Lionel Lindon

Director Of Photography

About

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Also Known As

Lionel A Lindon

Birth Place

Balboa, California, USA

Born

September 02, 1905

Died

September 20, 1971

Filmography

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Don't Push, I'll Charge When I'm Ready (1977)

Director Of Photography

Ransom for a Dead Man (1971)

Director Of Photography

Do You Take This Stranger? (1971)

Director Of Photography

Pendulum (1969)

Director of Photography

The Extraordinary Seaman (1969)

Director of Photography

Generation (1969)

Director of Photography

Photos & Videos

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I Want to Live (1958) -- (Movie Clip) Opening, Mulligan et al.

Grand Prix (1966) -- (Movie Clip) Belgian Grand Prix

Biography

Filmography

Cinematography (Feature Film)

Don't Push, I'll Charge When I'm Ready (1977)

Director Of Photography

Ransom for a Dead Man (1971)

Director Of Photography

Do You Take This Stranger? (1971)

Director Of Photography

Pendulum (1969)

Director of Photography

The Extraordinary Seaman (1969)

Director of Photography

Generation (1969)

Director of Photography

Three Guns for Texas (1968)

Director of Photography

The Trouble With Angels (1966)

Director of Photography

Boy, Did I Get a Wrong Number! (1966)

Director of Photography

Dead Heat on a Merry-Go-Round (1966)

Director of Photography

Grand Prix (1966)

Director of Photography

McHale's Navy Joins the Air Force (1965)

Director of Photography

The Manchurian Candidate (1962)

Director of Photography

Too Late Blues (1962)

Cinematographer

All Fall Down (1962)

Director of Photography

The Young Savages (1961)

Director of Photography

Alias Jesse James (1959)

Director of Photography

I Want to Live! (1958)

Bailout at 43,000 (1957)

Director of Photography

The Lonely Man (1957)

Director of Photography

The Black Scorpion (1957)

Director of Photography

The Big Caper (1957)

Director of Photography

Around the World in 80 Days (1956)

Director of Photography

The Scarlet Hour (1956)

Director of Photography

Lucy Gallant (1955)

Director of Photography

Hell's Island (1955)

Director of Photography

Conquest of Space (1955)

Director of Photography

A Man Alone (1955)

Director of Photography

Secret of the Incas (1954)

Director of Photography

Casanova's Big Night (1954)

Director of Photography

Director of Photography

Jamaica Run (1953)

Director of Photography

The Stars Are Singing (1953)

Director of Photography

Here Come the Girls (1953)

Director of Photography

Sangaree (1953)

Director of Photography

Tropic Zone (1953)

Director of Photography

The Vanquished (1953)

Director of Photography

Those Redheads from Seattle (1953)

Director of Photography

The Turning Point (1952)

Director of Photography

The Blazing Forest (1952)

Director of Photography

Japanese War Bride (1952)

Hong Kong (1952)

Director of Photography

Caribbean (1952)

Director of Photography

Submarine Command (1951)

Director of Photography

Director of Photography

Only the Valiant (1951)

Director of Photography

Drums in the Deep South (1951)

Director of Photography

The Sun Sets at Dawn (1951)

Director of Photography

Prehistoric Women (1950)

Director of Photography

The Great Rupert (1950)

Director of Photography

Destination Moon (1950)

Quicksand (1950)

Red, Hot and Blue (1949)

Fill-in Photographer

Without Honor (1949)

Director of Photography

Alias Nick Beal (1949)

Director of Photography

Top O' the Morning (1949)

Director of Photography

Isn't It Romantic (1948)

Director of Photography

The Sainted Sisters (1948)

Director of Photography

Tap Roots (1948)

Director of Photography

My Favorite Brunette (1947)

Director of Photography

Welcome Stranger (1947)

Director of Photography

Variety Girl (1947)

Director of Photography

The Trouble with Women (1947)

Director of Photography

Masquerade in Mexico (1946)

Director of Photography

Road to Utopia (1946)

Director of Photography

Monsieur Beaucaire (1946)

Director of Photography

Director of Photography

The Blue Dahlia (1946)

Director of Photography

Duffy's Tavern (1945)

Director of Photography

A Medal for Benny (1945)

Director of Photography

Going My Way (1944)

Director of Photography

Let's Face It (1943)

Director of Photography

Cinematography (TV Mini-Series)

Vanished (1971)

Director Of Photography

Misc. Crew (TV Mini-Series)

Vanished (1971)

Life Events

Videos

I Want to Live (1958) -- (Movie Clip) Opening, Mulligan et al. The prologue from San Francisco reporter Ed Montgomery, then Johnny Mandel's opening theme with an outrageous jazz band, Gerry Mulligan on baritone, Art Farmer trumpet, Shelly Manne on drums, in director Robert Wise's I Want to Live, 1958.

