To Each His Own (1946) - (Movie Clip) This May Sting A Little

Sting, The (1973) -- (Movie Clip) Lay Off The Skirts

An elaborate piece in the con game, Twist (Harold Gould) and J-J (Ray Walston) launch the fake paint job, as Hooker (Robert Redford) reels in the mark Lonergan (Robert Shaw), Ken Sanson the clueless Western Union functionary, in The Sting, 1973.

Sting, The (1973) -- (Movie Clip) Real Horse's Ass

Arriving in Chicago, referred by their deceased mutual friend Luther, grifter Hooker (Robert Redford) meets Billie (Eileen Brennan) and his dissolute partner-to-be Gondorff (Paul Newman), early in The Sting, 1973.

Sting, The (1973) -- (Movie Clip) We Usually Require A Tie

Now on the train, con artists Hooker (Robert Redford) and Gondorff (Paul Newman) check out the mark's pinched wallet, then join him (Robert Shaw as "Lonergan") for the crucial card game, in The Sting, 1973.

To Each His Own (1946) -- (Movie Clip) I Can't Give Him Up!

In one of many money-scenes, deep in flashback for middle-aged Jody (Olivia De Havilland), she's an un-married mother back home in the states in 1918, persuaded by her druggist father (Griff Barnett) she must not keep her child, then returning to contemporary London, in director Mitchell Leisen's To Each His Own, 1946.

To Each His Own (1946) -- (Movie Clip) Open, Miss Norris

Practically radio, after the credits, the dark but effective opening to Mitchell Leisen's To Each His Own, 1946, starring Olivia De Havilland, from Charles Brackett's original story.

Sting, The (1973) -- (Movie Clip) We Use The Wire

Billie (Eileen Brennan) brushes back cop Snyder (Charles Durning), as Hooker (Robert Redford), Gondorff (Paul Newman) and the gang (Ray Walston, Harold Gould, Jon Heffernan) plan the con, in The Sting, 1973.

Sting, The (1973) -- (Movie Clip) We're Millionaires!

The second scene, Depression-era Joliet, IL,introducing Hooker (Robert Redford), Luther (Robert Earl Jones), the "Erie Kid (Jack Kehoe), running a venerable scam on mob courier Mottola (James J. Sloyan), in George Roy Hill's depression-era caper comedy The Sting, 1973.