Harriet Andersson


Actor
Harriet Andersson

About

Birth Place
Sweden
Born
January 14, 1932

Biography

A sensual, stunningly beautiful member of Ingmar Bergman's troupe, Harriet Andersson was featured in many of the director's early classics. Unlike other typical Swedish leading ladies, Andersson was dark-haired, but her outsider appearance was used to smoldering, even kittenish appeal. She began by performing dance halls while still a teenager and at age 18 made her screen debut in "Meda...

Family & Companions

Ingmar Bergman
Companion
Director, screenwriter. Together c. 1955-56.
Jorn Donner
Husband
Director, author, producer. Divorced.

Biography

A sensual, stunningly beautiful member of Ingmar Bergman's troupe, Harriet Andersson was featured in many of the director's early classics. Unlike other typical Swedish leading ladies, Andersson was dark-haired, but her outsider appearance was used to smoldering, even kittenish appeal. She began by performing dance halls while still a teenager and at age 18 made her screen debut in "Medan Staden Sover/While the City Sleeps" (1950). Bergman cast her two years later using her coarse but sensual appeal to good effect in "Summer with Monika" (It is a still photograph from this film that Jean-Pierre Leaud steals in Francois Truffaut's 1959 masterpiece "The 400 Blows.") For the director, she was often the lower-class girl, as in her circus performer in "Sawdust and Tinsel" (1953) or her maid Petra in the comic "Smiles of a Summer Night" (1955). Bergman elevated her somewhat as the schizophrenic in "Through a Glass Darkly" (1961) and the dying sister in "Cries and Whispers" (1972) but in their final screen collaboration "Fanny and Alexander" (1981) had her back as a kitchen maid.

Despite the international attention Andersson received for her work with Bergman, it was her husband Jorn Donner who offered her more substantial roles. She received a Best Actress citation from the 1964 Venice Film Festival as a married woman rediscovering the pleasures of sex and romance in Donner's "To Love." More recently, Andersson projected underlying rebellion as a sympathetic teacher in "Beyond the Sky" (1993).

Unlike her colleagues such as Bibi Andersson or Liv Ullmann who were also launched by Bergman, Andersson has made few international films. She made her English-language debut in Sidney Lumet's "The Deadly Affair" (1966), but seemed more at ease working with her countrymen. Andersson has made a handful of Swedish TV-movies, including "I HHHavsbandet" (1971), and occasional stage appearances, including playing Anne Frank in "The Diary of Anne Frank" in 1953 and Ophelia in "Hamlet."

Life Events

1949

Made professional stage debut

1950

Screen acting debut in "Medan staden sover/While the City Sleeps" (story by Ingmar Bergman; directed by Lars-Eric Kjellgren)

1952

First film collaboration with Ingmar Bergman as director, "Sommaren med Monika/Summer with Monika"

1953

Performed with a theater company in Malmo, Sweden

1956

Acted with Intiman theater company, Stockholm

1961

Performed with Halsingborg town theater

1963

Directed by Jorn Donner in "A Sunday in September"

1964

Won widespread acclaim for "Att Alska/To Love"

1966

First English language film, Sidney Lumet's "The Deadly Affair"

1970

Played title role in Donner's "Anna"

1972

Co-starred in Bergman's "Cries and Whispers"

1982

Played the kitchen maid in "Fanny and Alexander", directed by Bergman

1993

Starred in "Beyond the Sky"

