TCM REMEMBERS J. LEE THOMPSON, 1914 - 2002
Oscar-nominated director J. Lee Thompson died August 30th at the age of 88. Though he worked in several genres, Thompson was best-known for his action films. Thompson was born in Bristol England on August 1, 1914. After graduating from college he became a playwright and it was the appearance of one of his plays on London's famous West End that got him noticed by the British film studio, Elstree. His first filmed script was The Pride of Folly in 1937 and others appeared sporadically until his career was side-tracked during the war when Thompson served in the RAF as a B-29 tail gunner. (He also reportedly worked as a dialogue coach on Hitchcock's Jamaica Inn, 1939.) Thompson's directorial debut came in 1950 when he adapted his own play Double Error to the screen as Murder Without Crime. Throughout the decade he directed a variety of dramas and comedies until hitting it big in 1958 with Ice Cold in Alex (released in the US minus 50 minutes under the title Desert Attack). It was nominated for three BAFTAs and was enough of a commercial success that Thompson landed the film that made his career: The Guns of Navarone (1961). This enormous international hit snagged Thompson an Oscar nomination for Best Director. He immediately followed that with the original Cape Fear (1962) and his reputation was set. Though Thompson remained active almost three more decades he didn't reach that level again. He worked on Westerns (Mackenna's Gold, 1969), horror films (Eye of the Devil, 1967), literary adaptations (Huckleberry Finn, 1974) and others. During this time, Thompson directed two Planet of the Apes sequels but was kept most busy working with Charles Bronson, for whom he directed nine films. Thompson's last film was in 1989.
KATRIN CARTLIDGE, 1961 - 2002
The news of actress Katrin Cartlidge's death at the age of 41 has come as a shock. It's not just the age but the thought that even though Cartlidge was already a major actress--despite a slender filmography--she held out the promise of even greater work, a promise that so few artists of any type can make. "Fearless" is perhaps the word most often used to describe Cartlidge but emotions are never enough for an actor; much more is required. Director Mike Leigh said she had "the objective eye of an artist" while remarking on her "her deep-seated suspicion of all forms of woolly thinking and received ideas."
Cartlidge was born in London on May 15, 1961. Her first acting work was on the stage, in tiny independent theatres before she was selected by Peter Gill for the National Theatre. Cartlidge also worked as a dresser at the Royal Court where she later made one of her final stage appearances. She began appearing in the popular British TV series Brookside before making her first film in 1985, Sacred Hearts. A small role in the Robbie Coltrane-Rik Mayall vehicle Eat the Rich (1987) followed before Cartlidge had her first leading role in Mike Leigh's scathing Naked (1993).
Cartlidge never took a safe approach in her films. She told The Guardian that "I try to work with film-makers who I feel will produce something original, revealing and provoking. If something provokes a reaction, it's well worth doing." You can see this in her choice of projects. Before the Rain (1994) dramatized violence in Macedonia in the wake of the Yugoslavian break-up and made Cartlidge something of a star in the area. She appeared in Lars Von Trier's controversial look at redemption, Breaking the Waves (1996), Leigh's sharply detailed story of aging friends Career Girls (1997), as one of Jack the Ripper's victims in From Hell (2001), as a call girl trying to leave the business in Clair Dolan (1998) and in the Oscar-winning film about Bosnia-Herzegovina, No Man's Land (2001). Her last work included a BBC adaptation of Crime and Punishment (2002), playing Salvador Dali's wife Gala in the BBC comedy-drama Surrealissimo (2002) and an appearance in Rosanna Arquette's directorial debut, Searching for Debra Winger (also 2002), a documentary about women in the film industry.
Cartlidge died September 7th from septicaemia brought on by pneumonia.
TCM REMEMBERS LEO MCKERN, 1920-2002
The recent death of Leo McKern, 82, marked the passing of one of Britain's finest and most respected character actors. He was suffering from ill health in recent years and was moved to a nursing home a few weeks before his death on July 23 2002 in Bath, England. An actor of commanding presence with a deep-throated voice, the portly, bulbous-nosed McKern had a long, distinguished career spanning more than half a century, earning numerous plaudits along the way in all major mediums: theatre, film and television.
