The Men


1h 25m 1950

Brief Synopsis

A paraplegic veteran fights his own bitterness to build a new life.

Photos & Videos

Film Details

Also Known As
The Courage of Ten
Genre
Drama
War
Release Date
Aug 25, 1950
Premiere Information
New York opening: 20 Jul 1950
Production Company
Stanley Kramer Productions, Inc.
Distribution Company
United Artists Corp.
Country
United States
Location
Van Nuys, California, United States

Technical Specs

Duration
1h 25m
Sound
Mono (Western Electric Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
7,760ft

Synopsis

After he is paralyzed from the waist down while serving during World War II, Army Lt. Ken "Bud" Wilozek is sent to the paraplegic ward at a hospital in his hometown. When Bud's fiancée Ellen meets the ward physician, Dr. Brock, she tells him that since his injury, Bud has become depressed and broken their engagement. Brock asks Ellen to give Bud some time to adjust to his paralysis, but while other patients at the hospital make friends, Bud remains bitter and withdrawn. Later, Brock tells Bud about his conversation with Ellen, but Bud reacts angrily, declaring that he does not wish to see her. Brock later instructs Nurse Robbins to take Bud to the exercise room, where he is forced to interact with the others. There, Bud meets fellow patients Leo, Norm Butler, and a Mexican American named Angel. At Ellen's urging, Brock decides to let her in to see Bud, who has refused to cooperate with his rehabilitation. Brock instructs her to come to the ward the following evening, when everyone else will be attending a wedding. The next evening, after Ellen finds Bud lying alone in the darkness, he shouts at her to leave and then begins weeping when his call for a nurse goes unanswered. Eventually, Bud befriends Angel, who persuades him to fight back against his condition and begin training to build his upper body strength. Soon, Norm starts seeing a woman named Laverne and brings her to the hospital to meet the others. Soon after, Angel dies suddenly of spinal meningitis, and Bud is thrust back into depression. Nevertheless, he perseveres and begins to see Ellen again. When Ellen pleads with Bud to marry her, he agrees to give marriage a try. Norm, meanwhile, returns to the ward after an evening of drinking and tells Bud that Laverne stole $900 from him and fled to Canada. In the weeks before the wedding, Bud trains vigorously, hoping to be able to pull himself up and stand for his vows by holding onto a railing. On the big day, Bud manages to stand, but when he lets go of the rail to put the ring on Ellen's finger, he slumps helplessly to the floor. Bud is so wounded by this humiliation, that when they return home from the ceremony on their wedding night, he is cruel and argumentative. When Ellen admits that she is unhappy, Bud decides to return to the ward in the car that she had customized for his use. Later, Leo persuades Bud to sneak out for a drink at a local bar, after which Bud wrecks his car. The next day, a report of the crash appears in the newspaper, and the head of the hospital comes down hard on Bud for his behavior. Brock, however, convinces the administrator to allow the Paralyzed Veterans Association, the ward's self -governing body, to decide on Bud's punishment. When she reads about the crash, Ellen rushes to the hospital to apologize and asks Bud to return home, but he refuses. After the association votes to discharge Bud, Brock urges him to give his marriage another try. With a renewed appreciation for life, Bud drives his damaged car home, where Ellen is waiting to help him up the front steps.

Photo Collections

The Men - Lobby Card
Here is a lobby card from The Men (1950), starring Marlon Brando. Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.

Film Details

Also Known As
The Courage of Ten
Genre
Drama
War
Release Date
Aug 25, 1950
Premiere Information
New York opening: 20 Jul 1950
Production Company
Stanley Kramer Productions, Inc.
Distribution Company
United Artists Corp.
Country
United States
Location
Van Nuys, California, United States

Technical Specs

Duration
1h 25m
Sound
Mono (Western Electric Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
7,760ft

Award Nominations

Best Writing, Screenplay

1951

Articles

The Men


When director Fred Zinnemann left MGM Studios after his contract expired with Act of Violence in 1949, he embarked on a new career as an independent filmmaker. After trying to find a suitable movie project for almost a year, his search ended when two young filmmakers, Stanley Kramer and Carl Foreman, pitched him a story about paralyzed war veterans entitled The Men (1950). It was obvious that no major studio would tackle such an uncommercial subject but Zinnemann saw great possibilities in Carl Foreman's screenplay and agreed to direct.

