Word Is Out: Stories of Some of Our Lives


2h 10m 1977
Word Is Out: Stories of Some of Our Lives

Brief Synopsis

The stories of 26 gay men and lesbians create a mosaic of gay life in the U.S.

Film Details

Genre
Documentary
Interview
Release Date
1977
Location
Mexico; San Francisco, California, USA; Boston, Massachusetts, USA

Technical Specs

Duration
2h 10m

Synopsis

From Women's Army Corps barracks to corporate bedrooms, this landmark documentary explores the lives and loves of 28 Americans. Ranging from 18 to 77 and spanning the nation from Alberquerque to Iowa, they speak candidly and with refreshing humor about being gay.

Film Details

Genre
Documentary
Interview
Release Date
1977
Location
Mexico; San Francisco, California, USA; Boston, Massachusetts, USA

Technical Specs

Duration
2h 10m

Articles

Word is Out: Stories of Some of Our Lives - Word is Out


"We have been made invisible because the word might get out that women can love each other and the word might get out that men can love each other."
- Activist Sally Gearhart in Word Is Out

How many films have actually saved lives? This 1977 documentary did. Subtitled Stories from Some of Our Lives, Word Is Out was the first feature-length documentary about gay men and lesbians filmed from their own perspective. This mosaic of 26 interviews was created by gay filmmakers, led by visionary director Peter Adair, to capture a picture of life before and immediately after the birth of the gay liberation movement in 1968. Within months of its debut, thousands of gay men and lesbians had written to the Mariposa Film Group to thank them for making the picture and, in some cases, credit the film with saving their lives simply by showing positive images in stark contrast to the stereotypes then prevalent in popular entertainment.

In all, Adair devoted five years of his life to the film, working with five co-producers to assemble 250 interviews. Eventually, they narrowed the focus to 26 people, ranging in age from 18 to 77, from housewives and drag queens to poets and political activists. Among the subjects are pioneering activist Harry Hay, the co-founder of both the Mattachine Society and the Radical Faeries, poet Elsa Gidlow, inventor John Burnside, avant-garde filmmaker Nathaniel Dorsky, activist Sally Gearhart and Star Trek writer David Gillon ("The Trouble with Tribbles"). Getting the stories to come together was a major undertaking. Over the course of two years, the production team edited each interview into a mini-film of its own, then interwove them to create a tapestry of gay and lesbian life in America.

The idea originated with Adair, a documentary filmmaker grappling with his own coming out issues. He brought in his sister, Nancy, who had no previous film experience, to tape interviews with lesbians for use in a fundraising reel that eventually brought in $30,000. With that money in place, they approached sound editor Veronica Selver, who had just finished work on One Flew Over the Cuckoo's Nest (1975). An ad for a production assistant -- "No experience necessary, just insane dedication and a cooperative spirit" -- brought in schoolteacher Andrew Brown and college dropout Rob Epstein. The fact that all of them were gay created a bond reinforced by Adair's openness to everyone's suggestions and contributions.

Once they had completed the first eight interviews, shot in the San Francisco area, the team assembled a three-hour cut and set up community screenings to raise more money and elicit feedback. These inspired the filmmakers to broaden their scope to create a true picture of gay life around the nation. They also brought a new member to the team, editor Lucy Massie Phenix, who joined up after seeing the three-hour cut. At that point, Nancy Adair, Selver, Brown and Epstein set out to find interview subjects around the U.S. while Peter Adair and Phenix stayed in San Francisco to raise money. After two months, they reassembled for a two-week retreat in Cape Cod, where they realized the production group had become more of a collective than the typical hierarchical filmmaking structure. At the retreat they also identified the remaining interview subjects and determined who would conduct each of the new interviews.

Word Is Out premiered at the Castro Theatre in the heart of San Francisco's gay district and was greeted with glowing reviews. The Los Angeles Times hailed it as a "landmark," while Judith Crist in TV Guide cited its humanity and compassion. Coming as Anita Bryant and other conservative figures were launching the backlash against the gay rights movement, the film was viewed as a major breakthrough. Vito Russo, author of the seminal study of gays and lesbians in the media, The Celluloid Closet, summed up the community response when he wrote in The Advocate "The silence of gay people on the screen has been broken."

Success followed for the film's creators. Adair continued working in film, most notably on the documentary Absolutely Positive (1991), a look at 11 men and women living with HIV. The disease claimed his life in 1996. His sister, Nancy, produced the book version of Word Is Out with their mother, Casey. Epstein continues to produce acclaimed documentaries, winning Oscars® for The Times of Harvey Milk (1984) and Common Threads: Stories from the Quilt (1989), while Phenix has worked on such popular documentaries as The Life and Times of Rosie the Riveter (1980) and Regret to Inform (1998).

