Brubaker
Brief Synopsis
A new prison warden takes on corruption that has spread to the state government.
Cast & Crew
Read More
Stuart Rosenberg
Director
J C Quinn
Joe Spinell
Alex Brown
Richard Ward
David Keith
Film Details
MPAA Rating
Genre
Crime
Drama
Prison
Release Date
1980
Technical Specs
Duration
2h 10m
Synopsis
A warden arrives disguised as an inmate to see first-hand what life is like inside. He implements a series of sweeping reforms that have him marked for danger with guards and local business owners that liked things the way they were.
Director
Stuart Rosenberg
Director
Cast
J C Quinn
Joe Spinell
Alex Brown
Richard Ward
David Keith
Morgan Freeman
Robert Redford
Richard L Denny
William Newman
Matt Clark
Roy Poole
Jon Van Ness
Val Avery
Ritch Brinkley
Ivy Featherstone
Young Hwa Han
Jane Alexander
John Glover
Vic Polizos
Jerry Mayer
James Dukas
Jane Cecil
J K Mahle
Ebbe Roe Smith
Greg Martin
Robert Garrison
Hazen Gifford
Linda Milligan
Don Blakely
Jack O'leary
Everett Mcgill
James Keane
James E Fraunfelter
Bill Mcnulty
Noble Willingham
Wilford Brimley
Kent Broadhurst
Philip E Combs
Yaphet Kotto
Tim Mcintire
Elane Rower Richardson
David Harris
David E Williams
Michael Holiday
Lee Richardson
Nathan George
Albert Salmi
E J Pearcy
Ron Frazier
John Chappell
Vivian P Bass
John Mcmartin
Brent Jennings
Linda Haynes
Harry Groener
Konrad Sheehan
M. Emmet Walsh
Murray Hamilton
Crew
Jon Andersen
Assistant Director
Enrique Bravo
Camera Operator
Tom Bronson
Costumes
Robert Brown
Editor
D Scott Easton
Assistant Director
Zoltan Elek
Makeup
Chip Fowler
Production Coordinator
John Franco
Set Decorator
Mary Gaffney
Casting
Mickey Gilbert
Stunt Coordinator
William Hartman
Sound Effects Editor
Jack Hayes
Original Music
Gretchen Higgins
Casting
Rick Horwitch
Assistant
Joe Hyams
Book As Source Material
David M Ice
Sound Effects Editor
Michael Jablow
Assistant Editor
Harry Kohoyda
Production Accountant
Kenny Lee
Wrangler
Gary Liddiard
Makeup
Ted Mann
Executive Producer
Godfrey Marks
Dialogue Editor
Mike Moschella
Makeup
Thomas O Murton
Technical Advisor
Thomas O Murton
Book As Source Material
Willie Navarro
Assistant Editor
Helen Taini Nayfack
Assistant
Louis Noto
Camera Assistant
Bruno Nuytten
Director Of Photography
Marina Pedraza
Hair
Joseph Pender
Gaffer
Julie Pitkanen
Script Supervisor
Bernie Pollack
Costumes
Robert H Raff
Music Editor
W.d. Richter
From Story
W.d. Richter
Screenplay
J. Michael Riva
Art Director
Robert Rooy
Assistant Director
Arthur A. Ross
From Story
Vincent Saizis
Photography
Lalo Schifrin
Music
Pamela Sharp
Assistant Editor
Ron Silverman
Producer
Theodore Soderberg
Sound
Richard Sperber
Sound Effects Editor
Aida Swenson
Costumes
Garrison True
Casting
Gordon Webb
Unit Production Manager
Gordon Webb
Associate Producer
Paul Wells
Sound
Stephen Wever
Photography
Charles Wilborn
Sound
Douglas O. Williams
Sound
Doug Willis
Key Grip
Al Wright
Special Effects
Hendrik Wynands
Construction Coordinator
John Zemansky
Property Master
Videos
Movie Clip
Film Details
MPAA Rating
Genre
Crime
Drama
Prison
Release Date
1980
Technical Specs
Duration
2h 10m
Award Nominations
Best Original Screenplay
1980
Articles
Brubaker
When Brubaker assumes his official role he finds that the prisoners are as hostile to his reforms as the guards and the local fat cats. The reform effort then becomes a nightmare when Brubaker hears about unexplained mass burials out on the prison property. Robert Redford's nervous underplaying serves to heighten the suspense. The supporting cast is a veritable dream team: Yaphet Kotto, Morgan Freeman, Murray Hamilton, David Keith, Matt Clark, M. Emmet Walsh, Albert Salmi, Everett McGill, Val Avery, Joe Spinell, John McMartin and Wilford Brimley. The only element lacking is romance, as almost the only woman character is a governor's assistant played by Jane Alexander. Director Stuart Rosenberg had already enjoyed one hit with a prison movie, 1967's Cool Hand Luke. The Hollywood trade papers compared Brubaker to the recent 'issue' films Norma Rae and The China Syndrome (both 1979) and predicted that the film wouldn't do well. The grim story instead proved a substantial hit, bringing in a healthy $19 million dollars. The film took up residence on the editorial pages, where pundits asked if the public really cared about prison reform, and debated whether exposé films had any real positive effect on social issues.
