Battle Beyond the Stars
Cast & Crew
Read More
Jimmy T. Murakami
Director
Robert Vaughn
George Peppard
Doug Carleson
Richard Thomas
Sam Jaffe
Film Details
MPAA Rating
Genre
Fantasy
Release Date
1980
Technical Specs
Duration
1h 44m
Synopsis
Director
Jimmy T. Murakami
Director
Cast
Robert Vaughn
George Peppard
Doug Carleson
Richard Thomas
Sam Jaffe
Lynn Carlin
John Saxon
Galen Thompson
Julia Duffy
Nate Esformes
Morgan Woodward
Lara Cody
Steve Davis
John Gowans
Marta Kristen
Earl Boen
Daniel Carlin
Lawrence Steven Meyers
Robert Reece
Whitney Rydbeck
Don Thompson
Sybil Danning
Terrence Mcnally
Darlanne Fluegel
Richard Davalos
Ansley Carlin
Jeff Corey
Ron Ross
Tom Henschel
Lanny Broyles
Crew
John Adams
Assistant Editor
Larry Albright
Lighting
Todd Allan
Production Assistant
Charles Balazs
Hair
Francesca Bartoccini
Props
Ben Batzdorff
Key Grip
Michael Bennett
Production Manager
Charles Breen
Art Director
Chris Brightman
Photography
Isabelle Brightman
Rotoscope Animator
Isabelle Brightman
Animator
Isabelle Brightman
Graphics
Steve Caldwell
Camera Operator
James Cameron
Miniatures
James Cameron
Photography
James Cameron
Art Director
Tom Campbell
Miniatures
Tom Campbell
Photography
Ed Carlin
Producer
Debra Chiate
Assistant Editor
Jim Childs
Consultant
Brian Chin
Miniatures
Chuck Comisky
Photography
Chuck Comisky
Visual Effects
Sharon Compton
Art Department Coordinator
Roger Corman
Executive Producer
Frank Demarco
Pyrotechnics
Don Dixon
Consultant
George D Dodge
Photography
Sue Dolph
Makeup
Marcia Dripchak
Digital Effects Supervisor
Jim Dultz
Props
Anne Dyer
From Story
Paul Elliott
Photography
Steven Elliott
Animator
Steven Elliott
Rotoscope Animator
Steven Elliott
Graphics
Judith Evans
Animator
Judith Evans
Rotoscope Animator
Judith Evans
Graphics
Mike Fairman
Production Assistant
Jan Ferris
Costume Department
Mary Ann Fisher
Associate Producer
Randall Frakes
Photography
Deborah Gaydos
Animator
Deborah Gaydos
Graphics
Deborah Gaydos
Rotoscope Animator
Roger George
Pyrotechnics
Alec Gillis
Miniatures
Daniel Gros
Graphics
Daniel Gros
Rotoscope Animator
Daniel Gros
Animator
Paul Sterling Hodara
Photography
Allan Holzman
Editor
James Horner
Music
Alan Howarth
Sound Effects
Dr. Ken Jones
Technical Director
Ronald Judkins
Sound
Sam Kearson
Consultant
Amy Kenney
Production Assistant
Sharon Kirkpatrick
Script Supervisor
R. J. Kizer
Editor
Akira Kurosawa
From Story
Daniel Lacambre
Director Of Photography
Betsy Macgruder
Production Coordinator
Robert Mains
Photography
Frank Martinez
Assistant Director
Austin Mckinney
Photography
Rene Meunier
Other
Wade Meyer
Production Assistant
Lisa Mionie
Casting
Joshua Morton
Photography
John Muto
Animator
John Muto
Graphics
John Muto
Rotoscope Animator
Steve Neill
Prosthetic Makeup
Mark Oper
Assistant Director
Gregory Orr
Production Assistant
Eric Peterson
Photography
Anthony Randel
Editor
Cliff Raven
Other
Peter Regla
Consultant
David Riley
Photography
John Sayles
Screenplay
John Sayles
From Story
James Sbardellati
Assistant Director
Jeff Shank
Assistant Editor
Connie Skotak
Miniatures
Dennis Skotak
Miniatures
Dennis Skotak
Photography
Robert Skotak
Visual Effects Designer
Robert Skotak
Miniatures
Charles Skouras
Production Coordinator
Dan Slater
Consultant
Dan Smith
Camera Operator
Rob Snyder
Production Assistant
Rick Stratton
Prosthetic Makeup
Carolyn Strauss
Photography
Carolyn Strauss
Titles
Patrick Sweeney
Photography
Jon Thaler
Editor
Pat Thompson
Miniatures
Paul Turner
Lighting
Nina Vlahos
Editor
Petro Vlahos
Technical Advisor
Gary Wagner
Photography
Mark Witzer
Production Assistant
Dorinda Rice Wood
Costumes
David Lewis Yewdall
Sound Editor
John Zabrucky
Set Decorator
Barry Zetlin
Animator
Barry Zetlin
Rotoscope Animator
