Still image from the 1973 film Summer Wishes, Winter Dreams.

Summer Wishes, Winter Dreams

Directed by Gilbert Cates

A New York City housewife faces a midlife crisis that forces her to re-consider her way of life.

1973 1h 35m Drama TV-14

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CAST
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Gilbert Cates, Director
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Gilbert Cates
Director

1

Joanne Woodward,
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Joanne Woodward

2

Martin Balsam,
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Martin Balsam

3

Lee Jackson,
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Lee Jackson

4

Ron Rickards,
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Ron Rickards

5

Peter Marklin,
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Peter Marklin

FULL SYNOPSIS

Rita and Harry are well-to-do New Yorkers with two grown children and every reason to be content. But Rita despairs over the triviality of her life. When her mother collapses and dies in her arms, Rita begins to dwell on childhood memories. Harry tries to comfort his wife by sending her on a European trip, but her visit is filled with turmoil when their homosexual son refuses to see her, and she becomes haunted by visions of her dead relatives. After a trip to the battlefield where Harry fought during the war, Rita is convinced that she must cease living in the past, and begins to renew her love for Harry, ultimately declaring peace with her family and herself.


VIDEOS
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Fairy Dust
Movie Clip
Better Or Worse
Movie Clip
Ben Mankiewicz Intro...
Hosted Intro

ARTICLES
In the early seventies, the social liberation of the '60s was still expanding the lives of young people and the generation of WWII was full into middle age, with all its potential malaise. Summer Wishes, Winter Dreams (1973) covers the generational spectrum of the era, with a focus on the older side. Joanne Woodward portrays Rita Walden, an aging New York wife/mother/daughter struggling with her place in a world that seems at once dull and unnavigable. She is a dissatisfied, unhappy person, combative with the people in her life – her grown daughter, mother and sister. Martin Balsam is Harry, her oculist husband, a mild man, patient with his wife's chronic bitterness. When Rita's mother (Sylvia Sidney) dies unexpectedly, Rita falls headlong into a midlife crisis that recalls many painful memories of the past. If the film title and its existential probing seem Bergmanesque, it's no accident. In one scene, Rita and her mother see a Bergman film together, Wild Strawberries (1957), in which the lead character, like Rita, faces his dawning mortality and begins to question his relationship with his family and the choices of his past. Like that character, Rita has frightening visions, mostly involving her adult son, who has fled to Amsterdam to be free of his parents' conventions and live with his boyfriend. Her regrets of how she's dealt with her son's homosexuality are a recurring theme in the film. Eventually, perhaps spurred on by his wife's crisis, Harry begins to gr...

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