By Glenn Erickson
Brubaker
Warner Bros. made film history back in 1932 with I Am a Fugitive from a Chain Gang, an angry protest film about prison corruption during the Great Depression. But in later years, political outrage films were often dismissed as propaganda. A project to film an exposé of the Arkansas prison reformer Tom Murton was tossed around Hollywood for a decade before finally being filmed as Brubaker (1980), starring Robert Redford. The screenplay by W.D. Richter adds new twists to the old story of corruption. To get to the bottom of ugly rumors at a rural prison, the new warden Brubaker (Redford) first appears in disguise as a normal prisoner. He's horrified by the corruption he discovers. Prison authorities are selling paroles, collecting premiums on non-existent heavy equipment, and stealing the prisoners' food to be sold elsewhere. The prison doctor treats only those prisoners that can pay.
When Brubaker assumes his official role he finds that the prisoners are as hostile to his reforms as the guards and the local fat cats. The reform effort then becomes a nightmare when Brubaker hears about unexplained mass burials out on the prison property. Robert Redford's nervous underplaying serves to heighten the suspense. The supporting cast is a veritable dream team: Yaphet Kotto, Morgan Freeman, Murray Hamilton, David Keith, Matt Clark, M. Emmet Walsh, Albert Salmi, Everett McGill, Val Avery, Joe Spinell, John McMartin and Wilford Brimley. The only element lacking is romance, as almost the only woman character is a governor's assistant played by Jane Alexander. Director Stuart Rosenberg had already enjoyed one hit with a prison movie, 1967's Cool Hand Luke. The Hollywood trade papers compared Brubaker to the recent 'issue' films Norma Rae and The China Syndrome (both 1979) and predicted that the film wouldn't do well. The grim story instead proved a substantial hit, bringing in a healthy $19 million dollars. The film took up residence on the editorial pages, where pundits asked if the public really cared about prison reform, and debated whether exposé films had any real positive effect on social issues.
By Glenn Erickson
Noble Willingham (1931-2004)
Born on August 31, 1931 in Mineola, Texas, Willingham was educated at North Texas State University where he earned a degree in Economics. He later taught government and economics at a high school in Houston, leaving his life-long dreams of becoming an actor on hold until the opportunity presented itself. Such an opportunity happened when in late 1970, Peter Bogdonovich was doing some on-location shooting in south Texas for The Last Picture Show (1971); at the urging of some friends, he audition and won a small role in the picture. From there, Willingham slowly began to find work in some prominent films, including Bogdonovich's Paper Moon (1973), and Roman Polanski's Chinatown (1974). Around this time, Willingham kept busy with many guest appearances on a variety of popular shows: Bonanza, Gunsmoke, The Waltons, The Mary Tyler Moore Show, The Rockford Files and several others.
Critics didn't take notice of his acting abilities until he landed the role of Leroy Mason, the soulless plant manager who stares down Sally Field in Norma Rae (1979). Few could forget him screaming at her, "Lady, I want you off the premises now!" with unapologetic malice. It may have not been a likable character, but after this stint, better roles came along, most notably the corrupt Dr. Fenster in Robert Redford's prison drama Brubaker (1980); and the evil sheriff in the thriller The Howling (1981).
By the late '80s, Willingham was an in-demand character actor, and he scored in three hit films: a border patrol sergeant - a great straight man to Cheech Marin - in the ethnic comedy Born in East L.A.; his wonderfully avuncular performance as General Taylor, the military brass who was sympathetic to an unorthodox disc jockey in Saigon, played by Robin Williams in Good Morning, Vietnam (both 1987); and his good 'ole boy villainy in the Rutger Hauer action flick Blind Fury (1988). His performances in these films proved that if nothing else, Willingham was a solid backup player who was adept at both comedy and drama.
