Sacha Vierny


Director Of Photography

About

Birth Place
France
Born
August 10, 1919
Died
May 15, 2001

Biography

Vierny began his film career making news documentaries in Africa and shot his first feature, "Le Bel Age," in 1958. He is known for his crisp lighting and deep-focus photography and has often worked with Alain Resnais, notably on "Hiroshima Mon Amour" (1959) and "Last Year at Marienbad" (1961). In the 1980s, Vierny had become director Peter Greenaway's cinematographer of choice, reaching...

Biography

Vierny began his film career making news documentaries in Africa and shot his first feature, "Le Bel Age," in 1958. He is known for his crisp lighting and deep-focus photography and has often worked with Alain Resnais, notably on "Hiroshima Mon Amour" (1959) and "Last Year at Marienbad" (1961). In the 1980s, Vierny had become director Peter Greenaway's cinematographer of choice, reaching American audiences with the strikingly shot "The Cook, the Thief, His Wife and Her Lover" (1989) and "Prospero's Books" (1991). His final film was "The Man Who Cried" (2001), directed by Sally Potter.

Filmography

 

Cinematography (Feature Film)

The Man Who Cried (2000)
Director Of Photography
8 1/2 Women (1999)
Director Of Photography
Dormez, je le veux (1998)
Director Of Photography
The Pillow Book (1995)
Director Of Photography
The Baby of Macon (1993)
Director Of Photography
Prospero's Books (1991)
Director Of Photography
Prospero's Books (1991)
Camera Operator
The Cook, the Thief, His Wife and Her Lover (1989)
Director Of Photography
Drowning By Numbers (1988)
Director Of Photography
The Belly Of An Architect (1987)
Director Of Photography
L' Hypothese du Tableau Vole (1987)
Director Of Photography
Flugel und Felleln (1985)
Director Of Photography
A Zed & Two Noughts (1985)
Director Of Photography
L' Amour a mort (1984)
Director Of Photography
Clash (1984)
Director Of Photography
La Femme Publique (1984)
Director Of Photography
Les Trois couronnes du matelot (1983)
Director Of Photography
Beau Pere (1981)
Director Of Photography
Le Chemin Perdu (1980)
Director Of Photography
Mon Oncle D'Amerique (1980)
Director Of Photography
La Bravade Legendaire (1978)
Director Of Photography
La Vocation Suspendue (1977)
Director Of Photography
Baxter, Vera Baxter (1977)
Director Of Photography
Le Diable dans la boite (1977)
Director Of Photography
Stavisky (1974)
Director Of Photography
Les Granges Brulees (1973)
Director Of Photography
Le Moine (1973)
Director Of Photography
La Sainte Famille (1972)
Director Of Photography
Bof! L'Anatomie d'un livreur (1971)
Director Of Photography
Letter From Siberia (1970)
Director of Photography
Belle de jour (1968)
Director of Photography
La guerre est finie (1967)
Director of Photography
A Taste for Women (1966)
Director of Photography
The Season for Love (1963)
Director of Photography
Muriel (1963)
Director of Photography
Last Year at Marienbad (1962)
Director of Photography
Hiroshima, Mon Amour (1960)
Director Of Photography (France)
Night and Fog (1955)
Director Of Photography

Misc. Crew (Feature Film)

The Man Who Cried (2000)
Dp/Cinematographer
8 1/2 Women (1999)
Dp/Cinematographer
The Pillow Book (1995)
Dp/Cinematographer
Drowning By Numbers (1988)
Dp/Cinematographer
The Belly Of An Architect (1987)
Dp/Cinematographer
La Sainte Famille (1972)
Dp/Cinematographer
Hiroshima, Mon Amour (1960)
Dp/Cinematographer
Night and Fog (1955)
Dp/Cinematographer

Cinematography (Short)

Paris la belle (1959)
Cinematographer
Le Chant du Styrene (1958)
Director Of Photography
Diary of a Pregnant Woman (1958)
Cinematographer
Le Mystere de l'atelier Quinze (1957)
Director Of Photography

Misc. Crew (Short)

Paris la belle (1959)
Other

Life Events

1958

Worked on first feature, "Le Bel Age"

Videos

Movie Clip

Mon Oncle D`Amerique (1980) -- (Movie Clip) A Being's Only Reason From the start, narration we’ll learn is primarily from the behavioral scientist Henri Laborit, director Alain Resnais offering a montage of pictures, voices and film, ending with some biography on one of his principals, Jean, played by Roger Pierre, in Mon Oncle D’Amerique, 1980.
Mon Oncle D`Amerique (1980) -- (Movie Clip) Reasons, Excuses, Alibis Sort-of the first action scenes featuring the main characters, Gerard Depardieu as Rene, though he begins by narrating, then Roger Pierre, un-seen, as Jean, then more from scientist Henri Laborit, and finally Nicole Garcia as Janine, in director Alain Resnais’ celebrated Mon Oncle D’Amerique, 1980.
Mon Oncle D`Amerique (1980) -- (Movie Clip) These Three Brains Director Alain Resnais adjusts his mode, with his three principals now narrating their own back-stories, Roger Pierre as Jean, Nicole Garcia as Janine, Gerard Depardieu as Rene, and more non-narrative observations by scientist Henry Laborit, early in Mon Oncle D’Amerique, 1980.
Night And Fog(1955) -- (Movie Clip) Professing Ignorance Alain Resnais directs, shooting along the very tracks upon which Holocaust victims were delivered to Nazi, concentration camps, voice by Michel Bouquet, script by Jean Cayrol, from Night And Fog, 1955.
Night And Fog(1955) -- (Movie Clip) Even A Peaceful Landscape The opening to what Francois Truffaut once called “the greatest film ever made,” Alain Resnais directs, script by Jean Cayrol, narration by Michel Bouquet, from the essay-documentary Night And Fog, 1955.
Belle De Jour (1967) -- (Movie Clip) You Can Be Very Cruel A famous opening by director Luis Bunuel, using real time and sound to reveal both more and less than meets the eye, introducing young wife and husband Severine (Catherine Deneuve) and Pierre (Jean Sorel), from the celebrated Belle De Jour, 1967.
Belle De Jour (1967) -- (Movie Clip) You Should See A Specialist Director Luis Bunuel shooting on location in Alpes-Maritimes, France, Severine (Catherine Deneuve), troubled with sexual frustration and fantasies, with husband Pierre (Jean Sorel) and friend Renee (Macha Meril), joined by her creepy boyfriend Husson (Michel Piccoli), early in Belle De Jour, 1967.
Belle De Jour (1967) -- (Movie Clip) What's The Matter With You? Inexplicably seeking out a brothel at a Paris address provided to her by a scary friend, chaste housewife Severine (Catherine Deneuve) meets Madame Anais (Genevieve Page), with just a flash of fantasy from director Luis Bunuel, in Belle De Jour, 1967.
Belle De Jour (1967) -- (Movie Clip) Most Of Those Are Called Remorse After her first shift as a prostitute, Severine (Catherine Deneuve) escapes a date with husband Pierre (Jean Sorel), imagines him with friend Husson (Michel Piccoli), and tells Anais (Genevieve Page) she'd like more work, director Luis Bunuel making it seem normal, in Belle De Jour, 1967.

Bibliography