Sweet Bird of Youth
One of Tennessee Williams' most corrosive and disturbing plays,
Sweet Bird of Youth was a smash success under Elia Kazan's direction on the Broadway stage but had a more difficult time making the transition to the silver screen. For one thing, MGM knew it was going to run into problems with the Production Code over the story: Chance Wayne, a gigolo with aspirations of becoming a Hollywood actor, is exploiting his relationship with a once-famous movie actress who has a weakness for alcohol and hashish. When the couple visit Wayne's hometown in Florida, some ugly town secrets involving Chance and the daughter of a corrupt local politician are finally exposed. The horrific ending of the play has Chance being castrated by some local roughnecks. Since the screen version couldn't be as explicit, director/screenwriter Richard Brooks completely re-wrote the ending and came up with a conclusion that is practically upbeat in comparison to the original fadeout.
Luckily, four of the most important cast members from the Broadway play - Paul Newman, Geraldine Page, Rip Torn, and Madeleine Sherwood - agreed to re-create their stage roles for the screen. Newman, cast again as Chance Wayne, was rapidly becoming a major Hollywood star and already had two Best Actor nominations under his belt (one for
Cat on a Hot Tin Roof (1958), the other for
The Hustler, 1961). While his performance in
Sweet Bird of Youth is commendable, it is Geraldine Page who steals the film as Alexandra Del Lago, a character who was originally inspired by Tallaluh Bankhead, a close personal friend of Tennessee Williams.
Most critics cite Page's famous telephone conversation scene with Walter Winchell as a dramatic highpoint and an ideal primer for aspiring actresses. "Mr. Brooks took a good deal of time with that scene," recalled Page in
A Look at Tennessee Williams by Mike Steen (Hawthorn Books, Inc.). "I remember that I was having such difficulty with it. It wasn't right...and I was sort of lying across the bed with the phone, hanging on to it in a complete state of demoralization. And Brooks came over to me and very quietly said, 'Now, there's no rush. Take it easy. There's plenty of time.' And he started talking away to kind of calm me down so I wouldn't get too discouraged. And as he was talking to me, it was the weirdest thing, I could feel the scene coming on. I could feel it gathering, and he's talking away at me, and I said, "Will you get out of here and let me act?" And he caught what I meant right away and just backed up and said very quietly to the cameraman to roll and that's the time I did it that's used in the film. But ordinarily nobody takes the time to try and capture it when it really takes off, you know, and that was marvelous."
In spite of a great performance, Geraldine Page, who was Oscar nominated for
Sweet Bird of Youth, didn't win the Academy Award that year. Instead, the Best Actress Oscar went to Anne Bancroft in
The Miracle Worker.
Sweet Bird of Youth also received nominations for Best Supporting Actor (Ed Begley in the role of the evil "Boss" Finley), and Best Supporting Actress (Shirley Knight as Chance Wayne's jilted and disgraced girlfriend, Heavenly Finley). Only Begley walked away a winner on Oscar night for a role that was originated on Broadway by Sidney Blackmer.
Director: Richard Brooks
Producer: Pandro S. Berman
Screenplay: Richard Brooks, based on the play by Tennessee Williams
Cinematography: Milton Krasner
Editor: Henry Berman
Art Direction: George W. Davis, Urie McCleary
Music: Harold Gelman
Cast: Paul Newman (Chance Wayne), Geraldine Page (Alexandra Del Lago), Shirley Knight (Heavenly Finley), Ed Begley (Tom "Boss" Finley), Rip Torn (Thomas "Tom" J. Finley, Jr.).
C-121m. Letterboxed. Close captioning.
by Jeff Stafford
TCM Remembers Paul Newman (1925-2008)
In Honor of Paul Newman, who died on September 26, TCM will air a tribute to the actor on Sunday, October 12th, replacing the current scheduled programming with the following movies:
Sunday, October 12 Program for TCM
6:00 AM The Rack
8:00 AM Until They Sail
10:00 AM Torn Curtain
12:15 PM Exodus
3:45 PM Sweet Bird of Youth
6:00 PM Hud
8:00 PM Somebody Up There Likes Me
10:00 PM Cool Hand Luke
12:15 AM Cat on a Hot Tin Roof
2:15 AM Rachel, Rachel
4:00 AM The Outrage
TCM Remembers Paul Newman (1925-2008)
Paul Newman, with his electric blue eyes and gutsy willingness to play anti-heroes, established himself as one of the movies' great leading men before settling into his latter-day career of flinty character acting. Born in Shaker Heights, Ohio, in 1925, Newman studied at the Yale Drama School and New York's Actors Studio before making his Broadway debut in
Picnic.