Word Is Out also produced a breakout star. Most reviews said Pat Bond, a San Francisco actress, stole the film with her humorous and poignant stories of life in the military during and after World War II, when the Army set out to purge lesbians from its ranks (she avoided a dishonorable discharge by marrying a gay soldier). Her popularity in the film led to renewed interest in her acting, and she toured the nation in a series of one-woman shows, including Conversations with Pat Bond, an evening of reminiscences, and Gerty Gerty Gerty Stein Is Back Back Back, a tribute to Gertrude Stein that was eventually broadcast over PBS stations. Bond also appeared in a handful of movies and TV shows, including a memorable guest spot on Designing Women as Julia Sugarbaker's favorite schoolteacher. After her passing in 1990, her friends established The Pat Bond Memorial Old Dyke Award, given annually to honor notable Bay Area lesbians over 60.

In 2008, Word Is Out's legacy was renewed with the release of a 35mm restoration made from the original 16mm color negatives and audio recordings under the auspices of the UCLA Film & Television Archive and Outfest Legacy Project for LGBT Film Preservation. The new version premiered at the Castro as part of the Frameline Film Festival and has played around the country to renewed appreciation. When the restoration premiered in New York, Village Voice critic Melissa Anderson called it "a revelation 32 years ago and still enormously powerful today...."

Producer: Peter Adair, Nancy Adair, Andrew Brown, Rob Epstein, Lucy Massie Phenix, Veronica Selver
Director: Nancy Adair, Peter Adair, Rob Epstein, Andrew Brown, Veronica Selver, Lucy Massie Phenix
Cinematography: Peter Adair, Nancy Adair, Andrew Brown, Rob Epstein, Lucy Massie Phenix, Veronica Selver
Music: Trish Nugent
Cast: Harry Hay, Elsa Gidlow, Sally M. Gearhart, John Burnside, Nathanial Dorsky, Pat Bond, George Mendenhall, David Gillon.
C-133m.

