Dick Tracy


1h 2m 1945
Dick Tracy

Brief Synopsis

Dick is faced with a series of murders in which the victims all come from different social and economic backgrounds.

Film Details

Genre
Crime
Release Date
Jan 1945
Premiere Information
New York opening: week of 11 Jan 1946
Production Company
RKO Radio Pictures, Inc.
Distribution Company
RKO Radio Pictures, Inc.
Country
United States
Screenplay Information
Based on the comic strip "Dick Tracy" created by Chester Gould, distributed by Chicago Tribune-New York News Syndicate (Oct 1931--).

Technical Specs

Duration
1h 2m
Sound
Mono (RCA Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
5,501ft

Synopsis

When schoolteacher Dorothy Stafford is found murdered on a city sidewalk, police detective Dick Tracy and his right-hand man, Pat Patton, are assigned to the case. In the dead woman's purse, Dick finds a note signed "Splitface," demanding that Dorothy deposit $500 in a trash can located at a street corner near the murder scene. Soon after, the mayor receives a note from Splitface, demanding that $10,000 be deposited in a trash can the next evening. Puzzled by the disparity in the amount of the extortion demands, Dick examines Dorothy's records and finds the name Wilbur Thomas. Upon driving to the Thomas home to investigate further, Dick and Pat discover Thomas' body, his throat slit in the same manner as Dorothy's. Dick follows the murderer's footprints and sees a man enter the backyard of Thomas' neighbor, Steven Owens. As Dick questions Owens, Pat slips into the house through a rear window.

When Pat reports finding bloodstains on the carpet, Dick becomes suspicious of Owens, the owner of the Paradise Club. After finishing at Owens' house, Dick and Pat return to inspect Thomas' body and find a business card from the Paradise Club lying next to the corpse. The following evening, when no one appears to claim the mayor's extortion money, Dick begins to suspect that the victims are targets of a killer and must share some common thread. Trying to be inconspicious, Dick invites his sweetheart Tess Trueheart to accompany him while he checks out the Paradise Club. There, Dick is greeted by Owens' daughter Judith, who tells the detective that she saw a strange man in the garden. After obtaining a key from Judith, Dick and Tess drive to the Owens' house to investigate. At the house, they discover that the electricity has been turned off, and while Dick goes to look for the fuse box, Tess sees a man with a hideous scar across his face run out of a closet and speed away in his car.

Trailing the man to a brownstone, Dick climbs to the roof and finds Professor Linwood J. Starling peering at the stars through a telescope. When the mystical Starling denies seeing Splitface, Dick insists on searching his room. There, Dick finds a knife under Starling's mattress. When questioned about the weapon, the professor gazes into his crystal ball and foretells that twelve more people will die. Just then, the police break down the door to the professor's room and take him to headquarters for further questioning. Their departure is watched by a man with a hideous scar on his face. Thinking that Splitface's scar may just be a disguise, Dick takes Tess back to the Paradise Club to see if she can identify Owens as Splitface. There, Judith informs them that her father has disappeared and hints that he owes some large gambling debts. Suspicious of Judith's jittery behavior, Dick takes her into protective custody.

When Pat traces the knife found in Starling's room to a surgical supply store and reports that an undertaker named Deathridge purchased three knives, Dick goes to question Deathridge. The undertaker arouses Dick's suspicions when he claims that the knives have disappeared and asks about Starling. Believing there to be a connection between Deathridge and Starling, Dick returns to headquarters and tricks Starling into revealing what he knows about Deathridge. Dick's plan to bring Starling and Deathridge face to face is thwarted, however, when Deathridge is found murdered, his throat slit like the others. When Dick returns to headquarters from investigating the undertaker's murder, he learns that Starling has been released. Starling hurries home and as he packs his suitcase, he hears Splitface rap on the window. After accusing Starling of drawing police attention by sending extortion demands to Splitface's victims, Splitface pulls out a knife and slits the professor's throat. When Dick arrives at Starling's apartment, he finds the extortion money on the professor's body and realizes that Starling has been extorting money from Splitface's intended victims and that Deathridge was the latest in the list.

Remembering Starling's prediction about fourteen victims, Dick realizes that fourteen is the number of people that serve on a jury. When Dick questions the mayor about his jury experience, the mayor remembers being a juror at the trial of Alexis Banning, who swore revenge on all those who convicted him. With the murderer finally identified, Judith decides to leave the Tracy house, even though her father is still missing. Tess calls Dick to inform him of Judith's departure, and as she speaks into the phone, Splitface breaks into the house and takes Tess hostage, warning Dick to call off the police. As Splitface speeds away in his car with Tess, Tracy Jr., Dick's adopted son, jumps onto the back of the car and throws off pieces of his clothing to create a trail. Following Junior's trail to the docks, Dick breaks into the warehouse in which Splitface is holding Tess and Junior. After subduing Splitface, Dick promises to take Tess to dinner, but is called away to solve another crime.

