Miracle Mile
Brief Synopsis
Cast & Crew
Steve Dejarnatt
Anthony Edwards
Mare Winningham
John Agar
Cynthia Phillips
Rickie Biggs
Film Details
Technical Specs
Synopsis
A young musician answers a telephone at an outdoor booth and believes he hears a message that the United States is about to begin a nuclear attack.
Director
Steve Dejarnatt
Cast
Anthony Edwards
Mare Winningham
John Agar
Cynthia Phillips
Rickie Biggs
Chad Taylor
Lucille Bliss
Chloe Amateau
Mykelti Williamson
Howard Swain
Herbert Fair
Alan P Berger
Alan Dillard
Victoria Powells
Kelly Jo Minter
Earl Boen
Brian Thompson
Robert Doqui
Kirby Tepper
Denise Crosby
Danny De La Paz
Douglas E Maxwell
Jordana Capra
Diane Delano
Brian Kasch
Tina Webster
Jose Mercado
Claude Earl Jones
Bruce Hayes
Raphael Sbarge
Alan Rosenberg
Tangerine Dream
O-lan Jones
Elizabeth Mary Moore
Edward Bunker
Lou Hancock
Peter Berg
Jenette Goldstein
Kurt Fuller
Crew
Steve Adock
Frans J Afman
Peter Allen
John Altschuler
Gary Anctil
Gary Anctil
David Anderson
Denise Anderson
Gandhi Bob Arrollo
Paige Augustine
George Ball
Keith Banks
Michael John Bateman
Bill Bates
Pamela Bebermeyer
Peter Berg
Dean C Black
Tim Blair
Christine Bonnem
Scott Browner
Mark Buckalew
Richard Buckler
Donald Burghardt
Jeff Burk
James Burkhart
Johnna Butler
Michael Carr
Jerry Casillas
John Casino
Fernando Celis
Paul Chadwick
Michael A Clark
Eugene Collier
Dan Combs
John Conte
Graham Cottle
Graham Cottle
James D Crandell
Richard Crompton
Shay Cunliffe
Shay Cunliffe
Janet Cunningham
John Daly
Billy Damota
Humberto De La Torre
Al Deamayo
Steve Dejarnatt
Brian Devin
Gardner Doolittle
Gardner Doolittle
Sharie Doolittle
Richard Bryan Douglas
Roy Downey
Tangerine Dream
Brian Duffy
Tanya Edmonds
Ross Ellis
Sam Emerson
Michael Endler
Daniel Espansia
Eduardo H. Esparza
David Falicki
Ross Taylor Fanger
Ken Farnum
Ben Feldhouse
Lance Fisher
Edward Flotard
George A Flynn
Sean Peter Flynn
Kristi Frankenheimer-davis
Robert S Freidin
Edgar Froese
Ricardo Jacques Gale
Pam Gatell
Claire Gaul
Claire Gaul
Ole Georg
Cathy Mickel Gibson
Derek Gibson
John Gillespe
John Gillespie
Martha Godfrey
Bob Gray
Shane Greedy
Todd Griffith
John Guitierez
Scott Guthrie
Gail Hagopian
Gail Hagopian
Kenneth Hall
Bruce Hamme
Donald R Hansard
John Hansard
William Hansard Jr.
Victoria Hargrave
Jerry Harper
Jeff Harris
David Harshbarger
Gene Hartline
Paul Haslinger
Bruce Hauer
Kara Hayak
Robert Hefferman
Rick Herres
Greg Hicks
Jena Holman
Debra D Holt
Ernest Holzman
Richard Hoover
Christopher Horner
Winter Horton
Chris Howell
Sim Hubbard
Stephen R Hudis
John Hudkins
Paul Hughen
Henry Humphreys
Dale Jacoby
Jeff James
Bob Jellen
Gary Jensen
Gary Jensen
Harold Jones
Rob Kaplin
Roger Kelton
Eugene Kerry
Robin Keyser
Gene Klein
Rick Kline
Jeffrey D. Knott
Robert L Knott
Karen Kornbau
Kim Koscki
Jono Kouzouyan
Paul Kowalczyk
Amy Krell
Warren Kroeger
Ken Larson
Paul Lauffer
Michael Lawler
Al Lee
Ken Lesco
Judy Levites
Cole Lewis
Steven Lipton
Lauren Lloyd
Dennis Madalone
Carrie Lou Mahiga
Pamela Marcotte
Caryn Marcus
Peter Mark
Jason Markham
Jeff Mart
Chris Martin
Hugh Mcafee
Kevin M Mccarthy
Paul Mcelwaine
Greg Mcmickle
Donna Mcmullen
Scott Meyer
Patrushka Mierzwa
Andrew Miller
David Miller
David Miller
Michael Minkler
Michael Molnar
Paula Moody
Karen Altman Morgenstern
Mary Nelson-duerrstein
Patrick Ngu Yen-you
Fred Nolan
Valerie Norman-williams
Katherine Orrison
Katherine Orrison
John Overacker
Eddie Paul
Max Penner
Dan Perri
John Pierce
Bill Powell
Terance Power
William Pratt
Regine Puksar
Byron Quisenberry
Vince Rapini
Michael Redbourn
J Redfro
Michael C Reilly
Daryl Reynolds
Morteza Rezvani
Albert Robbins
Chuck Roberson
Thom Rude
Rick Rumbagh
Marty Sadoff
Ray Saniger
E Simon Scheeline Iv
Thomas K Schellenberg
Marc Daniel Schiller
Daniel Schneider
Film Details
Technical Specs
Articles
Edward Bunker (1933-2005)
He was born on December 31, 1933 in Hollywood, California to a mother who was a chorus girl in a few Busby Berkely musicals, and a father who was a studio grip; two of the lesser positions in the Hollywood hierarchy. After his parents divorced when he was four, he spent the next several years in various foster homes and juvenile reform schools. By 14, he notched his first criminal conviction for burglery; at 17, he stabbed a youth prison guard; and by 19, he was considered so violent a felon, that he became the youngest inmate ever at San Quentin.