Barry Zetlin
Graphics
Film Details
MPAA Rating
Genre
Fantasy
Release Date
1980
Technical Specs
Duration
1h 44m
Articles
Battle Beyond the Stars - BATTLE BEYOND THE STARS - Roger Corman's 1980 Sci-Fi Ripoff of The Seven Samurai
Battle Beyond the Stars was Corman's answer to the new Hollywood sci-fi blockbuster. The script is from John Sayles, whose screenwriting apprenticeship came from such Corman productions as Piranha and The Lady in Red, with a story credit shared with Anne Dyer, but the concept was from Corman himself: "The Seven Samurai in Space," with a few hints of Star Wars tossed in around the edges. Richard Thomas, fresh off six seasons of the folksy family TV drama The Waltons, plays the film's innocent, idealistic hero Shad. He's Luke Skywalker by way of John-Boy, a farmboy on a peaceful agrarian planet that looks like a counter-culture commune in ancient Greek garb. When the vicious warlord Sador (John Saxon) brings soldiers and his answer to the Death Star to their planet and gives them seven days to surrender, Shad sets out in a talking space ship (in the tradition of referring to vessels in the feminine, this one quite literally has a voluptuous pair of breasts protruding from the bow) to hire a fighting force of mercenaries to defend themselves from the invasion.
After a detour at a nearly abandoned space hub, where he manages to recruit the only single girl (Darlanne Fluegel) his age in the region, he starts putting together his team: a drawling smuggler who goes by the handle Space Cowboy (George Peppard, offering the film's answer to Han Solo), a lizard-like slaver with a grudge against Sador, a hive being of multiple clones in search of new sensations and experiences, a pair of heat-producing beings known as The Kelvin, a buxom Valkyrie warrior (Sybil Danning in a costume that barely covers her) in a mosquito of a fighting ship seeking battle glory, and in the film's inspired casting coup, Robert Vaughn as a jaded bounty hunter who joins their fight in exchange for "a meal and a place to hide." It's the same role he played in The Magnificent Seven, the original western remake of The Seven Samurai. Corman also casts a pair of respected Hollywood greats in small roles: Oscar nominated actor Sam Jaffe as a mad scientist who has wired himself directly into his space station and legendary acting teacher and character actor Jeff Corey as the blind tribal elder.
John Sayles manages to work some offbeat science-fiction ideas around the edges of an otherwise derivative plot and he even pays homage to the film's inspiration by naming the home planet Akir and its inhabitants Akira, a tribute to The Seven Samurai director Akira Kurosawa. But otherwise the script is a collection of clichés leavened by Sayles' wit and understated humor, which gives Thomas a chance to undercut his character's earnest seriousness with good-natured quips and embarrassed smiles.
Jimmy T. Murakami, an animator directing his first and only live-action feature, isn't much of a hand with actors, who have a tendency to overplay shamelessly. Saxon in particular plays the marauding warlord as a cut-rate Darth Vader, snarling and sneering at his dim underlings while turning his victims into a spare-parts yard for his medical rejuvenation campaign. More problematic is the film's lethargy; there's no momentum to the film, which jumps from one static scene to another with an awkward choppiness, and Murakami's eye for dramatic composition is lazy at best. One of the few inspired visual gags, a multi-species campfire reprieve the night before battle set to the harmonica stylings of the garrulous Space Cowboy, is so awkwarrdly posed that it undercuts the surreal humor of the situation.