Film Details

Genre
Crime
Release Date
Jan 1945
Premiere Information
New York opening: week of 11 Jan 1946
Production Company
RKO Radio Pictures, Inc.
Distribution Company
RKO Radio Pictures, Inc.
Country
United States
Screenplay Information
Based on the comic strip "Dick Tracy" created by Chester Gould, distributed by Chicago Tribune-New York News Syndicate (Oct 1931--).

Technical Specs

Duration
1h 2m
Sound
Mono (RCA Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
5,501ft

Articles

Dick Tracy (1945)


No list of great movie detectives would be complete without Dick Tracy, the sharp-nosed, square-jawed, tough-boiled crime fighter created by comic-strip writer Chester Gould as America's answer to Sherlock Holmes. After submitting several different ideas for a strip to Joseph Medill Patterson of the Chicago Tribune syndicate, Gould finally won acceptance with a detective he originally dubbed Plainclothes Tracy. After Patterson suggested changing the first name to the common slang word for "detective," Dick Tracy made his initial appearance for the syndicate on October 4, 1931.

In an era when law enforcement agencies seemed ineffective in dealing with organized crime, the no-nonsense Tracy's success in corraling criminals quickly earned him a huge public following. As his popularity grew, he was carried in more than 800 newspapers and had an estimated readership of 100 million. Republic Pictures jumped on the bandwagon with four multi-chapter serials beginning with Dick Tracy in 1937 and continuing with Dick Tracy Returns in 1938, Dick Tracy's G-Men in 1939 and Dick Tracy vs. Crime, Inc. in 1941. All of these serials starred Ralph Byrd as Tracy.

Then came RKO's Dick Tracy (1945), the first of four RKO Radio feature-length "B" pictures centered around the character. Morgan Conway takes over as Tracy, who does battle with Splitface (Mike Mazurki), a vicious criminal who has escaped from jail and vows to murder the jurors who found him guilty. In addition to making good on that threat, Splitface abducts Tracy's girlfriend, Tess Trueheart (Anne Jeffreys), and his adopted son, Junior (Mickey Kuhn). Tracy and his partner Pat Patton (Lyle Latell) are soon in hot pursuit.

Director William Berke and cameraman Frank Redman lend the fast-moving Dick Tracy an atmospheric film-noir flavor. The movie employs sets from earlier RKO films including the riverboat from Man Alive (1945) and the famous brownstone from The Magnificent Ambersons (1942) and Cat People (1945). Splitface, although created by RKO's screenwriters, fits the classic mold of Gould's villains, who were often named for their physical attributes or deformities.

Gould himself was asked to review the film for the Tribune. "The gentleman with whom I had shared sweat, blood and tears for almost 15 years -- Dick Tracy in the flesh -- Morgan Conway's flesh, to be exact -- [is] right on the screen at the Palace," he wrote. "And for once he did the talking and I listened. I felt pretty helpless, too, because I couldn't use a piece of art gum to change his face or hat, and what he said came from a script and not from a stubby old lead pencil held by yours truly."

RKO made three follow-ups to the film: Dick Tracy vs. Cueball (1946); Dick Tracy's Dilemma (1947); and Dick Tracy Meets Gruesome (1947), in which Boris Karloff was given top billing as Gruesome. Although Conway's Tracy was praised by critics as the closest to Gould's original concept, the public seemed to prefer Byrd, who returned in the role for the final two RKO features. Tracy's history, which also included a radio show, continued with live-action and cartoon TV series and a resumption of the Republic serials with Dick Tracy vs. the Phantom Empire (1953). Warren Beatty's flashy take on the character, Dick Tracy (1990), also featured Madonna as Breathless Mahoney, Al Pacino as Big Boy Caprice and Dustin Hoffman as Mumbles.

Producer: Herman Schlom, Sid Rogell (Executive Producer)
Director: William A. Berke
Screenplay: Eric Taylor, from comic strip by Chester Gould
Cinematography: Frank Redman
Art Direction: Ralph Berger, Albert S. D'Agostino
Original Music: Roy Webb
Editing: Ernie Leadlay
Cast: Morgan Conway (Dick Tracy), Anne Jeffreys (Tess Trueheart, Tracy's Girlfriend), Mike Mazurki (Alexis "Splitface" Banning), Jane Greer (Judith Owens), Lyle Latell (Pat Patton), Joseph Crehan (Chief Brandon).
BW-62m.

by Roger Fristoe
Dick Tracy (1945)

Dick Tracy (1945)