Newman's breakthrough in films came in
Somebody Up There Likes Me (1956), in which he played boxer Rocky Graziano. He quickly reinforced his reputation in such vehicles as
The Rack (1956) and
Cat on a Hot Tin Roof (1958), for which he won the first of nine Oscar® nominations as an actor.
In 1958, while shooting
The Long Hot Summer (1958) - which earned him the Best Actor award at the Cannes Film Festival - in Louisiana, he became re-acquainted with Joanne Woodward, who was the film's female lead. The two soon fell in love, and after divorcing Jackie, Newman and Woodward were married in Las Vegas in 1958. The couple appeared in numerous films together and had three daughters, which they raised far from Hollywood in the affluent neighborhood of Westport, CT.
The 1960s was a fruitful decade for Newman, who starred in such hits as
Exodus (1960),
Sweet Bird of Youth (1962) and
Butch Cassidy and the Sundance Kid (1969); and scored Oscar® nominations for
The Hustler (1961),
Hud (1963) and
Cool Hand Luke (1967).
Newman's political activism also came to the forefront during the sixties, through tireless campaigning for Eugene McCarthy's 1968 presidential campaign. His association with McCarthy led to his being named on future President Richard Nixon's infamous "Opponents List;" Newman, who ranked #19 out of 20, later commented that his inclusion was among the proudest achievements of his career.
Newman's superstar status - he was the top-ranking box office star in 1969 and 1970 - allowed him to experiment with film roles during the 1970s, which led to quirky choices like
WUSA (1970),
Sometimes a Great Notion (1971),
Pocket Money (1972), and
The Life and Times of Judge Roy Bean (1972) - all of which he also produced through First Artists, a company he established with fellow stars Sidney Poitier and Barbra Streisand.
After coming close to winning an Oscar® for
Absence of Malice (1981), Newman finally won the award itself for
The Color of Money (1986). He also received an honorary Oscar® in 1986 and the Jean Hersholt Humanitarian Award in 1994. A producer and director as well as an actor, Newman has directed his wife (and frequent costar) Joanne Woodward through some of her most effective screen performances [
Rachel, Rachel (1968),
The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1972)].
He remained active as an actor in his later years, playing the Stage Manager in
Our Town on both stage and television, lending his voice to the animated features
Cars (2006) and
Mater and the Ghostlight (2006). Off-screen, Newman set the standard for celebrity-driven charities with his Newman's Own brand of foods, which brought $200 million to causes, and the Hole in the Wall Gang camp for seriously ill children.
The Tennessee Williams Collection
The Tennessee Williams Film Collection -- an eight-disc DVD set containing the acclaimed
film adaptations of one of America's greatest playwrights - debuts April 11 from Warner Home
Video. The collection features the long-awaited DVD debuts of
Sweet Bird of Youth,
Night of the Iguana,
Baby Doll and The Roman Spring of Mrs. Stone along with a
newly remastered two-disc Special Edition of
A Streetcar Named Desire and single disc
Deluxe Edition of
Cat on a Hot Tin Roof. Also included is a bonus disc, the rarely seen
feature-length documentary,
Tennessee Williams' South.
Bonus materials in this collection include new making-of documentaries for each film, plus
expert commentaries, never before seen outtakes, rare screen tests with Brando, Rip Torn and
Geraldine Page, a radio broadcast with Brando from 1947 and vintage featurettes. Exclusive to
the collection is a special bonus disc,
Tennessee Williams' South, a feature-length
vintage documentary that includes remarkable interviews with Williams in and around New
Orleans, plus great scenes from Williams' plays especially filmed for this documentary,
including rare footage of Jessica Tandy as Blanche (the role she created in
A Streetcar
Named Desire) and Maureen Stapleton as Amanda in
The Glass Menagerie.
Williams -- from whose pen came stunning unforgettable characters, powerful portraits of the
human condition and an incredible vision of life in the South -- stands with Eugene O'Neill and
Arthur Miller as one of the three quintessentially eminent American playwrights.
Thomas Lanier Williams was born in Columbus, Mississippi, on March 26, 1911 and his southern
upbringing was reflected in the subjects, often based on family members, that he chose to write
about. He published his first short story at the age of sixteen and his first great Broadway
success was
The Glass Menagerie, starring Laurette Taylor that won the New York Drama
Critics' Circle award in 1945 as the best play of the season.
Williams himself often commented on the violence in his own work, which to him seemed part of
the human condition; he was conscious, also, of the violence in his plays. Critics who attacked
the "excesses" of Williams' work often were making thinly veiled assaults on his sexuality.
Homosexuality was not discussed openly at that time but in Williams' plays the themes of desire
and isolation show, among other things, the influence of having grown up gay in a homophobic
world.
