Bleeding Hearts


1h 32m 1994

Brief Synopsis

An interracial love story about a 30-year-old white radical and a black high school student.

Film Details

Genre
Drama
Romance
Release Date
1994
Production Company
Great Northern/ Reiff & Associates; Great Northern/ Reiff & Associates (Ny); New York City Mayor's Office of Film, Theatre and Broadcasting; New York City Police Department Movie And Tv Unit; New York City Transit Authority; Nike; Sound One; The Effects House
Location
Brooklyn, New York, USA; Queens, New York, USA; New York City, New York, USA

Technical Specs

Duration
1h 32m

Synopsis

An interracial love story about a 30-year-old white radical and a black high school student.

Crew

Evan Aaron

Associate Producer

Dan Appel

On-Set Dresser

Jack Appel

Thanks (Aire)

John Auleta

Driver

Ben Barenholtz

Executive Producer

Pam Bishop

Thanks

Paul Bolles

Bestboy Electric

Paul Bolles

Best Boy

David Boulton

Adr Mixer

Jaki Brown-karman

Casting

Allison Burnett

Screenwriter

Patrick Cady

Electrician

Nancy Cannava

Assistant (To Producers)

David Carbonara

Music Editor

Michea Caye

Assistant Auditor

Stanley Clarke

Music

Teofilo Colon

Office Intern

John Creech

Construction Coordinator

Colin Cumberbatch

Pre-Production Coordinator

Romolo Del Deo

Dresser

Marie Del Prete

Assistant Makeup

Nancy Deren

Production Designer

Bruno Derlin

Driver

Carolyn Desousa

Script Supervisor

John Dianda

Key Grip

John Dumblis

Thanks

Rosa Duque

Design Assistant/Art Production Assistant

Adine Duron

Extras Casting

Rachel Elkind

Electrician

Marcy Engelman

Unit Publicist (Rogers & Cowan)

Soyini Epps

Karen Kirkland'S Hair Designer

Rodney Evans

Dresser

Cristina Farbaneic

Extras Casting Intern

John B Farrell

Construction Coordinator

John Farrell

Construction Coordinator

Robin Feniger

Craft Service

Thelma Louise Fernandes

Office Intern

Joan Franklin

Assistant Adr Editor

Ian Galloway

Thanks (Gable Watkins & Taylor)

Valerie Gladstone

Costume Designer

Judy Gorjanc

2nd Assistant Director

Carlos Gutierrez

Carpenter

Karman Hardin

Casting

Kimberly Hardin

Casting

Joe Hawkins

Honeywagon Driver

Shannon Hawkins

Set Production Assistant

Melissa Heher

Thanks (D I Clark Company)

Bernd Heinl

Director Of Photography

Jerry Herman

Musical Production ("Milk & Honey")

Brock Houghton

Assistant Property Master

Ray Hubley

Editor

Tony Hurst

Grip

Jerry Jack

Stills

Mark Evan Jacobs

Producer

Lisa Janowski

Key Set Production Assistant

Carlos Jimenez

Dresser

Eddie Joe

Other

Ashley Johnson

Set Production Assistant

Saidah Ben Judah

Wardrobe Production Assistant

Jean Kalanzi

Casting Assistant

Dianne Kalemkeris

Other

Ron Kastner

Producer

Wendy Kaufman

Thanks (Snapple Beverages)

Eddee Kolos

Location Manager

Dan Korintus

Sound Editor

Tim Lally

Thanks

Tom Leavey

Transportation Captain

Hal Levinsohn

Supervising Sound Editor

Andrew Loo

Production Manager

Colt Luse

Thanks (Baldoni Entertainment Inc)

Gerard Macmillan

Carpenter

M. J. Magbanua

Assistant Production Office Coordinator

Milton Maldonado

Thanks

Laura Mcallister

Other

Kathleen Mcauley

Assistant (To Gregory Hines)

Margaret Mccourt

Auditor

Jonah Meyers

Other

Tom Miele

Driver

Stan Milander

Thanks

Debbie Miller

Thanks (New York City Housing Authority)

Shalonda Miller

Office Intern

James Moutsatsos

Other

Bill Nisselson

Thanks (Sound One Corporation)

