Carpetbaggers, The - (Original Trailer)

Carpetbaggers, The (1964) -- (Movie Clip) We're Known As A Liberal Newspaper

Further exposition as Jonas (George Peppard), a Howard Hughes-like figure in 1920’s aviation is shown to have a more extensive relationship than we knew with Monica (Elizabeth Ashley), daughter of industrial friendly-rival Winthrop (Tom Tully) who, unsuspecting, calls from downstairs, in the 1964 feature from the Harold Robbins novel, The Carpetbaggers.

Carpetbaggers, The (1964) -- (Movie Clip) The Fictional And Fabulous

Crisp Paul Frees narration soon justifies the aerial opening credit sequence, not quite indicating the salacious tone of the Harold Robbins novel, but George Peppard is introduced as the Howard Hughes-ey Jonas, and Alan Ladd as the grounded Nevada, in The Carpetbaggers, 1964, from producer Joseph E. Levine.

Carpetbaggers, The (1964) -- (Movie Clip) Bring Me My Robe

The notorious though mild nude scene, and a spike in the plot temperature, as brash Jonas (George Peppard) does exposition and moral trespass with Carroll Baker in her first scene as Rina, his gold-digging ex who married his suddenly-deceased industrialist father for money, early in The Carpetbaggers, 1964, from the Harold Robbins potboiler.

Carpetbaggers, The (1964) -- (Movie Clip) Evil Can Be Fun

High-living widow Rina (Carroll Baker) now in Hollywood after adventures in Paris is visited by Nevada (Alan Ladd), now a silent movie star, but formerly aide-de-camp to the industrial-aviation family he worked for, inquiring about Jonas (George Peppard, not seen) her ex-flame, son of her sugar-daddy husband, now head of the firm, in The Carpetbaggers, 1964, from the Harold Robbins best-seller.

Carpetbaggers, The (1964) -- (Movie Clip) The Best Torture

1925 Nevada, widow Rina (Carroll Baker) with her ex, playboy heir Jonas (George Peppard), whom she dropped for his rich industrialist father who has suddenly died, talking settlement and sex with remarkable explicit language from the steamy Harold Robbins novel, lacking only modern profanity, in The Carpetbaggers, 1964.