His best remembered role will no doubt be his six year run as the genial barkeep C.D. Parker opposite Chuck Norris in the popular adventure series Walker, Texas Ranger (1993-99). However, film reviewers raved over his tortured performance as a foul-mouthed, bigoted boat salesman who suffers a traffic downfall in the little seen, but searing indie drama The Corndog Man (1998); the role earned Willingham a nomination for Best Actor at the Independent Spirit Awards and it showed that this ably supporting performer had enough charisma and talent to hold his own in a lead role.
In 2000, Willingham tried his hand at politics when he unsuccessfully tried to unseat Democrat Max Dandlin in a congressional campaign in east Texas. After the experience, Willingham returned to acting filming Blind Horizon with Val Kilmer in 2003. The movie is to be released later this year. Willingham is survived by his wife, Patti Ross Willingham; a son, John Ross McGlohen; two daughters, Stari Willingham and Meghan McGlohen; and a grandson.
by Michael T. Toole
Noble Willingham (1931-2004)
Noble Willingham, the gruffly voiced character actor best known for his role as saloon owner C.D. Parker on Chuck Norris' long-running series Walker, Texas Ranger, died of natural causes on January 17th at his Palm Springs home. He was 72.
Born on August 31, 1931 in Mineola, Texas, Willingham was educated at North Texas State University where he earned a degree in Economics. He later taught government and economics at a high school in Houston, leaving his life-long dreams of becoming an actor on hold until the opportunity presented itself. Such an opportunity happened when in late 1970, Peter Bogdonovich was doing some on-location shooting in south Texas for The Last Picture Show (1971); at the urging of some friends, he audition and won a small role in the picture. From there, Willingham slowly began to find work in some prominent films, including Bogdonovich's Paper Moon (1973), and Roman Polanski's Chinatown (1974). Around this time, Willingham kept busy with many guest appearances on a variety of popular shows: Bonanza, Gunsmoke, The Waltons, The Mary Tyler Moore Show, The Rockford Files and several others.
Critics didn't take notice of his acting abilities until he landed the role of Leroy Mason, the soulless plant manager who stares down Sally Field in Norma Rae (1979). Few could forget him screaming at her, "Lady, I want you off the premises now!" with unapologetic malice. It may have not been a likable character, but after this stint, better roles came along, most notably the corrupt Dr. Fenster in Robert Redford's prison drama Brubaker (1980); and the evil sheriff in the thriller The Howling (1981).
By the late '80s, Willingham was an in-demand character actor, and he scored in three hit films: a border patrol sergeant - a great straight man to Cheech Marin - in the ethnic comedy Born in East L.A.; his wonderfully avuncular performance as General Taylor, the military brass who was sympathetic to an unorthodox disc jockey in Saigon, played by Robin Williams in Good Morning, Vietnam (both 1987); and his good 'ole boy villainy in the Rutger Hauer action flick Blind Fury (1988). His performances in these films proved that if nothing else, Willingham was a solid backup player who was adept at both comedy and drama.
His best remembered role will no doubt be his six year run as the genial barkeep C.D. Parker opposite Chuck Norris in the popular adventure series Walker, Texas Ranger (1993-99). However, film reviewers raved over his tortured performance as a foul-mouthed, bigoted boat salesman who suffers a traffic downfall in the little seen, but searing indie drama The Corndog Man (1998); the role earned Willingham a nomination for Best Actor at the Independent Spirit Awards and it showed that this ably supporting performer had enough charisma and talent to hold his own in a lead role.
In 2000, Willingham tried his hand at politics when he unsuccessfully tried to unseat Democrat Max Dandlin in a congressional campaign in east Texas. After the experience, Willingham returned to acting filming Blind Horizon with Val Kilmer in 2003. The movie is to be released later this year. Willingham is survived by his wife, Patti Ross Willingham; a son, John Ross McGlohen; two daughters, Stari Willingham and Meghan McGlohen; and a grandson.
by Michael T. Toole
Quotes
Trivia
Miscellaneous Notes
Released in United States June 1980
Released in United States Summer June 20, 1980
Released in United States June 1980
Released in United States Summer June 20, 1980