More interesting is the model work and production design, the latter courtesy of an ambitious young set designer named Jim Cameron working on his first feature. Battle Beyond the Stars was Corman's most expensive production to that time and he was building a studio and a special effects unit while the picture was being prepared. When the production manager was let go, Cameron took charge--with the blessing of the crew--and delivered the film's numerous sets, multiple space ships and huge number of special effects on a shoestring budget. While they look cheap by contemporary standards, with unimaginatively staged space spectacle, the rag tag fleet itself is a delight of imagination and creative solutions on a production short on time, money and crew members.
The film's liveliest contribution comes from it young composer James Horner, who created a rousing, sweeping score that (in the great Corman tradition) sounded much bigger than his resources suggest. While it brings up comparisons to John Williams' score for Star Wars, Horner is actually drawing inspiration from the same sources as Williams, notably the scores of Erich Wolfgang Korngold on the great Warner swashbucklers, in particular the Errol Flynn adventures The Adventures of Robin Hood and The Sea Hawk. The bright, brassy themes give this space opera a nautical feel of epic battles on the high seas of space.
The new 30th Anniversary Edition is newly remastered for DVD and Blu-ray from the internegative and looks sharp if not always pristine; a couple of sequences show wear and minor damage. Both editions feature commentary by Roger Corman and John Sayles (from the 2002 DVD release), who apparently genuinely enjoy talking over the film and the old days of New World. Sayles explains his efforts to make each of the mercenaries a member of a different species with a different motivation and Corman is equally proud of the film's aesthetic triumphs ("The models were beautifully made," he observes) and the production's money-saving shortcuts. There is also a second solo commentary track by production manager Gale Anne Hurd.
The new half-hour featurette Shoestring Space Opera: The Making of Battle Beyond the Stars tells the behind-the-scenes story of the physical production from the perspective of the designers, special effects artists, model makers and editors in great detail. Richard Thomas offers an engaging reminiscence of the film and his career at the time in the 15-minute interview featurette "His Name Was Shad." Also features galleries of stills and posters, a radio spot and the trailer.
For more information about Battle Beyond the Stars, visit Shout Factory. To order Battle Beyond the Stars, go to TCM Shopping.
by Sean Axmaker
Battle Beyond the Stars - BATTLE BEYOND THE STARS - Roger Corman's 1980 Sci-Fi Ripoff of The Seven Samurai
When Star Wars became the smash hit of 1977 by turning B-movie adventure into
big-budget spectacle, drive-in mogul Roger Corman saw the writing across the stars. The
producer and former director had made his share of drive-in science fiction and space
adventures, but they had all been cobbled out of spare parts and imaginative art
direction, with simple miniatures and animation providing the space ships. Now Hollywood
was moving in on his brand of genre filmmaking and action fantasies with budgets he
couldn't match and he needed to raise his game to meet them.
Battle Beyond the Stars was Corman's answer to the new Hollywood sci-fi
blockbuster. The script is from John Sayles, whose screenwriting apprenticeship came from
such Corman productions as Piranha and The Lady in Red, with a story credit
shared with Anne Dyer, but the concept was from Corman himself: "The Seven Samurai
in Space," with a few hints of Star Wars tossed in around the edges. Richard
Thomas, fresh off six seasons of the folksy family TV drama The Waltons, plays the
film's innocent, idealistic hero Shad. He's Luke Skywalker by way of John-Boy, a farmboy
on a peaceful agrarian planet that looks like a counter-culture commune in ancient Greek
garb. When the vicious warlord Sador (John Saxon) brings soldiers and his answer to the
Death Star to their planet and gives them seven days to surrender, Shad sets out in a
talking space ship (in the tradition of referring to vessels in the feminine, this one
quite literally has a voluptuous pair of breasts protruding from the bow) to hire a
fighting force of mercenaries to defend themselves from the invasion.