Born Reginald McKern on March 16, 1920 in Sydney, Australia; he served with the Australian Army during World War II and worked in regional theatre in his native Sydney before immigrating to England in 1946. It was a slow start, but after a three-year apprenticeship of painting scenery, stage-managing and acting, McKern eventually joined the celebrated Old Vic theatrical company in 1949 and proved one of the more versatile actors in the troupe tackling diverse roles in comedy, the classics and serious contemporary parts.
His film debut came in Murder in the Cathedral (1952) but it took a few years before he made his mark in cinema. Some of his best film work included roles as Peter Sellers' comic henchman in the classic satire The Mouse That Roared (1959); a bungling train robber in the charming Disney film The Horse Without a Head (1963); a nefarious professor who kills off his colleagues for amusement in the brilliant black comedy A Jolly Bad Fellow (1964); Clang, a cartoonish villain in the Beatles' pop film Help! (1965); Cromwell, the persecutor of Sir Thomas More in A Man for All Seasons (1966) and as Thomas Ryan in the David Lean drama, Ryan's Daughter (1970).
Yet despite all the accolades McKern earned in theatre and films, it was television where he foundinternational fame as the wily, irascible barrister Horace P. Rumpole in John Mortimer's Rumpole of the Bailey in 1975. Infusing the character with beguiling skill and energy, McKern made the acerbic, wine swilling, Tennyson-quoting Rumpole a much loved figure that was adored by critics, audiences and even its creator Mortimer. Perhaps Mortimer offered the most fitting tribute when he once referred to McKern - "His acting exists where I always hope my writing will be: about two feet above the ground, a little larger than life, but always taking off from reality." Enough said.
By Michael T. Toole
Kinjite: Forbidden Subjects
Brief Synopsis
Read More
In Los Angeles, a cop and father with no tolerance for sleaze is tracking down a pimp who recruits adolescent hookers and drug addicts in order to sell them to rich businessman with loose morals. When one such businessman arrives from Japan and, in a twist, finds his daughter taken by the pimp, it'
Cast & Crew
Read More
J. Lee Thompson
Director
Perry Lopez
Juan Fernandez
Peggy Lipton
Sy Richardson
Samuel E Woods
Film Details
Also Known As
Forbidden Subjects, Kinjite, Kinjite Forbidden Subjects, Kinjite: Dosejos Proibidos
MPAA Rating
Genre
Action
Adventure
Crime
Drama
Thriller
Release Date
1989
Distribution Company
Cannon Releasing
Location
Los Angeles, California, USA
Technical Specs
Duration
1h 37m
Synopsis
In Los Angeles, a cop and father with no tolerance for sleaze is tracking down a pimp who recruits adolescent hookers and drug addicts in order to sell them to rich businessman with loose morals. When one such businessman arrives from Japan and, in a twist, finds his daughter taken by the pimp, it'll be up to the cop to save save the man's daughter.
Director
J. Lee Thompson
Director
Cast
Perry Lopez
Juan Fernandez
Peggy Lipton
Sy Richardson
Samuel E Woods
Jim Ishida
Danny Trejo
Shaun Shimoda
Richard Butler
Michelle Wong
Amy Hathaway
Robert Axelrod
Bill Brochtrup
Deonca Brown
Alonzo Brown
Drew Williams
Lead Person
Marilyn Frank
Jill Ito
Kumiko Hayakawa
Marion Kodama Yue
Sumant
Helen Lin
Don Morton
Jessica Younger
Yuri Ogawa
Jerome Thor
James Pax
Mindy Simon
Erez Yaoz
Jophery Brown
Richard Egan
George Van Noy
Rob Narita
Clifford Strong
John F Mccarthy
Lane Leavitt
Lane Lance
Cynthia Gouw
Laura Crosson
Nicole Eggert
Gary Mitrea
Michael Chong
Elisabeth Chavez
Chris Bennett
Simon Maldonado
Jay S York
Sheila Gale Kandlbinder
Alex Hyde-white
Tom Morga
Charles Bronson
James Ogawa
Leila Hee Olsen
Gerald Castillo
Veronica Carothers
Bill Mckinney
Yung Sun
Kim Lee
Shelli Rae
Sam Chew Jr.
