Stardust Memories


1h 29m 1980

Brief Synopsis

A film comedian attending a festival in his honor dreams of doing more serious work.

Film Details

MPAA Rating
Genre
Comedy
Drama
Romance
Release Date
1980

Technical Specs

Duration
1h 29m

Synopsis

Filmmaker Sandy Bates is currently suffering from a major creative block, failed relationships, and various other neuroses. The film follows Sandy as he attends a weekend retrospective of his films, where he is continually harassed by fans, friends, lovers, families, assorted hangers-on, and studio executives, who are all wondering when his next film will be made.

Cast

Woody Allen

Charlotte Rampling

Noel Behn

Bob Miranti

Roy Brocksmith

Bonnie Hellman

Howard Kissel

Bob Maroff

Richie Pratt

Sally Demay

Alice Spivak

Jack Hollander

Maurice Shrog

Carmen Mastrin

James Harter

Marie-christine Barrault

Max Leavitt

Sharon Brous

Madeline Moroff

Samuel Chodorov

Leonardo Cimino

Victoria Page

Judith Cohen

Arvell Shaw

Martha Whitehead

Sol Lomita

Robin Ruinsky

Tom Dennis

Rebecca Wright

Deborah Johnson

Edith Grossman

Michael Zannella

Kenny Vance

Manuella Machado

Irving Metzman

Renee Lippin

Mohammid Nabi Kiani

Anne Desalvo

E Brian Dean

Wade Barnes

Jaqui Safra

Doris Dugan Slater

Filomena Spagnuolo

Ken Chapin

Robert Munk

Robert Friedman

Gabriel Barre

Leslie Smith

Martha Sherill

Sloane Bosniak

Denise Danon

Michael Goldstein

Cynthia Gibb

Jade Bari

Stanley Ackerman

Larry Fishman

Jack Rollins

John Doumanian

Gabrielle Strasun

Frances Pole

Judith Crist

Victor Truro

Larry Robert Carr

Adrian Richards

Patrick Daly

Carl Don

Louise Lasser

Ann Freeman

Jessica Harper

Marc Geller

Bert Michaels

Amy Wright

Benjamin Rayson

Susan Ginsburg

Andy Albeck

Michel Touchard

Iryn Steinfink

Candy Loving

Daniel Eli Friedman

Sharon Stone

Earl Shendell

Robert Tennenhouse

James Otis

Perry Gewertz

Gustave Tassell

Tony Azito

Eric Van Valkenburg

Daniel Stern

Irwin Keyes

Jordan Derwin

Charles Lowe

Vanina Holasek

Henry House

Gardenia Cole

Charles Riggs

Bill Anthony

Joe Wilder

Liz Albrecht

Ann Risley

Joe Pagano

Brian Zoldessy

Victoria Zussin

Helen Hale

Dorothy Leon

Tony Roberts

Marvin Peisner

Marina Schiano

Neil Napolitan

Brent Spinner

John Rothman

Jerry Tov Greenburg

Ruth Rugoff

Laura Delano

Douglas Ireland

Judith Roberts

Wayne Maxwell

Helen Hanft

Simon Newey

Paula Raflo

Maureen P Levins

Hank Jones

Dominick Petrolino

Armin Shimerman

Judy Goldner

Philip Lenkowsky

Largo Woodruff

Annie Korzen

Barry Weiss

Lisa Friedman

Melissa Slade

Sylvia Davis

Marc Murray

Geoffrey Riggs

Frank Modell

Marie Lane

Mary Mims

Joseph Summo

Jacqueline French

Edward Kotkin

Dimitri Vassilopoulos

Crew

Woody Allen

Screenplay

Louis Armstrong

Song Performer

Randall Badger

Location Manager

Ary Barroso

Song

Count Basie

Song Performer

Sidney Bechet

Song

Sidney Bechet

Song Performer

Yudi Bennett

Assistant Director

Ben Bernie & Orchestra

Song

Fred Blankfein

Assistant Director

Mel Bourne

Production Designer

Fern Buchner

Makeup

Hoagy Carmichael

Music

Kenneth Casey

Song

Kay Chapin

Script Supervisor

Con Conrad

Song

Susan Danzig

Production Coordinator

Frank Eyton

Song

Benny Goodman And His Orchestra

Music

Johnny Green

Song

James W Greenhut

Production Assistant

Robert Greenhut

Producer

Brian Hamill

Photography

Lois Kramer Hartwick

Location Manager

Edward Heyman

Song

Jack Higgins

Sound

Cheryl Hill

Production Assistant

Dick Hyman

Music Arranger

Dick Hyman

Music

Dick Hyman

Other

Dick Hyman

Song Performer

Dick Hyman

Song

Carol Joffe

Art Department Coordinator

Charles H. Joffe

Executive Producer

Gus Jones

Song

Isham Jones

Song

Steven J Jordan

Set Decorator

Bert Kalmar

Song

Marie Lane

Song Performer

Ed Levy

Assistant Director

Santo Loquasto

Costume Designer

James Mazzola

Props

Glenn Miller

Song Performer

Glenn Miller

Song

Michael R Miller

Assistant Editor

Irving Mills

Theme Lyrics

Sidney Milton

Song

Dick Mingalone

Camera Operator

Michael Molly

Art Director

Susan E Morse

Editor

Modest Mussorgsky

Music

Kirk Nurock

Song

Roger Paradiso

Production Assistant

Mitchell Parish

Theme Lyrics

Patti Perret

