If I Had a Million


1h 28m 1932
If I Had a Million

Brief Synopsis

A dying tycoon selects his heirs at random, and each reacts differently to the good fortune.

Film Details

Genre
Comedy
Drama
Release Date
Nov 1932
Premiere Information
New York premiere: 16 Nov 1932
Production Company
Paramount Publix Corp.
Distribution Company
Paramount Publix Corp.
Country
United States
Screenplay Information
Based on the novel Windfall by Robert D. Andrews (New York, 1931).

Technical Specs

Duration
1h 28m
Sound
Mono (Western Electric Noiseless Recording)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
9 reels

Synopsis

Prologue : Cantankerous tycoon John Glidden, whose relatives and employees expect him to die shortly, stubbornly refuses to give his fortune to the squabbling, greedy bunch, and determines to give it instead to people who might appreciate it. He then decides to give a million dollars a piece to various people chosen at random from the phone book.
       China Shop : The first recipient of Glidden's money is henpecked Henry Peabody, who has spent years handing over his wages to his nagging wife. Because his salary has consistently been docked for breaking china, Henry gleefully takes the opportunity to smash the entire inventory of the shop.
       Violet : Prostitute Violet Smith receives her money in a bar, then rents an expensive hotel room and enjoys the luxury of sleeping in a luxurious bed--without having to keep her stockings on.
       The Forger : Forger Edward Jackson, frantically fleeing the police, finds that he cannot cash his check. He tries every means possible to borrow on the check or sell it for smaller and smaller amounts of money. Finally, starved and exhausted, he gives it away in exchange for a ten-cent bed.
       Road Hogs : Emily La Rue and her companion Rollo, ex-vaudevillians, are over-joyed at their newly acquired fortune. When they purchase a car, however, it is almost immediately forced off the road by a "road hog." Their money enables them to take their revenge on the road hogs of the world by buying a fleet of cars and joyfully running ill-mannered drivers off the road.
       Death Cell : Death-row prisoner John Wallace is distressed to find that his new money will not save him, but he is comforted to know that his wife Mary will be financially secure after his death.
       The Clerk : Office employee Phineas V. Lambert receives his money and calmly leaves his desk, walks to the office of the company president, and unceremoniously gives him "the razzberries."
       The Three Marines : Marine Corps private Steven Gallagher and his friends Mulligan and O'Brien believe that his check is an April Fool's Day hoax. Because they want to take waitress Marie to a carnival and have no money to finance the date, they sign the check over for ten dollars cash to Marie's boss, the owner of the local lunch wagon.
       Grandma : The last recipient, feisty Mary Walker, is one of the many unhappy old women who live at a rest home run by a heartless matron. The women are not only lonely, but feel useless because they are prohibited from doing anything other than sitting idly in their rocking chairs, talking and knitting. With the money, Mrs. Walker buys the home and gratifies the wishes of its inhabitants by letting them do all of the chores and making the matron and her employees simply sit and rock. Impressed with Mary's spunk, Glidden is apparently cured of his terminal illness and decides to spend his time at the home with Mrs. Walker, and happily plans for a romantic hayride with her.

Crew

Lou Asher

Props

Claude Binyon

The Writers: [Adapted "The Three Marines"]

Whitney Bolton

[Story "Grandma"]

Malcolm Stuart Boylan

[Adapted "The Three Marines"]

John Bright

Contract Writer

Sidney Buchman

Contract Writer

George Clemens

2nd Camera "Death Cell"

Lester Cole

Contract Writer

James Cruze

["Death Cell"]

Fred Datig

Casting Director

Isabel Dawn

Contract Writer

Walter De Leon

Contract Writer

Boyce Degaw

Contract Writer

Harry Fischbeck

Photographer "The Clerk"

Oliver H. P. Garrett

[Story "The Forger"]

Harvey Gates

[Story "The Three Marines"]

H. Bruce Humberstone

["The Forger"]

Art Jacobson

Assistant Director "Death Cell"

Ernie Johnson

Props

Grover Jones

[Adapted "Prologue" and "Grandma"]

Paul Jones

Assistant Director "Violet," "Grandma" and "The Three Marines"

Louis D. Lighton

Associate Producer

Ernst Lubitsch

The Directors: ["The Clerk"]

Ernst Lubitsch

Contract Writer

Lawton Mackall

[Story "China Shop"]

