Let's Make It Legal


1h 17m 1951
Let's Make It Legal

Brief Synopsis

A woman divorces her husband of 20 years because he gambles too much.

Film Details

Also Known As
Don't Call Me Mother, Grandma Was a Golddigger
Genre
Comedy
Release Date
Nov 1951
Premiere Information
Los Angeles opening: 31 Oct 1951; New York opening: 6 Nov 1951
Production Company
Twentieth Century-Fox Film Corp.
Distribution Company
Twentieth Century-Fox Film Corp.
Country
United States
Location
Santa Monica--Miramar Hotel, California, United States

Technical Specs

Duration
1h 17m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8 reels

Synopsis

On the day that their divorce is to become final after twenty years of marriage, Miriam and Hugh Halsworth squabble over the roses Hugh planted at their home, which Miriam now shares with their daughter Barbara, son-in-law Jerry and baby granddaughter Annabella. Jerry, who is Hugh's assistant in the publicity department of a posh hotel, resents Barbara's dependence on her mother and wants a home of their own. Barbara hopes that her parents will reunite, although Miriam can no longer tolerate Hugh's gambling, and Hugh is upset about Miriam's pursuit of the divorce. That afternoon, noted entrepreneur and womanizer Victor Macfarland comes to Hugh's hotel, where he will vacation while awaiting news about his appointment to represent the United States at an international financial conference. Victor and Hugh, who competed for Miriam's affections in high school, greet each other warily, although Jerry is thrilled to meet Victor when he discovers that the wealthy businessman still carries a torch for Miriam. Hoping that if Victor and Miriam fall in love and marry, he and Barbara will have to move, Jerry informs Victor that Miriam will soon be divorced. When Victor sends Miriam flowers, however, she angrily throws them away, as she has not forgiven Victor for leaving town without saying goodbye twenty years earlier. Hugh visits Miriam, whom he still loves, and promises her that he has quit gambling, even though he bet on a horse named Annabella that morning. Miriam is about to relent when Hugh receives word that his horse won, and is quarreling with Hugh when Victor arrives. Victor refuses to explain his mysterious disappearance but confesses his active interest in Miriam, even after Hugh introduces Annabella to show Victor that Miriam is a grandmother. Hugh is worried that the smooth-talking Victor's intentions are not honorable, and he bets Miriam that she cannot get Victor to marry her. Over the next few days, Victor and Miriam are inseparable, until one afternoon, Victor suggests that he and Miriam travel together without getting married. Miriam turns him down, explaining that, as a grandmother, she must be a moral role model. Miriam easily prods Victor into proposing marriage, and she accepts. Barbara is heartbroken, but Jerry is pleased by the upcoming wedding, which is to take place just before Victor leaves for Washington, D.C. for the hearing about his appointment. The day before the nuptials, however, Victor cancels the plans, as he must leave immediately for Washington. Victor asks Miriam to accompany him, but the flustered Miriam decides to join him the following day instead. When Miriam sees Victor off at the airport, he cautions her to avoid any scandal that might threaten his appointment. Victor also reveals why he left town so suddenly when they were teenagers, but the airplane noise is so loud that Miriam can barely hear him. Upon returning home, Miriam calls Hugh in a rage and threatens to destroy his beloved rose bushes. Meanwhile, Jerry, tired of Barbara's refusal to grow up, packs a suitcase and moves into the hotel. Late that night, Jerry returns to the house with a drunken Hugh, who refuses to explain why Miriam is angry with him, and helps him dig up his rose bushes to "rescue" them. Miriam then confronts Hugh, and he admits that he shot craps with Victor twenty years ago, with the loser required to leave town so that the winner could pursue Miriam. Crushed that Hugh would leave their future to chance, Miriam does not respond when the police arrive and arrest him for trespassing. Jerry is also arrested, and an anxious Barbara drags Miriam to the police station to bail him out. Reporters take photographs of Miriam with Hugh, and the next day, the newspapers are filled with scandalous stories about Victor's fiancƩe and her ex-husband. An indignant Victor chastises Miriam and warns her that they must postpone their wedding until after he has received his appointment. Infuriated by Victor's priggish attitude, Miriam breaks off their engagement. Hugh then shows her the dice with which he gambled for her, and Miriam's sorrow turns to delight as Hugh demonstrates that the dice are loaded and there was no way he could have lost. Jerry and Barbara then watch happily as Hugh and Miriam reconcile with a kiss.