Walter Nixon

Craft Service

Angela Nogaro

Makeup Artist

Stefanie Novik

Thanks

Tom O'donnell

Thanks

Bitty O'sullivan-smith

Sound Editor

Robert Omer

Grip

Daniel Pagan

Apprentice

Daniel Pagan

Apprentice Sound Editor

Beverly Parks

Wardrobe Supervisor

Tom Paul

Sound Mixer

Luiso Perez

Bestboy Grip

Marko Peric

Driver

Karen Perry

Costume Design

Todd R Pfeiffer

1st Assistant Director

Thomas Potoskie

Grip

Bruce Roberts

Other

Kelly Robinson

Other

Kathryn Rogers

Thanks (Aim Promotions)

Rowena Rowling

Additional Production Designer

Holly Rymon

Office Assistant

Jack Saad-robinson

Set Designer

Fran Saperstein

Thanks

Tswana Saunders

Driver

Liz Schenck

Assistant Editor

Eric L Schmidt

Gaffer

Doreen Schultz

Hair Stylist

Misako Shimizu

Apprentice Editor

Greg Smith

2nd Assistant Camera

Kira Smith

Boom Operator

Alan Suna

Thanks

Ellen Sussdorf

Assistant Art Director

Lemore Syvan

Post-Production Supervisor

Stacey Tanner

Set Decorator

Ron Van Clief

Set Security

Joe Violante

Thanks (Technicolor)

Jonathan Wade

Storyboard Artist

Peter Wagoner

Rerecording Mixer

Harvey Waldman

Co-Producer

Kim Walker

Other

Thane C Watkins

Other

Mark Weingarten

Sound Mixer

John Weiss

Camera Loader

Wendy Werner

Set Production Assistant

William G Wheeler

Assistant Location Manager

Tom Whelan

Location Assistant

Paul Whiting

Other

Lowell Williams

Thanks

Linda Wilson

2nd Assistant Director

Michael P Wilson

Extras Casting Intern

Harriet Fidlow Winn

Adr Editor

Michael Zadrosny

Property Master

Michael Zieper

Production Coordinator

Film Details

Genre
Drama
Romance
Release Date
1994
Production Company
Great Northern/ Reiff & Associates; Great Northern/ Reiff & Associates (Ny); New York City Mayor's Office of Film, Theatre and Broadcasting; New York City Police Department Movie And Tv Unit; New York City Transit Authority; Nike; Sound One; The Effects House
Location
Brooklyn, New York, USA; Queens, New York, USA; New York City, New York, USA

Technical Specs

Duration
1h 32m

Articles

Gregory Hines, 1946-2003


Gregory Hines, the lithe, elegant entertainer who trilled audiences on stage, film and television, died of cancer on August 9 in Los Angeles. He was 57.

Born Gregory Oliver Hines on February 14, 1946, in New York City, he began taking dance lessons at age three and by the time he was six he and his brother Maurice were performing jazz tap at Harlem's Apollo Theater. By 1954, Hines was already on Broadway when he joined the cast of the Broadway musical The Girl in Pink Tights. He then spent the next 20 years perfecting the craft and art of tap dancing as he toured with his brother and father Maurice Sr. in a nightclub circuit act called "Hines, Hines and Dad", before he left in 1973 to form a rock band called Severance in Southern California.

Itching to put his dancing shoes on again, Hines made it back to New York a few years later and in 1978, scored his first Broadway success with Eubie, and earned a Tony nomination. With his vitality, charm and grace, Hines became one of the leading lights on Broadway for the next few years, as exemplified by two more Broadway hits in Comin' Uptown (1980) and Sophisticated Ladies (1981), for which he received two more Tony nominations for his performances.

His charismatic presence made him natural for films, and he notched his first film role as a last minute replacement for Richard Pryor in Mel Brooks' History of the World, Part I (1981), where he immediately displayed his sharp comic abilities. Other solid roles followed over the next decade: an unorthodox coroner in Michael Wadleigh's urban thriller Wolfen (1981); a nightclub dancer in Francis Ford Coppola's The Cotton Club (1984); an American defector to the Soviet Union in Taylor Hackford's overheated melodrama White Nights (1985); a wise-cracking cop in Peter Hyam's Running Scared (1986), and as the fast-talking con artist Goldy in Bill Duke's underrated A Rage in Harlem (1991).

