist

Byron Quisenberry

Stunts

Vince Rapini

Electrician

Michael Redbourn

Sound Editor

J Redfro

Transportation Coordinator

Michael C Reilly

Boom Operator

Daryl Reynolds

Electrician

Morteza Rezvani

Sound Mixer

Albert Robbins

Consultant

Chuck Roberson

Stunts

Thom Rude

Construction

Rick Rumbagh

On-Set Dresser

Marty Sadoff

Visual Effects Supervisor

Ray Saniger

Stunts

E Simon Scheeline Iv

Electrician

Thomas K Schellenberg

Production Assistant

Marc Daniel Schiller

Production Supervisor

Daniel Schneider

Production Manager

Film Details

Also Known As
Appel d'urgence
MPAA Rating
Genre
Disaster
Romance
Thriller
Release Date
1988
Production Company
Bob Jellen; Max Penner
Location
Los Angeles, California, USA

Technical Specs

Duration
1h 27m

Articles

Edward Bunker (1933-2005)


Edward Bunker, the tough, charismatic ex-convict who eventaully turned his life around and became a respected writer, (No Beast So Fierce) and actor (Resevoir Dogs), died in Burbank on July 19 after complications developed from a surgical procedure to improve circulation in his legs. He was 71.

He was born on December 31, 1933 in Hollywood, California to a mother who was a chorus girl in a few Busby Berkely musicals, and a father who was a studio grip; two of the lesser positions in the Hollywood hierarchy. After his parents divorced when he was four, he spent the next several years in various foster homes and juvenile reform schools. By 14, he notched his first criminal conviction for burglery; at 17, he stabbed a youth prison guard; and by 19, he was considered so violent a felon, that he became the youngest inmate ever at San Quentin.

For the next 20 years, Bunker would be in and out of prison for numerous felonies: robbery, battery, and check forgery, just to name a few. While in prison, he read the novel of another San Quentin inmate, Caryl Chessman, whose book, Cell 2455, Death Row, was a reveleation to Bunker, so he set about devoting himself to writing.

He enrolled in a correspondence course in freshman English from the University of California, and after several years of unpublished novels, he struck gold in 1973 with No Beast So Fierce. The novel, about a paroled thief whose attempt to reenter mainstream society fails, was as tough and unforgiving as anything ever written about a parolee's readjustment to the outside, and it rightfully earned Bunker acclaim as a writer to watch.

After he was released from prison in 1975, Bunker concentrated on writing and acting. His big film break happened when No Beast So Fierce was turned into the movie Straight Time (1978) starring Dustin Hoffman. He co-wrote the screenplay, and also had a small part as one of Hoffman's cronies.

Bunker's next big hit as a screenwriter and actor was Runaway Train (1985), a pulsating drama about two escaped convicts (Jon Voight and Eric Roberts) where again, he had a small role as Jonah. It was obvious by now that Bunker, with his gruff voice, unnerving gaze, broken nose, and his signature feature - a scar from a knife wound that ran from his forehead to his lip - would make a most enigmatic movie villian.

A few more roles in prominent pictures followed: The Running Man, Shy People (both 1987), Tango & Cash (1989), before he scored the best role of his career, Mr. Blue in Quentin Tarantino's celebrated cult caper Reservoir Dogs (1992). It couldn't have been easy for Bunker to hold his own in a cast of heavyweights (Harvey Keitel, Lawrence Tierney, Tim Roth and Steve Buscemi), but he did - and with a muscularly lithe style that was all his own.

After Reservoir Dogs, Bunker was in demand as a villian. His next few films: Distant Cousins (1993), Somebody to Love (1994), were routine, but he proved that he could deliver with professional, if familiar performances. Actor Steve Buscemi helped Bunker get his novel Animal Factory to the screen in 2000, with Bunker again adapting his own work for film. He was last seen as a convict, although with sharp comedic overtones, in the recent Adam Sandler farce The Longest Yard (2005). He is survived by his son, Brendan.

by Michael "Mitch" Toole
Edward Bunker (1933-2005)

Edward Bunker (1933-2005)