After a detour at a nearly abandoned space hub, where he manages to recruit the only
single girl (Darlanne Fluegel) his age in the region, he starts putting together his team:
a drawling smuggler who goes by the handle Space Cowboy (George Peppard, offering the
film's answer to Han Solo), a lizard-like slaver with a grudge against Sador, a hive being
of multiple clones in search of new sensations and experiences, a pair of heat-producing
beings known as The Kelvin, a buxom Valkyrie warrior (Sybil Danning in a costume that
barely covers her) in a mosquito of a fighting ship seeking battle glory, and in the
film's inspired casting coup, Robert Vaughn as a jaded bounty hunter who joins their fight
in exchange for "a meal and a place to hide." It's the same role he played in The
Magnificent Seven, the original western remake of The Seven Samurai. Corman
also casts a pair of respected Hollywood greats in small roles: Oscar nominated actor Sam
Jaffe as a mad scientist who has wired himself directly into his space station and
legendary acting teacher and character actor Jeff Corey as the blind tribal elder.
John Sayles manages to work some offbeat science-fiction ideas around the edges of an
otherwise derivative plot and he even pays homage to the film's inspiration by naming the
home planet Akir and its inhabitants Akira, a tribute to The Seven Samurai director
Akira Kurosawa. But otherwise the script is a collection of clichés leavened by Sayles'
wit and understated humor, which gives Thomas a chance to undercut his character's earnest
seriousness with good-natured quips and embarrassed smiles.
Jimmy T. Murakami, an animator directing his first and only live-action feature, isn't
much of a hand with actors, who have a tendency to overplay shamelessly. Saxon in
particular plays the marauding warlord as a cut-rate Darth Vader, snarling and sneering at
his dim underlings while turning his victims into a spare-parts yard for his medical
rejuvenation campaign. More problematic is the film's lethargy; there's no momentum to the
film, which jumps from one static scene to another with an awkward choppiness, and
Murakami's eye for dramatic composition is lazy at best. One of the few inspired visual
gags, a multi-species campfire reprieve the night before battle set to the harmonica
stylings of the garrulous Space Cowboy, is so awkwarrdly posed that it undercuts the
surreal humor of the situation.
More interesting is the model work and production design, the latter courtesy of an
ambitious young set designer named Jim Cameron working on his first feature. Battle
Beyond the Stars was Corman's most expensive production to that time and he was
building a studio and a special effects unit while the picture was being prepared. When
the production manager was let go, Cameron took charge--with the blessing of the crew--and
delivered the film's numerous sets, multiple space ships and huge number of special
effects on a shoestring budget. While they look cheap by contemporary standards, with
unimaginatively staged space spectacle, the rag tag fleet itself is a delight of
imagination and creative solutions on a production short on time, money and crew members.
The film's liveliest contribution comes from it young composer James Horner, who created a
rousing, sweeping score that (in the great Corman tradition) sounded much bigger than his
resources suggest. While it brings up comparisons to John Williams' score for Star
Wars, Horner is actually drawing inspiration from the same sources as Williams, notably
the scores of Erich Wolfgang Korngold on the great Warner swashbucklers, in particular the
Errol Flynn adventures The Adventures of Robin Hood and The Sea Hawk. The
bright, brassy themes give this space opera a nautical feel of epic battles on the high
seas of space.
The new 30th Anniversary Edition is newly remastered for DVD and Blu-ray from the
internegative and looks sharp if not always pristine; a couple of sequences show wear and
minor damage. Both editions feature commentary by Roger Corman and John Sayles (from the
2002 DVD release), who apparently genuinely enjoy talking over the film and the old days
of New World. Sayles explains his efforts to make each of the mercenaries a member of a
different species with a different motivation and Corman is equally proud of the film's
aesthetic triumphs ("The models were beautifully made," he observes) and the production's
money-saving shortcuts. There is also a second solo commentary track by production manager
Gale Anne Hurd.
The new half-hour featurette Shoestring Space Opera: The Making of Battle Beyond the
Stars tells the behind-the-scenes story of the physical production from the
perspective of the designers, special effects artists, model makers and editors in great
detail. Richard Thomas offers an engaging reminiscence of the film and his career at the
time in the 15-minute interview featurette "His Name Was Shad." Also features galleries of
stills and posters, a radio spot and the trailer.
For more information about Battle Beyond the Stars, visit Shout
Factory. To order Battle Beyond the Stars, go to
TCM Shopping.
by Sean Axmaker
Quotes
Trivia
Miscellaneous Notes
Released in United States 1980
This film is a variation of Akira Kurosawa's "Shichinin no samurai."
Released in United States 1980