Grand Prix (1966) -- (Movie Clip) Belgian Grand Prix Straight racing with car-mounted cameras, on location at Circuit de Spa-Francorchamps in Spa, Belgium as James Garner, Yves Montand, Antonio Sabato and others roar through the Belgian Grand Prix in John Frankenheimer's Grand Prix, 1966.

Grand Prix (1966) -- (Movie Clip) Care To Come Watch My Debut? Director John Frankenheimer on location at Clermont-Ferrand, France, capturing complex tensions, as James Garner is driver Pete Aron, working for TV after getting fired for a wreck that injured Britisher Stoddard (Brian Bedford), whose actress wife (Jessica Walter) is still seeking publicity, Yves Montand his French driver pal, meeting Japanese mogul Toshiro Mifune, Eva Marie Saint a journalist, in Grand Prix, 1966.

Alias Nick Beal (1949) -- (Movie Clip) In Every Man There's An Imperfection Opening with Ray Milland briefly the voice of the title character, who won’t be introduced for some time, as we meet Thomas Mitchell as prosecutor Foster, and Fred Clark as crime boss Faulkner, John Farrow directing, from a story by Mindret Lord, in Alias Nick Beal, 1949.

Alias Nick Beal (1949) -- (Movie Clip) Wearing Sapphires And Silk Audrey Totter arresting in her first scene, making trouble, then rescued by the title character, Ray Milland, once again at the seedy waterfront bar where he first appeared, his motives for helping the crusading local D-A still unexplained, John Farrow directing, in Alias Nick Beal, 1949.

Alias Nick Beal (1949) -- (Movie Clip) Where'd You Come From Ray Milland as the title character makes his first appearance at a harbor gin joint, the bartender (James Burke) asking a question more pertinent than he realizes, and principled D-A Foster (Thomas Mitchell) arrives, following a dubious offer of evidence, early in Alias Nick Beal, 1949.

Manchurian Candidate, The (1962) -- (Movie Clip) I'm Kinda New At This Job Busy scene by director John Frankenheimer, Marco (Frank Sinatra) is press aide to the defense secretary (Barry Kelley), who is ambushed by Senator Iselin (James Gregory), husband of Angela Lansbury, the scheming mom of his fellow Korean War POW friend, in The Manchurian Candidate, 1962.

Manchurian Candidate, The (1962) -- (Movie Clip) Can You See The Red Queen? By outward appearances Raymond (Laurence Harvey), returned Korean War POW, is doing well, here coming home to a letter from Corporal Melvin (James Edwards), then his first alarming phone call, proposing solitaire, in The Manchurian Candidate, 1962, from George Axelrod's screenplay.

Manchurian Candidate, The (1962) -- (Movie Clip) My Two Little Boys Early on, we know only that returning Korean War hero Raymond (Laurence Harvey) was part of a squad kidnapped by the enemy, his mother (Angela Lansbury) and her husband, dopey senator Iselin (James Gregory), stealing the march, in John Frankenheimer's The Manchurian Candidate, 1962.

Manchurian Candidate, The (1962) -- (Movie Clip) Our American Visitors First scene for Marco (Frank Sinatra) since his capture in the Korean War, and first look at his dream, with the garden club lady (Maye Henderson), Chinese brain-washer Yen Lo (Khigh Dheigh), and fellow prisoner Raymond Shaw (Laurence Harvey), among others, in The Manchurian Candidate, 1962.

Manchurian Candidate, The (1962) -- (Movie Clip) Are You Arabic? Now on an leave from his Army P-R job after nearly cracking-up over his recurring Korean War prison camp dream, Marco (Frank Sinatra) meets sympathetic but wholly un-connected train passenger Rosie (Janet Leigh), in The Manchurian Candidate, 1962, from the Richard Condon novel.

Grand Prix (1966) -- (Movie Clip) I'm Rather Superstitious Director John Frankenheimer continues the split-screen technique established in the credits, at the start of the first race in Monaco, featuring commentary from drivers Brian Bedford, Antonio Sabato and star James Garner, Yves Montand also in the mix, in the opening scene from Grand Prix, 1966.

Bibliography

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