Edward Bunker, the tough, charismatic ex-convict who eventaully turned his life around and became a respected writer, (No Beast So Fierce) and actor (Resevoir Dogs), died in Burbank on July 19 after complications developed from a surgical procedure to improve circulation in his legs. He was 71. He was born on December 31, 1933 in Hollywood, California to a mother who was a chorus girl in a few Busby Berkely musicals, and a father who was a studio grip; two of the lesser positions in the Hollywood hierarchy. After his parents divorced when he was four, he spent the next several years in various foster homes and juvenile reform schools. By 14, he notched his first criminal conviction for burglery; at 17, he stabbed a youth prison guard; and by 19, he was considered so violent a felon, that he became the youngest inmate ever at San Quentin. For the next 20 years, Bunker would be in and out of prison for numerous felonies: robbery, battery, and check forgery, just to name a few. While in prison, he read the novel of another San Quentin inmate, Caryl Chessman, whose book, Cell 2455, Death Row, was a reveleation to Bunker, so he set about devoting himself to writing. He enrolled in a correspondence course in freshman English from the University of California, and after several years of unpublished novels, he struck gold in 1973 with No Beast So Fierce. The novel, about a paroled thief whose attempt to reenter mainstream society fails, was as tough and unforgiving as anything ever written about a parolee's readjustment to the outside, and it rightfully earned Bunker acclaim as a writer to watch. After he was released from prison in 1975, Bunker concentrated on writing and acting. His big film break happened when No Beast So Fierce was turned into the movie Straight Time (1978) starring Dustin Hoffman. He co-wrote the screenplay, and also had a small part as one of Hoffman's cronies. Bunker's next big hit as a screenwriter and actor was Runaway Train (1985), a pulsating drama about two escaped convicts (Jon Voight and Eric Roberts) where again, he had a small role as Jonah. It was obvious by now that Bunker, with his gruff voice, unnerving gaze, broken nose, and his signature feature - a scar from a knife wound that ran from his forehead to his lip - would make a most enigmatic movie villian. A few more roles in prominent pictures followed: The Running Man, Shy People (both 1987), Tango & Cash (1989), before he scored the best role of his career, Mr. Blue in Quentin Tarantino's celebrated cult caper Reservoir Dogs (1992). It couldn't have been easy for Bunker to hold his own in a cast of heavyweights (Harvey Keitel, Lawrence Tierney, Tim Roth and Steve Buscemi), but he did - and with a muscularly lithe style that was all his own. After Reservoir Dogs, Bunker was in demand as a villian. His next few films: Distant Cousins (1993), Somebody to Love (1994), were routine, but he proved that he could deliver with professional, if familiar performances. Actor Steve Buscemi helped Bunker get his novel Animal Factory to the screen in 2000, with Bunker again adapting his own work for film. He was last seen as a convict, although with sharp comedic overtones, in the recent Adam Sandler farce The Longest Yard (2005). He is survived by his son, Brendan. by Michael "Mitch" Toole

TCM Remembers - John Agar


TCM REMEMBERS JOHN AGAR, 1921-2002

Popular b-movie actor John Agar died April 7th at the age of 81. Agar is probably best known as the actor that married Shirley Temple in 1945 but he also appeared alongside John Wayne in several films. Agar soon became a fixture in such films as Tarantula (1955) and The Mole People (1956) and was a cult favorite ever since, something he took in good spirits and seemed to enjoy. In 1972, for instance, the fan magazine Famous Monsters of Filmland mistakenly ran his obituary, a piece that Agar would later happily autograph.

Agar was born January 31, 1921 in Chicago. He had been a sergeant in the Army Air Corps working as a physical trainer when he was hired in 1945 to escort 16-year-old Shirley Temple to a Hollywood party. Agar apparently knew Temple earlier since his sister was a classmate of Temple's. Despite the objections of Temple's mother the two became a couple and were married shortly after. Temple's producer David Selznick asked Agar if he wanted to act but he reportedly replied that one actor in the family was enough. Nevertheless, Selznick paid for acting lessons and signed Agar to a contract.

Agar's first film was the John Ford-directed Fort Apache (1948) also starring Temple. Agar and Temple also both appeared in Adventure in Baltimore (1949) and had a daughter in 1948 but were divorced the following year. Agar married again in 1951 which lasted until his wife's death in 2000. Agar worked in a string of Westerns and war films such as Sands of Iwo Jima (1949), Breakthrough (1950) and She Wore a Yellow Ribbon (1949). Later when pressed for money he began making the films that would establish his reputation beyond the gossip columns: Revenge of the Creature (1955), The Brain from Planet Arous (1957), Invisible Invaders (1959) and the mind-boggling Zontar, the Thing from Venus (1966). The roles became progressively smaller so Agar sold insurance and real estate on the side. When he appeared in the 1988 film Miracle Mile his dialogue supposedly included obscenities which Agar had always refused to use. He showed the director a way to do the scene without that language and that's how it was filmed.

