I'll Take Romance


1h 25m 1937
I'll Take Romance

Brief Synopsis

An opera manager tries to woo a soprano back to his company.

Film Details

Genre
Musical
Release Date
Dec 1, 1937
Premiere Information
not available
Production Company
Columbia Pictures Corp. of California, Ltd.
Distribution Company
Columbia Pictures Corp. of California, Ltd.
Country
United States

Technical Specs

Duration
1h 25m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
9 reels

Synopsis

James Guthrie and his pal, Pancho Brown, visit theatrical agent Will Kane because they are concerned that Madame Della is preventing her niece, opera singer Elsa Terry, from fulfilling a contract to perform in Buenos Aires, as she has received a better offer to sing in Paris. Guthrie and Pancho attend Elsa's performance in La traviata , but Guthrie is unable to meet her when he sneaks backstage between acts. The next day Guthrie deluges Elsa's apartment with candy and flowers, and that night he and Pancho attend her performance of Martha . Pancho is not the only one in the audience who is bored, and his game of dice becomes popular during the show. In order to meet Elsa, Guthrie rents an apartment next to hers. Elsa is friendly, and Guthrie even succeeds in making friends with the authoritarian Della. Guthrie and Elsa subsequently go out every night. Overhearing Guthrie tell Pancho that he will have to abduct Elsa if she will not go to Buenos Aires with him, she decides to refuse to go in order to enjoy being kidnapped. That night, Elsa tells Guthrie she has decided against going to Argentina with him, and she later allows herself to be put on the wrong boat with him. Guthrie has fallen in love with Elsa, but when she receives a telegram from Della explaining that Guthrie romanced her only to get her to sing in Argentina, she refuses to speak with him. Desperately, Guthrie abducts her again and takes her to his hacienda, but releases her in time for opening night. After the next performance, Pancho kidnaps Guthrie and takes him to the hacienda where Elsa, who realizes that they really love each other, is waiting for him.

Film Details

Genre
Musical
Release Date
Dec 1, 1937
Premiere Information
not available
Production Company
Columbia Pictures Corp. of California, Ltd.
Distribution Company
Columbia Pictures Corp. of California, Ltd.
Country
United States

Technical Specs

Duration
1h 25m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
9 reels

Articles

I'll Take Romance


Opera singer Grace Moore finished her Columbia contract with this genial screwball comedy. She stars as a diva whose aunt (Helen Westley) has convinced her to break a contract to sing in Buenos Aires for a more lucrative engagement in Paris. To get her back, the head of the Argentine company (Melvyn Douglas) courts her. By the time he's fallen in love, she's learned the truth, setting the stage for some fiery comic confrontations. Moore had defied the odds to become one of the Metropolitan Opera's first American-born stars. She tried filmmaking at the dawn of the talkie era, when she fell victim of the glut of musicals on the market. In 1934, she returned with a six-picture deal at Columbia, scoring a big hit with One Night of Love. Her films helped popularize opera among the masses, and I'll Take Romance was no exception, with scenes from Manon, Martha, La Traviata and Madama Butterfly. In a rarity for Hollywood, the scenes are presented with few interruptions, capturing her stage presence. Moore has strong support from some expert comic actors, including Douglas, Westley, Stuart Erwin, Margaret Hamilton and Ferdinand Gottschalk.

By Frank Miller
I'll Take Romance

I'll Take Romance

Opera singer Grace Moore finished her Columbia contract with this genial screwball comedy. She stars as a diva whose aunt (Helen Westley) has convinced her to break a contract to sing in Buenos Aires for a more lucrative engagement in Paris. To get her back, the head of the Argentine company (Melvyn Douglas) courts her. By the time he's fallen in love, she's learned the truth, setting the stage for some fiery comic confrontations. Moore had defied the odds to become one of the Metropolitan Opera's first American-born stars. She tried filmmaking at the dawn of the talkie era, when she fell victim of the glut of musicals on the market. In 1934, she returned with a six-picture deal at Columbia, scoring a big hit with One Night of Love. Her films helped popularize opera among the masses, and I'll Take Romance was no exception, with scenes from Manon, Martha, La Traviata and Madama Butterfly. In a rarity for Hollywood, the scenes are presented with few interruptions, capturing her stage presence. Moore has strong support from some expert comic actors, including Douglas, Westley, Stuart Erwin, Margaret Hamilton and Ferdinand Gottschalk. By Frank Miller

Quotes

Trivia

Notes

This was the last American film of opera singer Grace Moore. She made one additional motion picture in France in 1939, entitled Louise. Moore died in a plane crash in 1947. Her life was the basis for the 1953 M-G-M film So This Is Love, directed by Gordon Douglas and starring Kathryn Grayson as Moore.