Pier Paolo Pasolini


Director, Screenwriter
Pier Paolo Pasolini

About

Birth Place
Bologna, IT
Born
March 05, 1922
Died
November 02, 1975
Cause of Death
Murdered

Biography

Pier Paolo Pasolini considered himself first and foremost a poet. But his poetic vision was of people who lived on the edge of society or outside the law, a vision that carried over into his filmmaking.The son of a committed Fascist officer, he graduated from the university in his hometown of Bologna and in rebellion against his father's political beliefs turned to communism. Conscripted...

Bibliography

"Petrolio"
Pier Paolo Pasolini, Pantheon (1997)
"Pasolini: Forms of Subjectivity"
Robert S C Gordon, Clarendon Press (1997)
"Pasolini Requiem"
Barth David Schwartz (1992)
"Una vita violenta/A Violent Life"
Pier Paolo Pasolini

Biography

Pier Paolo Pasolini considered himself first and foremost a poet. But his poetic vision was of people who lived on the edge of society or outside the law, a vision that carried over into his filmmaking.

The son of a committed Fascist officer, he graduated from the university in his hometown of Bologna and in rebellion against his father's political beliefs turned to communism. Conscripted for the army, he was taken prisoner by German forces following the Italian surrender to the Allies. He escaped and hid out with his family; being on the run and hiding out would become recurrent themes in his life and work.

In 1947 Pasolini became secretary of the communist party cell at Casarsa. Two years later, after he was accused of corrupting minors and fired from the Casarsa school where he taught, he moved to Rome with his beloved mother. Though he was an avowed atheist, communist and homosexual, he had great respect for his mother's simple beliefs, a respect which probably played a role in the making of his most celebrated film, "Il Vangelo Secondo Matteo/The Gospel According to St. Matthew," which won the special jury prize at the 1964 Venice Film Festival.

During the early 1950s, Pasolini was indicted for obscenity for his first novel, "Ragazzi di Vita." Though he continued writing fiction and poetry, he began to turn to film scripts as well, working under Federico Fellini on "Le Notti di Cabiria" (1956). His first film as a director was "Accatone" (1961), based on his own novel of a low-life crook and pimp in the slums of Rome. Two years later, he was back in trouble with the law when he was prosecuted for vilification of the Church for directing the """La Ricotta" segment of the anthology film "RoGoPag." Other Pasolini films of the 1960s included "Teorema" (1968), an allegory with Terence Stamp, and "Medea" (1970), with opera diva Maria Callas.

In the 70s Pasolini embarked on a series of films based on ribald classical literary works such as "The Decameron" (1971) and "The Canterbury Tales" (1972). His last film was the controversial "Salo" (1975): subtitled "The 120 Days of Sodom." This allegory of Fascist Italy was filled with savage violence, sadomasochism and a variety of other sexual depravities.

On November 2, 1975, Pasolini was murdered in a manner bizarre enough to come out of one of his films. He was bludgeoned to death near a soccer field by a 17-year old boy, who was later arrested for speeding in Pasolini's Alfa Romeo. The killer claimed Pasolini had made sexual advances to him.

Regarded abroad as one of the foremost filmmakers of his generation, Pasolini, was also, according to Susan Sontag, "indisputably the most remarkable figure to have emerged in Italian arts and letters since the Second World War." His personal vision was of a world of violence and sexuality, ranging from the shanty towns and city streets of contemporary Rome to the moral fantasies of Boccaccio and the Arabian Nights. His films are portraits of outsiders in violent struggle with their society, much of that concern reflecting his own inner turmoil.

Filmography

 

Director (Feature Film)

Medea (1990)
Director
Oedipus Rex (1990)
Director
Salo or the 120 Days of Sodom (1977)
Director
Arabian Nights (1974)
Director
Dodici dicembre 1972 (1972)
Director
The Canterbury Tales (1972)
Director
The Decameron (1971)
Director
Teorema (1969)
Director
Pigsty (1969)
Director
The Witches (1968)
Director of "The Earth As Seen From the Moon"
Accattone! (1968)
Director
The Hawks and the Sparrows (1967)
Director
The Witches (1967)
Director
The Gospel According to St. Matthew (1966)
Director
Ro.Go.Pa.G. (1963)
Director ("La Ricotta")
Mamma Roma (1962)
Director

Cast (Feature Film)

The Ashes of Pasolini (1993)
Himself
Oedipus Rex (1990)
A Futura Memoria di Pier Paolo Pasolini (1987)
Himself
The Canterbury Tales (1972)
Chaucer
The Decameron (1971)
Giotto
The Hunchback of Rome (1963)
Er Monco

Writer (Feature Film)