Joseph L. Mankiewicz

[Adapted "The Three Marines" and "China Shop"; Story "Violet"]

Norman Mcleod

["China Shop" and "Road Hogs"]

William Slavens Mcnutt

[Adapted "Prologue" and "Grandma"]

Seton I. Miller

Contract Writer

Stephen Roberts

["Violet" and "Grandma"]

C. Edgar Schoenbaum

Photographer "Death Cell" and "The Three Marines"

Harold Schwartz

Unit Manager

William J. Scully

Assistant Director "China Shop"

William A. Seiter

["The Three Marines"]

Robert Sparks

[Story "China Shop" and "Prologue"]

Norman Taurog

[Prologue and Epilogue]

Tiffany Thayer

Contract Writer

Frank Titus

2nd Camera "Road Hogs"

Gilbert Warrenton

Photographer "China Shop"

Alvin Wyckoff

Photographer "Road Hogs"

Film Details

Genre
Comedy
Drama
Release Date
Nov 1932
Premiere Information
New York premiere: 16 Nov 1932
Production Company
Paramount Publix Corp.
Distribution Company
Paramount Publix Corp.
Country
United States
Screenplay Information
Based on the novel Windfall by Robert D. Andrews (New York, 1931).

Technical Specs

Duration
1h 28m
Sound
Mono (Western Electric Noiseless Recording)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
9 reels

Articles

If I Had a Million


An episodic film with eight sequences united by a common plot device, If I Had a Million (1932) provided an elaborate showcase for some of Paramount's top acting talent including Gary Cooper, Charles Laughton, George Raft, Jack Oakie, Charlie Ruggles, Frances Dee and rising comic star W.C. Fields. Overseen by master filmmaker Ernst Lubitsch, the film also boasted such directors as James Cruze, Norman McLeod, William A. Seiter, Norman Taurog (who directed the Fields episode) and Lubitsch himself. The unifying plot element, in which a dying multimillionaire randomly picks a series of strangers to receive $1 million each, would provide the basis for the popular radio and television series The Millionaire.

The Fields episode, frequently cited as the favorite of the film's fans, casts the comic as Rollo La Rue, a down-and-out vaudeville juggler ­ recalling Fields' own past as a juggling headliner. When Rollo's wife (Alison Skipworth) receives the $1 million check, the couple sets out on a mission to avenge the wrecking of their prized automobile by "roadhogs." They spend the money for a convoy of new cars and a group of tough chauffeurs, and then take to the streets in search of rude drivers ­ whose vehicles they destroy by ramming into them! This was one of a series of Fields films in which his personal obsessions were incorporated into the script. In real life, he had a passion for automobiles and a loathing for other drivers ­ especially those who inconvenienced him.

Joseph L. Mankiewicz, later to become the Oscar-winning writer-director of A Letter to Three Wives (1949) and All About Eve (1950), wrote the screenplay for the Fields episode of If I Had a Million. The association between writer and star dated to Mankiewicz' teens, when he was introduced to Fields by his screenwriter brother Herman Mankiewicz, also to become an Oscar-winner, for Citizen Kane (1941). Fields agreed to an interview by young Joe for the newspaper of his Brooklyn high school, and was so impressed by the results that he sent a congratulatory note to the precocious teen.

After the filming of If I Had a Million, Fields sought out Joseph Mankiewicz to buy some of the comic material that had been written for his character ­ notably the phrase "my little chickadee," which Rollo used in addressing his wife and which would become the title of a 1940 film costarring Fields and Mae West. Mankiewicz demurred, pointing out that Paramount was now the owner of the material. But Fields insisted, a gesture that Mankiewicz attributed to the "incredible punctiliousness about material that is one of the great attributes of the old-time vaudevillian." The payment was $50 cash.

