The Chance of a Lifetime


1h 6m 1943
The Chance of a Lifetime

Brief Synopsis

An ex-thief helps some fellow ex-cons adjust to life as defense workers, only to get involved with a robbery investigation.

Film Details

Also Known As
The Gamble of Boston Blackie
Genre
Crime
Release Date
Oct 26, 1943
Premiere Information
not available
Production Company
Columbia Pictures Corp.
Distribution Company
Columbia Pictures Corp.
Country
United States
Screenplay Information
Based on the character created by Jack Boyle.

Technical Specs

Duration
1h 6m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
5,914ft

Synopsis

Boston Blackie, a reformed safecracker and Good Samaritan, convinces the governor to parole twelve convicts into his custody so that they can join the war effort working at his friend Arthur Manleder's tool factory. The parolees are to live in Blackie's apartment, but on their first night of freedom, Blackie allows one of them, Dooley Watson, to visit his wife Mary and son Johnny. The next day at the Manleder factory, Inspector Farraday, Blackie's nemesis, comes to inspect the newly discharged convicts. When Farraday discovers that Dooley is missing, he thinks that the convict went to retrieve the $60,000 he stole before going to jail. Meanwhile, at Mary's apartment, Dooley arrives with the $60,000 and tells his wife that they must leave town before his accomplices in the robbery, Red Taggart and Nails Blanton, can track him down. Appealing to her husband's finer instincts, Mary convinces him to return the money. At that moment, Nails and Red, who have rented an apartment in Mary's building, knock at the door and demand their share from the robbery. After Dooley claims that he dropped the money while fleeing the police, Nails pulls out a gun and orders Red to search the apartment. When Red threatens little Johnny, Dooley moves to protect his son, and in the ensuing struggle, the gun fires and kills Red. Seconds later, Blackie arrives and Nails runs out of the apartment. Realizing that Farraday will never believe Dooley's story, Blackie takes the money and the gun and sends the parolee back to the factory while he and his sidekick, The Runt, dispose of Red's body. As Blackie and Runt drag Red back to his apartment, Farraday arrives and arrests Blackie for murder. To avoid jeopardizing the parolees, Blackie confesses that he shot Red and hands over the money. Meanwhile, at Blackie's apartment, the convicts rally to Blackie's defense and force Dooley to tell them the truth. They are just about to take Dooley to headquarters when Blackie arrives in Farraday's custody. Claiming that he needs privacy to bid his friends farewell, Blackie sends Farraday and his assistant, Sergeant Matthews, into the hallway. After telling the convicts that he plans to find Nails and wring a confession from him, Blackie and Runt escape and return to Nails's apartment. Discovering that two police officers are guarding the apartment, they pose as carpet cleaners to gain admission. When the real carpet cleaners appear, Blackie and Runt slip through the back door. To decoy the police out of the apartment, Blackie calls headquarters and, while pretending to be Farraday, orders that the officers be recalled. Blackie and Runt then return to search Nails's apartment, but when Farraday deduces Blackie's scheme, he drives to the building. While Runt and Blackie escape in the dumb waiter, Nails calls Dooley and informs him that he has kidnapped Mary and Johnny, demanding the money in exchange for their freedom. That night, Dooley meets Nails and tells him that Blackie has the money. Meanwhile, at Blackie's apartment, Manleder is having a discussion with the parolees when Blackie appears. When Manleder informs him about Dooley's predicament, Blackie decides to use the money to trap Nails. Disguised as scrubwomen, Runt and Blackie penetrate police headquarters and remove the money from the safe. When Nails reads the headlines about the theft, he goes to Jumbo Madigan's pawn shop in search of Blackie. Blackie is there waiting for him, and after Nails pulls out a gun and accompanies Blackie to his apartment to retrieve the money, Jumbo notifies Farraday. Nails is greeted at the apartment by Manleder and the parolees, who tie a rope around him and drop him from a window, threatening to let him fall to the street unless he confesses. Farraday then breaks down Blackie's door just in time to witness Nails's confession, exonerating both Blackie and Dooley. His social experiment a success, Blackie has a second group of convicts paroled into his custody.

