Love That Brute
Brief Synopsis
Cast & Crew
Alexander Hall
Paul Douglas
Jean Peters
Cesar Romero
Keenan Wynn
Joan Davis
Film Details
Technical Specs
Synopsis
After two Chicago gangsters shoot a cigar store owner in a Christmas, 1928 shakedown and are shot by him, Bugs Welch, mobster Big Ed Hanley's top henchman, rushes in and plants a single white carnation on each of the corpses. Bugs expects that the flowers will indicate to the police that Ed, who always leaves white carnations at the scenes of his crimes, is claiming credit for the killings when, in fact, he had nothing to do with them. The police find Ed feeding ducks in a park and discover that he has an alibi for the time of the killings. A short while later, Ed and Bugs encounter Ruth Manning, a young lady who has come from a small town in Michigan to look for work as a singer but is currently employed by the Playtime Supervision Agency as a children's governess. Ed, who feels that there is something missing in his life, thinks she has "a lot of class" and, wanting to have her around, lies to her that he is a widower with young sons. He offers her a job, tripling her salary, and arranges for her to come to see the children on Christmas Eve. Bugs is given the task of rounding up some boys to audition as his "sons," while at his Paradise Club Ed enlists dancer Mamie Sage for the role of his housekeeper. The only boy Bugs can find is the tough-talking Detroit Harry, Jr., the orphaned son of a gangster, who lives with an alcoholic aunt. When Ruth comes a day early, Ed is forced to introduce Harry as one of his sons and tells her that the other son, "George," is spending Christmas with his grandmother. Although Harry frightens Ruth a little, she agrees to take the job after he tells her he is in the trucking business. On Christmas Eve, two of rival gangster Pretty Willie Wetzchahofsky's men are caught climbing over Ed's wall. They are dispatched to the basement, where Ed is holding, in a large cell complete with a pool table, all the mugs he has allegedly "bumped off." Ed has never killed anyone but wants to project the image of being a really tough gangster. Ed gives Ruth a fur coat for Christmas but she refuses it and starts to pack. Ed apologizes and convinces her to stay on until they can get Harry into a new school. On Christmas Day, Pretty Willie, accompanied by two of his thugs, comes to Ed's house looking for his men. After Ed and Pretty Willie adjourn to the library, Ruth wants to call the police, but Mamie dissuades her by revealing who Ed really is. Ruth is appalled but Harry is thrilled that his "dad" is Big Ed Hanley. Ed and Pretty Willie agree to a truce, whereby Pretty Willie will control mob activities north of the river and Ed will run the south side. Later, Ruth tells Ed he is despicable, and Harry "spills the beans" that he is not really Ed's son. However, Ruth stays without pay until they manage to enroll Harry in a military academy. Afterward, Ed offers to give Ruth a job as a singer at his club, but she refuses, advising him to become the decent man he could be. Ruth stays in Chicago and makes the rounds of theatrical agents. One day, an agent shows her a newspaper story announcing that Ed has sold the Paradise Club, so she feels safe in accepting an engagement there. Her opening night, which is attended by Ed and Pretty Willie, is a big success, and Ed asks her to meet him later. However, Pretty Willie, who is also interested in Ruth, visits her dressing room and tells her that the "sale" was just a ruse to get her to work there and that Ed still owns the club. To prove to Ruth Ed's continued involvement in criminal activities, Pretty Willie asks him if the party to celebrate their truce is still on for later that evening, and Ruth again rebuffs Ed. In the meantime, Mamie who thinks her gangster husband Biff has been "bumped off," announces that she has remarried, unaware that Biff is actually among the inhabitants of Ed's basement. Later, Ruth shows up at the party with news that Harry is missing from the school. Harry is soon found in Ed's kitchen, having been caught running a protection racket in the school, and says he will not return there. Bugs tells Ruth that Ed has never hurt anyone in his life and shows her the collection of a dozen "victims" in the basement cell. When one of the prisoners removes the cell door key from Bugs's pocket, they all escape to the party upstairs, where they scare everyone and cause Mamie to passout. Disappointed that Ed is not the "tough guy" he thought he was, Pretty Willie cancels their business relationship and takes Ed for "a ride" in the country, where he assigns Puggie and Louie, two of Ed's former prisoners, to "bump him off." Puggie and Louie, however, fake Ed's death as he did theirs. Ed then finds the terrified Bugs and asks him to go to the morgue and identify an unrecognizable, mangled body as his, then plant some of Ed's possessions on the body and set up Pretty Willie as his killer. Suspicion does fall on Pretty Willie, who is busy organizing the funeral of his former associate. Ruth and Harry are watching the funeral procession when Ed surprises them. Ruth tells Ed that she was going to miss him for the rest of her life and, although Ed will be broke, they decide to spend their lives together. Ed arranges for them to meet later that night and board a ship for Canada. First, however, Ed arranges for Puggie and Louie to tell the district attorney that Pretty Willie killed him. En route to the prison where he will be held until his trial, Pretty Willie is confronted by Ed in a washroom and almost has a heart attack. Not having seen Ed, the detective who is with Pretty Willie thinks he is going insane. Ed then joins Ruth, Harry and Bugs on the ship, where the captain will perform the wedding ceremony.