By Lang Thompson

DUDLEY MOORE, 1935-2002

Award-winning actor, comedian and musician Dudley Moore died on March 27th at the age of 66. Moore first gained notice in his native England for ground-breaking stage and TV comedy before later building a Hollywood career. Like many of his peers, he had an amiable, open appeal that was balanced against a sharply satiric edge. Moore could play the confused innocent as well as the crafty schemer and tended to command attention wherever he appeared. Among his four marriages were two actresses: Tuesday Weld and Suzy Kendall.

Moore was born April 19, 1935 in London. As a child, he had a club foot later corrected by years of surgery that often left him recuperating in the hospital alongside critically wounded soldiers. Moore attended Oxford where he earned a degree in musical composition and met future collaborators Peter Cook, Jonathan Miller and Alan Bennett. The four formed the landmark comedy ensemble Beyond the Fringe. Though often merely labelled as a precursor to Monty Python's Flying Circus, Beyond the Fringe was instrumental in the marriage of the piercing, highly educated sense of humor cultivated by Oxbridge graduates to the modern mass media. In this case it was the revue stage and television where Beyond the Fringe first assaulted the astonished minds of Britons. Moore supplied the music and such songs as "The Sadder and Wiser Beaver," "Man Bites God" and "One Leg Too Few." (You can pick up a CD set with much of the stage show. Unfortunately for future historians the BBC commonly erased tapes at this period - why? - so many of the TV episodes are apparently gone forever.)

Moore's first feature film was the 1966 farce The Wrong Box (a Robert Louis Stevenson adaptation) but it was his collaboration with Peter Cook on Bedazzled (1967) that's endured. Unlike its tepid 2000 remake, the original Bedazzled is a wolverine-tough satire of mid-60s culture that hasn't aged a bit: viewers are still as likely to be appalled and entertained at the same time. Moore not only co-wrote the story with Cook but composed the score. Moore appeared in a few more films until starring in 10 (1979). Written and directed by Blake Edwards, this amiable comedy featured Moore (a last-minute replacement for George Segal) caught in a middle-aged crisis and proved popular with both audiences and critics. Moore's career took another turn when his role as a wealthy alcoholic who falls for the proverbial shop girl in Arthur (1981) snagged him an Oscar nomination as Best Actor and a Golden Globe win.

However Moore was never able to build on these successes. He starred in a passable remake of Preston Sturges' Unfaithfully Yours (1984), did another Blake Edwards romantic comedy of moderate interest called Micki + Maude (1984, also a Golden Globe winner for Moore), a misfired sequel to Arthur in 1988 and a few other little-seen films. The highlight of this period must certainly be the 1991 series Orchestra where Moore spars with the wonderfully crusty conductor Georg Solti and leads an orchestra of students in what's certainly some of the most delightful television ever made.