Set in a hospital ward full of young men, crippled by their war injuries, The Men addressed several postwar problems that Americans preferred to ignore. What happened to these soldiers who went off to fight for their country and came back mutilated or paralyzed, unable to return to their former jobs, deserted by their wives or girlfriends, forgotten by former friends? How do they readjust to a society that seems to hold no future for them? At the core of the film is an emotionally intense performance by Marlon Brando as an embittered paraplegic who is unable to come to terms with his shattered body or his fiancee (Teresa Wright), who still wants to marry him.

The Men was Brando's film debut and he was an inspired choice for the lead. The director recalls his impressions of the actor in Fred Zinnemann: An Autobiography (Charles Scribner's Sons): "Brando arrived. He seemed fine, if a bit surly and very much on the defensive. It was obvious that he didn't trust any one of us and that he was determined to keep his own counsel. He was still very much the Stanley Kowalski of A Streetcar Named Desire, stuck in that character, and he brought some of that into his performance in The Men. It was fascinating to see how deeply the 'Method' actors would merge into the characters they are playing and how long it took before they could return to being themselves again....It took a bit of time to get used to Brando. Things were difficult for him and he was under enormous strain, having to adjust to the new medium. And why not? People of such enormous talent should be allowed some extra elbow room....This was the way Brando prepared himself: he spent three weeks - day and night - living with the men on one of the paraplegic wards. He found out not only how they moved and behaved, but how they felt and what they thought. They gradually accepted him as one of their own and he became one of them. He shared their physiotherapy, played water polo with them and went to their drinking sessions at the Pump Room. Soon only a doctor or a nurse could tell that he was not a paraplegic."

Prior to the actual filming of The Men, Zinnemann spent many weeks at the Birmingham Veterans Hospital in Van Nuys, California, consulting with several patients, three of whom were hired as technical advisors. One of these was Bud Woziak, a first lieutenant who had been hit in the back by a bullet while on combat patrol; screenwriter Carl Foreman used him as the model for Brando's character. Several paraplegics were also hired for the supporting roles, such as Arthur Jurado, who has a very natural, charismatic screen presence. Other standout performances include Everett Sloane, a former member of Orson Welles' Mercury Theatre, in the key role of Dr. Bors, as well as Teresa Wright, Richard Erdman, and Jack Webb, who made his film debut two years earlier in He Walked By Night and had just launched his new TV series, Dragnet.

Unlike the Oscar-winning Best Picture of 1946, The Best Years of Our Lives, which also touched on some of the sensitive issues faced by returning veterans, The Men was not a commercial success, though it did receive an Academy Award nomination for Best Screenplay. Nevertheless, Zinnemann remained proud of his achievement and continued to explore similar postwar themes in his subsequent film, Teresa (1951), which focuses on an emotionally disturbed veteran and his Italian war bride.

Producer: Stanley Kramer
Director: Fred Zinnemann
Screenplay: Carl Foreman
Art Direction: Rudolph Sternad
Cinematography: Robert de Grasse
Costume Design: Joe King, Ann Peck
Film Editing: Harry Gerstad
Original Music: Dimitri Tiomkin
Cast: Marlon Brando (Ken Wilozek), Teresa Wright (Ellen Wilozek), Everett Sloane (Dr. Brock), Jack Webb (Norm), Richard Erdman (Leo), Virginia Farmer (Nurse Robbins), Arthur Jurado (Angel), DeForest Kelley (Physician).
BW-87m. Closed captioning.