He returned to Broadway in 1992 for his biggest triumph, a portrayal of Jelly Roll Morton, the famed jazz composer, in Jelly's Last Jam and earned a Tony Award in the process. A few more film appearances came in the '90's, most memorably in Forest Whitaker's Waiting to Exhale (1995), but Hines found a new lease on his career when he appeared on the small screen. He played a single father in a fine, if short-lived sitcom The Gregory Hines Show (1997-98); was popular as Ben Doucette, a love interest for Grace in the hugely popular show Will & Grace for two seasons (1999-2001); and received strong critical notice for his moving take as Bill "Bojangles" Robinson in the television film Bojangles (2001) that he also produced. His last televised appearance was in June 2002, when he co-hosted the Tony Awards with Bernadette Peters. In addition to his father and brother, he is survived by his fiancee Negrita Jayde; a daughter, Daria Hines; a son, Zach; a stepdaughter, Jessica Koslow; and a grandson.

by Michael T. Toole
Gregory Hines, 1946-2003

Gregory Hines, 1946-2003

Gregory Hines, the lithe, elegant entertainer who trilled audiences on stage, film and television, died of cancer on August 9 in Los Angeles. He was 57. Born Gregory Oliver Hines on February 14, 1946, in New York City, he began taking dance lessons at age three and by the time he was six he and his brother Maurice were performing jazz tap at Harlem's Apollo Theater. By 1954, Hines was already on Broadway when he joined the cast of the Broadway musical The Girl in Pink Tights. He then spent the next 20 years perfecting the craft and art of tap dancing as he toured with his brother and father Maurice Sr. in a nightclub circuit act called "Hines, Hines and Dad", before he left in 1973 to form a rock band called Severance in Southern California. Itching to put his dancing shoes on again, Hines made it back to New York a few years later and in 1978, scored his first Broadway success with Eubie, and earned a Tony nomination. With his vitality, charm and grace, Hines became one of the leading lights on Broadway for the next few years, as exemplified by two more Broadway hits in Comin' Uptown (1980) and Sophisticated Ladies (1981), for which he received two more Tony nominations for his performances. His charismatic presence made him natural for films, and he notched his first film role as a last minute replacement for Richard Pryor in Mel Brooks' History of the World, Part I (1981), where he immediately displayed his sharp comic abilities. Other solid roles followed over the next decade: an unorthodox coroner in Michael Wadleigh's urban thriller Wolfen (1981); a nightclub dancer in Francis Ford Coppola's The Cotton Club (1984); an American defector to the Soviet Union in Taylor Hackford's overheated melodrama White Nights (1985); a wise-cracking cop in Peter Hyam's Running Scared (1986), and as the fast-talking con artist Goldy in Bill Duke's underrated A Rage in Harlem (1991). He returned to Broadway in 1992 for his biggest triumph, a portrayal of Jelly Roll Morton, the famed jazz composer, in Jelly's Last Jam and earned a Tony Award in the process. A few more film appearances came in the '90's, most memorably in Forest Whitaker's Waiting to Exhale (1995), but Hines found a new lease on his career when he appeared on the small screen. He played a single father in a fine, if short-lived sitcom The Gregory Hines Show (1997-98); was popular as Ben Doucette, a love interest for Grace in the hugely popular show Will & Grace for two seasons (1999-2001); and received strong critical notice for his moving take as Bill "Bojangles" Robinson in the television film Bojangles (2001) that he also produced. His last televised appearance was in June 2002, when he co-hosted the Tony Awards with Bernadette Peters. In addition to his father and brother, he is survived by his fiancee Negrita Jayde; a daughter, Daria Hines; a son, Zach; a stepdaughter, Jessica Koslow; and a grandson. by Michael T. Toole

Quotes

Trivia

Miscellaneous Notes

Released in United States Winter January 1, 1996

Released in United States May 1994

Released in United States October 1994

Released in United States 1995

Released in United States 1996

Shown at Cannes Film Festival (market) May 12-23, 1994.

Shown at Hamptons International Film Festival October 19-23, 1994.

Shown at Seattle International Film Festival May 18 - June 11, 1995.

Shown at Contemporary African Diaspora Film Festival in New York city November 29 - December 15, 1996.

Feature directorial debut for Tony Award-winning actor-dancer Gregory Hines.

Released in United States Winter January 1, 1996

Began shooting July 22, 1993.

Released in United States May 1994 (Shown at Cannes Film Festival (market) May 12-23, 1994.)

Completed shooting August 27, 1993.

Released in United States October 1994 (Shown at Hamptons International Film Festival October 19-23, 1994.)

Released in United States 1995 (Shown at Seattle International Film Festival May 18 - June 11, 1995.)

Released in United States 1996 (Shown at Contemporary African Diaspora Film Festival in New York city November 29 - December 15, 1996.)