Naqoyqatsi
Brief Synopsis
Cast & Crew
Godfrey Reggio
Mark Atkins
Michael Riesman
Al Deruiter
Andrew Sterman
Marlon Brando
Film Details
Technical Specs
Synopsis
In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world.
Director
Godfrey Reggio
Cast
Mark Atkins
Michael Riesman
Al Deruiter
Andrew Sterman
Marlon Brando
Yo-yo Ma
Alexandra Montano
Jon Gibson
Richard Peck
Madonna Louise Ciccone (madonna)
Eleanor Sandresky
Elton John
Lisa Bielawa
Jack Shamblin
Julia Louis-dreyfus
Crew
David Abelson
David Abelson
Dave Arnold
Michele Barrett
Joe Beirne
Joe Beirne
Carl Blair
Steve Boeddeker
Jeffrey Brown
Hector Castillo
John Crowley
Martin Czembor
John J Dowdell
Dan Dryden
Brant Fagan
Lauren Feeney
Russell Fine
Jonathan Forgash
Manuel Gaulot
Manuel Gaulot
Joe Gawler
Philip Glass
Philip Glass
Steve Goldin
Ray Hemenez
Ray Hemenez
Cameron Hickey
Jon Hokanson
Timothy Housel
Miroslav Janek
Miroslav Janek
Jon Kane
Jon Kane
Jon Kane
Jon Kane
Jim Keller
Judy Haas Kiphart
Francis Kuipers
Francis Kuipers
Mel Lawrence
Susan Lazarus
Bruce Lehto
Jeffrey Lew
Sophia Lin
Alisa Lomax
John Marxhausen
Christine Mcandrews
Monte Mcguire
Zachary David Medow
Sanja Milic
Jonathan Mintz
Bill Morrison
Michael Morton
Kurt Munkacsi
Federico Negri
Ellen Nylen
Robert Omer
Godfrey Reggio
Godfrey Reggio
Godfrey Reggio
Michael Riesman
Elizabeth Scheflow
Steven Soderbergh
Meryl Stavitz
Stan Szaba
Lawrence Taub
Jon Weston
Film Details
Technical Specs
Articles
Naqoyqatsi
The Qatsi movies are feature-length, non-narrative films. They consist of stunning visuals and hypnotic music from minimalist composer Philip Glass. And yet, what keeps them from merely being 90-minute experiments is that each movie has form and structure. They show that film can be composed and arranged like music, instead of the more traditional storytelling approach.
Each of the three films has a message that is approximated in the Hopi language, and the resulting Hopi word becomes the title of the film. Naqoyqatsi, roughly translated, means "war as everyday living" or "life as war."
To make his case that "life is war," Reggio shows pictures of soldiers, of athletes, and of political dissidents. He shows military training footage, science films, and images of world leaders, footage from crash tests and commercials. He also shows images of technology and mass media. He looks closely at the violent or insane images that most of us take for granted every day.
The images in Naqoyqatsi mostly come from other sources. In one of the DVD's extra features, visual designer Jon Kane says that 80 per cent of the footage for Naqoyqatsi is found footage. Only 20 per cent was photographed specifically for the film.
For example, Reggio shows American soldiers in super slow motion, belting out a song. At these slow speeds, they appear to be in distress, mouths open wide, faces distorted, every breath racking their entire body. He also shows two athletes competing fiercely, again in super slow motion. These athletes are so intent on beating the other guy that they are apparently oblivious to two facts revealed in the image, first, that they are participating in the "Goodwill Games," and second, that they are both on the same team.
Perhaps the strangest image of all is a beautiful, healthy-looking blonde woman, also shown in super slow motion, holding a hamburger and laughing merrily. Finally, a serious, sultry look comes across her face as she leans down to take a bite. When she bites it, her face becomes almost orgasmic. Clearly, some advertising firm thought they hit visual paydirt with this actress' performance, but Reggio sees it as evidence that the world has gone mad. By slowing it down and taking out of context, it's easy to see Reggio's point of view. This healthy-looking blonde begins to look like an insane, Orwellian representative of McWorld.
Naqoyqatsi is darker than the other two movies in the trilogy, both literally and metaphorically. Where the other films were shot in bright daylight or neon-lit nighttime, Naqoyqatsi almost exclusively uses footage that has been run through a computer. Landscapes and people are shown in negative or with solarization filters, resulting in a world that never sees the sun.
Naqoyqatsi is also the first film in the trilogy to use images created specifically for the film. (For example, zeroes and ones form a three-dimensional wormhole through which the "camera" flies.) This is a mixed blessing. It frees Reggio to make his visual points more directly, but by using those tricks it feels like he's cheating. In the previous films, the message was backed up by photographic "evidence" from the real world. Whether or not you believed life was "out of balance" (as the Hopi word "koyaanisqatsi" suggests), the visual case was built from photographs of the world, and not from digital pixels.
Luckily, you don't have to buy into the message to appreciate these films. They can be viewed as pure composition and form -- film as music. They are symphonies made of images and sound, and not just sound alone.
Earlier this year, MGM released the first two films on DVD. Now Miramax has released Naqoyqatsi on DVD. In addition to a pristine picture and Dolby Digital 5.1 surround sound, the disc has several special features. Reggio and producer Steven Soderbergh introduce the movie in a segment called "Life is War." Composer Philip Glass and cellist Yo-Yo Ma talk about the music in a chapter called "Music of Naqoyqatsi." Most impressively, the disc includes a 55-minute panel discussion at NYU wherein Reggio, Glass, and Visual Designer Jon Kane go into detail about the making and meaning of Naqoyqatsi.
To order Naqoyqatsi, go to TCM Shopping.
by Marty Mapes
Naqoyqatsi
Quotes
Trivia
Miscellaneous Notes
Released in United States Fall October 18, 2002
Released in United States on Video June 17, 2003
Released in United States 2002
Shown at Tulluride Film Festival August 30 - September 2, 2002.
Shown at Venice International Film Festival August 29- September 8, 2002.
This is the third film in Godfrey Reggio's trilogy along with Koyaanisqatsi (USA/1982) and Powaqqatsi (USA/1988).
Released in United States Fall October 18, 2002
Released in United States on Video June 17, 2003
Released in United States 2002 (Shown at Tulluride Film Festival August 30 - September 2, 2002.)
Released in United States 2002 (Shown at Venice International Film Festival August 29- September 8, 2002.)