For the next 20 years, Bunker would be in and out of prison for numerous felonies: robbery, battery, and check forgery, just to name a few. While in prison, he read the novel of another San Quentin inmate, Caryl Chessman, whose book, Cell 2455, Death Row, was a reveleation to Bunker, so he set about devoting himself to writing.
He enrolled in a correspondence course in freshman English from the University of California, and after several years of unpublished novels, he struck gold in 1973 with No Beast So Fierce. The novel, about a paroled thief whose attempt to reenter mainstream society fails, was as tough and unforgiving as anything ever written about a parolee's readjustment to the outside, and it rightfully earned Bunker acclaim as a writer to watch.
After he was released from prison in 1975, Bunker concentrated on writing and acting. His big film break happened when No Beast So Fierce was turned into the movie Straight Time (1978) starring Dustin Hoffman. He co-wrote the screenplay, and also had a small part as one of Hoffman's cronies.
Bunker's next big hit as a screenwriter and actor was Runaway Train (1985), a pulsating drama about two escaped convicts (Jon Voight and Eric Roberts) where again, he had a small role as Jonah. It was obvious by now that Bunker, with his gruff voice, unnerving gaze, broken nose, and his signature feature - a scar from a knife wound that ran from his forehead to his lip - would make a most enigmatic movie villian.
A few more roles in prominent pictures followed: The Running Man, Shy People (both 1987), Tango & Cash (1989), before he scored the best role of his career, Mr. Blue in Quentin Tarantino's celebrated cult caper Reservoir Dogs (1992). It couldn't have been easy for Bunker to hold his own in a cast of heavyweights (Harvey Keitel, Lawrence Tierney, Tim Roth and Steve Buscemi), but he did - and with a muscularly lithe style that was all his own.
After Reservoir Dogs, Bunker was in demand as a villian. His next few films: Distant Cousins (1993), Somebody to Love (1994), were routine, but he proved that he could deliver with professional, if familiar performances. Actor Steve Buscemi helped Bunker get his novel Animal Factory to the screen in 2000, with Bunker again adapting his own work for film. He was last seen as a convict, although with sharp comedic overtones, in the recent Adam Sandler farce The Longest Yard (2005). He is survived by his son, Brendan.
by Michael "Mitch" Toole
Edward Bunker (1933-2005)
TCM Remembers - John Agar
Popular b-movie actor John Agar died April 7th at the age of 81. Agar is probably best known as the actor that married Shirley Temple in 1945 but he also appeared alongside John Wayne in several films. Agar soon became a fixture in such films as Tarantula (1955) and The Mole People (1956) and was a cult favorite ever since, something he took in good spirits and seemed to enjoy. In 1972, for instance, the fan magazine Famous Monsters of Filmland mistakenly ran his obituary, a piece that Agar would later happily autograph.
Agar was born January 31, 1921 in Chicago. He had been a sergeant in the Army Air Corps working as a physical trainer when he was hired in 1945 to escort 16-year-old Shirley Temple to a Hollywood party. Agar apparently knew Temple earlier since his sister was a classmate of Temple's. Despite the objections of Temple's mother the two became a couple and were married shortly after. Temple's producer David Selznick asked Agar if he wanted to act but he reportedly replied that one actor in the family was enough. Nevertheless, Selznick paid for acting lessons and signed Agar to a contract.
Agar's first film was the John Ford-directed Fort Apache (1948) also starring Temple. Agar and Temple also both appeared in Adventure in Baltimore (1949) and had a daughter in 1948 but were divorced the following year. Agar married again in 1951 which lasted until his wife's death in 2000. Agar worked in a string of Westerns and war films such as Sands of Iwo Jima (1949), Breakthrough (1950) and She Wore a Yellow Ribbon (1949). Later when pressed for money he began making the films that would establish his reputation beyond the gossip columns: Revenge of the Creature (1955), The Brain from Planet Arous (1957), Invisible Invaders (1959) and the mind-boggling Zontar, the Thing from Venus (1966). The roles became progressively smaller so Agar sold insurance and real estate on the side. When he appeared in the 1988 film Miracle Mile his dialogue supposedly included obscenities which Agar had always refused to use. He showed the director a way to do the scene without that language and that's how it was filmed.
