Brad Fiedel
About
Biography
Biography
Brad Fiedel began his career as a keyboard performer with singers Hall and Oates before turning to film scoring, working primarily in the horror and action genres. His breakthrough came with the dynamic underscoring for James Cameron's "The Terminator" (1984) which in turn led to more mainstream work on such films as "The Big Easy" (1986) and "The Accused" (1988). He reunited with Cameron on the pulsating and driving score to the sequel "Terminator 2: Judgment Day" (1994) and for "True Lies" (1994). Fiedel has also scored over 40 TV programs, including the TV-movies "Playing For Time" (CBS, 1980), "Second Serve" (CBS, 1986) and "Rasputin" (HBO, 1996). Among the show themes he composed are those for "Midnight Caller" (NBC, 1988) and "TimeCop" (ABC, 1997).
Filmography
Music (Feature Film)
Music (Special)
Misc. Crew (Special)
Music (TV Mini-Series)
Life Events
1970
At 19, worked as songwriter for Paul Simon's publishing company (date approximate)
1975
First film as composer, "Apple Pie"
1980
Provided the musical score to "Playing for Time" (CBS)
1984
First collaboration with James Cameron, "The Terminator"
1988
Wrote the theme music for the NBC drama "Midnight Caller"
1988
Scored "The Accused"
1991
Provided the music for Cameron's "Terminator 2: Judgement Day"
1994
Scored Cameron's "True Lies"
1996
Won critical praise for "Rasputin" (HBO)
1997
Wrote the theme to the short-lived ABC series "TimeCop"