Film Details

Also Known As
Don't Call Me Mother, Grandma Was a Golddigger
Genre
Comedy
Release Date
Nov 1951
Premiere Information
Los Angeles opening: 31 Oct 1951; New York opening: 6 Nov 1951
Production Company
Twentieth Century-Fox Film Corp.
Distribution Company
Twentieth Century-Fox Film Corp.
Country
United States
Location
Santa Monica--Miramar Hotel, California, United States

Technical Specs

Duration
1h 17m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8 reels

Articles

Let's Make It Legal -


Claudette Colbert was one of the great stars of the 1930s and '40s, but by the 1950s she grew tired of working on film. That, and a tax problem that led her to move to Europe, slowed her film work to a halt. She would work on the stage, and later television, but by 1951 when she made Let's Make It Legal, she was on her way out of the movies. At the same time, two other people working on the film, writer I.A.L. Diamond and actress Marilyn Monroe, were on their way in and in a major way. It wouldn't be long before Monroe was a top box-office draw, and Diamond was only a few years away from becoming one of the most celebrated writers in the movies, working on such Hollywood classics as Some Like It Hot (1959) and The Apartment (1960) with Billy Wilder. As such, Let's Make It Legal, marks a nice transition from old Hollywood to new Hollywood, with the sophisticated yet farcical comedy stylings of Diamond already well in place.

Let's Make It Legal revolves around Colbert and Macdonald Carey as a married couple of 20 years headed for divorce. She wants to divorce him because of his gambling and she's already left, living with her daughter (Barbara Bates) and son-in-law (Robert Wagner). Carey works at a hotel where he's Wagner's boss and both of them are trying to appease a millionaire played by Zachary Scott, who just happened to once be the love interest of Colbert. Finally, if you're still keeping up, there's a younger woman, played by Marilyn Monroe, trying to get her hands on Scott's money. Like I said, Diamond's combination of sophisticated wit and farcical plotting was already on full display in 1951.

Colbert did this movie after having to drop out of the starring role as Margo Channing in All About Eve (1950) a few months prior due to a back injury. The fact that All About Eve not only became an instant classic but an iconic role for Bette Davis probably stung and perhaps doing a raucous comedy was Colbert going back to her comfort zone. After all, from her Oscar-winning turn in It Happened One Night (1934) to the rapid-fire free-for-all The Palm Beach Story (1942), Colbert was at home in comedy. But when Let's Make It Legal didn't score big with either critics or the public, Colbert decided to take a break from the movies--a break that, with only a few minor appearances later, became a permanent leave of absence. She would continue a successful stage career and return to television in the 1980s, winning a Golden Globe for her work in The Two Mrs. Grenvilles.

Marilyn Monroe fared better. Monroe had seen a career lift just the year before with two small parts in big movies. One of them, as it turns out, was All About Eve, the other was The Asphalt Jungle. After this and Monkey Business (1952) the following year (co-written by Diamond), her career was set. Meanwhile, after the success of Monkey Business, I.A.L. Diamond started working with Billy Wilder and the two quickly became one of the most successful writing teams in movie history.

Let's Make It Legal may not be the best comedy Colbert ever made, but there's enough talent involved to make the whole effort worthwhile. And Colbert, as always, carries the film like a pro.

Directed by Richard Sale
Produced by Robert Bassler
Story by Mortimer Braus
Screenplay by I.A.L. Diamond, F. Hugh Herbert
Cinematography by Lucien Ballard
Edited by Robert Fritch
Art Direction by Albert Hogsett, Lyle Wheeler
Set Decoration by Paul S. Fox, Thomas Little
Costume Design by Charles Le Maire, ReniƩ
Cast: Claudette Colbert (Miriam Halsworth), Macdonald Carey (Hugh Halsworth), Zachary Scott (Victor Macfarland), Barbara Bates (Barbara Denham), Robert Wagner (Jerry Denham), Marilyn Monroe (Joyce Mannering), Frank Cady (Ferguson)