Producers: Louis D. Lighton (uncredited), Benjamin Glazer (associate; uncredited)
Directors: James Cruze, H. Bruce Humberstone, Ernst Lubitsch, Norman Z. McLeod, Stephen Roberts, William A. Seiter, Norman Taurog
Screenplay: Robert Hardy Andrews, Robert Sparks, Grover Jones, William Slavens McNutt, Lawton Mackall, Joseph L. Mankiewicz, Oliver H.P. Garrett, Harvey Gates, Claude Binyon, Malcolm Stuart Boylan, Whitney Bolton, John Bright, Sidney Buchman, Lester Cole, Isabel Dawn, Boyce DeGaw, Ernst Lubitsch, Walter DeLeon
Cinematography: Harry Fischbeck, Charles Edgar Schoenbaum, Gilbert Warrenton, Alvin Wyckoff
Film Editing: LeRoy Stone
Music: John Leipold
Cast: Gary Cooper (Steve Gallagher), Charles Laughton (Phineas V. Lambert), George Raft (Eddie Jackson), Jack Oakie (Private Mulligan), Richard Bennett (John Glidden), Charles Ruggles (Henry Peabody), Allison Skipworth (Emily La Rue), W. C. Fields (Rollo La Rue), Mary Boland (Mrs. Peabody), Roscoe Karns (Private O'Brien), May Robson (Mrs. Mary Walker).
BW-82m.

by Roger Fristoe

If I Had A Million

If I Had a Million

An episodic film with eight sequences united by a common plot device, If I Had a Million (1932) provided an elaborate showcase for some of Paramount's top acting talent including Gary Cooper, Charles Laughton, George Raft, Jack Oakie, Charlie Ruggles, Frances Dee and rising comic star W.C. Fields. Overseen by master filmmaker Ernst Lubitsch, the film also boasted such directors as James Cruze, Norman McLeod, William A. Seiter, Norman Taurog (who directed the Fields episode) and Lubitsch himself. The unifying plot element, in which a dying multimillionaire randomly picks a series of strangers to receive $1 million each, would provide the basis for the popular radio and television series The Millionaire. The Fields episode, frequently cited as the favorite of the film's fans, casts the comic as Rollo La Rue, a down-and-out vaudeville juggler ­ recalling Fields' own past as a juggling headliner. When Rollo's wife (Alison Skipworth) receives the $1 million check, the couple sets out on a mission to avenge the wrecking of their prized automobile by "roadhogs." They spend the money for a convoy of new cars and a group of tough chauffeurs, and then take to the streets in search of rude drivers ­ whose vehicles they destroy by ramming into them! This was one of a series of Fields films in which his personal obsessions were incorporated into the script. In real life, he had a passion for automobiles and a loathing for other drivers ­ especially those who inconvenienced him. Joseph L. Mankiewicz, later to become the Oscar-winning writer-director of A Letter to Three Wives (1949) and All About Eve (1950), wrote the screenplay for the Fields episode of If I Had a Million. The association between writer and star dated to Mankiewicz' teens, when he was introduced to Fields by his screenwriter brother Herman Mankiewicz, also to become an Oscar-winner, for Citizen Kane (1941). Fields agreed to an interview by young Joe for the newspaper of his Brooklyn high school, and was so impressed by the results that he sent a congratulatory note to the precocious teen. After the filming of If I Had a Million, Fields sought out Joseph Mankiewicz to buy some of the comic material that had been written for his character ­ notably the phrase "my little chickadee," which Rollo used in addressing his wife and which would become the title of a 1940 film costarring Fields and Mae West. Mankiewicz demurred, pointing out that Paramount was now the owner of the material. But Fields insisted, a gesture that Mankiewicz attributed to the "incredible punctiliousness about material that is one of the great attributes of the old-time vaudevillian." The payment was $50 cash. Producers: Louis D. Lighton (uncredited), Benjamin Glazer (associate; uncredited) Directors: James Cruze, H. Bruce Humberstone, Ernst Lubitsch, Norman Z. McLeod, Stephen Roberts, William A. Seiter, Norman Taurog Screenplay: Robert Hardy Andrews, Robert Sparks, Grover Jones, William Slavens McNutt, Lawton Mackall, Joseph L. Mankiewicz, Oliver H.P. Garrett, Harvey Gates, Claude Binyon, Malcolm Stuart Boylan, Whitney Bolton, John Bright, Sidney Buchman, Lester Cole, Isabel Dawn, Boyce DeGaw, Ernst Lubitsch, Walter DeLeon Cinematography: Harry Fischbeck, Charles Edgar Schoenbaum, Gilbert Warrenton, Alvin Wyckoff Film Editing: LeRoy Stone Music: John Leipold Cast: Gary Cooper (Steve Gallagher), Charles Laughton (Phineas V. Lambert), George Raft (Eddie Jackson), Jack Oakie (Private Mulligan), Richard Bennett (John Glidden), Charles Ruggles (Henry Peabody), Allison Skipworth (Emily La Rue), W. C. Fields (Rollo La Rue), Mary Boland (Mrs. Peabody), Roscoe Karns (Private O'Brien), May Robson (Mrs. Mary Walker). BW-82m. by Roger Fristoe