Billy Cho Lee
Crew
Saeed Adyani
Photography
Michael Alden
Post-Production Supervisor
Terrisa Algarin
Foley Artist
David Azzoto
Other
Robert J Babin
Key Grip
Wenden K Baldwin
Titles
Joe Benn
Production Assistant
Laura Lee Bong
Assistant Editor
D R Boyd
Camera Operator
Dan Bradley
Stunts
Edwin Brewer
Property Master
Anthony Bronson
Apprentice
Perry Bullington
Casting
Richard Burton
Sound Editor
Mark S Cafolla
Sound Editor
Tina Canny
Sound
M Ginanne Carpenter
Production Coordinator
Pierre Chemaly
Assistant Camera Operator
Carl Ciarfalio
Stunts
Lance Clarke
On-Set Dresser
Michael Coo
Dolly Grip
Karin Cooper
Script Supervisor
Marjorie J Coster
Art Department Coordinator
Thierry Couturier
Sound Editor
Alicia Craft
Camera Assistant
Patrick Cyccone Jr.
Sound
Burt Dalton
Special Effects
Greg De Belles
Music
Greg De Belles
Song
Bruce Dearagon
Assistant Camera Operator
Lisa Drew
Music Coordinator
Peter Elliot
Sound Editor
Virginia S Ellsworth
Music Editor
Kenny Endoso
Stunts
Jon Epstein
Stunts
Annette E Fabrizi
Hair
Carla Fabrizi
Hair
Carla Fabrizi
Makeup
Cobie Fair
Key Grip
Gary Farr
Photography
Marilyn Febus
Assistant
Craig Felburg
Sound
Glory Fioramonti
Stunts
Margaret C Fischer
Set Decorator
Lance Fisher
Camera Assistant
Kurt N Forshager
Foley Editor
Robert Friedman
Foley Artist
Craig Gadsby
On-Set Dresser
Tony Garber
Sound Editor
Albert Gasser
Sound Editor
Mickey Gilbert
Stunts
Yoram Globus
Executive Producer
Menahem Golan
Executive Producer
Tommy Goodwin
Adr Mixer
Tommy Goodwin
Foley Mixer
Danny G Graff
Gaffer
William J Gray
Electrician
Todd Griffith
Grip
Dennis Hall
Camera Assistant
Cameron Hamza
Boom Operator
Joachim H Hansch
Music Supervisor
Dennis Hansen
Casting
Mark Heiner
Props
Michael Hoffman
Costume Designer
Richard Huston
Other
Shosuke Ichikawa
Song
Brian Imada
Stunts
Jeff Imada
Stunts
Alain Jakubowicz
Post-Production Supervisor
Mary E Jochem
Editor
Jimmy Jones
Transportation Coordinator
Sheila Gale Kandlbinder
Stand-In
John F Karls
Assistant Camera Operator
Gary Kesell
Location Manager
Mark E Kline
Grip
Pancho Kohner
Producer
F Mako Koiwai
Camera Assistant
Nancy Lara-hansch
Casting
John Lasalandra
Music Editor
James Lew
Stunts
Larry J Liddell
Electrician
Scott Lieu
Dolly Grip
Nicola Lubitsch
Assistant
Mark Ludwig
Camera Assistant
Agnes J Lyon
Costume Supervisor
Alan Macrae
Construction Coordinator
Dennis Madalone
Stunts
Robert Maisto
Assistant Art Director
Terry N Marshall
Electrician
Masako Masuda
Set Decorator
Nini Mazen
Post-Production Coordinator
John F Mccarthy
Stand-In
Bufort Mcclerkins
Stunts
Buck Mcdancer
Stunts
Sean Mclin
Camera Operator
Donnie Merrell
On-Set Dresser
Frank Montano
Sound
Wolfgang Amadeus Mozart
Music
Don L Mrton
Wrangler
Harold Nebenzal
Screenplay
Peter Norkus
Camera Assistant
Alan Oliney
Stunts
Ernie Orsatti
Stunt Coordinator
Frank Orsatti
Stunts
Noon Orsatti
Stunts
Robert Ortwin
Assistant Director
Tony Pascuzzo
Sound
Patricia G Payro
Associate Producer
Larry Pearson
Location Manager
Amy Perlmutter
Production Assistant
W L Peterson
Camera Assistant
Paul Petzoldt
Gaffer
Robert Petzoldt
Electrician
Frank L Pope
Special Effects Assistant
Gideon Porath
Director Of Photography
Stuart Quan
Stunts
Greg Rachal
Carpenter
Lisa Raggio
Song Performer
Doron Regev
Assistant Editor
James F Reid
Production Assistant
Sheridan Dar Reid