by Jeff Stafford

The Men

The Men

When director Fred Zinnemann left MGM Studios after his contract expired with Act of Violence in 1949, he embarked on a new career as an independent filmmaker. After trying to find a suitable movie project for almost a year, his search ended when two young filmmakers, Stanley Kramer and Carl Foreman, pitched him a story about paralyzed war veterans entitled The Men (1950). It was obvious that no major studio would tackle such an uncommercial subject but Zinnemann saw great possibilities in Carl Foreman's screenplay and agreed to direct. Set in a hospital ward full of young men, crippled by their war injuries, The Men addressed several postwar problems that Americans preferred to ignore. What happened to these soldiers who went off to fight for their country and came back mutilated or paralyzed, unable to return to their former jobs, deserted by their wives or girlfriends, forgotten by former friends? How do they readjust to a society that seems to hold no future for them? At the core of the film is an emotionally intense performance by Marlon Brando as an embittered paraplegic who is unable to come to terms with his shattered body or his fiancee (Teresa Wright), who still wants to marry him. The Men was Brando's film debut and he was an inspired choice for the lead. The director recalls his impressions of the actor in Fred Zinnemann: An Autobiography (Charles Scribner's Sons): "Brando arrived. He seemed fine, if a bit surly and very much on the defensive. It was obvious that he didn't trust any one of us and that he was determined to keep his own counsel. He was still very much the Stanley Kowalski of A Streetcar Named Desire, stuck in that character, and he brought some of that into his performance in The Men. It was fascinating to see how deeply the 'Method' actors would merge into the characters they are playing and how long it took before they could return to being themselves again....It took a bit of time to get used to Brando. Things were difficult for him and he was under enormous strain, having to adjust to the new medium. And why not? People of such enormous talent should be allowed some extra elbow room....This was the way Brando prepared himself: he spent three weeks - day and night - living with the men on one of the paraplegic wards. He found out not only how they moved and behaved, but how they felt and what they thought. They gradually accepted him as one of their own and he became one of them. He shared their physiotherapy, played water polo with them and went to their drinking sessions at the Pump Room. Soon only a doctor or a nurse could tell that he was not a paraplegic." Prior to the actual filming of The Men, Zinnemann spent many weeks at the Birmingham Veterans Hospital in Van Nuys, California, consulting with several patients, three of whom were hired as technical advisors. One of these was Bud Woziak, a first lieutenant who had been hit in the back by a bullet while on combat patrol; screenwriter Carl Foreman used him as the model for Brando's character. Several paraplegics were also hired for the supporting roles, such as Arthur Jurado, who has a very natural, charismatic screen presence. Other standout performances include Everett Sloane, a former member of Orson Welles' Mercury Theatre, in the key role of Dr. Bors, as well as Teresa Wright, Richard Erdman, and Jack Webb, who made his film debut two years earlier in He Walked By Night and had just launched his new TV series, Dragnet. Unlike the Oscar-winning Best Picture of 1946, The Best Years of Our Lives, which also touched on some of the sensitive issues faced by returning veterans, The Men was not a commercial success, though it did receive an Academy Award nomination for Best Screenplay. Nevertheless, Zinnemann remained proud of his achievement and continued to explore similar postwar themes in his subsequent film, Teresa (1951), which focuses on an emotionally disturbed veteran and his Italian war bride. Producer: Stanley Kramer Director: Fred Zinnemann Screenplay: Carl Foreman Art Direction: Rudolph Sternad Cinematography: Robert de Grasse Costume Design: Joe King, Ann Peck Film Editing: Harry Gerstad Original Music: Dimitri Tiomkin Cast: Marlon Brando (Ken Wilozek), Teresa Wright (Ellen Wilozek), Everett Sloane (Dr. Brock), Jack Webb (Norm), Richard Erdman (Leo), Virginia Farmer (Nurse Robbins), Arthur Jurado (Angel), DeForest Kelley (Physician). BW-87m. Closed captioning. by Jeff Stafford

