Jan Adele


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Girl Most Likely, The (1958) -- (Movie Clip) Gotta Keep Up With The Joneses Maybe not a surprise, this vigorous fantasy number to a Hugh Martin/Ralph Blaine original is choreographed by Gower Champion, Jane Powell the title character, Tommy Noonan (dubbed by Robert Oates) one of her three suitors, in Jane’s first film away from MGM, The Girl Most Likely, 1958.
Close Encounters Of The Third Kind (1977) -- (Movie Clip) Can You Tell Me Where Cornbread Is? On the first night of blackouts sweeping across Indiana, lineman Roy Neary (Richard Dreyfuss) encounters director Steven Spielberg’s gimmick with the headlights, and a famous sequence from special effects expert Douglas Trumbull, in Close Encounters Of The Third Kind, 1977.
La Chienne (a.k.a. The Bitch) (1931) -- (Movie Clip) You Spoil Me, Darling Some time into their affair, far-from-wealthy bureaucrat LeGrand (Michel Simon) ends an evening with his mistress Lulu (Janie Parèse), sending her up to the apartment he pays for, furnished with his own paintings, still unaware that she’s giving his money to her boyfriend and de facto pimp Dèdè (Georges Flamant), in Jean Renoir’s La Chienne, a.k.a. The Bitch, 1931.
La Chienne (a.k.a. The Bitch) (1931) -- (Movie Clip) Men Are Such Bores Jean Renoir directing his second sound feature, at a Paris art-scene salon, prostitute Lulu (Janie Parèse), who’s posing as fictional Clara, a suddenly popular painter, in a dancing-fight with her pimp-partner Dèdè (Georges Flamant) works with cohorts Alexandre Rignault, Pierre Desty and Lucien Mancini to schmooze a new customer (Jean Gehret), in La Chienne, a.k.a. The Bitch, 1931.
La Chienne (a.k.a. The Bitch) (1931) -- (Movie Clip) Get Your Claws In This Guy From director Jean Renoir, shooting on location in Paris, the first scene (following an earlier introduction) for Lulu (Janie Marèse) and Dèdè (Georges Flamant), meeting LeGrand (Michel Simon), the notoriously dull guy who chose not to attend the after-party following a company banquet, early in La Chienne, a.k.a. The Bitch, 1931.
La Chienne (a.k.a. The Bitch) (1931) -- (Movie Clip) Open, A Stirring Social Drama The opening credits to Jean Renoir’s sensational second sound feature (he first made a quick farcical comedy, to show producers his ability with the new medium), then a framing device, using puppets to introduce his stars, Michel Simon, Janie Marese and Georges Flamant, in La Chienne, a.k.a. The Bitch, 1931.
Steelyard Blues (1973) -- (Movie Clip) You Ain't Even Dangerous Opening in jail, Melvin Stewart the inmate harassing top-billed Donald Sutherland, whom we learn has been a demolition derby driver, among other things, from Steelyard Blues, also starring Jane Fonda, an early effort from the prolific TV director and professor Alan Myerson.
Steelyard Blues (1973) -- (Movie Clip) Where There Ain't No Jails Veldini (Donald Sutherland), just out of jail, with his crew (Jane Fonda as girlfriend Iris, John Savage his younger brother, Peter Boyle his often-institutionalized pal “Eagle”) visiting mechanic-thief Duval (Garry Goodrow), who’s proposing they rehabilitate a “flying boat” plane, in Steelyard Blues, 1973.
Steelyard Blues (1973) -- (Movie Clip) Put Your Thing On The Table Just-paroled Veldini (Donald Sutherland) visits his hooker girlfriend Iris (Jane Fonda) on the job, Roger Bowen her “John,” having a laugh, early in Steelyard Blues, 1973, co-starring Peter Boyle, John Savage and Howard Hesseman.
Taxi Driver (1976) -- (Movie Clip) Put Your Glasses On First scene for Albert Brooks as Tom and first speaking scene for Cybil Shepherd as Betsy, at the campaign office, certainly the funniest piece of Paul Schrader’s script, Robert DeNiro as title character Travis Bickle lurking outside, in Martin Scorsese’s Taxi Driver, 1976.
Taxi Driver (1976) -- (Movie Clip) You Talkin' To Me? Travis Bickle (Robert De Niro) in his apartment rehearsing, with profanity, in the most famous scene from Martin Scorsese's Taxi Driver, 1976, from Paul Schrader's screenplay.
Taxi Driver (1976) -- (Movie Clip) Forget About This The fleeting first appearance of Iris (Jodie Foster) and Matthew (Harvey Keitel) in the cab driven by Travis Bickle (Robert De Niro) in Martin Scorsese's Taxi Driver, 1976.

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