A Streetcar Named Desire
A Streetcar Named Desire: 2-Disc Special Edition is a celebration of what is, perhaps,
Williams' greatest masterpiece. This edition features three minutes of footage that was deleted
from the final release version ( and thought lost until its rediscovery in the early 1990s)
that underscores, among other things, the sexual tension between Blanche DuBois (Vivien Leigh)
and Stanley Kowalski (Marlon Brando), and Stella Kowalski's (Kim Hunter) passion for husband
Stanley. The Legion of Decency required these scenes be cut in order for the film to be
released.
A Streetcar Named Desire depicts a culture clash between Blanche DuBois (Vivien Leigh),
a pretentious, fading relic of the Old South, and Stanley Kowalski (Marlon Brando), a rising
member of the industrial, inner-city immigrant class. Blanche is a Southern belle whose
pretensions to virtue and culture only thinly mask her nymphomania and alcoholism. Arriving at
the house of her sister Stella Kowalski (Kim Hunter), Stella fears Blanche's arrival will
upset the balance of her relationship with her husband Stanley, a primal, rough-hewn, brutish
and sensual force of nature. He dominates Stella in every way, and she tolerates his offensive
crudeness and lack of gentility largely because of her sexual need for him. Stanley's friend
and Blanche's would-be suitor Mitch (Karl Malden) is similarly trampled along Blanche and
Stanley's collision course. Their final, inevitable confrontation results in Blanche's mental
annihilation.
The film won Academy Awards for Best Actor in a Supporting Role (Karl Malden), Best Actress in
a Leading Role (Vivien Leigh) , Best Actress in a Supporting Role (Kim Hunter), and Best Art
Direction -- Set Decoration, Black-and-White. It was also nominated for Best Actor in a Leading
Role (Marlon Brando), Best Cinematography, Black-and-White, Best Costume Design,
Black-and-White, Best Director, Best Music, Scoring of a Dramatic or Comedy Picture, Best
Picture, Best Sound Recording and Best Writing, Screenplay. In 1999 the film was selected by
the United States Library of Congress for preservation in the National Film Registry.
Special Features Disc One:
- Commentary by Karl Malden and film historian Rudy Behlmer
- Elia Kazan movie trailer gallery
- Subtitles: English, Francais & Espanol (feature film only)
Special Features Disc Two:
- Movie and audio outtakes
- Marlon Brando screen test
- Elia Kazan: A Director's Journey documentary
- 5 new insightful documentaries:
o A Streetcar on Broadway
o A Streetcar in Hollywood
o Desire and Censorship
o North and the South
o An Actor Named Brando
Cat on a Hot Tin Roof: REMASTERED DELUXE EDITION
The raw emotions and crackling dialogue of Tennessee Williams' 1955 Pulitzer Prize play rumble
like a thunderstorm in this film version whose fiery performances and grown-up themes made it
one of 1958's top box-office hits.
Paul Newman earned his first Oscar® nomination as troubled ex-sports hero Brick. In a
performance that marked a transition to richer adult roles, Elizabeth Taylor snagged her
second. The film was nominated for six Academy Awards including Best Picture. Also starring
Burl Ives (repeating his Broadway triumph as mendacity-loathing Big Daddy), Judith Anderson and
Jack Carson,
Cat on a Hot Tin Roof sizzles.
Cat on a Hot Tin Roof is the story of a Southern family in crisis, focusing on the
turbulent relationship between Maggie the Cat (Elizabeth Taylor) and Brick (Paul Newman), and
their interaction with Brick's family over the course of a weekend gathering at the family
estate. Brick, an aging football hero, has neglected his wife and further infuriates her by
ignoring his brother's attempts to gain control of the family fortune. Although Big Daddy (Burl
Ives) has cancer and will not celebrate another birthday, his doctors and his family have
conspired to keep this information from him and his wife. His relatives are in attendance and
attempt to present themselves in the best possible light, hoping to receive the definitive
share of Big Daddy's enormous wealth.
Oscar® nominations were for Best Picture, Best Screenplay, Best Actor (Newman); Best
Actress (Taylor), Best Director (Richard Brooks) and Best Cinematography.
Special Features:
- Commentary by biographer Donald Spoto, author of The Kindness of Strangers: The Life of
Tennessee Williams
- New featurette
Cat on a Hot Tin Roof: Somebody Up There Likes Him
- Theatrical trailer
- Languages: English & Francais
- Subtitles: English, Francais & Espanol (feature film only)
Sweet Bird of Youth
Paul Newman, Geraldine Page, Rip Torn, Madeleine Sherwood and Ed Begley recreated their stage
roles in this bravura film version which featured Shirley Knight. Begley won Best Supporting
Oscar® and Page and Knight were nominated.