No list of great movie detectives would be complete without Dick Tracy, the sharp-nosed, square-jawed, tough-boiled crime fighter created by comic-strip writer Chester Gould as America's answer to Sherlock Holmes. After submitting several different ideas for a strip to Joseph Medill Patterson of the Chicago Tribune syndicate, Gould finally won acceptance with a detective he originally dubbed Plainclothes Tracy. After Patterson suggested changing the first name to the common slang word for "detective," Dick Tracy made his initial appearance for the syndicate on October 4, 1931. In an era when law enforcement agencies seemed ineffective in dealing with organized crime, the no-nonsense Tracy's success in corraling criminals quickly earned him a huge public following. As his popularity grew, he was carried in more than 800 newspapers and had an estimated readership of 100 million. Republic Pictures jumped on the bandwagon with four multi-chapter serials beginning with Dick Tracy in 1937 and continuing with Dick Tracy Returns in 1938, Dick Tracy's G-Men in 1939 and Dick Tracy vs. Crime, Inc. in 1941. All of these serials starred Ralph Byrd as Tracy. Then came RKO's Dick Tracy (1945), the first of four RKO Radio feature-length "B" pictures centered around the character. Morgan Conway takes over as Tracy, who does battle with Splitface (Mike Mazurki), a vicious criminal who has escaped from jail and vows to murder the jurors who found him guilty. In addition to making good on that threat, Splitface abducts Tracy's girlfriend, Tess Trueheart (Anne Jeffreys), and his adopted son, Junior (Mickey Kuhn). Tracy and his partner Pat Patton (Lyle Latell) are soon in hot pursuit. Director William Berke and cameraman Frank Redman lend the fast-moving Dick Tracy an atmospheric film-noir flavor. The movie employs sets from earlier RKO films including the riverboat from Man Alive (1945) and the famous brownstone from The Magnificent Ambersons (1942) and Cat People (1945). Splitface, although created by RKO's screenwriters, fits the classic mold of Gould's villains, who were often named for their physical attributes or deformities. Gould himself was asked to review the film for the Tribune. "The gentleman with whom I had shared sweat, blood and tears for almost 15 years -- Dick Tracy in the flesh -- Morgan Conway's flesh, to be exact -- [is] right on the screen at the Palace," he wrote. "And for once he did the talking and I listened. I felt pretty helpless, too, because I couldn't use a piece of art gum to change his face or hat, and what he said came from a script and not from a stubby old lead pencil held by yours truly." RKO made three follow-ups to the film: Dick Tracy vs. Cueball (1946); Dick Tracy's Dilemma (1947); and Dick Tracy Meets Gruesome (1947), in which Boris Karloff was given top billing as Gruesome. Although Conway's Tracy was praised by critics as the closest to Gould's original concept, the public seemed to prefer Byrd, who returned in the role for the final two RKO features. Tracy's history, which also included a radio show, continued with live-action and cartoon TV series and a resumption of the Republic serials with Dick Tracy vs. the Phantom Empire (1953). Warren Beatty's flashy take on the character, Dick Tracy (1990), also featured Madonna as Breathless Mahoney, Al Pacino as Big Boy Caprice and Dustin Hoffman as Mumbles. Producer: Herman Schlom, Sid Rogell (Executive Producer) Director: William A. Berke Screenplay: Eric Taylor, from comic strip by Chester Gould Cinematography: Frank Redman Art Direction: Ralph Berger, Albert S. D'Agostino Original Music: Roy Webb Editing: Ernie Leadlay Cast: Morgan Conway (Dick Tracy), Anne Jeffreys (Tess Trueheart, Tracy's Girlfriend), Mike Mazurki (Alexis "Splitface" Banning), Jane Greer (Judith Owens), Lyle Latell (Pat Patton), Joseph Crehan (Chief Brandon). BW-62m. by Roger Fristoe

Quotes

Trivia

Notes

This was the first picture in RKO's "Dick Tracy" series. According to a Hollywood Reporter news item, RKO brought Morgan Conway from Broadway to star in the title role. A news item in New York Times adds that RKO paid $10,000 to Gould's representative for the rights to make this film. The series, based on Chester Gould's square-jawed comic strip crime fighter, consisted of four pictures and ran from 1945-1947. The first two starred Conway as Tracy. Ralph Byrd, who starred as Tracy beginning with the 1937 Republic serial, replaced Conway in the final two films. In addition to Tracy, all of the films featured Lyle Latell as Tracy's right-hand man, "Pat Patton." Joseph Crehan played police chief "Brandon" in several of the films and Ann Jeffreys played Tracy's sweetheart "Tess Trueheart" in two. The last film in the RKO's series was Dick Tracy's Dilemma . According to a Hollywood Reporter news item, Gould and the Famous Artists Syndicate were interested in resuming the series in 1948 with the specification that Conway be restored to the title role, but the series was not revived.
       Tracy first came to the screen in 1937 when Republic began the production of the first of four serials that would star Byrd as the detective. The 1990 Touchstone film Dick Tracy, starring Warren Beatty, Madonna and Al Pacino, was also based on Gould's comic strip character. The character Dick Tracy also spawned two television series. The first ran from 1950-1951 on ABC and starred Ralph Byrd in the title role. The second was an 1961 cartoon show that consisted of 130 episodes and featured Everett Sloane as the voice of Tracy.

Miscellaneous Notes

Released in United States on Video June 27, 1990

Released in United States Winter December 1945

Released in United States on Video June 27, 1990

Released in United States Winter December 1945