Where's Charley?


1h 37m 1952

Film Details

Genre
Musical
Adaptation
Comedy
Release Date
Aug 16, 1952
Premiere Information
New York opening: 26 Jun 1952
Production Company
Warner Bros. Pictures, Inc.
Distribution Company
Warner Bros. Pictures, Inc.
Country
Great Britain and United States
Location
Elstree, England, Great Britain; Oxford University, England, Great Britain
Screenplay Information
Based on the musical Where's Charley? book by George Abbott, music and lyrics by Frank Loesser, produced by Ernest Martin and Cy Feuer, in association with Gwen Rickard (New York, 11 Oct 1948), which was based on the play Charley's Aunt by Brandon Thomas (London, 1892).

Technical Specs

Duration
1h 37m
Sound
Mono (RCA Sound System)
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.37 : 1

Synopsis

In 1892, at Oxford University's Commemoration Day, roommates Jack Chesney and Charley Wykeham invite their girl friends, Amy Spettigue and Kitty Verdun, to their rooms for lunch, as Charley's rich aunt from Brazil, Doña Lucia d'Alvadorez, is expected to arrive by train and can act as chaperone. However, Doña Lucia, whom Charley has never seen, has not arrived when the girls show up, so they promise to return later. Jack's father, Sir Francis, arrives to tell Jack bad news: upon inheriting his title, Sir Francis also inherited debt, and now the Chesneys are noble, but poor. Before Sir Francis leaves, Jack suggests that he consider wooing Charley's aunt, who is a widow and millionaire. Then Charley gets a telegram saying Doña Lucia has been delayed, just as the servant Brassett announces that the girls have returned. As this will be their last opportunity to be together before the girls's guardian, Mr. Stephen Spettigue, takes them to Scotland, Jack convinces Charley to impersonate his aunt, so they will stay. Wearing a black bombazine dress from an upcoming amateur theatrical in which he will play an old woman, Charley is introduced as his "aunt" to the girls, and then to Spettigue and Sir Francis, who show up later. The group leaves to dine at the local pub, but Charley abruptly leaves them, disgusted by Spettigue's brash attempts to woo "Doña Lucia" for her money and anxious to visit with Amy as himself. After Sir Francis intimates to Jack that he is considering proposing to the "aunt," Jack proposes to Kitty when they are alone on the campus grounds. Meanwhile, Charley has changed clothes and proposes to Amy. However, their expressions of affection are interrupted by Spettigue, who was offended by Charley's brush-off at lunch and wants to take the girls away. To delay Spettigue, Charley tells him that his "aunt" is really attracted to him, just shy. Then, after sneaking away, Charley returns in the bombazine dress. With a flirtatious chase over the campus grounds, he eludes Spettigue, then refuses a marriage proposal from Sir Francis, before rushing off again. While Sir Francis rejoices that the unattractive "doña" has rejected him, an attractive woman enters the campus courtyard looking for Charley. When Sir Francis realizes that the woman is Lucy, an old flame whom he has not seen for twenty years, he tells her about Charley and his "aunt." Meanwhile, the girls ask Charley's "aunt" to convince Spettigue to write a letter giving consent for them to marry their beaus, although Amy fears that Charley's frequent disappearances indicate that he does not love her. Hampered by his disguise, Charley does his best to convince Amy that it is not true. Then the happily reunited Sir Francis and Lucy, who identifies herself as a widow, Mrs. Beverly Smythe, join the group and Lucy claims she knew Doña Lucia's husband intimately. During tea, urged by Lucy, Charley regales them with stories he makes up about life in Brazil. That evening at the Red Rose Cotillion, dressed as his "aunt," Charley convinces Spettigue to give his written consent for the girls to marry by accepting his proposal of marriage. After a quick change of clothes, Charley manages a dance with Amy, but then changes back to the bombazine in time for Spettigue to announce the engagements of his wards and himself. However, Charley's dress rips, revealing his identity and the betrayed Spettigue claims that the letter is invalid, as it is addressed to Doña Lucia. Lucy, who is attending the ball with Sir Francis, interrupts and takes possession of the letter, explaining that she is the doña, Charley's real aunt, and Spettigue leaves in a huff. Because of the letter, the two young couples are able to marry. Lucy forgives Charley for impersonating her and the cotillion continues.

Film Details

Genre
Musical
Adaptation
Comedy
Release Date
Aug 16, 1952
Premiere Information
New York opening: 26 Jun 1952
Production Company
Warner Bros. Pictures, Inc.
Distribution Company
Warner Bros. Pictures, Inc.
Country
Great Britain and United States
Location
Elstree, England, Great Britain; Oxford University, England, Great Britain
Screenplay Information
Based on the musical Where's Charley? book by George Abbott, music and lyrics by Frank Loesser, produced by Ernest Martin and Cy Feuer, in association with Gwen Rickard (New York, 11 Oct 1948), which was based on the play Charley's Aunt by Brandon Thomas (London, 1892).

Technical Specs

Duration
1h 37m
Sound
Mono (RCA Sound System)
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.37 : 1

Quotes

Trivia

Notes

David ffolkes's onscreen credit reads: "Art Direction and Costume Design by David ffolkes." The opening credits are followed by voice-over narration that describes Oxford University as the "mother of Anglo-Saxon learning." The film ends with curtain calls by the actors. As noted above, the Broadway musical comedy, Where's Charley?, was based on the 1892 British play Charley's Aunt by Brandon Thomas. According to a December 1950 New York Times news item, Warner Bros. acquired screen rights to the property for $200,000. Because copyrights on the Thomas play had not expired under British law, the studio had to pay the J. Arthur Rank Organisation, which owned the play rights, for foreign screen rights. The film was shot at the Associated British Pictures Corp. Studios in Elstree, England and on location at Oxford University, according to a February 1952 New York Times article. Dancers from the recently closed London production of Finian's Rainbow were hired for the chorus and Oxford students were used as extras, according to the same source.
       The film marked the film debuts of Robert Shackleton and seventy-year-old Horace Cooper, both of whom performed in the original cast of the Broadway musical. Also in the original Broadway cast were Ray Bolger and Allyn McLerie. Other films based on Charley's Aunt include Twentieth Century-Fox's 1941 Charley Aunt, directed by Archie Mayo and starring Jack Benny (see AFI Catalog of Feature Films, 1941-50) and two other Christie Film Co. productions bearing the same title: a 1925 version, which was directed by Scott Sidney, starring Sydney Chaplin, and a 1930 version, distributed by Columbia Pictures and directed by Al Christie, starring Charles Ruggles (see AFI Catalog of Feature Films, 1921-30).