Sex, money, hypocrisy, financial and emotional blackmail are familiar elements in Williams'
literary realm and combine powerfully in
Sweet Bird of Youth as Chance (Newman) battles
his private demons in a desperate bid to redeem his wasted life and recapture his lost sweet
bird of youth.
Handsome Chance Wayne (Newman) never found the Hollywood stardom he craved, but he's always
been a star with the ladies. Now, back in his sleepy, sweaty Gulf Coast hometown, he's involved
with two of them: a washed-up, drug-and-vodka-addled movie queen. And the girl he left
behind…and in trouble.
Special Features:
- New featurette
Sweet Bird of Youth: Broken Dreams and Damaged People
- Never-before-seen Geraldine Page and Rip Torn screen test
- Theatrical trailer
- Languages: English & Francais
- Subtitles: English, Francais & Espanol (feature film only)
Night of the Iguana
With an outstanding cast headed by Richard Burton, Ava Gardner and Deborah Kerr, direction by
legendary John Huston and a steamy screenplay,
Night of the Iguana pulses with
conflicting passions and a surprising edge of knowing humor. Winner of one Academy Award and
nominated for three more, the film explores the dark night of one man's soul - and illuminates
the difference between dreams and the bittersweet surrender to reality.
In a remote Mexican seacoast town, a defrocked Episcopal priest (Richard Burton), ruined by
alcoholism and insanity, struggles to pull his shattered life together. And the three women in
his life - an earthy hotel owner (Ava Gardner), an ethereal artist (Deborah Kerr) and a
hot-eyed, willful teenager (Sue Lyons) - can help save him. Or destroy him.
Shot just south of Puerto Vallarta, Mexico, the tension-filled shoot put that small city on the
map. Due in no small part to the presence of non-cast member Elizabeth Taylor, the shooting of
the film during 1963 attracted large numbers of paparazzi, made international headlines, and in
turn made Puerto Vallarta world-famous.
Special Features:
- Commentary by John Huston
- New featurette The
Night of the Iguana: Dangerous Creatures
- Vintage featurette On the Trail of the Iguana
- 1964 premiere highlights
- Theatrical trailers
- Languages: English & Francais
- Subtitles: English, Francais & Espanol (feature film only)
Baby Doll
With
Baby Doll, as with
A Streetcar Named Desire, director Elia Kazan and writer
Tennessee Williams broke new ground in depicting sexual situations - incorporating themes of
lust, sexual repression, seduction, and the corruption of the human soul.
Time magazine called the film "just possibly the dirtiest American-made motion picture that has
ever been legally exhibited." The film caused a sensation in 1956, also earning condemnation by
the then-powerful Legion of Decency and causing Cardinal Spellman to denounce Doll from his
pulpit.
Baby Doll earned laurels too: four Academy Award nominations, Golden Globe Awards for
Baker and Kazan and a British Academy Award for Wallace. Watch this funny, steamy classic that,
as Leonard Martin's Movie Guide proclaims, "still sizzles."
The film centers around cotton-mill owner Archie (Karl Malden) who's going through tough times
but at least has his luscious, child-bride (Carroll Baker) with whom he'll be allowed to
consummate when she's 20. Rival Silva Vaccaro (Eli Wallach) thinks Archie may have set fire to
his mill and takes an erotic form of Sicilian vengeance.
Special Features:
- New featurette
Baby Doll: See No Evil
-
Baby Doll trailer gallery
- Subtitles: English, Francais & Espanol (feature film only)
The Roman Spring of Mrs. Stone
Widow Karen Stone is wealthy and beautiful. Her acting successes are a memory. She lives alone
in a luxury apartment overlooking the Roman steps where romantic liaisons take place. And
waits. She soon starts an affair with the young and expensive Paolo.
Vivien Leigh and Warren Beatty are lady and lover in this tender adaptation of a Tennessee
Williams novella directed by Broadway veteran Jose Quintero. Leigh won her second Oscar®
for Williams'
A Streetcar Named Desire; their reteaming creates a similar spell - at
once romantic, sinister and nearly explosive. Adding spice to the combustion of the two leads
are Best Supporting Actress Oscar® nominee Lotte Lenya as a Contessa who "arranges”
romances in which she has a financial stake and Coral Browne as Karen's savvy best friend.
Special Features:
- New featurette The Roman Spring of Mrs. Stone: I Can't Imagine Tomorrow
- Theatrical trailer
- Languages: English & Francais
- Subtitles: English, Francais & Espanol (feature film only)