By Greg Ferrara
Let's Make It Legal -

Let's Make It Legal -

Claudette Colbert was one of the great stars of the 1930s and '40s, but by the 1950s she grew tired of working on film. That, and a tax problem that led her to move to Europe, slowed her film work to a halt. She would work on the stage, and later television, but by 1951 when she made Let's Make It Legal, she was on her way out of the movies. At the same time, two other people working on the film, writer I.A.L. Diamond and actress Marilyn Monroe, were on their way in and in a major way. It wouldn't be long before Monroe was a top box-office draw, and Diamond was only a few years away from becoming one of the most celebrated writers in the movies, working on such Hollywood classics as Some Like It Hot (1959) and The Apartment (1960) with Billy Wilder. As such, Let's Make It Legal, marks a nice transition from old Hollywood to new Hollywood, with the sophisticated yet farcical comedy stylings of Diamond already well in place. Let's Make It Legal revolves around Colbert and Macdonald Carey as a married couple of 20 years headed for divorce. She wants to divorce him because of his gambling and she's already left, living with her daughter (Barbara Bates) and son-in-law (Robert Wagner). Carey works at a hotel where he's Wagner's boss and both of them are trying to appease a millionaire played by Zachary Scott, who just happened to once be the love interest of Colbert. Finally, if you're still keeping up, there's a younger woman, played by Marilyn Monroe, trying to get her hands on Scott's money. Like I said, Diamond's combination of sophisticated wit and farcical plotting was already on full display in 1951. Colbert did this movie after having to drop out of the starring role as Margo Channing in All About Eve (1950) a few months prior due to a back injury. The fact that All About Eve not only became an instant classic but an iconic role for Bette Davis probably stung and perhaps doing a raucous comedy was Colbert going back to her comfort zone. After all, from her Oscar-winning turn in It Happened One Night (1934) to the rapid-fire free-for-all The Palm Beach Story (1942), Colbert was at home in comedy. But when Let's Make It Legal didn't score big with either critics or the public, Colbert decided to take a break from the movies--a break that, with only a few minor appearances later, became a permanent leave of absence. She would continue a successful stage career and return to television in the 1980s, winning a Golden Globe for her work in The Two Mrs. Grenvilles. Marilyn Monroe fared better. Monroe had seen a career lift just the year before with two small parts in big movies. One of them, as it turns out, was All About Eve, the other was The Asphalt Jungle. After this and Monkey Business (1952) the following year (co-written by Diamond), her career was set. Meanwhile, after the success of Monkey Business, I.A.L. Diamond started working with Billy Wilder and the two quickly became one of the most successful writing teams in movie history. Let's Make It Legal may not be the best comedy Colbert ever made, but there's enough talent involved to make the whole effort worthwhile. And Colbert, as always, carries the film like a pro. Directed by Richard Sale Produced by Robert Bassler Story by Mortimer Braus Screenplay by I.A.L. Diamond, F. Hugh Herbert Cinematography by Lucien Ballard Edited by Robert Fritch Art Direction by Albert Hogsett, Lyle Wheeler Set Decoration by Paul S. Fox, Thomas Little Costume Design by Charles Le Maire, ReniƩ Cast: Claudette Colbert (Miriam Halsworth), Macdonald Carey (Hugh Halsworth), Zachary Scott (Victor Macfarland), Barbara Bates (Barbara Denham), Robert Wagner (Jerry Denham), Marilyn Monroe (Joyce Mannering), Frank Cady (Ferguson) By Greg Ferrara

Quotes

Would you like to meet him?
- Hugh Halsworth
Who wouldn't want to meet a man who has millions, who isn't even bald?
- Joyce Mannering
You don't believe in the, the sanctity of divorce, do you?
- Miriam Halsworth
It's all right for people who've never been married.
- Hugh Halsworth
What's the use? You'll never stop gambling.
- Miriam Halsworth
Do you want to bet?
- Hugh Halsworth
I hope I look half as good when I'm a grandmother.
- Joyce Mannering
Oh, I'm sure you will.
- Victor Macfarland

Trivia

Notes

The working titles of this film were Grandma Was a Golddigger and Don't Call Me Mother. The title of Mortimer Braus's original screen story was "My Mother-in-Law, Miriam." Although a May 1951 Hollywood Reporter news item includes Donna Clark and Donald Clark in the cast, their appearance in the completed picture has not been confirmed. According to information in the Twentieth Century-Fox Records of the Legal Department, located at the UCLA Arts-Special Collections Library, the hotel swimming pool scenes were shot on location at the Miramar Hotel in Santa Monica, CA. Let's Make It Legal marked Claudette Colbert's last appearance in a film comedy.

Miscellaneous Notes

Released in United States Fall November 1951

Released in United States on Video June 25, 1992

Released in United States on Video June 25, 1992

Released in United States Fall November 1951