Production Assistant

Michael Peyser

Production Manager

Maceo Pinkard

Song

Cole Porter

Song

Django Reinhardt

Song Performer

Helen Robin

Production Assistant

J. Russel Robinson

Song

Margaret Roiphe

Production Assistant

Jack Rollins

Executive Producer

Steve Rose

Production Assistant

Harry Ruby

Song

S K Russell

Song

James Sabat

Sound

Dan Sable

Sound Editor

Edgar Sampson

Music

Werner Scherer

Hair

Cosmo Sorice

Scenic Artist

James Sorice

Scenic Artist

Robert Sour

Song

Ezra Swerdlow

Unit Manager

Juliet Taylor

Casting

Bob Ward

Key Grip

Chick Webb

Song Performer

Gordon Willis

Director Of Photography

Lester Young

Song Performer

Lester Young

Song

Charles Zalben

Unit Manager

Film Details

MPAA Rating
Genre
Comedy
Drama
Romance
Release Date
1980

Technical Specs

Duration
1h 29m

Articles

Stardust Memories


The true acid test for any fan or critic who loves Woody Allen movies is Stardust Memories (1980), his misunderstood and generally maligned ninth feature. Obviously influenced by Fellini's 8 1/2 (1963), Stardust Memorie follows a prominent filmmaker named Sandy Bates to a weekend movie seminar at the Stardust Hotel in New Jersey where he is besieged by adoring fans and sycophants. Sandy no longer finds any personal satisfaction in his achievements or in his current relationships. And he is further incensed by the studio suits who want him to make funny movies when all he sees is human suffering everywhere.

There's no denying that Stardust Memories paints a bleak picture of Bates' profession with its stark black-and-white cinematography by Gordon Willis and a gallery of grotesque characters who wouldn't be out of place in a Diane Arbus photograph or a Hogarth painting. However, it is entirely speculative whether Sandy Bates is really an alter ego for Woody Allen. Though the director has denied it, many critics felt Allen was using this film to express his disgust with his audience, the critics, and the film industry in general. The New Yorker's Pauline Kael called the film "a horrible betrayal...a whiff of nostalgia gone bad," while Andrew Sarris of The Village Voice thought the film seemed "to have been shaped by a masochistic desire to alienate Allen's admirers once and for all." Even Charles Joffe, Allen's steadfast executive producer on most of his films, had his doubts. In an interview in The New York Times, Joffe said, "When I walked out of the first screening, I found myself questioning everything. I wondered if I had contributed over the past twenty years to this man's unhappiness." But for Allen, Stardust Memories was about an artist on the verge of a mental breakdown who viewed the world through a distorted state of mind.

Despite the controversy surrounding Stardust Memories, the film remains one of Allen's most complex and fascinating works. It was shot mostly in the Nassau area of Long Island with additional locations in Asbury Park, the old Filmways Studio in Harlem, and the Ocean Grove Great Auditorium, which served as the exterior of the Stardust Hotel. The 'Film Culture' weekend event in Stardust Memories is modeled on the Tarrytown film seminars organized by movie critic Judith Crist who also has a cameo in a flashback sequence. Andy Albeck, the former head of United Artists, also makes a brief appearance as a film mogul who is concerned that Bates' new movie won't be funny. And in the opening sequence of the film, you can spot Sharon Stone in her movie debut as the beautiful blonde who blows a kiss to Bates from the opposite train car window.

Among the many memorable scenes in Stardust Memories are the comic nightmare where Bates' 'hostility' goes on the rampage in Central Park, pursued by police and tracker dogs; the appearance of an extraterrestrial named Og who confesses he prefers the filmmaker's earlier films; a sequence which epitomizes Bates' idea of a perfect day with his former lover, Dorrie (Charlotte Rampling), accompanied by Louis Armstrong's rendition of "Stardust" on the soundtrack; a paranoid fantasy in which an autograph hound assassinates Bates. The latter sequence would prove to be prophetic when, just a few months later, former Beatle John Lennon was murdered outside his New York City residence by a psychotic fan.

