Birdman Of Alcatraz
Based on a 1955 biography by Thomas E. Gaddis,
Birdman of Alcatraz (1962) is the story of Robert Stroud, a hardened criminal who was convicted of a murder in Alaska and later killed a guard while serving time in Leavenworth Prison. Through the efforts of his mother, Stroud's death sentence was commuted to a life sentence at Alcatraz and it was there that he had a life-altering experience. After nursing a wounded sparrow back to health in his prison cell, Stroud devoted himself to the study of birds, eventually acquiring over 300 birds and establishing himself as one of the world's leading authorities on canaries.
Director Joshua Logan was originally slated to do the picture but that changed when the project was passed to producer Jack Cummings who dropped his option after encountering resistance from the U.S. Bureau of Prisons. Screenwriter Guy Trosper then took his script to executive producer Harold Hecht, who felt it offered a great role for his partner, Burt Lancaster. The actor not only agreed to play Stroud but became heavily involved in all the creative decisions, including the selection of the cast and crew. British director Charles Crichton, who was most famous for his comedies, soon proved to be an inappropriate choice for helming the feature and was fired after a week of filming. On the rebound, Hecht managed to get a commitment from director John Frankenheimer whom Lancaster had previously worked with on
The Young Savages (1961). Ironically, Frankenheimer had once been approached to do a live television drama about Robert Stroud, but it proved too difficult to film due to the unpredictable nature of working with birds on live TV, among other reasons.
According to Gary Fiskgall in his biography,
Against Type: The Life of Burt Lancaster, the filming of
Birdman of Alcatraz was an emotional experience for everyone. Lancaster said, "One of the problems an actor faces, and it's a very dangerous thing, is to get so involved in a role he loses control of what he is doing. With
Birdman of Alcatraz - I couldn't stop crying throughout the film. I mean, if there was a line when someone said, 'Sorry, Stroud, you can't have your parole,' I'd burst into tears."
Co-star Karl Malden, cast in the role of Warden Harvey Shoemaker, probably felt like crying too when he was faced with numerous rewrites of the script constantly. He would learn his lines the night before only to be confronted with pages of new dialogue to memorize at the morning's shoot. Later, he admitted that his on-set frustrations with Lancaster helped create the necessary on-screen dramatic tension between his character and Stroud's.
Frankenheimer faced a more serious dilemma than Malden. He was stuck with a final cut that ran four and a half hours. In
John Frankenheimer: A Conversation With Charles Champlin, the director said, "Lancaster had been offered a part in
Judgment at Nuremberg and he didn't know what to do. I said, 'You go do
Judgment at Nuremberg and we'll re-write the script.' That's what we did. Then we went back and re-shot the whole first part of the movie. As it happened, Burt now had to wear a toupee over his own hair. There's not a frame of the movie in which you see Burt's own hair. But the result was the movie you see. I was never allowed to meet the birdman, Robert Stroud. Lancaster finally saw him after the movie was completed. And Stroud himself was never allowed to see the movie. He died without having seen it."
Birdman of Alcatraz was nominated for four Academy Awards including Best Actor (Lancaster lost to Gregory Peck for
To Kill a Mockingbird), Best Supporting Actor (Telly Savalas - he lost to Ed Begley for
Sweet Bird of Youth), Best Supporting Actress (Thelma Ritter - she lost to Patty Duke for
The Miracle Worker), and Best Cinematography by Burnett Guffrey. Unfortunately, Elmer Bernstein's touching, evocative score was not nominated but it remains one of his career highpoints.
Producer: Harold Hecht (executive producer), Stuart Millar, Guy Trosper
Director: John Frankenheimer
Screenplay: Thomas E. Gaddis (book), Guy Trosper
Cinematography: Burnett Guffey
Film Editing: Edward Mann
Original Music: Elmer Bernstein
Principal Cast: Burt Lancaster (Robert Stroud), Karl Malden (Harvey Shoemaker), Thelma Ritter (Elizabeth Stroud), Neville Brand (Bull Ransom), Betty Field (Stella Johnson).
BW-149m. Letterboxed. Closed captioning.
by Jeff Stafford
Elmer Bernstein (1922-2004)
Elmer Bernstein, the film composer who created unforgettable music for such classics as
The Magnificent Seven,
To Kill a Mockingbird, and won his only Academy Award for
Thoroughly Modern Millie, died of natural causes at his Ojai, California home on August 17. He was 82.
Elmer Bernstein, who was not related to Leonard Bernstein, was born on August 4, 1922, in New York City. He displayed a talent in music at a very young age, and was given a scholarship to study piano at Juilliard when he was only 12. He entered New York University in 1939, where he majored in music education. After graduating in 1942, he joined the Army Air Corps, where he remained throughout World War II, mostly working on scores for propaganda films. It was around this time he became interested in film scoring when he went to see William Dieterle's
The Devil and Daniel Webster (1941), a film whose score was composed by Bernard Herrmann, a man Bernstein idolized as the ideal film composer.
Bernstein, who originally intended to be a concert pianist and gave several performances in New York after being discharged from military service, decided to relocate to Hollywood in 1950. He did his first score for the football film
Saturday's Hero (1950), and then proved his worth with his trenchant, moody music for the Joan Crawford vehicle
Sudden Fear (1952). Rumors of his "communist" leanings came to surface at this time, and, feeling the effects of the blacklist, he found himself scoring such cheesy fare as
Robot Monster;
Cat Women of the Moon (both 1953); and
Miss Robin Caruso (1954).
Despite his politics, Otto Preminger hired him to do the music for
The Man With the Golden Arm, (1955) in which Frank Sinatra played a heroin-addicted jazz musician. Fittingly, Bernstein used some memorable jazz motifs for the film and his fine scoring put him back on the map. It prompted the attention of Cecil B. De Mille, who had Bernstein replace the ailing Victor Young on
The Ten Commandments (1956). His thundering, heavily orchestrated score perfectly suite the bombastic epic, and he promptly earned his first Oscar® nod for music.
After
The Ten Commandments (1956), Bernstein continued to distinguish himself in a row of fine films:
The Rainmaker (1956),
Sweet Smell of Success (1957),
Some Came Running (1958),
The Magnificent Seven (a most memorable galloping march, 1960);
To Kill a Mockingbird (unique in its use of single piano notes and haunting use of a flute, 1962);
Hud (1963); earned a deserved Academy Award for the delightful, "flapper" music for the Julie Andrews period comedy
Thoroughly Modern Mille (1967), and
True Grit (1969).
His career faltered by the '80s though, as he did some routine Bill Murray comedies:
Meatballs (1980) and
Stripes (1981). But then director John Landis had Bernstein write the sumptuous score for his comedy
Trading Places (1983), and Bernstein soon found himself back in the game. He then graced the silver screen for a few more years composing some terrific pieces for such popular commercial hits as
My Left Foot (1989),
A River Runs Through It (1992) and
The Age of Innocence (1993).
Far From Heaven, his final feature film score, received an Oscar® nomination for Best Score in 2002. He is survived by his wife, Eve; sons Peter and Gregory; daughters Emilie and Elizabeth; and five grandchildren.
by Michael T. Toole