Unit Production Manager
Jeffrey S Renfro
Transportation Captain
Joel Renfro
Transportation Coordinator
John S Reynolds
Carpenter
Michael Riba
Camera Assistant
Emily Rice
Production Auditor
Edward L Rich
Assistant Camera Operator
Natalie Sara Rooney
Production Assistant
Angelo Russo
Color Timer
Bill Ryusaki
Stunts
Jeffrey L Sandler
Sound Editor
John Saviano
Production Assistant
Kyle Seidenbaum
Titles
Burton Sharp
Casting
Christian Silver
Dolly Grip
Andrew Singer
Production Assistant
Guy Ladd Skinner
Assistant Camera Operator
Donna Slager
Other
Susanne Spain
Sound Editor
Dean St John
Adr
Dean St John
Foley
Scott Steele
Camera Assistant
Josh Taft
Assistant Editor
Peter Lee Thompson
Editor
Greg Townley
Music
Vance Trussell
Electrician
Vladimir Tukan
Camera Operator
Linda Vallejo
Makeup Assistant
Bill Van Daalen
Sound Editor
Theo Van Den Heuvel
Carpenter
George Van Noy
Assistant Director
Tony Velasco
Costumes
Ronald Vidor
Camera Operator
Anne Marie Vitello
Negative Cutting
Ron Vitello
Negative Cutting
Rick Wagner
Stunts
Robert J Walsh
Song
Kat Werner
Transportation
W Brooke Wheeler
Art Director
Robert Wishnefsky
Craft Service
Neil B Wolfson
On-Set Dresser
Film Details
Also Known As
Forbidden Subjects, Kinjite, Kinjite Forbidden Subjects, Kinjite: Dosejos Proibidos
MPAA Rating
Genre
Action
Adventure
Crime
Drama
Thriller
Release Date
1989
Distribution Company
Cannon Releasing
Location
Los Angeles, California, USA
Technical Specs
Duration
1h 37m
Articles
TCM Remembers - J. Lee Thompson
TCM Remembers - J. Lee Thompson
TCM REMEMBERS J. LEE THOMPSON, 1914 - 2002
Oscar-nominated director J. Lee Thompson died August 30th at the age of 88. Though he worked in several genres, Thompson was best-known for his action films. Thompson was born in Bristol England on August 1, 1914. After graduating from college he became a playwright and it was the appearance of one of his plays on London's famous West End that got him noticed by the British film studio, Elstree. His first filmed script was The Pride of Folly in 1937 and others appeared sporadically until his career was side-tracked during the war when Thompson served in the RAF as a B-29 tail gunner. (He also reportedly worked as a dialogue coach on Hitchcock's Jamaica Inn, 1939.) Thompson's directorial debut came in 1950 when he adapted his own play Double Error to the screen as Murder Without Crime. Throughout the decade he directed a variety of dramas and comedies until hitting it big in 1958 with Ice Cold in Alex (released in the US minus 50 minutes under the title Desert Attack). It was nominated for three BAFTAs and was enough of a commercial success that Thompson landed the film that made his career: The Guns of Navarone (1961). This enormous international hit snagged Thompson an Oscar nomination for Best Director. He immediately followed that with the original Cape Fear (1962) and his reputation was set. Though Thompson remained active almost three more decades he didn't reach that level again. He worked on Westerns (Mackenna's Gold, 1969), horror films (Eye of the Devil, 1967), literary adaptations (Huckleberry Finn, 1974) and others. During this time, Thompson directed two Planet of the Apes sequels but was kept most busy working with Charles Bronson, for whom he directed nine films. Thompson's last film was in 1989.