Quotes

Trivia

Notes

Early scripts in the Paramount script files at the AMPAS Library provided the above writing credits, however, not all writers were credited with stories. Whitney Bolton's story for the "Grandma" episode was originally called "Jenifer Walker." According to an October 1932 script, Cary Grant was originally cast as "O'Brien" in "The Three Marines" episode. A news item in Film Daily noted that Norman McLeod was slated to direct Roland Young and Alison Skipworth in a sequence called "Good Company," an "original story which Nina Wilcox Putnam [was] writing especially for the Paramount character actress." It has not been determined if "Good Company" is the original title for the "Road Hogs" sequence, which featured Skipworth and W. C. Fields in the released film, or if the Putnam story was used for another sequence.
       Three sequences originally intended for the film never made it to the final print. "The Pheeneys" was to star Cary Grant and Miriam Hopkins, and "The Man Who Drops Dead," by Oliver H. P. Garrett, was to be directed by Thornton Freeland and star Clive Brook. Available contemporary information does not reveal if these sequences were filmed or dropped during the pre-production phase of the project. An additional sequence, "The Randall Marshalls" was also abandoned, probably after filming commenced. However, contemporary sources and Paramount scripts for that episode provide the following credits: Tiffany Thayer and Walter DeLeon, Adaptation; Louis D. Lighton, Associate Producer; Lothar Mendes, Director; William Scully, Assistant Director; Harry Schwartz, Unit Manager; David Abel, Photography; and Sylvia Sidney (Mrs. Marshall) and Fredric March (Mr. Marshall). A news item in Hollywood Reporter reported that the sequence was dropped due to March's reluctance to film retakes without salary. The same news item reported that March's co-star in the episode was Carole Lombard.
       According to correspondence in the MPAA/PCA files at the AMPAS library, scripts for each sequence were sent to the AMPP for approval and only minor changes were suggested; however, on November 4, 1932 after the final print was previewed by the AMPP, director Colonel Jason S. Joy wrote to Paramount producer Harold Hurley and registered New York censor Dr. James Wingate's disapproval of the prostitute sequence, known as "Violet," and noted that Wingate felt that the sequence should never have been shot as they had originally suggested. By November 14, 1932, as noted in a letter from Hurley to Joy, Paramount had made further eliminations in that scene and deleted "the first shot where Bennett runs into the girl soliciting on the street, the couple coming down the stairs where the man in pantomime tips his hat to the dame, the line 'The stairs are killing me,' and a few other bits of action." A scene commonly deleted by local censor boards was the one in which "Violet" gets into bed in the hotel room, then throws back the covers, removes her stockings and pulls the covers back over herself. Another scene deleted by many local censors was the execution of "John Wallace," especially the shots of the guards preparing him for execution and opening the door of the execution chamber. Sounds of sobs and screams were also eliminated. In England, the "razzberry" sound made by "Phineas V. Lambert" was changed to a "whistle."
       Pre-release news items in Film Daily indicate that Richard Arlen, Tempe Piggott and Margaret Fealy were cast in the film. Contemporary sources indicate that the "Three Marines" sequence was filmed in Ocean Park, CA, and the "Road Hogs" sequence was filmed on location in Hollywood, on North Bronson Avenue, Franklin Avenue, Hillhurst Avenue, Vine Street and La Brea Avenue. Although modern sources credit Edward Sutherland with direction of the "Grandma" episode, Stephen Roberts is credited with its direction in contemporary sources, and no contemporary information corroborates Sutherland's participation in this episode or in any other in the film. Modern sources further credit Norman McLeod with direction of the "Road Hogs" sequence and H. Bruce Humberstone with direction of "The Forger" episode, however, contemporary information, as reflected above, conflicts with these credits. Modern sources include the following additional cast members: Edwin Stanley (Mr. Galloway); James Burtis (Jailer); Frank Hagney (Mike); Charles McMurphy (Mike); Russ Powell (Bartender); Morgan Wallace (Mike); Eddie Baker (Desk clerk); Larry Steers, Herbert Moulton (Glidden's associates); Marc Lawrence (Hood); James Bush (Teller); Fred Holmes (China store clerk); Syd Saylor (Driver); Lester Dorr (Pedestrian); Clair Bracy and Vangie Beilby (Idylwood residents).