Film Details

Also Known As
The Gamble of Boston Blackie
Genre
Crime
Release Date
Oct 26, 1943
Premiere Information
not available
Production Company
Columbia Pictures Corp.
Distribution Company
Columbia Pictures Corp.
Country
United States
Screenplay Information
Based on the character created by Jack Boyle.

Technical Specs

Duration
1h 6m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
5,914ft

Articles

The Chance of a Lifetime


Future horror film producer and showman extraordinaire William Castle worked hard at Columbia to establish his directing credentials. His first feature film outing The Chance of a Lifetime (1943) is the sixth of fourteen Boston Blackie comedy-thrillers starring Chester Morris released between 1941 and 1949. An ex-crook turned sleuth, Horatio Black or Boston Blackie, repeatedly finds himself forced to solve crimes while on the run from the foolish police inspector, John Farraday (Richard Lane).

In this patriotic wartime episode, Blackie and his millionaire industrialist buddy Arthur (Lloyd Corrigan) are arranging for the early release of convicted felons to alleviate the manpower shortage in defense plants. When one of his parolees is suspected of a murder, Blackie frames himself to protect the parole work program. With his resourceful sidekick 'The Runt' (George E. Stone) Blackie leads the cops on a merry chase.

Reviewers noted Castle's creative direction and praised the picture's emphasis on comedy set pieces. Blackie and The Runt going in drag as washerwomen, and finding a clever way to escape from a room with no exit. Variety expressed its approval: "A tug of war in a dumbwaiter in which Morris and Stone are caught while escaping police is a piperoo." With his good looks and flair for smart dialogue, Chester Morris made Boston Blackie a twice-a-year habit for moviegoers, before TV co-opted serialized entertainment.

By Glenn Erickson
The Chance Of A Lifetime

The Chance of a Lifetime

Future horror film producer and showman extraordinaire William Castle worked hard at Columbia to establish his directing credentials. His first feature film outing The Chance of a Lifetime (1943) is the sixth of fourteen Boston Blackie comedy-thrillers starring Chester Morris released between 1941 and 1949. An ex-crook turned sleuth, Horatio Black or Boston Blackie, repeatedly finds himself forced to solve crimes while on the run from the foolish police inspector, John Farraday (Richard Lane). In this patriotic wartime episode, Blackie and his millionaire industrialist buddy Arthur (Lloyd Corrigan) are arranging for the early release of convicted felons to alleviate the manpower shortage in defense plants. When one of his parolees is suspected of a murder, Blackie frames himself to protect the parole work program. With his resourceful sidekick 'The Runt' (George E. Stone) Blackie leads the cops on a merry chase. Reviewers noted Castle's creative direction and praised the picture's emphasis on comedy set pieces. Blackie and The Runt going in drag as washerwomen, and finding a clever way to escape from a room with no exit. Variety expressed its approval: "A tug of war in a dumbwaiter in which Morris and Stone are caught while escaping police is a piperoo." With his good looks and flair for smart dialogue, Chester Morris made Boston Blackie a twice-a-year habit for moviegoers, before TV co-opted serialized entertainment. By Glenn Erickson

Quotes

Trivia

Notes

The working title of this film was The Gamble of Boston Blackie. In the onscreen credits, makeup artist H. Clay Campbell was listed as "S. Clay Campbell." This picture marked William Castle's directoral debut and the screen debut of Jeanne Bates. According to materials contained in NARS, the Los Angeles Board of Review disapproved this picture for export because of its depiction of the police as ineffectual and the many lawless activities contained in the film. For additional information on the Boston Blackie series, please consult the Series Index and see the entry below for Meet Boston Blackie.