KATRIN CARTLIDGE, 1961 - 2002
The news of actress Katrin Cartlidge's death at the age of 41 has come as a shock. It's not just the age but the thought that even though Cartlidge was already a major actress--despite a slender filmography--she held out the promise of even greater work, a promise that so few artists of any type can make. "Fearless" is perhaps the word most often used to describe Cartlidge but emotions are never enough for an actor; much more is required. Director Mike Leigh said she had "the objective eye of an artist" while remarking on her "her deep-seated suspicion of all forms of woolly thinking and received ideas."
Cartlidge was born in London on May 15, 1961. Her first acting work was on the stage, in tiny independent theatres before she was selected by Peter Gill for the National Theatre. Cartlidge also worked as a dresser at the Royal Court where she later made one of her final stage appearances. She began appearing in the popular British TV series Brookside before making her first film in 1985, Sacred Hearts. A small role in the Robbie Coltrane-Rik Mayall vehicle Eat the Rich (1987) followed before Cartlidge had her first leading role in Mike Leigh's scathing Naked (1993).
Cartlidge never took a safe approach in her films. She told The Guardian that "I try to work with film-makers who I feel will produce something original, revealing and provoking. If something provokes a reaction, it's well worth doing." You can see this in her choice of projects. Before the Rain (1994) dramatized violence in Macedonia in the wake of the Yugoslavian break-up and made Cartlidge something of a star in the area. She appeared in Lars Von Trier's controversial look at redemption, Breaking the Waves (1996), Leigh's sharply detailed story of aging friends Career Girls (1997), as one of Jack the Ripper's victims in From Hell (2001), as a call girl trying to leave the business in Clair Dolan (1998) and in the Oscar-winning film about Bosnia-Herzegovina, No Man's Land (2001). Her last work included a BBC adaptation of Crime and Punishment (2002), playing Salvador Dali's wife Gala in the BBC comedy-drama Surrealissimo (2002) and an appearance in Rosanna Arquette's directorial debut, Searching for Debra Winger (also 2002), a documentary about women in the film industry.
Cartlidge died September 7th from septicaemia brought on by pneumonia.
TCM REMEMBERS LEO MCKERN, 1920-2002
The recent death of Leo McKern, 82, marked the passing of one of Britain's finest and most respected character actors. He was suffering from ill health in recent years and was moved to a nursing home a few weeks before his death on July 23 2002 in Bath, England. An actor of commanding presence with a deep-throated voice, the portly, bulbous-nosed McKern had a long, distinguished career spanning more than half a century, earning numerous plaudits along the way in all major mediums: theatre, film and television.
Born Reginald McKern on March 16, 1920 in Sydney, Australia; he served with the Australian Army during World War II and worked in regional theatre in his native Sydney before immigrating to England in 1946. It was a slow start, but after a three-year apprenticeship of painting scenery, stage-managing and acting, McKern eventually joined the celebrated Old Vic theatrical company in 1949 and proved one of the more versatile actors in the troupe tackling diverse roles in comedy, the classics and serious contemporary parts.