By Lang Thompson

TCM Remembers - John Agar

TCM REMEMBERS JOHN AGAR, 1921-2002 Popular b-movie actor John Agar died April 7th at the age of 81. Agar is probably best known as the actor that married Shirley Temple in 1945 but he also appeared alongside John Wayne in several films. Agar soon became a fixture in such films as Tarantula (1955) and The Mole People (1956) and was a cult favorite ever since, something he took in good spirits and seemed to enjoy. In 1972, for instance, the fan magazine Famous Monsters of Filmland mistakenly ran his obituary, a piece that Agar would later happily autograph. Agar was born January 31, 1921 in Chicago. He had been a sergeant in the Army Air Corps working as a physical trainer when he was hired in 1945 to escort 16-year-old Shirley Temple to a Hollywood party. Agar apparently knew Temple earlier since his sister was a classmate of Temple's. Despite the objections of Temple's mother the two became a couple and were married shortly after. Temple's producer David Selznick asked Agar if he wanted to act but he reportedly replied that one actor in the family was enough. Nevertheless, Selznick paid for acting lessons and signed Agar to a contract. Agar's first film was the John Ford-directed Fort Apache (1948) also starring Temple. Agar and Temple also both appeared in Adventure in Baltimore (1949) and had a daughter in 1948 but were divorced the following year. Agar married again in 1951 which lasted until his wife's death in 2000. Agar worked in a string of Westerns and war films such as Sands of Iwo Jima (1949), Breakthrough (1950) and She Wore a Yellow Ribbon (1949). Later when pressed for money he began making the films that would establish his reputation beyond the gossip columns: Revenge of the Creature (1955), The Brain from Planet Arous (1957), Invisible Invaders (1959) and the mind-boggling Zontar, the Thing from Venus (1966). The roles became progressively smaller so Agar sold insurance and real estate on the side. When he appeared in the 1988 film Miracle Mile his dialogue supposedly included obscenities which Agar had always refused to use. He showed the director a way to do the scene without that language and that's how it was filmed. By Lang Thompson DUDLEY MOORE, 1935-2002 Award-winning actor, comedian and musician Dudley Moore died on March 27th at the age of 66. Moore first gained notice in his native England for ground-breaking stage and TV comedy before later building a Hollywood career. Like many of his peers, he had an amiable, open appeal that was balanced against a sharply satiric edge. Moore could play the confused innocent as well as the crafty schemer and tended to command attention wherever he appeared. Among his four marriages were two actresses: Tuesday Weld and Suzy Kendall. Moore was born April 19, 1935 in London. As a child, he had a club foot later corrected by years of surgery that often left him recuperating in the hospital alongside critically wounded soldiers. Moore attended Oxford where he earned a degree in musical composition and met future collaborators Peter Cook, Jonathan Miller and Alan Bennett. The four formed the landmark comedy ensemble Beyond the Fringe. Though often merely labelled as a precursor to Monty Python's Flying Circus, Beyond the Fringe was instrumental in the marriage of the piercing, highly educated sense of humor cultivated by Oxbridge graduates to the modern mass media. In this case it was the revue stage and television where Beyond the Fringe first assaulted the astonished minds of Britons. Moore supplied the music and such songs as "The Sadder and Wiser Beaver," "Man Bites God" and "One Leg Too Few." (You can pick up a CD set with much of the stage show. Unfortunately for future historians the BBC commonly erased tapes at this period - why? - so many of the TV episodes are apparently gone forever.) Moore's first feature film was the 1966 farce The Wrong Box (a Robert Louis Stevenson adaptation) but it was his collaboration with Peter Cook on Bedazzled (1967) that's endured. Unlike its tepid 2000 remake, the original Bedazzled is a wolverine-tough satire of mid-60s culture that hasn't aged a bit: viewers are still as likely to be appalled and entertained at the same time. Moore not only co-wrote the story with Cook but composed the score. Moore appeared in a few more films until starring in 10 (1979). Written and directed by Blake Edwards, this amiable comedy featured Moore (a last-minute replacement for George Segal) caught in a middle-aged crisis and proved popular with both audiences and critics. Moore's career took another turn when his role as a wealthy alcoholic who falls for the proverbial shop girl in Arthur (1981) snagged him an Oscar nomination as Best Actor and a Golden Globe win. However Moore was never able to build on these successes. He starred in a passable remake of Preston Sturges' Unfaithfully Yours (1984), did another Blake Edwards romantic comedy of moderate interest called Micki + Maude (1984, also a Golden Globe winner for Moore), a misfired sequel to Arthur in 1988 and a few other little-seen films. The highlight of this period must certainly be the 1991 series Orchestra where Moore spars with the wonderfully crusty conductor Georg Solti and leads an orchestra of students in what's certainly some of the most delightful television ever made. By Lang Thompson

Quotes

Trivia

Miscellaneous Notes

Released in United States September 3, 1988 (Shown at Montreal World Film Festival (out of competition) September 3, 1988.)

Released in United States April 29, 1989

Released in United States January 1989

Released in United States January 1990

Released in United States March 11, 1989

Released in United States May 19, 1989

Released in United States October 1989

Released in United States on Video December 6, 1989

Released in United States September 1988

Released in United States September 3, 1988

Released in United States Spring March 3, 1989

Shown at Avoriaz International Fantasy Film Festival, in France January 13-21, 1990.

Shown at Houston International Film Festival April 29, 1989.

Shown at Montreal World Film Festival (out of competition) September 3, 1988.

Shown at Santa Barbara International Film Festival March 11, 1989.

Shown at Sitges Film Festival, Spain October 1989.

Shown at Toronto Festival of Festivals September 8-17, 1988.

Shown at United States Film Festival in Park City, Utah January 21, 23, 26, 27 & 28, 1989.

Began shooting March 23, 1987.

Ultra-Stereo

Released in United States January 1990 (Shown at Avoriaz International Fantasy Film Festival, in France January 13-21, 1990.)

Released in United States Spring March 3, 1989

Released in United States March 11, 1989 (Shown at Santa Barbara International Film Festival March 11, 1989.)

Released in United States April 29, 1989 (Shown at Houston International Film Festival April 29, 1989.)

Released in United States May 19, 1989 (New York City and Los Angeles)

Released in United States September 1988 (Shown at Toronto Festival of Festivals September 8-17, 1988.)

Released in United States October 1989 (Shown at Sitges Film Festival, Spain October 1989.)

Released in United States on Video December 6, 1989

Released in United States January 1989 (Shown at United States Film Festival in Park City, Utah January 21, 23, 26, 27 & 28, 1989.)