by Frank Miller
Word Is Out: Stories Of Some Of Our Lives - Word Is Out

Word is Out: Stories of Some of Our Lives - Word is Out

"We have been made invisible because the word might get out that women can love each other and the word might get out that men can love each other." - Activist Sally Gearhart in Word Is Out How many films have actually saved lives? This 1977 documentary did. Subtitled Stories from Some of Our Lives, Word Is Out was the first feature-length documentary about gay men and lesbians filmed from their own perspective. This mosaic of 26 interviews was created by gay filmmakers, led by visionary director Peter Adair, to capture a picture of life before and immediately after the birth of the gay liberation movement in 1968. Within months of its debut, thousands of gay men and lesbians had written to the Mariposa Film Group to thank them for making the picture and, in some cases, credit the film with saving their lives simply by showing positive images in stark contrast to the stereotypes then prevalent in popular entertainment. In all, Adair devoted five years of his life to the film, working with five co-producers to assemble 250 interviews. Eventually, they narrowed the focus to 26 people, ranging in age from 18 to 77, from housewives and drag queens to poets and political activists. Among the subjects are pioneering activist Harry Hay, the co-founder of both the Mattachine Society and the Radical Faeries, poet Elsa Gidlow, inventor John Burnside, avant-garde filmmaker Nathaniel Dorsky, activist Sally Gearhart and Star Trek writer David Gillon ("The Trouble with Tribbles"). Getting the stories to come together was a major undertaking. Over the course of two years, the production team edited each interview into a mini-film of its own, then interwove them to create a tapestry of gay and lesbian life in America. The idea originated with Adair, a documentary filmmaker grappling with his own coming out issues. He brought in his sister, Nancy, who had no previous film experience, to tape interviews with lesbians for use in a fundraising reel that eventually brought in $30,000. With that money in place, they approached sound editor Veronica Selver, who had just finished work on One Flew Over the Cuckoo's Nest (1975). An ad for a production assistant -- "No experience necessary, just insane dedication and a cooperative spirit" -- brought in schoolteacher Andrew Brown and college dropout Rob Epstein. The fact that all of them were gay created a bond reinforced by Adair's openness to everyone's suggestions and contributions. Once they had completed the first eight interviews, shot in the San Francisco area, the team assembled a three-hour cut and set up community screenings to raise more money and elicit feedback. These inspired the filmmakers to broaden their scope to create a true picture of gay life around the nation. They also brought a new member to the team, editor Lucy Massie Phenix, who joined up after seeing the three-hour cut. At that point, Nancy Adair, Selver, Brown and Epstein set out to find interview subjects around the U.S. while Peter Adair and Phenix stayed in San Francisco to raise money. After two months, they reassembled for a two-week retreat in Cape Cod, where they realized the production group had become more of a collective than the typical hierarchical filmmaking structure. At the retreat they also identified the remaining interview subjects and determined who would conduct each of the new interviews. Word Is Out premiered at the Castro Theatre in the heart of San Francisco's gay district and was greeted with glowing reviews. The Los Angeles Times hailed it as a "landmark," while Judith Crist in TV Guide cited its humanity and compassion. Coming as Anita Bryant and other conservative figures were launching the backlash against the gay rights movement, the film was viewed as a major breakthrough. Vito Russo, author of the seminal study of gays and lesbians in the media, The Celluloid Closet, summed up the community response when he wrote in The Advocate "The silence of gay people on the screen has been broken." Success followed for the film's creators. Adair continued working in film, most notably on the documentary Absolutely Positive (1991), a look at 11 men and women living with HIV. The disease claimed his life in 1996. His sister, Nancy, produced the book version of Word Is Out with their mother, Casey. Epstein continues to produce acclaimed documentaries, winning Oscars® for The Times of Harvey Milk (1984) and Common Threads: Stories from the Quilt (1989), while Phenix has worked on such popular documentaries as The Life and Times of Rosie the Riveter (1980) and Regret to Inform (1998). Word Is Out also produced a breakout star. Most reviews said Pat Bond, a San Francisco actress, stole the film with her humorous and poignant stories of life in the military during and after World War II, when the Army set out to purge lesbians from its ranks (she avoided a dishonorable discharge by marrying a gay soldier). Her popularity in the film led to renewed interest in her acting, and she toured the nation in a series of one-woman shows, including Conversations with Pat Bond, an evening of reminiscences, and Gerty Gerty Gerty Stein Is Back Back Back, a tribute to Gertrude Stein that was eventually broadcast over PBS stations. Bond also appeared in a handful of movies and TV shows, including a memorable guest spot on Designing Women as Julia Sugarbaker's favorite schoolteacher. After her passing in 1990, her friends established The Pat Bond Memorial Old Dyke Award, given annually to honor notable Bay Area lesbians over 60. In 2008, Word Is Out's legacy was renewed with the release of a 35mm restoration made from the original 16mm color negatives and audio recordings under the auspices of the UCLA Film & Television Archive and Outfest Legacy Project for LGBT Film Preservation. The new version premiered at the Castro as part of the Frameline Film Festival and has played around the country to renewed appreciation. When the restoration premiered in New York, Village Voice critic Melissa Anderson called it "a revelation 32 years ago and still enormously powerful today...." Producer: Peter Adair, Nancy Adair, Andrew Brown, Rob Epstein, Lucy Massie Phenix, Veronica Selver Director: Nancy Adair, Peter Adair, Rob Epstein, Andrew Brown, Veronica Selver, Lucy Massie Phenix Cinematography: Peter Adair, Nancy Adair, Andrew Brown, Rob Epstein, Lucy Massie Phenix, Veronica Selver Music: Trish Nugent Cast: Harry Hay, Elsa Gidlow, Sally M. Gearhart, John Burnside, Nathanial Dorsky, Pat Bond, George Mendenhall, David Gillon. C-133m. by Frank Miller

Word is Out: Stories of Some of Our Lives - The 30th Anniversary Remastered DVD is Available 6/8


Thirty years ago, in 1978, WORD IS OUT: Stories of Some of Our Lives startled audiences across the country when it appeared in movie theaters and on television. The first feature-length documentary about lesbian and gay identity made by gay filmmakers, the film had a huge impact when it was released and became an icon of the emerging gay rights movement of the 1970s.

In honor of its place in our collective history, WORD IS OUT was selected for the Legacy Project for GLBT Film Preservation by Outfest and the UCLA Film & Television Archive. The original film negative was recently restored, and the re-mastered 35 mm print was shown at gala festival events at Outfest in Los Angeles and Frameline in San Francisco.

The 30th anniversary DVD will soon be mastered and will include the re-mastered, theatrical version of the film, exclusive updates on the cast and the filmmakers, and an homage to Peter Adair, originator and inspired producer of WORD IS OUT who died of AIDS in 1996. There was a private DVD release to project donors before public release of the DVD in 2009.