His film debut came in Murder in the Cathedral (1952) but it took a few years before he made his mark in cinema. Some of his best film work included roles as Peter Sellers' comic henchman in the classic satire The Mouse That Roared (1959); a bungling train robber in the charming Disney film The Horse Without a Head (1963); a nefarious professor who kills off his colleagues for amusement in the brilliant black comedy A Jolly Bad Fellow (1964); Clang, a cartoonish villain in the Beatles' pop film Help! (1965); Cromwell, the persecutor of Sir Thomas More in A Man for All Seasons (1966) and as Thomas Ryan in the David Lean drama, Ryan's Daughter (1970).
Yet despite all the accolades McKern earned in theatre and films, it was television where he foundinternational fame as the wily, irascible barrister Horace P. Rumpole in John Mortimer's Rumpole of the Bailey in 1975. Infusing the character with beguiling skill and energy, McKern made the acerbic, wine swilling, Tennyson-quoting Rumpole a much loved figure that was adored by critics, audiences and even its creator Mortimer. Perhaps Mortimer offered the most fitting tribute when he once referred to McKern - "His acting exists where I always hope my writing will be: about two feet above the ground, a little larger than life, but always taking off from reality." Enough said.
By Michael T. Toole
TCM Remembers Charles Bronson - Sept. 13th - TCM Remembers Charles Bronson this Saturday, Sept. 13th 2003.
Turner Classic Movies will honor the passing of Hollywood action star Charles Bronson on Saturday, Sept. 13, with a four-film tribute.
After years of playing supporting roles in numerous Western, action and war films, including THE MAGNIFICENT SEVEN (1960, 8 p.m.) and THE DIRTY DOZEN (1967, 1:15 a.m.), Bronson finally achieved worldwide stardom as a leading man during the late 1960s and early 1970s. TCM's tribute will also include THE GREAT ESCAPE (1963, 10:15 p.m.), Bronson's second teaming with Steve McQueen and James Coburn, and will conclude with FROM NOON TILL THREE (1976, 4 a.m.), co-starring Jill Ireland. TCM will alter it's prime-time schedule this Saturday, Sept. 13th. The following changes will take place: 8:00 PM - The Magnificent Seven (1960)10:15 PM - The Great Escape (1963)
1:15 AM - The Dirty Dozen (1967)
4:00 AM - From Noon Till Three (1976) Charles Bronson, 1921-2003
Charles Bronson, the tough, stony-faced actor who was one of the most recognizable action heroes in cinema, died on August 30 in Los Angeles from complications from pneumonia. He was 81.
He was born Charles Buchinsky on November 3, 1921 in Ehrenfeld, Pennsylvania, one of fifteen children born to Lithuanian immigrant parents. Although he was the only child to have graduated high school, he worked in the coalmines to support his family until he joined the army to serve as a tail gunner during World War II. He used his money from the G.I. Bill to study art in Philadelphia, but while working as a set designer for a Philadelphia theater troupe, he landed a few small roles in some productions and immediately found acting to be the craft for him.
Bronson took his new career turn seriously, moved to California, and enrolled for acting classes at The Pasadena Playhouse. An instructor there recommended him to director Henry Hathaway for a movie role and the result was his debut in Hathaway's You're in the Navy Now (1951). He secured more bit parts in films like John Sturges' drama The People Against O'Hara (1951), and Joseph Newman's Bloodhounds of Broadway (1952). More substantial roles came in George Cukor's Pat and Mike (1952, where he is beaten up by Katharine Hepburn!); Andre de Toth's classic 3-D thriller House of Wax (1953, as Vincent Price's mute assistant, Igor); and De Toth's fine low-budget noir Crime Wave (1954).
Despite his formidable presence, his leads were confined to a string of B pictures like Gene Fowler's Gang War; and Roger Corman's tight Machine Gun Kelly (both 1958). Following his own television series, Man With a Camera (1958-60), Bronson had his first taste of film stardom when director Sturges casted him as Bernardo, one of the The Magnificent Seven (1960). Bronson displayed a powerful charisma, comfortably holding his own in a high-powered cast that included Yul Brynner and Steve McQueen. A few more solid roles followed in Sturges' The Great Escape (1963), and Robert Aldrich's classic war picture The Dirty Dozen (1967), before Bronson made the decision to follow the European trail of other American actors like Clint Eastwood and Lee Van Cleef. It was there that his hard, taciturn screen personae exploded in full force. In 1968 alone, he had four hit films: Henri Verneuil's Guns for San Sebastian, Buzz Kulik's Villa Rides, Jean Herman's Adieu l'ami which was a smash in France; and the classic Sergio Leone spaghetti Western Once Upon a Time in the West.