Director: Woody Allen
Producer: Robert Greenhut, Charles H. Joffe (executive), Jack Rollins (executive)
Screenplay: Woody Allen
Cinematography: Gordon Willis
Editor: Susan E. Morse
Art Direction: Michael Molly
Music: Dick Hyman
Cast: Woody Allen (Sandy Bates), Charlotte Rampling (Dorrie), Jessica Harper (Daisy), Marie-Christine Barrault (Isobel), Tony Roberts (Tony), Daniel Stern (Actor).
BW-89m. Letterboxed.

by Jeff Stafford
Stardust Memories

Stardust Memories

The true acid test for any fan or critic who loves Woody Allen movies is Stardust Memories (1980), his misunderstood and generally maligned ninth feature. Obviously influenced by Fellini's 8 1/2 (1963), Stardust Memorie follows a prominent filmmaker named Sandy Bates to a weekend movie seminar at the Stardust Hotel in New Jersey where he is besieged by adoring fans and sycophants. Sandy no longer finds any personal satisfaction in his achievements or in his current relationships. And he is further incensed by the studio suits who want him to make funny movies when all he sees is human suffering everywhere. There's no denying that Stardust Memories paints a bleak picture of Bates' profession with its stark black-and-white cinematography by Gordon Willis and a gallery of grotesque characters who wouldn't be out of place in a Diane Arbus photograph or a Hogarth painting. However, it is entirely speculative whether Sandy Bates is really an alter ego for Woody Allen. Though the director has denied it, many critics felt Allen was using this film to express his disgust with his audience, the critics, and the film industry in general. The New Yorker's Pauline Kael called the film "a horrible betrayal...a whiff of nostalgia gone bad," while Andrew Sarris of The Village Voice thought the film seemed "to have been shaped by a masochistic desire to alienate Allen's admirers once and for all." Even Charles Joffe, Allen's steadfast executive producer on most of his films, had his doubts. In an interview in The New York Times, Joffe said, "When I walked out of the first screening, I found myself questioning everything. I wondered if I had contributed over the past twenty years to this man's unhappiness." But for Allen, Stardust Memories was about an artist on the verge of a mental breakdown who viewed the world through a distorted state of mind. Despite the controversy surrounding Stardust Memories, the film remains one of Allen's most complex and fascinating works. It was shot mostly in the Nassau area of Long Island with additional locations in Asbury Park, the old Filmways Studio in Harlem, and the Ocean Grove Great Auditorium, which served as the exterior of the Stardust Hotel. The 'Film Culture' weekend event in Stardust Memories is modeled on the Tarrytown film seminars organized by movie critic Judith Crist who also has a cameo in a flashback sequence. Andy Albeck, the former head of United Artists, also makes a brief appearance as a film mogul who is concerned that Bates' new movie won't be funny. And in the opening sequence of the film, you can spot Sharon Stone in her movie debut as the beautiful blonde who blows a kiss to Bates from the opposite train car window. Among the many memorable scenes in Stardust Memories are the comic nightmare where Bates' 'hostility' goes on the rampage in Central Park, pursued by police and tracker dogs; the appearance of an extraterrestrial named Og who confesses he prefers the filmmaker's earlier films; a sequence which epitomizes Bates' idea of a perfect day with his former lover, Dorrie (Charlotte Rampling), accompanied by Louis Armstrong's rendition of "Stardust" on the soundtrack; a paranoid fantasy in which an autograph hound assassinates Bates. The latter sequence would prove to be prophetic when, just a few months later, former Beatle John Lennon was murdered outside his New York City residence by a psychotic fan. Director: Woody Allen Producer: Robert Greenhut, Charles H. Joffe (executive), Jack Rollins (executive) Screenplay: Woody Allen Cinematography: Gordon Willis Editor: Susan E. Morse Art Direction: Michael Molly Music: Dick Hyman Cast: Woody Allen (Sandy Bates), Charlotte Rampling (Dorrie), Jessica Harper (Daisy), Marie-Christine Barrault (Isobel), Tony Roberts (Tony), Daniel Stern (Actor). BW-89m. Letterboxed. by Jeff Stafford

Quotes

Trivia

Miscellaneous Notes

Released in United States Fall October 1, 1980

Released in United States 1982

film extract "Hot Spot, Colter's Hell"

Released in United States Fall October 1, 1980

Released in United States 1982 (Shown at FILMEX: Los Angeles International Film Exposition ("Marathon of Mirth": Comedy Maratho) March 16 - April 1, 1982.)