Videos

Movie Clip

Loving Couples (1964) — (Movie Clip) Beware Of Women Introducing the third expectant mom at a pre-WWI Swedish hospital, Harriet Andersson as Agda in a reckless attempt to induce labor while the head doctor Lewin (Gunnar Björnstrand) muses contemptible attitudes to junior colleague Sam (Henrik Schildt), first-time director Mai Zetterling working from her script co-written with husband David Hughes, in Loving Couples, 1964.
Summer With Monika (1953) -- (Movie Clip) You May Kiss Me On their first date which she initiated, Harriet Andersson (title character) with pliable Harry (Lars Ekborg), early in director and co-writer Ingmar Bergman's tale of young working class Stockholmers, Summer With Monika, 1953.
Summer With Monika (1953) -- (Movie Clip) What Nice Long Legs Harriet Andersson (title character) has thrown a tantrum and left her parents' place, leaving new boyfriend Harry (Lars Ekborg) to improvise shelter for her, in his father's boat, early earthiness in director Ingmar Bergman's provocative Summer With Monika, 1953.
Deadly Affair, The -- (Movie Clip) Our Eyes Were Dewy Delight for John Le Carre fans, opening scenes with James Mason (as Dobbs), Robert Flemyng (as Fennan) and Harriet Andersson (as Ann), from The Deadly Affair, 1967, Sidney Lumet's faithful treatment of Le Carre's Call For The Dead.
Deadly Affair, The -- (Movie Clip) The Issues Were Clearer Every-straying wife Ann (Harriet Andersson) surprises husband Charles (James Mason) with the appearance of Austrian friend Dieter (Maximilian Schell), in Sidney Lumet's The Deadly Affair, 1967, from a John Le Carre novel.
Through A Glass Darkly (1961) -- (Movie Clip) Why Should Women Always Decide? Writer and director Ingmar Bergman’s opening, at distance introducing his only four characters, Gunnar Bjornstrand as father David, Harriet Andersson daughter Karin, Max von Sydow husband Martin, Lars Passgard the brother Minus, in the Best Foreign Language Film winner from 1961, Through A Glass Darkly.
Through A Glass Darkly (1961) -- (Movie Clip) The Artistic Haunting Hiding his own anguish from the others, author and father David (Gunnar Bjornstrand) is treated to a play, composed for his return home, by his son-in-law (Max von Sydow), his mentally ill daughter (Harriet Andersson) and unstable son (Lars Passgard), in Ingmar Bergman’s Through A Glass Darkly, 1961.
Through A Glass Darkly (1961) -- (Movie Clip) Women Are Horrible After a dramatic discussion, on a remote Swedish island, between her father and husband, of her incurable psychiatric condition, Karin (Harriet Andersson) speaks with her troubled brother Minus (Lars Passgard), Ingmar Bergman directing from his original screenplay, in Through A Glass Darkly, 1961.
Sawdust And Tinsel (1953) -- (Movie Clip) To Withstand Any Temptation Dressed up to win favor, traveling circus boss Albert (Ake Gronberg) and his mistress Anne (Harriet Andersson) visit the local theater, in hopes the director (Gunnar Bjornstrand) will lend some wardrobe, in Ingmar Bergman's Sawdust And Tinsel, 1953.
Sawdust And Tinsel (1953) -- (Movie Clip) To Hell With Your Boots In his hometown for the first time in three years, about to visit his wife and sons, traveling circus boss Albert (Ake Gronberg) gets the business from his mistress and colleague Anne (Harriet Andersson), in Ingmar Bergman's Sawdust And Tinsel, 1953.
Sawdust And Tinsel (1953) -- (Movie Clip) Cirkus Alberti Described in the credits as "A Broadside Ballad On Film From (writer and director) Ingmar Bergman," the opening with no dialogue and almost no people, then silent Ake Gronberg and sleeping Harriett Andersson, in Sawdust And Tinsel, 1953.
Cries And Whispers (1973) -- (Movie Clip) Mother Is In My Thoughts Director Ingmar Bergman resumes ailing Agnes’ (Harriet Andersson) internal monologue, and a flashback in which Liv Ullmann, already seen as her red-haired sister Maria, appears as her brunette mother, events at the same family estate in 19th century Sweden, in Cries And Whispers, 1973.

Trailer

Companions

Ingmar Bergman
Companion
Director, screenwriter. Together c. 1955-56.
Jorn Donner
Husband
Director, author, producer. Divorced.

Bibliography