These films established Bronson as a huge box-office draw in Europe, and with some more stylish hits like Rene Clement's Rider on the Rain (1969), and Terence Young's Cold Sweat (1971) he soon became one of the most popular film stars in the world. It wasn't easy for Bronson to translate that success back in his homeland. In fact, his first few films on his return stateside: Michael Winners' Chato's Land, and The Mechanic (both 1972), and Richard Fleischer's Mr. Majestyk (1973), were surprisingly routine pictures. It wasn't until he collaborated with Winner again for the controversial Death Wish (1974), an urban revenge thriller about an architect who turns vigilante when his wife and daughter are raped, did he notch his first stateside hit. The next few years would be a fruitful period for Bronson as he rode on a wave of fine films and commercial success: a depression era streetfighter in Walter Hill's terrific, if underrated Hard Times (1975); Frank Gilroy's charming offbeat black comedy From Noon Till Three (1976, the best of many teamings with his second wife, Jill Ireland); Tom Gries tense Breakheart Pass; and Don Siegel's cold-war thriller Telefon (1977).
Sadly, Bronson could not keep up the momentum of good movies, and by the '80s he was starring in a string of forgettable films like Ten to Midnight (1983), The Evil That Men Do (1984), and Murphy's Law (1986, all directed by J. Lee Thompson). A notable exception to all that tripe was John Mackenzie's fine telefilm Act of Vengeance (1986), where he earned critical acclaim in the role of United Mine Workers official Jack Yablonski. Although he more or less fell into semi-retirement in the '90s, his performances in Sean Penn's The Indian Runner (1991); and the title role of Michael Anderson's The Sea Wolf (1993) proved to many that Bronson had the makings of a fine character actor. He was married to actress Jill Ireland from 1968 until her death from breast cancer in 1990. He is survived by his third wife Kim Weeks, six children, and two grandchildren.
by Michael T. Toole
TCM Remembers Charles Bronson - Sept. 13th - TCM Remembers Charles Bronson this Saturday, Sept. 13th 2003.
Turner Classic Movies will honor the passing of Hollywood action star Charles Bronson on Saturday, Sept. 13, with a four-film tribute.
After years of playing supporting roles in numerous Western, action and war films, including THE MAGNIFICENT SEVEN (1960, 8 p.m.) and THE DIRTY DOZEN (1967, 1:15 a.m.), Bronson finally achieved worldwide stardom as a leading man during the late 1960s and early 1970s. TCM's tribute will also include THE GREAT ESCAPE (1963, 10:15 p.m.), Bronson's second teaming with Steve McQueen and James Coburn, and will conclude with FROM NOON TILL THREE (1976, 4 a.m.), co-starring Jill Ireland.
TCM will alter it's prime-time schedule this Saturday, Sept. 13th. The following changes will take place:
8:00 PM - The Magnificent Seven (1960)
10:15 PM - The Great Escape (1963)
1:15 AM - The Dirty Dozen (1967)
4:00 AM - From Noon Till Three (1976)
Charles Bronson, 1921-2003
Charles Bronson, the tough, stony-faced actor who was one of the most recognizable action heroes in cinema, died on August 30 in Los Angeles from complications from pneumonia. He was 81.
He was born Charles Buchinsky on November 3, 1921 in Ehrenfeld, Pennsylvania, one of fifteen children born to Lithuanian immigrant parents. Although he was the only child to have graduated high school, he worked in the coalmines to support his family until he joined the army to serve as a tail gunner during World War II. He used his money from the G.I. Bill to study art in Philadelphia, but while working as a set designer for a Philadelphia theater troupe, he landed a few small roles in some productions and immediately found acting to be the craft for him.