Director
Alexander Hall
Cast
Paul Douglas
Jean Peters
Cesar Romero
Keenan Wynn
Joan Davis
Arthur Treacher
Peter Price
Jay C. Flippen
Barry Kelley
Leon Belasco
Edwin Max
Sid Tomack
Kenneth Tobey
Jack Elam
Phil Tully
Clara Blandick
Jimmy Hawkins
Judith Ann Vroom
Bill Chaney
Dan Riss
Tiny Timbrell
Charles Lane
Frank "billy" Mitchell
Marion Marshall
Sid Marion
Charles Evans
Leif Erickson
Mauritz Hugo
Alan Wells
Ott George
John Marshall
Dick Wessel
John Doucette
Frank Richards
Joe Gray
David Newell
Jack Daley
Charles Flynn
Paul "tiny" Newlan
Mary Meade
Robert Gist
Robert Foulk
Frank Kreig
Robert Williams
Arthur O'connell
Eugene Gericke
Don Garner
Grayce Hampton
Loren Raker
Joe Recht
Charles B. Smith
Lester Allen
Virginia Dale
Paula Hill
Rodney Bell
Richard Karlan
Henry Kulky
Ben Moselle
Nedrick Young
Ann Corcoran
Cay Forester
Laurette Luez
Torchy Rand
Susan Scott
Gail Bonney
Dorothy Neumann
Crew
Lloyd Ahern
Lew Brown
Jerry Bryan
Billy Daniel
Ken Darby
Nick Demaggio
Buddy Desylva
Fred Fisher
Earle Hagen
Lorenz Hart
Ed Henderson
Ray Henderson
Lillian Hokom
Renè Hubert
Richard Irvine
Arthur Jacobson
James P. Johnson
Arthur Kirbach
Fred Kohlmar
Charles Lemaire
Harry M. Leonard
Thomas Little
Cecil Mack
John Lee Mahin
Bernard Mayers
Cyril Mockridge
Lionel Newman
Ben Nye
Edward Powell
Stuart Reiss
Richard Rodgers
Fred Sersen
Roger Sherman
John Philip Sousa
Herbert Spencer
Jeri Sullivan
Karl Tunberg
Darrell Ware
Lyle Wheeler
Sam Wurtzel
Darryl F. Zanuck
Film Details
Technical Specs
Articles
Kenneth Tobey (1917-2003)
Born in Oakland, California on March 23, 1917, Tobey originally intended to be a lawyer before a stint with the University of California Little Theater changed his mind. From there, he went straight to New York and spent nearly two years studying acting at the Neighborhood Playhouse, where his classmates included Gregory Peck, Eli Wallach and Tony Randall. Throughout the '40s, Tobey acted on Broadway and in stock before relocating to Hollywood. Once there, Tobey soon found himself playing a tough soldier in films like I Was a Male War Bride and Twelve O' Clock High (both 1949); or a tough police officer in Kiss Tomorrow Goodbye and Three Secrets (both 1950). Such roles were hardly surprising, given Tobey's craggy features, unsmiling countenance and rough voice.
Needless to say, no-nonsense, authority figures would be Tobey's calling for the remainder of his career; yet given the right role, he had the talent to make it memorable: the smart, likeable Captain Hendrey in The Thing From Another World (1951); the gallant Colonel Jack Evans in the "prehistoric dinosaur attacks an urban center" genre chiller The Beast from 20,000 Fathoms (1953, a must-see film for fans of special effects wizard, Ray Harryhausen; and as Bat Masterson, holding his own against Kirk Douglas and Burt Lancaster in Gunfight at the O.K. Corral (1957).
Television would also offer Tobey much work: he had his own action series as chopper pilot Chuck Martin in Whirlybirds (1957-59); and had a recurring role as Assistant District Attorney Alvin in Perry Mason (1957-66). He would also be kept busy with guest appearances in countless westerns (Gunsmoke, Bonanza, The Virginian) and cop shows (The Rockford Files, Barnaby Jones, Ironside) for the next two decades. Most amusingly, the tail end of Tobey's career saw some self-deprecating cameo spots in such contemporary shockers as The Howling (1981); Strange Invaders (1983) and his role reprisal of Captain Hendry in The Attack of the B-Movie Monsters (2002). Tobey is survived by a daughter, two stepchildren, and two grandchildren.
by Michael T. Toole
Kenneth Tobey (1917-2003)
Quotes
Trivia
Notes
Love That Brute was a remake of the 1941 Twentieth Century-Fox film Tall, Dark and Handsome . Documents in the Twentieth Century-Fox Produced Scripts Collection and the Twentieth Century-Fox Records of the Legal Department at the UCLA Arts-Special Collections Library, add the following information about the production: John Lee Mahin wrote an adaptation, titled X Marks the Spot, of the Karl Tunberg and Darrell Ware original screenplay for Tall, Dark and Handsome. Mahin's screenplay was retitled Turned Up Toes and was shot under that title in the summer of 1949. Richard Basehart was suggested by studio chief Darryl F. Zanuck as a possibility for the "Pretty Willie" role, which eventually went to Cesar Romero, who had played the "Big Ed Hanley" character in the 1941 film, which featured Sheldon Leonard as "Pretty Willie." Leon Belasco played the same role in both films.
St. John's Military Academy in Los Angeles was used as a location for the school in the picture. A radio adaptation of the film, also featuring Paul Douglas and Jean Peters, was broadcast on the Lux Radio Theatre on October 9, 1950. CBCS lists Stan Johnson and Tom Greenway as cast members but their appearance in the released film has not been confirmed.