Nunnally Johnson
About
Biography
Filmography
Family & Companions
Bibliography
Biography
Though not consistently successful, Johnson's overall output clearly marks him as one of the best scenarists to work within the Hollywood system. Prolific and versatile, he wrote or co-wrote impressive American portraits ("Jesse James" 1939, "The Grapes of Wrath" 1940), urban thrillers ("The Woman in the Window" 1944) and tough action capers ("Flaming Star" 1960, "The Dirty Dozen" 1967), as well as a host of memorable comedies. His occasional attempts during the 1950s to direct his own screenplays were generally less successful, though he did well enough by "The Man in the Gray Flannel Suit" (1956) and "The Three Faces of Eve" (1957). Johnson married actress Dorris Bowdon in 1940 and co-wrote the screenplay for "The World of Henry Orient" (1964) with his daughter Nora, author of the original novel.
Filmography
Director (Feature Film)
Cast (Feature Film)
Writer (Feature Film)
Producer (Feature Film)
Music (Feature Film)
Production Companies (Feature Film)
Writer (Special)
Special Thanks (Special)
Life Events
1927
Made feature debut (uncredited), co-wrote the screenplay for Frank Capra's "For the Love of Mike"
1931
Official screenwriting debut, also from story, "It Ought to Be a Crime"
1935
First feature as associate producer, also credited for his screenplay, "The Man Who Broke the Bank at Monte Carlo"
1937
Produced, "Cafe Metropole"
1943
Formed International Pictures; later absorbed by Universal
1950
TV debut as a writer on "Robert Montgomery Presents Your Lucky Strike Theater"
1954
Feature directorial debut, also wrote and produced, "Night People"
1958
Received credit for the TV series, "How to Marry a Millionaire", from his screenplay of the same title
1959
Produced final feature, also wrote and directed, "The Man Who Understood Women"
1960
Final feature as director, also credited for screenplay, "The Angel Wore Red"
1963
Served as a script consultant for the initial shooting of "Cleopatra"
1967
Final feature, wrote the screenplay for "The Dirty Dozen"