In 1978, WORD IS OUT startled audiences across the country when it appeared in movie theaters and later, television. The first feature-length documentary about lesbian and gay identity made by gay filmmakers, the film had a huge impact and became an icon of the emerging gay rights movement of the 1970s. When audiences saw the film, thousands wrote to the Mariposa Film Group's post office box number listed at the end credits to express how much the film meant to them - and many of them on how viewing the film saved their lives. Newly preserved to 35mm by the UCLA Film & Television Archives and the Outfest Legacy Project, WORD IS OUT is now available for a whole new generation. Ripe for rediscovery, it is at once a record of past struggles, an occasion for reflecting on how far we still have to go, and a masterpiece of the documentary form.

WORD IS OUT presents a mosaic of interviews with 26 gay and lesbian individuals who describe their experiences coming out, falling in and out of love, and struggling against prejudice and discriminatory laws. These interviewees – who range in age from 18 to 77, and in type from bee-hived housewife to sultry drag queen – include poet Elsa Gidlow, political activist Sally Gearhart, inventor John Burnside, civil rights leader Harry Hay, and avant-garde filmmaker Nathaniel Dorsky. But all deliver their testimony with extraordinary intelligence, grace, honesty, and conviction, creating a work of oral history that is profoundly engaging and deeply moving. Thirty years later, it is a record of the gay and lesbian experience in America near the start of the movement. WORD IS OUT is a precious and moving document whose relevance is almost entirely undimmed today. Thanks to the then-budding talent of an incredible roster of documentary filmmakers that made up Mariposa, the film is an important demonstration of the enormous power that can be achieved through unadorned, unadulterated personal testimony. It is truth told with humor, courage and tears.

PETER ADAIR
Peter Adair was born in Los Angeles County on November 22, 1943. Adair entered the film industry in the 1960s and first gained critical attention with his 1967 documentary "Holy Ghost People," a film record of a Pentecostal snake handler worship service in the Appalachians. From 1975 to 1977, he collaborated with his sister Nancy Adair and other members of the Mariposa Film Group to produce and direct "WORD IS OUT." The film, the first of its kind to present gays and lesbians in a positive light, was a critical hit nationwide. "WORD IS OUT" inspired Nancy to collaborate with Casey Adair, Peter and Nancy's mother, on a companion book, published in 1978. Peter Adair always chose the subject matter for his film based on his current passions, and "WORD IS OUT" was as much a vital part of his own coming out process as it was an attempt to show gays and lesbians in a very human and non-sensational manner.

In 1983 Peter Adair produced "Stopping History" and in 1984 acted as consultant and did additional camerawork on "The Times of Harvey Milk," directed by former Mariposa Group member Rob Epstein. That same year he worked with the Project Read adult literacy program of the San Francisco Public Library to produce a series of tutoring videos. As he began to see his friends in the art and film communities succumb to the plague of AIDS, Adair co-directed, with Rob Epstein, "The AIDS Show: Artists Involved in Death and Survival," one of the first films to examine AIDS' impact on the arts community, in 1986. When he became aware of his own HIV status, he wrote and directed "Absolutely Positive," an examination of how asymptomatic HIV positive people live with uncertainty. On June 27, 1996, Peter Adair finally succumbed to complications of AIDS at the age of 52 in San Francisco.

For more information, visit the Official web site.

Word is Out: Stories of Some of Our Lives - The 30th Anniversary Remastered DVD is Available 6/8