Oedipus Rex (1990)
Screenplay
Medea (1990)
Screenwriter
Calderon (1983)
Screenwriter
Calderon (1983)
Play As Source Material
Salo or the 120 Days of Sodom (1977)
Screenwriter
Arabian Nights (1974)
Screenwriter
Bawdy Tales (1973)
Screenwriter
The Canterbury Tales (1972)
Screenwriter
The Decameron (1971)
Screenwriter
Teorema (1969)
Screenwriter
Pigsty (1969)
Screenwriter
Accattone! (1968)
Screenwriter
The Witches (1968)
Screenplay for "The Earth As Seen From the Moon"
The Hawks and the Sparrows (1967)
Screenwriter
Ro.Go.Pa.G. (1963)
Screenwriter
Bell'Antonio (1962)
Screenwriter
La notte brava (1962)
Story-Screenplay
The Grim Reaper (1962)
Screenwriter
Mamma Roma (1962)
Screenwriter
The Grim Reaper (1962)
From Story
From a Roman Balcony (1961)
Screenwriter
From a Roman Balcony (1961)
Adaptation
That Long Night In 1943 (1960)
Screenplay
Death of a Friend (1959)
From Story
Young Husbands (1958)
Screenplay
Woman of the River (1958)
Screenwriter

Music (Feature Film)

Oedipus Rex (1990)
Original Music
Oedipus Rex (1990)
Music Coordinator
Castelporziano, Ostia Dei Poeti (1981)
Lyrics
The Canterbury Tales (1972)
Music Assistance
The Decameron (1971)
Music

Misc. Crew (Feature Film)

Ro.Go.Pa.G. (1963)
Other

Life Events

1954

First film as screenwriter, "La donna del Fiume"

1961

Feature film directing debut, "Accatone"

Videos

Movie Clip

Mamma Roma (1962) -- (Movie Clip) I've Freed Myself From The Noose! A newly-retired hooker (Anna Magnani, the title character) steals the show at the wedding of her pimp (Franco Citti. as "Carmine") in the opening scene of Pier Paolo Pasolini's Mamma Roma, 1964.
Mamma Roma (1962) -- (Movie Clip) Not Like Those Hicks Title character Anna Magnani, a just-retired prostitute, brings her son Ettore (Ettore Garofolo) home from the countryside to what has been her place of business in Pier Paolo Pasolini's Mamma Roma, 1964.
Accattone (1961) -- (Movie Clip) Can I Help You Plan Your Funeral? Opening scenes on the outskirts of Rome, idle guys somewhat led by barely-working pimp Franco Citti (title character, brother of the co-screenwriter Sergio), from poet and novelist Pier Paolo Pasolini's acclaimed first feature, Accattone, 1961.
Accattone (1961) -- (Movie Clip) She's Still Yelling Mournful pimp Franco Citti (title character), forcefully invited out by Salvatore (Umberto Bevilacqua) and other thugs visiting Rome from Naples, joined by Balilla (Mario Cipriani), director Pier Paulo Pasolini not revealing the danger they pose, in his first feature, Accattone 1961.
Accattone (1961) -- (Movie Clip) Accompanied By The Dead Very bad event for Maddalena (Silvana Corsini), Roman hooker, mother of five and the only girl run by the sympathetic title character (not seen here), out to do business with Salvatore (Umberto Bevilacqua) and others in his gang from Naples, in Pier Paolo Pasolini's Accattone, 1961.
Nights Of Cabiria -- (Movie Clip) She Lives The Life Second part of director Federico Fellini's opening, bystanders pull Giulietta Masina (Fellini's wife, title character) from the river she's been pushed into by a boyfriend who snatched her purse, from Nights Of Cabiria, 1957.
Nights Of Cabiria -- (Movie Clip) Best Dancer In Rome Starting over as a streetwalker, Giulietta Masina (title character) on a Roman evening with various associates including friend Wanda (Franca Marzi), in Nights Of Cabiria, 1957, directed by Masina's husband Federico Fellini.
Nights Of Cabiria -- (Movie Clip) Alberto Lazzari Reaching a standoff with a doorman, Giulietta Masina (title character) sets about work in Rome's Ostia neighborhood, when famous actor Alberto (Amedeo Nazzari) appears, with friend Jessy ("Dorian Gray"), in Federico Fellini's Nights Of Cabiria, 1957.
Nights Of Cabiria -- (Movie Clip) Stop Being So Jealous! Hiding in the hotel suite while actor Alberto (Amedeo Nazzari) makes up with Jessy ("Dorian Gray"), Giulietta Masina (title character) makes a getaway, in Nights Of Cabiria, 1957, directed by Federico Fellini.
Mamma Roma -- (Movie Clip) Opening Credits Opening credits with Vivaldi music for Pier Paolo Pasolini's second film, Mamma Roma, 1964, starring Anna Magnani.

Bibliography

"Petrolio"
Pier Paolo Pasolini, Pantheon (1997)
"Pasolini: Forms of Subjectivity"
Robert S C Gordon, Clarendon Press (1997)
"Pasolini Requiem"
Barth David Schwartz (1992)
"Una vita violenta/A Violent Life"
Pier Paolo Pasolini