Bronson took his new career turn seriously, moved to California, and enrolled for acting classes at The Pasadena Playhouse. An instructor there recommended him to director Henry Hathaway for a movie role and the result was his debut in Hathaway's You're in the Navy Now (1951). He secured more bit parts in films like John Sturges' drama The People Against O'Hara (1951), and Joseph Newman's Bloodhounds of Broadway (1952). More substantial roles came in George Cukor's Pat and Mike (1952, where he is beaten up by Katharine Hepburn!); Andre de Toth's classic 3-D thriller House of Wax (1953, as Vincent Price's mute assistant, Igor); and De Toth's fine low-budget noir Crime Wave (1954).
Despite his formidable presence, his leads were confined to a string of B pictures like Gene Fowler's Gang War; and Roger Corman's tight Machine Gun Kelly (both 1958). Following his own television series, Man With a Camera (1958-60), Bronson had his first taste of film stardom when director Sturges casted him as Bernardo, one of the The Magnificent Seven (1960). Bronson displayed a powerful charisma, comfortably holding his own in a high-powered cast that included Yul Brynner and Steve McQueen. A few more solid roles followed in Sturges' The Great Escape (1963), and Robert Aldrich's classic war picture The Dirty Dozen (1967), before Bronson made the decision to follow the European trail of other American actors like Clint Eastwood and Lee Van Cleef. It was there that his hard, taciturn screen personae exploded in full force. In 1968 alone, he had four hit films: Henri Verneuil's Guns for San Sebastian, Buzz Kulik's Villa Rides, Jean Herman's Adieu l'ami which was a smash in France; and the classic Sergio Leone spaghetti Western Once Upon a Time in the West.
These films established Bronson as a huge box-office draw in Europe, and with some more stylish hits like Rene Clement's Rider on the Rain (1969), and Terence Young's Cold Sweat (1971) he soon became one of the most popular film stars in the world. It wasn't easy for Bronson to translate that success back in his homeland. In fact, his first few films on his return stateside: Michael Winners' Chato's Land, and The Mechanic (both 1972), and Richard Fleischer's Mr. Majestyk (1973), were surprisingly routine pictures. It wasn't until he collaborated with Winner again for the controversial Death Wish (1974), an urban revenge thriller about an architect who turns vigilante when his wife and daughter are raped, did he notch his first stateside hit. The next few years would be a fruitful period for Bronson as he rode on a wave of fine films and commercial success: a depression era streetfighter in Walter Hill's terrific, if underrated Hard Times (1975); Frank Gilroy's charming offbeat black comedy From Noon Till Three (1976, the best of many teamings with his second wife, Jill Ireland); Tom Gries tense Breakheart Pass; and Don Siegel's cold-war thriller Telefon (1977).
Sadly, Bronson could not keep up the momentum of good movies, and by the '80s he was starring in a string of forgettable films like Ten to Midnight (1983), The Evil That Men Do (1984), and Murphy's Law (1986, all directed by J. Lee Thompson). A notable exception to all that tripe was John Mackenzie's fine telefilm Act of Vengeance (1986), where he earned critical acclaim in the role of United Mine Workers official Jack Yablonski. Although he more or less fell into semi-retirement in the '90s, his performances in Sean Penn's The Indian Runner (1991); and the title role of Michael Anderson's The Sea Wolf (1993) proved to many that Bronson had the makings of a fine character actor. He was married to actress Jill Ireland from 1968 until her death from breast cancer in 1990. He is survived by his third wife Kim Weeks, six children, and two grandchildren.
by Michael T. Toole
Quotes
Trivia
Miscellaneous Notes
Released in United States May 15, 1989
Released in United States Winter February 3, 1989
Shown at Cannes Film Festival (market) May 15, 1989.
Began shooting June 20, 1988.
Ultra-Stereo
Released in United States Winter February 3, 1989
Released in United States May 15, 1989 (Shown at Cannes Film Festival (market) May 15, 1989.)