Thirty years ago, in 1978, WORD IS OUT: Stories of Some of Our Lives startled audiences across the country when it appeared in movie theaters and on television. The first feature-length documentary about lesbian and gay identity made by gay filmmakers, the film had a huge impact when it was released and became an icon of the emerging gay rights movement of the 1970s. In honor of its place in our collective history, WORD IS OUT was selected for the Legacy Project for GLBT Film Preservation by Outfest and the UCLA Film & Television Archive. The original film negative was recently restored, and the re-mastered 35 mm print was shown at gala festival events at Outfest in Los Angeles and Frameline in San Francisco. The 30th anniversary DVD will soon be mastered and will include the re-mastered, theatrical version of the film, exclusive updates on the cast and the filmmakers, and an homage to Peter Adair, originator and inspired producer of WORD IS OUT who died of AIDS in 1996. There was a private DVD release to project donors before public release of the DVD in 2009. In 1978, WORD IS OUT startled audiences across the country when it appeared in movie theaters and later, television. The first feature-length documentary about lesbian and gay identity made by gay filmmakers, the film had a huge impact and became an icon of the emerging gay rights movement of the 1970s. When audiences saw the film, thousands wrote to the Mariposa Film Group's post office box number listed at the end credits to express how much the film meant to them - and many of them on how viewing the film saved their lives. Newly preserved to 35mm by the UCLA Film & Television Archives and the Outfest Legacy Project, WORD IS OUT is now available for a whole new generation. Ripe for rediscovery, it is at once a record of past struggles, an occasion for reflecting on how far we still have to go, and a masterpiece of the documentary form. WORD IS OUT presents a mosaic of interviews with 26 gay and lesbian individuals who describe their experiences coming out, falling in and out of love, and struggling against prejudice and discriminatory laws. These interviewees – who range in age from 18 to 77, and in type from bee-hived housewife to sultry drag queen – include poet Elsa Gidlow, political activist Sally Gearhart, inventor John Burnside, civil rights leader Harry Hay, and avant-garde filmmaker Nathaniel Dorsky. But all deliver their testimony with extraordinary intelligence, grace, honesty, and conviction, creating a work of oral history that is profoundly engaging and deeply moving. Thirty years later, it is a record of the gay and lesbian experience in America near the start of the movement. WORD IS OUT is a precious and moving document whose relevance is almost entirely undimmed today. Thanks to the then-budding talent of an incredible roster of documentary filmmakers that made up Mariposa, the film is an important demonstration of the enormous power that can be achieved through unadorned, unadulterated personal testimony. It is truth told with humor, courage and tears. PETER ADAIR Peter Adair was born in Los Angeles County on November 22, 1943. Adair entered the film industry in the 1960s and first gained critical attention with his 1967 documentary "Holy Ghost People," a film record of a Pentecostal snake handler worship service in the Appalachians. From 1975 to 1977, he collaborated with his sister Nancy Adair and other members of the Mariposa Film Group to produce and direct "WORD IS OUT." The film, the first of its kind to present gays and lesbians in a positive light, was a critical hit nationwide. "WORD IS OUT" inspired Nancy to collaborate with Casey Adair, Peter and Nancy's mother, on a companion book, published in 1978. Peter Adair always chose the subject matter for his film based on his current passions, and "WORD IS OUT" was as much a vital part of his own coming out process as it was an attempt to show gays and lesbians in a very human and non-sensational manner. In 1983 Peter Adair produced "Stopping History" and in 1984 acted as consultant and did additional camerawork on "The Times of Harvey Milk," directed by former Mariposa Group member Rob Epstein. That same year he worked with the Project Read adult literacy program of the San Francisco Public Library to produce a series of tutoring videos. As he began to see his friends in the art and film communities succumb to the plague of AIDS, Adair co-directed, with Rob Epstein, "The AIDS Show: Artists Involved in Death and Survival," one of the first films to examine AIDS' impact on the arts community, in 1986. When he became aware of his own HIV status, he wrote and directed "Absolutely Positive," an examination of how asymptomatic HIV positive people live with uncertainty. On June 27, 1996, Peter Adair finally succumbed to complications of AIDS at the age of 52 in San Francisco. For more information, visit the Official web site.

Quotes

Trivia

Miscellaneous Notes

Released in United States 1977

Released in United States 1978

Released in United States 1994

Released in United States June 1997

Released in United States June 20, 1989

Released in United States November 1996

Released in United States on Video May 13, 1992

Re-released in United States on Video September 24, 1996

Shown at Margaret Mead Film & Video Festival in New York City November 8-14, 1996.

Shown at New York International Festival of Lesbian and Gay Film June 20, 1989.

Shown at San Francisco International Lesbian & Gay Film Festival June 20-29, 1997.

Released in United States 1977

Released in United States 1978 (Shown at FILMEX: Los Angeles International Film Exposition (Contemporary Cinema) April 13 - May 7, 1978.)

Released in United States 1994 (Shown in New York City (MOMA) as part of program "Gays and Film: Get Reel" June 17 - July 12, 1994.)

Released in United States November 1996 (Shown at Margaret Mead Film & Video Festival in New York City November 8-14, 1996.)

Released in United States on Video May 13, 1992

Released in United States June 1997 (Shown at San Francisco International Lesbian & Gay Film Festival June 20-29, 1997.)

Released in United States June 20, 1989 (Shown at New York International Festival of Lesbian and Gay Film June 20, 1989.)

Re-released in United States on Video September 24, 1996