Quotes

Trivia

Notes

The working title of this film was The Courage of Ten. Modern sources list Battle Stripe as another working title. The film's opening credits include the following written dedication: "In all wars, since the beginning of history, there have been men who fought twice. The first time they battled with club, sword or machine gun. The second time they had none of these weapons. Yet, this by far was the greatest battle...This is the story of such a group of men. To them this film is dedicated." The film opens with voice-over narration by Marlon Brando, who made his motion picture debut in The Men.
       In August 1949, Hollywood Reporter reported that Kirk Douglas was being considered for the lead role. According to a October 26, 1949 Daily Variety news item, three paralyzed veterans-Herb Wolf, Pat Grissom and Ted Anderson-who were living at Birmingham Hospital in Van Nuys, CA, where the film was shot, were to serve as technical advisors on the production. Only Wolf and Grissom received onscreen credit, however. In addition to Arthur Jurado, a real-life paraplegic who was given a sizable speaking role, many others from Birmingham Hospital were added to the cast, including Dr. Norman Karr, physical therapist Helen Winston and nurses Rhoda Cormeny and Eunice Newberry. A October 16, 1949 New York Times news item reported that in preparation for his role as a paraplegic, Brando moved into the hospital for an entire month before filming began in order to learn how to maneuver a wheelchair effectively. An unidentified news item contained in the MPAA/PCA Collection at the AMPAS Library, dated November 1949, noted that "use of paraplegics to play themselves was made necessary after it was found that it would take weeks to train actors in the wheelchair technics of paraplegics." The New York Times article also reports that screenwriter Carl Foreman and director Fred Zinnemann spent more than a month studying patients in the paraplegic ward of the hospital. In January 1950, New York Times published an article by Zinnemann in which he states that "all of the situations and dialogue in the script...were written by Carl Foreman from material he picked up from the men themselves." Sources disagree on the spelling of the last name of Brando's character.
       According to a June 28, 1950 Daily Variety news item, British censors banned The Men, citing a speech given to a group of wives and mothers by Everett Sloane's character in which he tells them that their paralyzed men May be unable to have children. A November 10, 1949 Hollywood Reporter news item noted that a one-reel trailer, featuring Brando touring Hollywood landmarks, was produced by Stanley Kramer to advertise the film on television. Kramer also arranged pre-release showings of the film in July 1950 in New York City, Chicago, Boston, Atlantic City and San Francisco. On May 11, 1950, Hollywood Reporter reported that a pre-release press screening, scheduled for May 17, 1950 in Los Angeles, would be attended by the Reserve Officers Association of the United States, whose military display would honor the wounded veterans memorialized in the film. A forty-piece Marine Corps band from Camp Pendleton, honor guards, color guards and others participated in the event. In 1950, Foreman was nominated for an Academy Award for his work on the film.
       The Men marked the motion picture debut of Brando (1940-2004). Before starring in the picture, Brando had appeared in the Broadway play A Streetcar Named Desire, receiving rave reviews for his performance. He had been scheduled to make his screen debut in St. Benny the Dip, which George Auerbach was to produce, but the deal collapsed according to an August 1949 Hollywood Reporter news item. Of his performance in The Men, New York Times stated: "Mr. Brando as the veteran who endures the most difficult time is so vividly real, dynamic and sensitive that his illusion is complete." The Hollywood Reporter review called him "an amazingly life-like actor, a performer who seems to live rather than play his role...Whatever the individual opinion, Brando is an important new star in the Hollywood horizon." Daily Variety noted that Brando "plays his role realistically, often without sympathy" and hailed him as "a new type of leading man, and as such must be accepted." The Variety review, however, complained that "Brando fails to deliver with the necessary sensitivity and inner warmth which would transform an adequate portrayal into an expert one. Slight speech impediment which sharply enhanced his 'Streetcar' role jars here. His supposed college graduate depiction is consequently not completely convincing."