By Lang Thompson
DUDLEY MOORE, 1935-2002
Award-winning actor, comedian and musician Dudley Moore died on March 27th at the age of 66. Moore first gained notice in his native England for ground-breaking stage and TV comedy before later building a Hollywood career. Like many of his peers, he had an amiable, open appeal that was balanced against a sharply satiric edge. Moore could play the confused innocent as well as the crafty schemer and tended to command attention wherever he appeared. Among his four marriages were two actresses: Tuesday Weld and Suzy Kendall.
Moore was born April 19, 1935 in London. As a child, he had a club foot later corrected by years of surgery that often left him recuperating in the hospital alongside critically wounded soldiers. Moore attended Oxford where he earned a degree in musical composition and met future collaborators Peter Cook, Jonathan Miller and Alan Bennett. The four formed the landmark comedy ensemble Beyond the Fringe. Though often merely labelled as a precursor to Monty Python's Flying Circus, Beyond the Fringe was instrumental in the marriage of the piercing, highly educated sense of humor cultivated by Oxbridge graduates to the modern mass media. In this case it was the revue stage and television where Beyond the Fringe first assaulted the astonished minds of Britons. Moore supplied the music and such songs as "The Sadder and Wiser Beaver," "Man Bites God" and "One Leg Too Few." (You can pick up a CD set with much of the stage show. Unfortunately for future historians the BBC commonly erased tapes at this period - why? - so many of the TV episodes are apparently gone forever.)
Moore's first feature film was the 1966 farce The Wrong Box (a Robert Louis Stevenson adaptation) but it was his collaboration with Peter Cook on Bedazzled (1967) that's endured. Unlike its tepid 2000 remake, the original Bedazzled is a wolverine-tough satire of mid-60s culture that hasn't aged a bit: viewers are still as likely to be appalled and entertained at the same time. Moore not only co-wrote the story with Cook but composed the score. Moore appeared in a few more films until starring in 10 (1979). Written and directed by Blake Edwards, this amiable comedy featured Moore (a last-minute replacement for George Segal) caught in a middle-aged crisis and proved popular with both audiences and critics. Moore's career took another turn when his role as a wealthy alcoholic who falls for the proverbial shop girl in Arthur (1981) snagged him an Oscar nomination as Best Actor and a Golden Globe win.
However Moore was never able to build on these successes. He starred in a passable remake of Preston Sturges' Unfaithfully Yours (1984), did another Blake Edwards romantic comedy of moderate interest called Micki + Maude (1984, also a Golden Globe winner for Moore), a misfired sequel to Arthur in 1988 and a few other little-seen films. The highlight of this period must certainly be the 1991 series Orchestra where Moore spars with the wonderfully crusty conductor Georg Solti and leads an orchestra of students in what's certainly some of the most delightful television ever made.
By Lang Thompson
TCM Remembers - John Agar
Quotes
Trivia
Miscellaneous Notes
Released in United States September 3, 1988 (Shown at Montreal World Film Festival (out of competition) September 3, 1988.)
Released in United States April 29, 1989
Released in United States January 1989
Released in United States January 1990
Released in United States March 11, 1989
Released in United States May 19, 1989
Released in United States October 1989
Released in United States on Video December 6, 1989
Released in United States September 1988
Released in United States September 3, 1988
Released in United States Spring March 3, 1989
Shown at Avoriaz International Fantasy Film Festival, in France January 13-21, 1990.
Shown at Houston International Film Festival April 29, 1989.
Shown at Montreal World Film Festival (out of competition) September 3, 1988.
Shown at Santa Barbara International Film Festival March 11, 1989.
Shown at Sitges Film Festival, Spain October 1989.
Shown at Toronto Festival of Festivals September 8-17, 1988.
Shown at United States Film Festival in Park City, Utah January 21, 23, 26, 27 & 28, 1989.
Began shooting March 23, 1987.
Ultra-Stereo
Released in United States January 1990 (Shown at Avoriaz International Fantasy Film Festival, in France January 13-21, 1990.)
Released in United States Spring March 3, 1989
Released in United States March 11, 1989 (Shown at Santa Barbara International Film Festival March 11, 1989.)
Released in United States April 29, 1989 (Shown at Houston International Film Festival April 29, 1989.)
Released in United States May 19, 1989 (New York City and Los Angeles)
Released in United States September 1988 (Shown at Toronto Festival of Festivals September 8-17, 1988.)
Released in United States October 1989 (Shown at Sitges Film Festival, Spain October 1989.)
Released in United States on Video December 6, 1989
Released in United States January 1989 (Shown at United States Film Festival in Park City, Utah January 21, 23, 26, 27 & 28, 1989.)